Images at Librifly

Bronze stand, Imperial, 1st century A.D., Roman, Bronze, H. 6 in. (15.2 cm), Bronzes, A circular disk, set in a rim which rests on three legs. The legs terminate in paws and continue above into arabesque patterns in the spaces between the

Bronze statuette of Hermes seated on a rock, Imperial, 1st–2nd century A.D., Roman, Bronze, Height: 5 13/16 in. (14.8 cm), Bronzes, Adaptation of a Greek work of the 4th or 3rd century B.C.. Hermes was known to the Romans as Mercury. While

Large Head and Bust Portrait of the Oiran Hanaogi of Ogiya., Edo period (1615–1868), probably 1798, Japan, Polychrome woodblock print; ink and color on paper, 15 5/8 x 10 in. (39.7 x 25.4 cm), Prints, Chōkōsai Eishō (Japanese,

Palampore, late 18th century, Attributed to India, Cotton; plain weave, mordant painted and dyed, resist dyed, Textile: H. 100 in. (254 cm), Textiles-Painted and/or Printed, This type of dyed cloth, known as a palampore (from palangposh,

Emmy and Kitty - Tutzing, Bavaria, 1907, Autochrome , 18.1 x 13.1 cm, Transparencies, Frank Eugene (American, New York 1865–1936 Munich

Limestone statuette of a beardless male votary in Greek dress with a wreath of leaves, Late Archaic–Early Classical, early 5th century B.C., Cypriot, Limestone, Overall: 24 x 8 1/2 x 3 7/8 in. (61 x 21.6 x 9.8 cm), Stone Sculpture, The

Terracotta bell-krater (bowl for mixing wine and water), Classical, late 5th century B.C., Greek, Boeotian, Terracotta; red-figure, Other: 8 5/8 x 8 1/8 in. (21.9 x 20.6 cm), Vases, Obverse, head of a woman Reverse, palmette Although the

Visiting Komachi, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/16 in. (20.5 cm); W. 8 1/16 in. (20.5 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Yokohama Gankirō kodomo te odori no zu, Foreigners Enjoying Children's Kabuki at the Gankirō Tea House, Edo period (1615–1868), 1st month, 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 3/8 x 9

Terracotta psykter (vase for cooling wine), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, H. 11 7/8 in. (30.20 cm), Vases, Around the body, hoplites(foot soldiers) mounted on dolphins. This procession of identically

Belt Hook, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, W. 3/4 in. (1.9 cm); L. 2 1/8 in. (5.4 cm), Metalwork

Bell, Bronze, H.: 1 3/4 in. (4.4 cm), Bronzes

近江八景　堅田落雁, Returning Geese at Katata, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 6 13/16 in. (17.3 cm); W. 9 in. (22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Ermitage de Passy, 1863, Albumen silver print from glass negative, Image: 12 x 8.5 cm (4 3/4 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

Glass cantharus (cup with two handles), Early Imperial, 1st century A.D., Roman, Glass; blown, 4in. (10.2cm), Glass, Translucent blue green, with same color foot and handles. Solid beveled rim, with outward horizontal bulge below on exterior

Vase fragments, Neolithic, first period, Neolithic, Gonia, Terracotta, length 15/16in. (2.4cm), Vases

Jérusalem, Birket-Hammam-el-Batrak, 1854, Salted paper print from paper negative, Image: 23.5 x 33.2 cm (9 1/4 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Mirror, Greek, Cypriot, Bronze, Other: 4 1/2in. (11.4cm), Bronzes

Vase fragment, Classical, ca. 425–350 B.C., Greek, Laconian, Terracotta, 1 11/16 × 2 3/16 × 3/16 in. (4.2 × 5.5 × 0.5 cm), Vases

Creamer, 1760—1780, Made in Middelburg, Holland, Dutch, Silver, 6 3/8 x 4 15/16 in. (16.2 x 12.5 cm); 8 oz. 16 dwt. (273.8 g), Silver, Philippus Priee (1721–1793

Ruines du Palais de Karnac - Vue prise à l'extrêmité du Sanctuaire, 1849–50, Salted paper print from paper negative, Image: 6 3/8 × 8 7/16 in. (16.2 × 21.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　常州牛掘, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Virgin and Child Enthroned with Two Musical Angels, n.d., Engraving; first state, sheet: 11 x 7 5/16 in. (28 x 18.5 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Maerten de Vos (Netherlandish, Antwerp

Allegory of Fishery: Neptune and Amphitrite, n.d., Charcoal, stumped, black chalk, heightened with white, 18 7/8 x 14 3/4 in. (48 x 37.5 cm), Drawings, Gabriel François Doyen (French, Paris 1726–1806 St. Petersburg

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 13/16 in. (2.1 cm), Gold and Silver, Pendant in the form of a bull's head

A Young Woman Seated upon the Engawa of a House, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/4 in. (28.6 cm); W. 8 3/8 in. (21.3 cm), Prints, School of Suzuki Harunobu (Japanese,

商 青銅鼎, Tripod Cauldron (Ding), Shang dynasty (ca. 1600–1046 B.C.), 11th century B.C., China, Bronze inlaid with black pigment, H. 6 in. (15.2 cm); W. at handles 5 1/4 in. (13.3 cm), Metalwork, Four characters are cast on the inner

Necklace Comprising Nine Leaf-Shaped Pendants, late Central Javanese period, second half of the 9th–first quarter of the 10th century, Indonesia (Java), Gold, H. 1 1/8 in. (2.9 cm); W. 5 in. (12.7 cm); L. 15 1/4 in. (38.7 cm), Jewelry

A Palace, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, Image: 8 7/8 × 8 7/8 in. (22.5 × 22.5 cm), Paintings, Unidentified Artist

Approach to a Mountain Village with Horsemen on the Road, ca. 1501, Pen and brown ink, traces of black chalk; mounted on an album page, 11 3/4 x 8 1/8 in. (29.8 x 20.6 cm), Drawings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian,

Watercolor of musician playing jiaoluo, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Sage under Windy Tree, Qing dynasty (1644–1911), 18th–19th century, China, Fan mounted as an album leaf; ink on silk, 9 x 9 5/8 in. (22.9 x 24.4 cm), Paintings, Unidentified Artist

Emperor among Court Ladies, ca. 1880, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 3/8 in. (36.8 x 23.8 cm), Prints, Attributed to Yōshū (Hashimoto) Chikanobu (Japanese, 1838–1912

Calligraphy, Qing dynasty (1644–1911), 18th century or later, spurious date of 1492, China, Folding fan mounted as an album leaf; ink on gold paper, 6 7/8 x 19 15/32 in. (17.5 x 49.5 cm), Calligraphy, Unidentified Artist, After Wu Kuan

Faience amulet plaque of Isis nourishing a pharaoh, Third Intermediate Period, ca. 1090–900 B.C., Egyptian, Clay, glazed, H.: 1 1/4 in. (3.1 cm), Gold and Silver, Amulet plaque, Isis nourishing a king

Design for a University (entrance facade and plan), n.d., Ink and watercolor, sheet: 14 1/4 x 9 15/16 in. (36.2 x 25.2 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Model tambourine with rosette border, Bastet on one side, her boat with naos on the other, Third Intermediate Period, ca. 1070–712 B.C., From Egypt, Faience, h. 16 cm (6 5/16 in); w. 23.5 cm (9 1/4 in), Faience model tambourines such as

Oakley Cottage with Mr. St. John and Peter and Polly, 1853–56, Salted paper print, Image: 16.4 × 21.2 cm (6 7/16 × 8 3/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/4 x 1 1/2in. (4.4 x 3.8cm), Vases

River Scene with Birds and Bamboo, late Ming (1368–1644)–early Qing (1644–1911) dynasty, China, Handscroll; ink and mineral color on silk, 13 in. × 11 ft. 5 3/4 in. (33 × 349.9 cm), Paintings, Unidentified Artist, After Diao Guang

東魏 彩繪石雕佛像殘碑（石灰岩）, Buddha (Fragment from a Larger Stele), Eastern Wei dynasty (534–550), mid-6th century, China, Limestone with traces of pigment, H. 31 1/2 in. (80 cm); W. 10 1/2 in. (26.7 cm); D. 7 3/4 in. (19.7

Madonna with Eight Saints, ca. 1550–1600, Made in Northern Switzerland (?), Upper Rhenish, Linen warp; wool, silk, and metallic wefts, silk embroidery yarns, Overall: 36 x 88in. (91.4 x 223.5cm), Textiles-Tapestries

Kisoji no Sansen, 雪月花　木曽路之山川, Kisō Mountains in Snow, Edo period (1615–1868), 1857, Japan, Triptych of polychrome woodblock prints; ink and color on paper, A and B (each): 14 5/8 x 10 in. (37.8 x 25.7 cm), Prints,

Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　深川万年橋下, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome

Belt Hook, Eastern Zhou dynasty, Warring States period (475–221 B.C.), 4th–3rd century B.C., China, Bronze, L. 3 3/4 in. (9.5 cm); W. 1 5/16 in. (3.3 cm), Metalwork

Glass pendant in the form of a bull’s head, Late Hellenistic, late 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; cast in a two-part mold, H.: 13/16 in. (2.1 cm), Glass, Translucent cobalt blue., Solid, vertical pendant,

Procession of Carriages Carrying Booty: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1640–50, India (Gujarat), Ink and opaque watercolor on paper, Image: 9 in. × 7 1/2 in. (22.9 × 19.1 cm), Paintings, This scene of recovered booty

Ide no Yamabuki, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/4 in. (32.4 cm); W. 8 3/8 in. (21.3 cm), Prints, Rekisentei Eiri (Japanese, active ca. 1789–1801

Salt, 1755–65, Made in Charlestown, Massachusetts, United States, American, Silver, 1 3/8 x 3 1/4 in. (3.5 x 8.3 cm); 2 oz. 18 dwt. (89.7 g), Silver, Josiah Austin (1719/20–ca. 1780

Glass mosaic carinated dish fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 13/16 in. (2.2 x 4.6 cm); est. diameter of rim 6 5/16 in. (16 cm), Glass, Rim fragment., Translucent deep

La Frayeur, 1860s, Albumen silver print from glass negative, 9.8 x 10.8 cm. (3 7/8 x 4 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　常州牛掘, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Newhaven Fishwife, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Cherry Blossoms and Pine Cones, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 3/8 in. (21.3 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 1/2in. (8.9cm), Glass, Translucent pale blue green. Uneven rim, folded out, over, and in; small, flaring mouth; cylindrical neck, expanding downward and

Limestone lion from a statue of Herakles (?), Classical, 5th century B.C., Cypriot, Limestone, Overall: 6 1/4 x 5 x 2 in. (15.9 x 12.7 x 5.1 cm), Stone Sculpture, The lion gives the impression of pouncing; his mouth is open

Shield Bearer with the Ducal Arms of Saxony, ca. 1520, German, Augsburg, Honestone (Jurassic limestone), partially polychromed and gilt, Overall (confirmed): H. 19 3/8 x W. 8 1/8 x D. 6 3/16 in. (49.2 x 20.6 x 15.7 cm), Sculpture, The elegant

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 4 1/2in. (11.4cm), Glass, Translucent pale blue green. Fine rim folded out, over, and in; flaring mouth; cylindrical neck, with deep tooled

Saint-Maclou, Rouen, 1852–54, Salted paper print from glass negative, 34.4 x 25.6 cm (13 9/16 x 10 1/16 in.), Photographs, Edmond Bacot (French, 1814–1875), In December 1852, Edmond Bacot, a man of independent means living in Caen,

Gunner Working Up To Fowl, 1886, Platinum print from glass negative, Image: 18.9 x 28.8 cm (7 7/16 x 11 5/16 in.), Photographs, Peter Henry Emerson (British, born Cuba, 1856–1936

The Reverend Philip Cocks (1735–1797), late 1760s, Oil on canvas, 35 1/2 x 27 1/4 in. (90.2 x 69.2 cm), Paintings, Johan Joseph Zoffany (German, near Frankfurt 1733–1810 London), The artist, born near Frankfurt and trained in Rome, moved

Bronze statuette of a goose, Hellenistic, ca. 3rd–1st century B.C., Greek, Bronze, H. 4 13/16 in. (12.3 cm), Bronzes, Goose in midstride, looking left

Sutro Tunnel Shaft No. 2, 1875, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

共楽泰平貴顕図, Illustration of the Emperor Enjoying a Moment of Peace with his Family (Kyōraku taihei kiken zu), Meiji period (1868–1912), 1887, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 x 29 3/8 in.

Cameo of the Virgin and Child, ca. 1050–1100 (cameo); ca. 1800 (frame), Made in probably Constantinople, Byzantine, Agate cameo, gold frame, Overall: 3 1/16 x 2 1/8 x 1/4 in. (7.7 x 5.4 x 0.7 cm), Lapidary Work-Agate, Adrien Jean Maximilien

Embroidered Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 3 3/8 x 4 1/2 in. (8.56 x 11.43 cm), Textiles-Woven

Bullfinches and Cherry Blossoms, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 7 3/8 in. (20.6 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Mary of Burgundy, 1528, Oil on fir panel, 17 5/8 x 12 3/16 in. (44.8 x 31 cm); painted surface 17 5/16 x 12 in. (43.9 x 30.5 cm), Paintings, Master H.A. or A.H. (Austrian, Tirol (?), active late 1520s), Mary, duchess of Burgundy

The Kitchen of a Joroya., Edo period (1615–1868), ca. 1680, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 15 1/5 in. (25.7 x 38.6 cm), Prints, Hishikawa Moronobu (Japanese, died 1694), The preparation of food in the

Sobieski Stuart, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Terracotta sherd from a loutrophoros, Classical, ca. 440 B.C., Greek, Attic, Terracotta; red-figure, Other: 4.7 x 6.4 x 0.4 cm (1 7/8 x 2 1/2 x 3/16 in.), Vases

Bowl, 2nd–4th century, Peru, Nasca, Ceramic, H x W x D 3 3/8 x 5 1/2 x 7 3/4 in. (8.6 x 14 x 19.7 cm), Ceramics-Containers, Although finely decorated Nazca vessels were made in specialized workshops, recent discoveries in small habitation

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Diam.: 1 3/16 in. (3 cm), Glass, Bottom fragment., Translucent honey yellow, cobalt blue, and opaque white., Thick convex

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 1 11/16 × 1 3/16 in. (4.3 × 3 cm), Glass, Translucent cobalt blue. Rim folded out and over, with beveled edges; short, funnel-shaped neck, with deep tooled

White, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/16 x 7 3/16 in. (20.5 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Tunic Fragment, 7th–9th century, Peru, Wari, Camelid hair, cotton, Overall: 9 1/2 x 13 5/8 in. (24.13 x 34.61 cm), Textiles-Woven

The Actor Nakamura Nakazo as a Warrior, Edo period (1615–1868), 1716–1759, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 6 7/8 in. (37.8 x 17.5 cm), Prints, Torii Kiyoshige (Japanese, active ca. 1716–1759

Terracotta stirrup jar, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Terracotta, H. 4 11/16 in. (11.9 cm.), Vases, Bands and lattice triangles

Jar, Terracotta; black-glaze, H. 16.99 cm., Vases

[Elderly Man and Young Boy at Garden Fountain, Sicily, Italy], 1902, Albumen silver print from glass negative, 16.9 x 22.6 cm. (6 5/8 x 8 7/8 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

東海道五十三次　水口, Mizukuchi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

北宋 彩繪石雕僧伽和尚像 (石灰石), Monk Sengqie, Northern Song dynasty (960–1127), late 11th–12th century, China, Limestone with pigment, H. 35 in. (88.9 cm); W. 22 1/2 in. (57.2 cm); D. 20 1/2 in. (52.1 cm), Sculpture, This

Glass spindle whorl, Early to Mid Imperial, ca. 1st–2nd century A.D., Roman, Glass; rod-formed, trailed, and tooled, Overall: 3/8 x 7/8in. (1 x 2.2cm), Glass, Translucent cobalt blue, with opaque white trail. Tall, domed body; flat

Vallée d'Argelès près de la ferme de Despourreins. St-Sauveur, 1853, Salted paper print from paper negative, Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm), Photographs, Joseph Vigier (French, 1821–1862

Limestone votive thumb, Late Classical–Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, H. 2 3/4 in. (7 cm); Diam. 1 1/8 in. (2.9 cm), Miscellaneous-Stone, The thumb is vertical and painted red. The nail is well articulated; two

Necklace loop, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 1 5/8 in. (4.1 cm), Bronzes

Chalcedony scaraboid, Archaic, ca. 525–500 B.C., Greek, Chalcedony, width 1 3/16 in. (3 cm), Gems, Scaraboid gem engraved of a ship with steersman, oarsmen and warriors

The Actor Iwai Hanshiro as a Courtesan Reading a Love Letter while Mounted on a Black Ox, 「岩井半四郎図」, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 1/2 in. (29.2 x 14.0

Statuette of a woman votary, ca. 625–425 B.C., Greek, Laconian, Lead, Height: 1 5/16 in. (3.3 cm), Miscellaneous-Lead

One of Six Impressions from Worn Old Blocks, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, Overall: 9 7/8 x 13 1/2 in. (25.1 x 34.3 cm), Prints, Unidentified Artist Japanese, 18th century

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 3/16 in. (2 x 3.1 cm), Glass, Rim fragment of shallow bowl., Translucent purple, opaque white and yellow.,

Arles, St. Trophime, 1861 or after, Albumen silver print from glass negative, Image: 42.6 x 33.8 cm (16 3/4 x 13 5/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Manuscript Leaf with the Martyrdom of Saint Peter Martyr in an Initial P, from a Gradual, ca. 1270–80, Made in probably Naples, Italy, South Italian, Tempera and ink on parchment, 18 11/16 x 13 3/16 in. (47.5 x 33.5 cm), Manuscripts and

Fragment of a terracotta oinochoe (jug), Archaic, ca. 560–550 B.C., East Greek, Milesian, Fikellura, Terracotta, H. of a 5 3/4 in. (14.6 cm); length of b 3 1/2 in. (8.9 cm), Vases, On the shoulder, deer attacked by sphinxes and griffins,

Bone knife handle, 1st–2nd century A.D., Roman, Bone, H.: 2 13/16 in. (7.2 cm), With lion's head

Yoshizawa Iroha as a Woman Standing on the Engawa of a House by a River, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 7/8 in. (14.9 cm), Prints, Katsukawa Shunshō

Snow Landscape, Meiji period (1868–1912), ca. 1885–89, Japan, Album leaf; ink and color on silk, Image: 14 1/4 × 10 1/2 in. (36.2 × 26.7 cm), Paintings, Hashimoto Gahō (Japanese, 1835–1908

Three Young Women in a Garden where Nadeshiko Pinks are Growing, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 10 x 7 7/32 in. (25.4 x 18.4 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Peridot ring stone, Late Republican or Imperial, 1st century B.C.–2nd century A.D., Roman, Peridot, Length: 7/8 in. (2.2 cm), Gems, Apollo leaning on a pillar, bow in one hand Adaptation of a Greek work of the 4th century B.C

百人一首　乳母か縁説　中納言家持, Poem by Chūnagon Yakamochi (Ōtomo no Yakamochi), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1760–1849, Japan,