Images at Librifly

Studies of the trunk, blossoms and fruit of a wild apple tree (Malus sylvestris), 1788, Watercolor, over a sketch in black chalk or graphite. Double framing in pen and black ink., sheet: 21 x 14 15/16 in. (53.4 x 38 cm), Drawings, Ludwig

Terracotta fragment of a woman's head, Archaic, 6th–5th century B.C., Greek, Cretan, Terracotta, 3 1/8 in. x 2 7/8 in. (7.9 cm x 7.3 cm), Terracottas, The original work may have been a mask. Of note are the large ears

The Death of the Giant Shankachura: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), 1680–90, India (Bikaner), Ink and opaque watercolor on paper, Overall: 8 7/8 x 12 1/4in. (22.5 x 31.1cm), Paintings, As the songs of

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 2 1/8 in. (5.4 cm), Glass, Colorless with blue green tinge. Tubular rim folded out, over, and in; funnel-shaped mouth; short, concave neck; uneven, bulbous body;

Shield (Targone), dated 1807, Pisa, Tuscany, Italian, Pisa, Wood, paint, H. 38 1/2 in. (97.8 cm); W. 8 5/8 in. (21.9 cm), Shields, Each combatant in the gioco del ponte was equipped with a targone, a sturdy clublike shield that was unique

Glass mosaic inlay, Hellenistic, 1st century B.C.–1st century A.D., Egyptian, Roman, Glass; cast, Other: 1 5/16 in. (3.3 cm), Glass, Opaque yellow ground; decoration in opaque white, red, and greyish green, and translucent deep purple

Flintlock Gun, second quarter of the 19th century, Sindh, Indian, Sindh (now Pakistan); lock, British, Steel, ebony, gold, enamel, rubies, emeralds, textile, L. 58 7/8 in. (149.5 cm); L. of barrel 42 3/4 in. (108.6 cm); Cal. .56 in.

Pottery Whistle, Probably late postclassic (Pre-Columbian), ca. 1200–1521, Tlatelolco?, Mexico City, Mexico, Mexican, Clay, 2 5/16 × 1 5/16 × 1 1/4 in., 0oz. (5.8 × 3.3 × 3.2 cm, 22g), Aerophone-Whistle Flute-whistle

Bronze statuette of a ram, Hellenistic or Imperial, ca. 200 B.C.–A.D. 200, Cypriot, Bronze, H. 2 1/8 in. (5.41 cm), Bronzes, The ram had been used as the symbol on the coinage of the kings of Salamis in the late sixth and fifth centuries

Bingata Panel with Tree Peonies and Peacocks, 20th century, Japan (Ryūkyū Islands), Cotton tabby, 17 x 14 1/2 in. (43.2 x 36.8 cm), Textiles, Mrs. Teruyo Shinohara and her pupils

Red Lacquer Box and Water-Pot, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Cento Favole Morali (100 moral fables), 1570, Printed book with woodcut illustrations, 8 7/16 x 6 5/16 x 11/16 in. (21.4 x 16 x 1.7 cm), Books, Illustrations designed by Giovanni Maria Verdizotti (Italian, Venice 1525–1600 Venice), The

Fountains Abbey. General Western Front, 1850s, Albumen silver print, Image: 22.5 x 27.9 cm (8 7/8 x 11 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

[Avenue, Mess and Capt. Hill's House], 1850s, Albumen silver print, Image: 17.9 x 23.1 cm (7 1/16 x 9 1/8 in.), Photographs, Captain R. B. Hill

Terracotta tripod pyxis (box), Late Corinthian, 2nd half of the 6th century B.C., Greek, Corinthian, Terracotta, H.: 2 1/8 in. (5.4 cm), Vases, Decorated with lotus buds

亜墨利加人, Amerikajin, 1862, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm), Prints, Utagawa Yoshikazu (Japanese, active ca. 1850–1870

Trade Card of Samuel Spencer, Furniture Maker, late 17th–early 18th century, Engraving, sheet: 9 1/16 x 6 3/4 in. (23 x 17.2 cm), Prints, Samuel Spencer (British, late 17th–early 18th century

Terracotta neck-amphora (jar), Archaic, ca. 560–550 B.C., Greek, Attic, Terracotta; black-figure, H. 14 7/16 in. (36.7 cm), Vases, While the function of a particular vase shape remained quite constant, the manner of decoration allowed many

Djebel-Aboucir - Rive gauche de la Seconde Cataracte, March 25, 1850, Salted paper print from paper negative, Image: 6 in. × 8 11/16 in. (15.2 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

今様源氏紫絹蛍遊び, Modern Genji – Firefly Viewing (Imayō genji shiken hotaru asobi), Edo period (1615–1868), 1861, Japan, Central sheet of a triptych; polychrome woodblock print, ink and color on paper, Image: 14 1/2 × 10 1/16

Terracotta relief plaque with head of Medusa, Hellenistic, 2nd century B.C., Greek, Terracotta; mold-made, H. 1 9/16 in. (4 cm.), Terracottas, Intact. No color remains

Fudō Myōō (Acalanātha), Nanbokuchō period (1336–92), Japan, Painted and lacquered wood, with gold foil, H. 13 3/4 in. (34.9 cm); W. 6 in. (15.2 cm); D. 3 1/4 in. (8.3 cm), Sculpture, Expressive carving and exquisite decoration in cut

Heliophila, 1839, Photogenic drawing, 17.3 x 17.5 cm (6 13/16 x 6 7/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Bronze handle attachment, Imperial, 2nd century A.D., Roman, Bronze, Total height 3 1/2 in. (8.9 cm), Bronzes, This handle attachment is one of a pair, that were likely used to connect the swing handle of a situla or wine bucket

松に鳥文皿　肥前焼・, Edo period (1615–1868), ca. 1624–43, Japan, Porcelain with underglaze blue (Hizen ware, early Imari type), Diam. 15 5/8 in. (39.7 cm); H. 4 3/8 in. (11.1 cm), Ceramics

Cauldron, Shang dynasty (ca. 1600–1046 B.C.), China, Iron, H. 14 1/2 in. (36.8 cm); Diam. 17 in. (43.2 cm); Diam. of rim 19 in. (48.3 cm); Diam. of foot 11 in. (27.9 cm), Metalwork

The Third Segawa Kikunojo as a Woman Standing, Holding a Fan, Edo period (1615–1868), 12th month, 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 17/32 in. (32.7 x 14.1 cm), Prints, Katsukawa Shun'ei (Japanese,

Pezzo di merletto, 1839, Photogenic drawing, 19 x 13.9 cm (7 1/2 x 5 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Bes-image of the god Hor-Asha-Khet, Late Period–Ptolemaic Period, 4th–2nd century B.C., From Egypt, Bronze; gold, electrum, auriferous-silver, copper and copper-alloy inlays, H. 16.8 cm (6 5/8 in.) [20 cm (7 7/8 in.) with tang]; W. 9.6 cm

The Triumph of the Eucharist, Christ as the Man of Sorrows supported by two angels standing in a chalice, ca. 1550–1600, Woodcut, Sheet: 10 1/2 × 6 15/16 in. (26.6 × 17.7 cm), Prints, Anonymous, Italian, 16th century

Carnelian ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 1/2 in. (1.3 cm), Gems, Herakles sitting on a rock holding his son Telephos

Standing Cup, ca. 1900, Made in Concord, New Hampshire, United States, American, Gold, Overall: H. 14 3/8 in. (36.5 cm); Diam. 5 1/16 in. (12.9 cm); 2559.6 Grams (82 Troy Ounces), Metal, This chalice epitomizes Beaux-Arts sensibilities,

Terracotta rim of a vase, Middle Helladic, ca. 2000–1600 B.C., Helladic, Terracotta; Yellow Minyan ware, Other: 1 3/8in. (3.5cm), Vases, Yellow Minyan ware

Five Rulers at New Year's Reception, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 20 1/2 x 75 3/4 in. (52.1 x 192.4 cm), Paintings, Unidentified Artist, In the style of Wu Zongyuan (Chinese, died

[Trees], 1900s–1910s, Gum bichromate print, Photographs, Frederick H. Evans (British, London 1853–1943 London

Print, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Column, ca. 1400, Made in probably Veneto, Italy, North Italian, Limestone (Broccato Rosso di Verona), Overall: 126 1/4 x 18 1/4 x 18 1/4 in. (320.7 x 46.4 x 46.4 cm), Sculpture-Architectural

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 2 1/4 in. (5.7 cm), Glass, Small unguentarium. Colorless with pale greenish tinge. Slanting tubular rim folded out, over, and in; cylindrical

Coombe Martin Bay, 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Cylinder seal and modern impression: pharaoh wearing Double Crown, kneeling figures below vultures holding shn symbols; ankh, Old Syrian, ca. 1720–1650 B.C., Syria, Hematite, 0.73 x 0.39 in. (1.85 x 0.99 cm), Stone-Cylinder Seals-Inscribed

[Officers at the School of Military Engineering, Chatham], 1850s, Albumen silver print, Image: 18.6 x 24.8 cm (7 5/16 x 9 3/4 in.), Photographs, Photo School, S. M. E., Chatham

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 3/16 in. (2.6 x 3 cm), Glass, Body fragment., Colorless, with opaque white., Convex curving side., Five broad

Portrait of Oboshi Yuranosuke Yoshio (The Leader), Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861),

Bowl with musicians, mid-13th century, Made in Iran, Kashan, Stonepaste; luster-painted on opaque monochrome glaze, H. 4 3/8 in. (11.1 cm), Ceramics, With the emergence of the so called Kashan style, Iranian lusterware truly comes into its

Barracks Post, Place de la Bastille; Canal Tunnel and July Column, 1871, Albumen silver print from glass negative, Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse, Albums, Alphonse J. Liébert (French, 1827–1913), In the

Pictures from Italy, 1846, Illustrations: wood engraving, sheet: 6 7/8 x 4 3/8 in. (17.5 x 11.1 cm), Books

Model No. 992, ca. 1903, Stoneware, pewter, 10 1/4 x 10 1/2 in. (26 x 26.7 cm), Ceramics-Pottery, Friedrich August Scherf and his son Walter founded the Metallwarenfabrik für Kleinkunst Walter Scherf & Co. in 1899. The manufacturer worked with

'Rustam Pleads for Tus Before Kai Khusrau, ' Folio from a Shahnama (Book of Kings), A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Page: 14 1/2 x 11 7/8 in. (36.8 x 30.2 cm), Codices

Decorative boss, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Shell, 3 9/16 in. (9 cm), Shell-Ornaments, This curved object, carved from a thick piece of shell and decorated with small circles and dots,

Kabayama Chujo furu yumo shin no zu, Vice Admiral Kabayama Advancing Bravely and Heartily, Meiji period (1868–1912), December 1894, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 1/8 in. (17.8 x 23.2 cm), Prints, Mizuno

Vase fragment, East Greek/Sardis, Lydian, Terracotta, H. 4 in. (10.2 cm), Vases

Dinner dress, ca. 1923, French, silk

Lock-plate, Bronze, length 5.89 cm., Bronzes

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/8 × 1 15/16 × 3/16 in. (3.6 × 4.9 × 0.4 cm), Vases

Street Scene in the Springtime, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Prince Genji Returning to His Palace where His Wife Awaits Him, Edo period (1615–1868), ca. 1797, Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, 15 5/8 x 9 5/8 in. (39.7 x 24.46 cm), Prints, Rekisentei Eiri

Limestone horse with a rider, Archaic, middle or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 7 1/2 x 2 7/8 x 12 in. (19.1 x 7.3 x 30.5 cm), Stone Sculpture, This rider is one of the earliest representations of a horseman

Couple Seated, Woman Reading, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

[Lady Cannings Grey Arab], 1858–61, Albumen silver print, Image: 9.2 x 13.4 cm (3 5/8 x 5 1/4 in.), Photographs, Unknown

The Bursting of St. Anthony's Dike, 5 March 1651. Vertoninge...Amsterdam, 17th century, Intaglio, 13 1/4 x 20 in. (33.7 x 50.8 cm), Prints, Pieter Nolpe (Dutch, 1613/1614–1652/1653

A Couple of Lovers Playing with a Monkey, Edo period (1615–1868), 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 27 3/8 in. (69.5 cm); W. 4 5/8 in. (11.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Colonnade intérieure du Naos du Temple de Jupiter, à Baâlbek (Héliopolis), September 15, 1850, Salted paper print from paper negative, Image: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/2 × 9 3/4 in. (36.8 × 24.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta neck-amphora (jar), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 18 1/2 in. (47 cm), Vases, Obverse, Dionysos and maenads at altar; Reverse, libation scene: king and women The Niobid Painter takes

Chinese General 'Tiger' from the Story 'Suikoden', Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 3/8 in. (20.8 x 18.7 cm), Prints, Yashima Gakutei (Japanese,

[Swans on the Water], 1880s–90s, Albumen silver print, Photographs, Unknown (American

Glass plate, Late Imperial, 4th century A.D. or later, Roman, Glass; blown, Diam.: 13 5/8 in. (34.6 cm), Glass, Translucent blue green., Broad, slightly upturned, tubular rim, folded down and in; side almost horizontal but with solid

A Whetstone with a Razor, and an Envelope for a Present, Edo period (1615–1868), 1811, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 1/2 in. (14 x 19.1 cm), Prints, Unidentified Artist

Man and Woman in Court Costume, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm), Prints, Unidentified Artist

よしわらの躰　揚屋町入り口, The Entrance to Ageya-machi, from the series Scenes in the Yoshiwara (Yoshiwara no tei), Edo period (1615–1868), 1681–84, Japan, Woodblock print (sumizuri-e); ink on paper, 10 1/8 x 15 1/5 in. (25.7

Fragment of a terracotta relief of a woman and child, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H.: 6 7/8 in. (17.5 cm), Terracottas, The fragment probably belongs to a larger composition consisting of a

Female limestone head, Archaic, early 5th century B.C., Cypriot, Limestone, Overall: 2 1/4 × 1 5/8 × 1 7/8 in. (5.7 × 4.1 × 4.8 cm), Stone Sculpture, The face has a smiling expression, protruding eyes, and unarticulated ears, each

Dattiers et Maison du quartier Franc, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 8 11/16 × 6 5/16 in. (22 × 16 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fragments of a terracotta amphora (jar), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, .a: 2 3/4 × 3 1/16 × 3/16 in. (6.9 × 7.9 × 0.4 cm), Vases, On the body, obverse and reverse, Dionysos, satyrs, and maenads,

Le-Le- Cong Josshouse, Amoy, ca. 1869, Albumen silver print from glass negative, Image: 6 11/16 × 9 3/16 in. (17 × 23.4 cm), Photographs, John Thomson (British, Edinburgh, Scotland 1837–1921 London

Creampot, 1760–80, Made in Boston, Massachusetts, United States, American, Silver, 3 11/16 x 4 3/16 in. (9.4 x 10.6 cm); 4 oz. 5 dwt. (131.8 g), Silver, Joseph Edwards Jr. (1737–1783), Three-legged creampots with elongated pouring lips

Tumbler, 1790–1810, Made in Bohemia, Czech Republic, Bohemian, Blown, cut, and engraved glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/8 in. (7.9 cm), Glass

Drawing of Christ from Leonardo da Vinci's 'The Last Supper', 1857–61, Albumen silver print from paper negative, Image: 36.3 x 26.6 cm (14 5/16 x 10 1/2 in.), Photographs, Léon Gérard (French, 1817–1896), This ethereal photograph records

Terracotta pyxis (box) with lid, Imperial, ca. A.D. 1–300, Roman, Terracotta, H. 4 3/4 in. (12.1 cm); diameter 5 15/16 in. (15 cm), Vases, Red glazed jar with cover and foot; incised lines

Terracotta carinated bridge-spouted jug, Middle Minoan II, ca. 1900–1750 B.C., Minoan, Terracotta; Red-slipped ware, H. 4 7/8 in. (12.4 cm.), Vases, The spout is missing

Arco di Settimio Severo, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Vessel, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 4 7/8 in. (12.4 cm); Diam. 8 3/4 in. (22.2 cm), Metalwork

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 6 5/8 in. (16.8 cm), Glass, Large unguentarium. Translucent pale blue green body and yellow green neck and rim. Tubular rim folded out, over and pressed

Terracotta calyx-krater (vase for mixing wine and water), Late Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 14 1/8 in. (35.9 cm); diameter of mouth 13 5/8 in. (34.6 cm), Vases, Obverse, Nike driving a quadriga

La robe de soie, 1860s, Albumen silver print from glass negative, 8.6 x 11.4 cm. (3 3/8 x 4 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

染付白鷺文鉢, Deep Dish with Egret (from a set of ten), Edo period (1615–1868), 1639, Japan, Porcelain with underglaze blue decoration (Hizen ware), H. 1 3/4 in. (4.4 cm); Diam. 6 in. (15.2 cm), Ceramics

Terracotta pointed aryballos (oil flask), Protocorinthian, ca. 640–625 B.C., Greek, Corinthian, Terracotta, H. as restored 2 1/2 in. (6.4 cm), Vases, Ornamented with scale pattern incised

Fragment, 17th century, Attributed to Turkey, Silk, metal wrapped thread; lampas (kemha), Textile: H. 22 3/8 in. (56.8 cm), Textiles

Jérusalem, Tombeau des rois de Juda, Cour extérieure, 1854, Salted paper print from paper negative, Image: 23.2 x 32.2 cm (9 1/8 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Kobushō Kasei from the Series Thirty-Six Restaurants In New Tokyo, Edo period (1615–1868), late 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 × 9 7/8 in. (37.5 × 25.1 cm), Prints, Toyohara

Bowl with imaginary composite flowers, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), H. 3 1/4 in. (8.3 cm); Diam. 7 1/4 in. (18.4 cm),

Terracotta kylix: lip-cup (drinking cup), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, H. 6 9/16 in. (16.7 cm), Vases, Exterior, obverse, hen above; below, Tleson, son of Nearchos, made [me]. Tleson was one of the most

Rank Badge with Qilin, Ming dynasty (1368–1644), 16th–early 17th century, China, Silk embroidery on silk gauze, Overall: 13 1/2 x 13 1/2 in. (34.3 x 34.3 cm), Textiles-Embroidered, The unusual animal on this rank badge is an alternative

Bag, 16th century, Peru, Colonial, Cotton, camelid hair, Height 6-1/2 in., Textiles-Woven

Cup from a torch-holder, 6th century B.C., Cypriot, Bronze, 4 5/16in. (11cm), Bronzes

江戸近郊八景之内　芝浦晴嵐, Clearing Weather at Shibaura, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 10 x 15 in. (25.4 x 38.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Terracotta hydria (water jar), Archaic, mid-6th century B.C., Greek, Euboean, Terracotta; black-figure, H. 8 15/16 in. (22.7 cm), Vases, On the body, eagle between two sphinxes. With its lustrous glaze and well-preserved details in added

Glass krateriskos (unguent jar), Late Bronze Age, ca. 1400–1350 B.C., Egyptian or Cypriot, Glass; core-formed, 3 11/16 × 2 3/16 in. (9.3 × 5.5 cm), Glass, Translucent blue, with opaque white trail(s). Thickened and rounded rim with

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 11/16 × 2 7/16 × 5/16 in. (4.4 × 6.2 × 0.8 cm), Vases

Silver phiale (libation bowl), Latter part of the Early Bronze Age, ca. 2300–2000 B.C., Anatolian, Silver, diameter 5 1/16in. (12.9cm), Gold and Silver, This vase, along with .45-.48 are said to have been found together, are best