Images at Librifly

Ichikawa Danjuro V in the Role of Fuwa Banzaemon in the Scene 'Rivalry in Love' from the Play Ukiyozuka Hiyoku no Inazuma, Edo period (1615–1868), 1774, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/4 in. (32.4 cm); W. 5

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Overall: 1 3/4 x 2 3/4 in. (4.4 x 7 cm); est. rim diameter 8 14 in. (21 cm), Glass, Translucent purple, cobalt

Dawn at Isawa in Kai Province (Kōshū Isawa no akatsuki), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　甲州伊沢暁, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print;

「向處無敵, 平壌陥落」, There Stands No Enemy Where We Go: Surrender of Pyongyang from a series on the Sino-Japanese War (Mukau tokoro tekinashi: Heijō kanraku), Meiji period (1868–1912), Meiji 27 (1894), Japan, Set of six

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 9/16 x 1 15/16 in. (3.9 x 4.9 cm), Glass, Thin-walled body fragment., Translucent honey brown, blue, and opaque white.,

Glass cameo plaque fragment, Early Imperial, 1st century A.D., Roman, Glass; cast and cut, Overall: 1/4 x 2 3/8 in. (0.7 x 6 cm), Glass, Translucent deep purple with opaque white overlay., Flat underside; slightly undulating surface with

Pier table, 1815–19, Made in New York, New York, United States, American, Rosewood veneer, gilded, 36 x 49 1/2 x 22 in. (91.4 x 125.7 x 55.9 cm), Furniture, Charles-Honoré Lannuier (France 1779–1819 New York), The gilded caryatids on

Terracotta pithoid jar, Late Helladic IIIB, ca. 1300–1190 B.C., Mycenaean, Terracotta, H. 8 11/16 in. (22.1 cm.), Vases, Jar with pear-shaped body, three handles, and geometric designs in panels

Pottery Flute, Pre-Columbian, ca. 1200–1521, Coatepec, Veracruz, Mexico, Mexican, Clay, L. 105 mm.; W. 23 mm.; D. 28 mm.; Wt. 30 g., Aerophone-Whistle Flute-recorder

Handle of a hydria, 5th–4th century B.C., Cypriot, Bronze, Other: 2 5/8in. (6.7cm), Bronzes

Hat, 7th–10th century, Peru, Peruvian, Camelid hair, Height 5 in., Textiles-Costumes

Terracotta mastoid (drinking cup with narrow base), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/4 in. (8.3 cm); diameter 4 1/8 in. (10.5 cm); width with handles 6 1/8 in. (15.6 cm), Vases, Obverse, between eyes,

Large Bowl with Floral Design, Edo period (1615–1868), Japan, Porcelain with celadon glaze and underglaze blue (Hizen ware, early Imari type), H. 4 5/8 in. (11.7 cm); Diam. 12 1/2 in. (31.8 cm), Ceramics, This bowl is an interesting example

Bronze support in the form of a ram's head and foreleg, Late Republican or Early Imperial, 1st century B.C.–1st century A.D., Roman, Bronze, L. 2 3/4 in. (6.9 cm), Bronzes, The foot combines a ram's head and leg

A Boy with a Cat—Morning, 1787, Oil on canvas, 59 1/4 x 47 1/2 in. (150.5 x 120.7 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), The canvas had as its pendant a painting of two children, one seated and one

Terracotta statuette of a woman holding a bird, Archaic, mid-6th century B.C., East Greek, Terracotta, H. with plinth 9 7/16 in. (24 cm), Terracottas, Statuette of a woman holding a dove

Terracotta lekythos (oil flask), Late Classical, ca. 400–375 B.C., Greek, South Italian, Apulian, Terracotta, H. 14 7/16 in. (36.7 cm), Vases, Head of a woman. In the absence of plentiful sculptural-quality stone, artists of Southern

Necklace, ca. 1927, Swiss, (a, b) metal, lacquer

Limestone finial of a funerary stele with a recumbent lion and a banquet scene, Classical, middle or 3rd quarter of the 5th century B.C., Cypriot, Limestone, Overall: 19 1/4 x 23 3/4 x 6 3/4 in. (48.9 x 60.3 x 17.1 cm), Stone Sculpture, Lion

『上野不忍競馬図』, View of the Horse Track at Shinobazu in Ueno Park, (Ueno shinobazu keiba zu), Meiji period (1868–1912), 1885, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 1/2 × 29 5/8 in.

Fragment of an male limestone votary with an Egyptianizing kilt, Archaic, first half of the 6th century B.C., Cypriot, Limestone, Overall: 7 3/4 x 12 1/2 x 7 in. (19.7 x 31.8 x 17.8 cm), Stone Sculpture, Fragment of large statue, showing a

Tomb of the Khan of Khiva at Teheran, 1859, Albumen silver print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Glass bottle shaped like a date, Mid Imperial, mid-1st–early 2nd century A.D., Roman, Glass; blown in a two-part mold, H.: 2 3/8 x 1 1/4 x 5/8 in. (6 x 3.2 x 1.6 cm), Glass, Translucent yellowish brown., Thick, everted rim folded round and

Fibula, Bronze, Other: 2 15/16 in. (7.5 cm), Bronzes

Glass mosaic inlay, Late Hellenistic or Imperial, 1st century B.C.–1st century A.D., Egyptian, Ptolemaic or Roman, Glass; cast, Other: 1 1/16 in. (2.7 cm), Glass, Semi-opaque cobalt blue ground; decoration in opaque white, yellow, red,

Animal Flask, late 7th–8th century, Attributed to probably Syria, Glass, amber-colored; blown, applied decoration, H. 4 3/8 in. (11.1 cm), Glass, During Roman and early Islamic times, animal shaped vessels were made using an intricate

Wall painting on black ground: Egyptianizing scene and pair of swans, from the imperial villa at Boscotrecase, Early Imperial, last decade of the 1st century B.C., Roman, Pompeian, Fresco, Overall: 91 3/4 x 19 5/8in. (233.1 x 49.8cm),

At Sea off Kazusa (Kazusa no kairo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　上総の海路, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper,

Statuette of a cock, 2?, Greek, Laconian, Lead, Height: 7/8 in. (2.2 cm), Miscellaneous-Lead

Lime Spatula, 1900–1910, Papua New Guinea, Suau region, Milne Bay Province, Massim, Wood, lime, H. 24 1/2 in. (62.2 cm), Wood-Implements, Mutuaga (1860–1920), The identities of the individuals who created the vast majority of Oceanic

'Battle Between Iranians and Turanians', Folio from a Shahnama (Book of Kings), 1562–83, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices

Glass amphoriskos (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 3/4 in. (7.1 cm), Glass, Opaque dark purple, with handles in same color; trails in opaque yellow and opaque

Terracotta aryballos (oil flask), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta; black-figure, H. 3 3/4 in. (9.6 cm), Vases, Forepart of a lion

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 2 1/8 in. (5.4 cm), Glass, Colorless with pale green tinge Tubular rim, folded over and in; straight sides to body, flaring upwards; integral tubular base ring,

Terracotta bowl, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 1 15/16 in. (5 cm); diameter 6 in. (15.2 cm), Vases, Black-glazed bowl with impressed patterns

Limestone head of a male aulos player, Archaic, 2nd quarter of the 6th century B.C., Cypriot, Limestone, 6 2/4 x 4 1/4 x 4 1/4 in. (16.5 x 10.8 x 10.8 cm), Stone Sculpture, The back of the head is missing, the nose restored. Only the top of

Musical Party in a Garden, 1647, British, Canvas worked with silk thread; tent stitch, Overall: 13 3/4 x 21 1/4 in. (34.9 x 54 cm), Textiles-Embroidered, While there is a long tradition of exceptional professional embroidery in England,

Flintlock Gun, 18th century, Sri Lankan, Iron, wood, ivory, silver, L. 87 1/4 in. (221.6 cm); L. of barrel 73 3/4 in. (187.3 cm); Cal. .54 in. (13.7 mm); Wt. 11 lb. 2 oz. (5046 g), Firearms

Pompe Funebre (1e Classe), 1910, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Virgin and Child, Oil on wood, Overall 17 7/8 x 13 5/8 in. (45.4 x 34.6 cm); painted surface 17 1/4 x 13 in. (43.8 x 33 cm), Paintings, Copy after Jan Gossart (called Mabuse) (Netherlandish, ca. 1522), In his Schilder-Boeck (Book on Picturing)

Bronze lampstand, Cypro-Archaic, ca. 750–480 B.C., Cypriot, Bronze, H.: 4 9/16 in. (11.6 cm), Bronzes, Bronze lampstands were luxury objects that were made in various sizes and in more Near Eastern or more Egyptian styles

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 1/2 in. (2.9 x 3.8 cm), Glass, Thin-walled body fragment., Translucent honey brown, blue, purple, and opaque

Copy after Rubens's 'Wolf and Fox Hunt', ca. 1824–26, Oil on wood, 16 x 23 7/8 in. (40.6 x 60.6 cm), Paintings, Sir Edwin Henry Landseer

[Two Women in a Kitchen], 1880s–90s, Albumen silver print, Photographs, Unknown (American

東海道五十三次　浜松, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

東海道五十三次　亀山, Kameyama, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Vase, Qing dynasty (1644–1911), 19th century, China, Copper, cloisonné, H. 2 1/2 in. (6.4 cm), Cloisonn

Plaque with Standing Yakshi, Shunga period, 1st century B.C., India (West Bengal), Wood, H. 6 3/16 in. (15.7 cm); W. 1 13/16 in. (4.6 cm), Sculpture

明, 吳彬, 十六羅漢圖, 卷, The Sixteen Luohans, Ming dynasty (1368–1644), dated 1591, China, Handscroll; ink and color on paper, Image: 12 5/8 x 163 9/16 in. (32.1 x 415.4 cm), Paintings, Wu Bin (active ca. 1583–1626), In the

Kanagawa, 東海道五十三次　神奈川　台の茶や, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Incised horse frontlet carved into the shape of a flowering, volute palmette tree, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 4.21 x 2.2 x 2.09 in. (10.69 x 5.59 x 5.31 cm),

江戸近郊八景之内　行徳帰帆, Boats Returning to Gyotoku, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Flask, 1852–58, Made in Bennington, Vermont, United States, American, Earthenware, H. 6 in. (15.2 cm), Ceramics

Admiral Jacob Binkes (born about 1640, died 1677), Oil on canvas, 17 1/4 x 12 7/8 in. (43.8 x 32.7 cm), Paintings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

Autumn Landscape, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 15 3/4 in. × 19 ft. 9 1/2 in. (40 × 603.3 cm), Paintings

Plan for the Renovation of a Chapel in the Nave of the Cathedral of Notre Dame, Paris, 1843, Watercolor, shell gold, pen and black ink, traces of graphite, gouache guidelines., sheet: 23 5/8 x 37 3/16 in. (60 x 94.5 cm), Drawings,

Scene in Nakasu, a District of Edo, Edo period (1615–1868), 1783, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Petticoat, second half 18th century, American, silk

Views in India - Beejapoor, 1870s–80s, Albumen silver prints, Albums, Unknown

Boys Playing with a Basin of Fish and Turtles, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 8 3/8 in. (21.3 cm); W. 14 3/4 in. (37.5 cm), Prints, Kitao Shigemasa (Japanese,

Capital with Angel Holding a Shield, 8th–9th century, 15th century additions (?), authenticity questioned, Made in Istria, Italy, Northeast Italian, Limestone (Stromatolic limestone from Istria or Dolomites), Overall: 7 3/8 x 15 x 15 in.

Vase, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, H. 2 1/8 in. (5.4 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902

Axle Heads and Pins, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 2 1/4 in. (5.7 cm), Metalwork

Mr and Mrs W. Beach, 1853–56, Salted paper print, Image: 15.7 × 13.8 cm (6 3/16 × 5 7/16 in.), Photographs, Jane Martha St. John (British, 1803–1882

Horimono-shi, 職人三十六番, The Metal Carver, Edo period (1615–1868), 1802, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 1/2 in. (14 x 19.1 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Two Young Men and Several Women Dining at a Tea-house on the Bank of the Sumida River, Edo period (1615–1868), ca. 1788, Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 15 in. (38.1 cm); W. 20 1/2 in. (52.1 cm),

Hot Sulphur Springs, Santa Barbara, 1876, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Bronze statuette of a pantheress, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, Overall: 3 3/4 x 6 7/8 in. (9.5 x 17.5 cm), Bronzes, Statuette of a pantheress

Birds on Branches, Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 12 1/2 x 101 3/4 in. (31.8 x 258.4 cm), Paintings, Unidentified Artist

The Inner Facade of the Gateway of the East Gopuram, January–March 1858, Albumen silver print from waxed paper negative, Image: 29.2 x 34 cm (11 1/2 x 13 3/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

東海道五十三次　鳴海　名産絞り店, Narumi, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Dagger-Ax (Ge), Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, L. 8 11/16 in. (22.1 cm); W. 2 3/4 in. (7 cm), Metalwork

Spinning Wheel and Spools, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 5/16 x 7 3/16 in. (13.5 x 18.3 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Print, Edo period (1615–1868), 1854 (year of the Horse, 7th month), Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

[Ships Dockside in a Harbor], ca. 1900, Platinum print, Photographs, Rudolph Eickemeyer (American, 1862–1932

Three Friezes with Ornamental Foliage, ca. 1541–43, Engraving. State i before Salamanca's address, sheet: 7 5/8 x 8 5/8 in. (19.4 x 21.9 cm), Prints, Designed and engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Madonna and Child with Seraphim and Cherubim, ca. 1460, Tempera and gold on wood, Arched top, 17 3/8 x 11 1/4 in. (44.1 x 28.6 cm), Paintings, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua), The composition of this touching

Sixth Month from Fujiwara no Teika’s Birds and Flowers of the Twelve Months, 尾形乾山筆　定家詠十二ヶ月和歌花鳥図「拾遺愚草』より六月, Edo period (1615–1868), 1743, Japan, Hanging scroll; ink and color on paper,

'Portrait of a Persian Lady', Folio from the Davis Album, ca. 1736–37, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, This folio depicts a lady seated on a balcony before an expansive

Bronze needle, Bronze Age, 2nd millennium B.C., Minoan, Bronze, L. 5 in. (12.8 cm), Bronzes, Needle

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/16 × 2 1/16 × 1/4 in. (2.7 × 5.2 × 0.6 cm), Vases

[Bastam, Tomb Tower (built 1313), Khorasan], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Glass hexagonal jug with Dionysiac symbols, Early Imperial, 1st century A.D., Roman, Glass; blown in a three-part mold, H.: 3 7/8 in. (9.8 cm), Glass, Translucent deep purple, with handle in semi-opaque colorless with greenish tinge. Tubular

Terracotta bowl, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, Other: 2 7/8 x 7 3/8 in. (7.3 x 18.7 cm), Vases, Stampled pattern and rosette/palmette pattern in center

Cape Horn, Oregon, 1867, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

長襦袢の女, Woman Dressing, Taishō period (1912–26), 1920, Japan, Polychrome woodblock print; ink and color on paper, Image: 17 3/4 × 5 3/4 in. (45.1 × 14.6 cm), Prints, Hashiguchi Goyō (Japanese, 1881–1921), Kodaira Tomi, who

Chair, ca. 1882–85, Indian (American market), Brass over teak, 37 x 24 x 24 in. (94 x 61 x 61 cm), Furniture, Lockwood de Forest (American, New York 1850–1932 Santa Barbara, California

Limestone head of a beardless male votary with a wreath of leaves, Late Archaic–Early Classical, end of 6th or early 5th century B.C., Cypriot, Limestone, Overall: 11 x 7 3/4 x 10 in. (27.9 x 19.7 x 25.4 cm), Stone Sculpture, Male head with

Bridge in Snow, Song dynasty (960–1279), late 10th century, China, Fan mounted as an album leaf; ink and color on silk, 9 3/4 x 10 1/4 in. (24.8 x 26.0 cm), Paintings, Unidentified Artist

Gold crescent-shaped earring, Classical-Roman, 5th century B.C.–1st century A.D., Cypriot, Gold, Other: 11/16 in. (1.8 cm), Gold and Silver, The crescent-shaped earring is very long-lived in Cyprus and, as yet, impossible to date securely.

Glass flask, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, Overall: 4 3/16in. (10.6cm), Glass, Translucent light blue green. Plain, vertical rim, partially flattened on top surface; funnel-shaped neck; very narrow, horizontal

Louksor (Thèbes), Vue Générale des Ruines, 1851–52, Salted paper print from paper negative, Image: 23.6 x 30.5 cm (9 5/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

[Plate from Izaak Walton's The Compleat Angler], 1880s, printed 1888, Photogravure, George Bankart (British

Dish with Reeds, 絵志野花草文額皿, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Stoneware with underglaze iron decoration (Mino ware, Shino style), H. 2 1/4 in. (5.7 cm); W. 10 1/2 in. (26.7 cm); D. 9 3/4 in.

Capital of a Column with an Armored Knight on Each Side, ca. 1100, Campania, Italian, Marble, H. 6 15/16 (17.6 cm); W. 13 5/8 (34.6 cm); D. 6 1/8 in. (15.5 cm), Miscellaneous

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 3/4 in. (9.5 cm), Glass, Colorless with pale blue green tinge. Rounded rim, flattened on upper surface; flaring mouth; cylindrical neck,

Nouveaux Ornemans D'Arquebuseries, ca. 1750–55, Paris, French, Paris, Ink on paper, 10 1/4 x 6 3/4 in. (26 x 17.1 cm), Works on Paper-Prints, Demarteau, the son of a Liege gunsmith, was apprenticed under the Parisian engraver De

Glass lentoid bottle, Late Imperial, 4th century A.D., Roman, Glass; blown, Overall: 8 3/8 in. (21.3 cm), Glass, Translucent blue green. Everted rim, folded over and in, with flattened upper surface, forming slight constriction to mouth;

Vase, ca. 1901–22, Made in McHenry, Illinois, United States, American, Earthenware, H. 5 5/8 in. (14.3 cm); Diam. 5 in. (12.7 cm), Ceramics

The Ninth Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790