Images at Librifly

Sunbonnet, 1850, American, linen

Rue Asselin, 1924–25, Matte albumen silver print from glass negative, 22.9 x 17.6cm (9 x 6 15/16in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), In 1921, Atget was asked by the illustrator André Dignimont to

Terracotta amphora, Middle Cypriot (?), ca. 1900–1600 B.C., Cypriot, Terracotta, H. 19 in. (48.3 cm), Vases, Amphora with one vertical and one horizontal handle

Vase fragment, East Greek, Rhodian, Terracotta, Overall: 4 x 2 3/8in. (10.2 x 6cm), Vases

Celery vase, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 9 3/4 in. (24.8 cm); Diam. 5 1/4 in. (13.3 cm), Glass, With the development of new formulas and techniques,

Adam and Eve with Charles I and Henrietta Maria, after 1634, British, Canvas worked with silk and metal thread; tent and couching stitches, Overall: 19 3/4 x 21 3/8 in. (50.2 x 54.3 cm), Textiles-Embroidered

Whistling Arrowhead, 17th–18th century, Chinese or Tibetan, Iron, gold, L. 6 1/2 in. (16.5 cm), Archery Equipment-Arrowheads

Fitting, Eastern Zhou dynasty (770–256 B.C.), 5th–3rd century B.C., China, Bronze, H. 2 13/16 in. (7.1 cm); W. 1 11/16 in. (4.3 cm), Metalwork

Fibula, boat-shaped type, Bronze, Other: 3 1/2 in. (8.9 cm), Bronzes

Bush Clover at Ryūganji Temple, Kameido, from the series An Array of Flowers, Beauties and Famous Places (Hanabijin meisho awase kameido ryūganji no hagi), 「花美人名所合 亀戸龍 眼寺の萩」, Meiji period (1868–1912), 1895,

Snow Landscape, Ming dynasty (?) (1368–1644), China, Album leaf; ink and white pigment on silk, 10 x 13 1/4 in. (25.4 x 33.7 cm), Paintings, Unidentified Artist, Formerly Attributed to Lin Anjun (Chinese

Tusks of boar, 2, Bone, .32: 1 9/16 in. (4 cm

Pas de Deux, ca. 1760–63, German, Ludwigsburg, Hard-paste porcelain, Overall (confirmed): 5 15/16 x 6 3/8 x 3 9/16 in. (15.1 x 16.2 x 9 cm), Ceramics-Porcelain

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 3/8 in. (2.2 x 3.5 cm), Glass, Translucent purple and opaque white., Flat revetment plaque., Marbled mosaic

東海道五十三次　奥津　清見かせき　清見寺, Okitsu, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige

Bear figure and spill holder, ca. 1850–75, Made in Montour County, Pennsylvania, United States, American, Earthenware; Redware with slip decoration, H. 6 in. (15.2 cm), Ceramics, Possibly Parker Pottery

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 3/16 in. (5.6 cm), Glass, Semi opaque turquoise green, with same color handles; trails in opaque

Limestone hand holding a branch of leaves, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 7 1/4 x 4 1/2 x 6 1/4 in. (18.4 x 11.4 x 15.9 cm), Stone Sculpture, The lifesize right hand holds against the wrist and

Village Road North River, ca. 1869, Albumen silver print from glass negative, Image: 6 7/8 × 9 3/16 in. (17.5 × 23.4 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Jar, 1809, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, 9 1/8 x 4 1/2 in. (23.2 x 11.4 cm), Ceramics, Attributed to Philip Kline (active ca. 1806–34

Bronze thymiaterion (incense burner), Late Archaic, late 6th–early 5th century B.C., Etruscan, Bronze, H. 10 5/8 in. (27 cm), Bronzes, The calyx-shaped receptacle on the woman's head was probably originally surmounted by a shaft. Utensils

[A Group of Six Costumed Women Posed in Interior with Top Hatted Gentlemen], ca. 1885, Albumen silver print from glass negative, 15.8 x 22.0 cm. (6 1/4 x 8 11/16 in.), Photographs, Unknown (French

Foroget Bareflade., 1905–19, Gelatin silver prints from glass negatives, Image: 4 1/8 × 2 15/16 in. (10.5 × 7.5 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright

[Collage of 48 Portraits], 1854–57, Albumen silver and salted paper prints, 28.4 x 23.3 cm (11 3/16 x 9 3/16 in. ), Photographs, Unknown (British

東海道五十三次之内　奥津　興津川, Okitsu, Okitsugawa, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige (Japanese,

Covered honey pot, 1882–90, Made in Trenton, New Jersey, United States, American, Porcelain, H. 5 1/2 in. (14 cm); Diam. 5 in. (12.7 cm), Ceramics

Terracotta plate, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, diameter 6 3/4in. (17.2cm), Vases, Head of a woman

Trio, Part Three, Edo period (1615–1868), 1786–1868, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 7/16 in. (21.1 x 18.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Terracotta rim fragment with linear motifs, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; Light-on-dark ware, Other: 1 13/16 in. (4.6 cm), Vases, From Gournia, Crete. Rim fragment with triangles

木曽海道六拾九次之内　あし田, Ashida Station, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Terracotta lekythos (oil flask), Classical, ca. 440 B.C., Greek, Attic, Terracotta; white-ground, H. 12 7/8 in. (32.7 cm), Vases, Amazon using a slingshot. The Klügmann Painter is distinguished from his contemporaries by his depictions of

Limestone statuette of a male votary with a plain headdress, Archaic, middle of the 6th century B.C., Cypriot, Limestone, Overall:H.: 5 1/8 x W.:2 1/8 x D.:1 1/4 in. (13 x 5.4 x 3.2 cm), Stone Sculpture, The long bare feet of the figure stand

Terracotta saucer, Early Helladic II, ca. 2650–2150 B.C., Helladic, Terracotta, H. 3/4 in. (1.9 cm.), Vases, Small bowl with no decoration

Glass rhyton (drinking horn), Early Imperial, Julio-Claudian, mid-1st century A.D., Roman, Glass; blown, H. 6 3/8', Diameter, 2 5/16', Glass, Translucent pale blue green. Tubular rim, folded out, slightly down, over, and in; flaring

Nimcha (Saber) with Scabbard, hilt and scabbard, late 17th or early 18th century; blade 16th or 17th century, hilt and scabbard, Algerian; blade, European, Steel, silver, copper, wood, tortoiseshell, horn, mother-of-pearl, leather,

Beaker and saucer, ca. 1725–35, Austrian, Vienna, Hard-paste porcelain, Height (Beaker .307): 3 1/16 in. (7.8 cm), Ceramics-Porcelain

Kabuki Actor Ichikawa Ebizō (Ichikawa Danjūrō V) in the play The Colored Reins of a Loving Wife (Koi nyōbō somewake tazuna), 市川鰕蔵の竹村定之進, Edo period (1615–1868), 5th month, 1794, Japan, Polychrome woodblock print; ink

Onoguchi Tokuji Stands Facing Kinsui Castle which Explodes at Left, Meiji period (1868–1912), 1894 (Meiji 27), Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban 14 x 27 3/4 in. (35.6 x 70.5 cm), Prints, Mizuno

Design for 'Angel of Faith' window, 1896, Made in New York, United States, American, Watercolor, gouache, and graphite on paper [photostat?] mounted on board, Overall: 13 1/2 x 6 3/4 in. (34.3 x 17.1 cm), Drawings, Tiffany Glass and

Carnelian scarab, Late Archaic–Classical, ca. 500–450 B.C., Etruscan, Carnelian, H.: 11/16 in. (1.7 cm), Gems, Winged male and female carrying nude warrior (Thanatos, Eos, Memnon

The Ladies Bill of Fare, or, a Copious Collection of Beaux, 1795, Etching and stipple engraving, hand colored, Prints

Alabaster alabastron (perfume vase), Classical, 5th–4th century B.C., Cypriot, Gypsum (alabaster), H. 5 1/4 x 1 3/4 in. (13.3 x 4.4 cm), Miscellaneous-Stone Vases, Alabastra are ubiquitous in the Greek world and frequent in neighboring

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 1/2 in. (1.3 cm), Gems, Bust of Hermes wearing chlamys

Ichikawa Ebizō (Danjūrō V), in the Role of Mongaku Shonin Disguised as Yamagatsu from the Play Kin no Menuki Minamotoya Kakutsuba, Edo period (1615–1868), 1781–1801, Japan, Polychrome woodblock print; ink and color on paper, 11 3/4 x 5

Sardonyx ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sardonyx, Length: 13/16 in. (2 cm), Gems, Winged Nemesis with branch and typical gesture

Terracotta skyphos (deep drinking cup), Hellenistic, ca. 325–300 B.C., Etruscan, Terracotta; red-figure, H. 3 1/4 in. (8.3 cm), Vases, Obverse, dove amid floral; reverse, floral

Terracotta situla (bucket), Late Classical, ca. 360–340 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 10 11/16 in. (27.1 cm), Vases, Dionysos among satyrs and maenads. On the bottom, round face. A situla is a bucket that

Terracotta amphoriskos (oil flask), Late Classical, 4th century B.C., Greek, Attic, Terracotta; black-glaze, H. 6 3/16 in. (15.7 cm), Vases, Black-glazed flask with stamped patterns

Buckle, Cypriot, Bronze, Other: 1 3/16in. (3cm), Bronzes

Summer Retreat in the Eastern Grove, 明 文徵明 東林避暑圖 卷, Ming dynasty (1368–1644), datable to before 1515, China, Handscroll; ink on paper, Image (painting): 12 1/2 x 42 1/2 in. (31.8 x 108 cm), Paintings, Wen Zhengming

View of the Massif of Mont Blanc near the 'Petit Jorasse, Grand Jorasse, le Géant' with the 'Glaciers des Périades et Jorasse' and the 'Glacier de la Venval' as seen from the 'Col de Fenêtre près du Gd. St. Bernard', late 18th–19th century,

清, 吳熙載, 蟬柳, 扇面, Cicada, Qing dynasty (1644–1911), dated 1852, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 1/8 x 20 3/8 in. (18.1 x 51.8 cm), Paintings, Wu Xizai (Chinese, 1799–1870), Wu

Charger, 1882–88, Lustred earthenware, Diameter: 20 1/4 x D. 2 5/8 in. (51.4 x 6.7 cm), Ceramics-Pottery, Merton Abbey Pottery Works, In 1869 de Morgan, a painter and stained-glass artist who designed tiles and glass for the William Morris

Ushibori in Hitachi Province (Jōshū Ushibori), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　常州牛掘, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

General View of Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

南宋 趙孟堅 水仙圖 卷, Narcissus, Southern Song dynasty (1127–1279), mid-13th century, China, Handscroll; ink on paper, Image: 13 1/16 in. × 12 ft. 3 1/4 in. (33.2 × 374 cm), Paintings, Zhao Mengjian (Chinese, 1199–before

野戦病院行幸之図, Illustration of the Empress Visiting a Field Hospital [in Hiroshima] (Yasen byōin gyōkō no zu), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 3/4 x 30

Terracotta guttus (flask with handle and verticle spout), Hellenistic, 3rd century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 7/16 in. (8.8 cm), Vases, The cental medallion of a seated sphinx in relief was a common

Glass bowl, Early Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 1 3/4 in. (4.4 cm), Glass, Colorless with pale green tinge. Rounded vertical rim; sides curving in to slightly concave

Pagode de la Ville Chinoise, 1866, Albumen silver print from glass negative, 14.6 x 22.8 cm (5 3/4 x 9 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Bodhisattva, Wuyue kingdom (907–78), 10th century, China, Leaded bronze; lost-wax cast, H. 11 1/2 in. (29.2 cm), W. 4 in. (10.2 cm); D. 4 1/2 in. (11.4 cm), Sculpture, Excavations in the southeast province of Zhejiang have uncovered

Viaduc de St. Chamas, before 1859, Albumen silver print from paper negative, Image: 36 x 54.3 cm (14 3/16 x 21 3/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Terracotta kantharos: karchesion (deep cylindrical drinking cup), Classical, 5th century B.C., Greek, Boeotian, Terracotta; black-glaze, Overall: 4 13/16 x 7 1/4in. (12.2 x 18.4cm), Vases, Black glaze cup with handles and banding around the

Landscape with Peasants Fording a Stream, 1756, Red chalk with brush and brown and gray wash, 12 5/16 x 16 1/8 in. (31.3 x 41 cm.), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port

Bust of a woman, 1894, French, Sardonyx, Diameter (confirmed): 1 7/8 in. (4.7 cm); 47.3 mm, Lapidary Work-Gems

Daikoku and Shoki Playing Chess, Edo period (1615–1868), ca. 1730, Japan, Monochrome woodblock print; ink and color on paper, 9 x 12 in. (22.9 x 30.5 cm), Prints, Okumura Toshinobu (active ca. 1725–1750), Witty portrayals of the various

Fountains Abbey. The Echo Rock, 1850s, Albumen silver print, Image: 23.5 x 27.9 cm (9 1/4 x 11 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British, 1821–1889

Bowl, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 2 11/16 in. (6.8 cm); Diam. 4 7/17 in. (11.3 cm), Metalwork

Queen Choladevi Before the Hermit-Sage Angiras: Page from a Dispersed Vrataraja: (King of Vratas, Rites Undertaken to Fulfill a Vow), ca. 1790, India (Punjab Hills, Guler), Ink and opaque watercolor on paper, 8 1/4 x 11 1/2 in. (21 x 29.2 cm),

Bronze eyelet-type pin, Late Helladic IIIA, ca. 14th century B.C., Mycenaean, Bronze, Other: 3 3/8in. (8.6cm), Bronzes, Eyelet' type with molded rings on shaft

青銅帶座卣, Ritual Wine Container (Yu) with Lid and Pedestal, Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 13 1/2 in. (34.3 cm); W. 9 1/2 in. (24.1 cm); D. 9 in. (22.9 cm); Wt. 19.5 lb. (8.8 kg),

Furniture, leg elements, Bronze, H.: 2 in. (5.1 cm), Bronzes

Self-Portrait Drawing at a Window, 1648, Etching, drypoint, and burin; fourth state of five, Plate: 6 1/8 x 5 1/16 in. (15.5 x 12.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Third Segawa Kikunojo as a Woman Standing in a Room Having a Wave-pattern Dado, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/4 in. (32.4 cm); W. 6 9/16 in. (16.7 cm), Prints,

Clear Weather after Snow, 東海道五十三次之内　亀山　雪晴, Edo period (1615–1868), 1797–1861, Japan, Polychrome woodblock print; ink and color on paper, 9 3/8 x 14 1/8 in. (23.8 x 35.9 cm), Prints, Utagawa Hiroshige

Button, Sasanian–early Islamic, ca. 6th–8th century A.D., Iran, Qasr-i Abu Nasr, Sasanian or Islamic, Bone, Diam. 2.8 cm x D. .5 cm, Ivory/Bone-Ornaments

Le chàle de dentelles, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass spindle whorl, Imperial, ca. 1st–3rd century A.D., Roman, Glass; rod-formed and wound, Diam.: 1 x 5/16 in. (2.5 x 0.8 cm), Glass, Translucent pale blue green. Rough upper edge around hole; domed body; flat bottom; vertical hole larger

Terracotta jug, Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, H. 6 13/16 in. (17.3 cm); diameter 2 3/8 in. (6 cm), Vases, Swastikas and a horse at front

Two Ladies Personifying Taste and Touch (?), third quarter 17th century, British, Silk satin worked with silk and metal thread, seed pearls, agate, carnelian, coral, rock crystal, glass beads, mica; detached buttonhole variations, tent,

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 11/16 x 2 3/16in. (4.2 x 5.5cm), Glass, Translucent pale yellow green. Rounded, thickened, and slightly outsplayed rim; cylindrical body with slightly convex sides;

Chariot fastenings from Etruscan biga, Etruscan, Bronze, Other: 1 3/8 in. (3.5 cm), Bronzes

Factory and Silkworm Nursery, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 6 15/16 × 9 7/16 in. (17.6 × 23.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[The Opera Ball], 1861–67, printed 1895–1910, Gelatin silver print from glass negative, Image: 36 x 27.9 cm (14 3/16 x 11 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

The Fifth Ichikawa Danjuro as a Man Standing, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 13/16 in. (31.8 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Skyphos, Classical, ca. 400 B.C., Greek, South Italian, Apulian, Terracotta, H. 7.29 cm. Diameter 9.2 cm., Vases

Transparent glass scaraboid, Classical, ca. 450–400 B.C., Greek, Ionian, Glass, transparent, Length: 7/8 in. (2.3 cm), Gems, Eagle-headed griffin

Statuette of a man, Bronze, 3 9/16in. (9.1cm), Bronzes

清 戴本孝 天台異松圖 軸 紙本, The Strange Pines of Mount Tiantai, Qing dynasty (1644–1911), dated 1687, China, Hanging scroll; ink on paper, Image: 66 7/8 x 30 in. (169.9 x 76.2 cm), Paintings, Dai Benxiao (Chinese,

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, tooled, and cut, Other: 1 x 1 1/4 in. (2.5 x 3.2 cm), Glass, Thin-walled body fragment., Translucent honey brown, deep

Bronze relief of the head of a woman, Hellenistic or Late Imperial, 3rd–1st century B.C. or 4th century A.D., Greek or Roman, Bronze, H. 4 3/8 in. (11.2 cm), Bronzes, The relief was possibly used as an applique for a piece of furniture

Johan Hulshout (1623–1687), ca. 1670 or slightly later, Oil on wood, 14 1/2 x 11 3/4 in. (36.8 x 29.8 cm), Paintings, Pieter van Slingelandt (Dutch, Leiden 1640–1691 Leiden), A pendant Portrait of a Woman is in the National Gallery of

La Prison, à Chichen-Itza, 1857–89, Albumen silver print from glass negative, Image: 33.3 x 42.4 cm (13 1/8 x 16 11/16 in.), Photographs, Désiré Charnay (French, 1828–1915), Charnay was among the first to photograph Mexico's stunning

China Shelf, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 7/8 x 12 1/2 in. (20 x 31.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Page from a Dispersed Rasikapriya (Lover's Breviary), 1685, India (Rajasthan, Bikaner), Ink, opaque watercolor, gold and silver on paper, Image: 7 3/8 × 5 1/8 in. (18.7 × 13 cm), Paintings, Nuruddin, Within a palace courtyard, Krishna

Terracotta Nolan neck-amphora (jar), Classical, ca. 470–465 B.C., Greek, Attic, Terracotta; red-figure, H. 14 1/16 in. (35.7 cm), Vases, Obverse, Poseidon, Reverse, youth. By some accounts, Poseidon was the father of Theseus. The

Greenstone polyhedron inscribed with letters of the Greek alphabet, Late Hellenistic, 2nd–1st century B.C., Greek, Greenstone, Width (point to point greatest width): 3 3/8 in., 22.9oz. (8.6 cm, 647.9g), Miscellaneous-Stone, The polyhedron

Augustus Saint Gaudens II (Saint Gaudens and his Model), 1897, Etching and drypoint?, single state, plate: 5 3/8 x 7 13/16 in. (13.7 x 19.8 cm), Prints, Anders Zorn (Swedish, Mora 1860–1920 Mora

Terracotta rim of a bowl, Late Neolithic, ca. 3800–3300 B.C., Dimini culture, Terracotta, length 5 1/16in. (12.8cm), Vases, From Thessaly. Dark lines and checkerboard on light ground

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 9/16 in. (1.8 x 4 cm), Glass, Translucent purple and opaque white., Flat, but one corner upturned in a straight