Images at Librifly

Buckle with lion and boar, Bronze, Other: 2 13/16 in. (7.1 cm), Bronzes

Scroll, inscribed, Bronze, H.: 1 1/4 x 5/16 in. (3.2 x 0.8 cm), Bronzes

Sugar bowl, 1815–35, Possibly made in East Cambridge, Massachusetts, United States; Possibly made in Boston, Massachusetts, United States, American, Blown and engraved glass, H. 9 11/16 in. (24.6 cm); Diam. 6 in. (15.2 cm), Glass,

Bowl with Leopard, early 13th century, Attributed to Iran, Kashan, Stonepaste; luster-painted on opaque white glaze, H. 4 1/8 in. (10.5 cm), Ceramics

Landscape with Four Pines, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf mounted as a hanging scroll; ink and color on paper, 60 5/8 x 23 3/4 in. (154.0 x 60.3 cm), Paintings, In the style of Shen Zhou (Chinese,

Stairs, Mexico City, 1924–26, Gelatin silver print, 18.4 x 23.9 cm (7 1/4 x 9 7/16 in.), Photographs, Tina Modotti (Italian, 1896–1942), From 1923 to 1926 Modotti and Edward Weston lived and worked together in Mexico City, operating a

Dagger, second half 17th century, Indian, Deccan, Steel, iron, silver, copper alloy, H. 14 3/16 in. (36 cm); W. 3 1/4 in. (8.3 cm); Wt. 12.8 oz. (362.9 g), Daggers, Animal-head daggers came into fashion at the Mughal court in the second

The Old Gamekeeper, ca. 1844, Salted paper print from paper negative, 6 3/4 x 5 7/8, Photographs, Possibly by David Kinnebrook (British, Norwich 1819–1865 New Zealand

Mosaic glass inlay, Early Imperial, 1st century B.C.–1st century A.D., Egyptian, Roman, Glass; cast, Overall: 7/8 x 13/16 in. (2.2 x 2.1 cm), Glass, Opaque yellow ground; decoration in opaque white and red, and translucent purple and

The Fourth Iwai Hanshiro as an Onnadate (Woman Kyokaku), Edo period (1615–1868), ca. 1787–90, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 5/8 in. (30.5 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Pottery Whistle, date uncertain, Oaxaca, Mexico, Mexican, Clay, H: 65mm; W: 60mm; D:36mm; Wt: 48g., Aerophone-Whistle Flute-whistle

Panel, early 20th Century, Silk on cotton, L. 11, W. 4-3/4 in. (27.9 x 12.1 cm), Textiles-Embroidered

Sobieski Stuart, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Lyon, Gare de Perrache, ca. 1861, Albumen silver print from glass negative, Image: 27.9 x 43.3 cm (11 x 17 1/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Chlorite mortar, Late Bronze Age or Geometric, ca0–700 B.C., Cypriot, Chlorite, H. 1 1/2 in. (3.8 cm); Diam. 4 1/16 in. (10.3 cm), Miscellaneous-Stone Vases, The mortar has three short legs

[Young Man in White Robe and Head Gear Holding Scabbard, Sicily, Italy], 1890s–1900s, Albumen silver print from glass negative, 22.3 x 16.5 cm. (8 3/4 x 6 1/2 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

Pair of two-light candelabra, ca. 1745–55, French, Gilt bronze, Each: H. 15 7/8 x W. 11 in. (40.3 x 27.9 cm), Metalwork-Gilt Bronze

Terracotta Megarian bowl, Hellenistic, 2nd century B.C., Greek, probably Boeotian, Terracotta; mold made, h. 3 1/16 in. (7.8 cm.), Vases, Meander border framed by ridges, above a Dionysiac scene with trees, maenads, and saytrs.. Mold-made

Bag, 14th–early 16th century, Peru, Peruvian, Cotton, camelid hair, Height 7-1/4 in., Textiles-Woven

Garden at the English Consulate, Canton, ca. 1869, Albumen silver print from glass negative, Image: 8 1/4 × 10 13/16 in. (21 × 27.5 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Lance Head, ca. 1500, Syrian or Egyptian, Steel, gold, H. 26 3/8 in. (67 cm); Wt. 1 lb. 10.2 oz. (742.8 g), Shafted Weapons, The skillfully chiseled fluting patterns on the socket of this lance head are characteristic of Mamluk iron work and

Rattle, ca. 1880, British Columbia, Canada, Native American (Haida or Tsimshian), Wood, string, pigment, Height: 11 1/2 in. (29.2 cm), Idiophone-Shaken-rattle, Rattles like this were most likely used during dance rituals of the Haida or

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 1 1/2 in. (2.1 x 3.9 cm), Glass, Body fragment., Translucent honey brown, cobalt blue, and opaque white., Part

Rock crystal scaraboid seal, Classical, ca. 450–400 B.C., Greek, Rock crystal, Length: 7/8 in. (2.2 cm), Gems, Quail walking

[House with Three Chimneys], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Landscape, Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 10 1/16 x 12 in. (25.6 x 30.5 cm), Paintings, Unidentified Artist, After Zhao Mengfu (Chinese, 1254–1322

Temple, 1st–8th century, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, H. 6 x W. 5 in. (15.2 x 12.7 cm), Stone-Sculpture

Handle of a bowl, Cypriot, Bronze, 1 7/16in. (3.6cm), Bronzes

Triptych, ca. 1250–75, Made in possibly Paris, France, North French, Ivory, paint, gilding with metal mounts, Overall (wings opened): 9 1/16 x 5 1/2 x 1 3/16 in. (23 x 14 x 3 cm), Ivories, Portable ivory shrines may have facilitated the

Glass two-handled bottle (amphora), Early or Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, 4 15/16 × 2 7/16 in. (12.6 × 6.2 cm), Glass, Translucent pale blue, with same color handles. Collared rim, aslant to neck, folded out,

Sampler, mid-17th century, British, Canvas worked with silk and metal thread; tent, cross, back, plaited braid, knots, laid work, and detached buttonhole stitches, H. 21 3/4 x W. 10 5/8 inches (55.2 x 27 cm); Framed: H. 22 3/8 x W. 11 3/8 x

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Cabinet for the Toilet and Bedclothes, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 3/4 x 6 9/16 in. (19.7 x 16.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active

[Major Jones, H.M. 13th Regiment, A.D.C.], 1858–61, Albumen silver print, Image: 13.9 x 9.9 cm (5 1/2 x 3 7/8 in.), Photographs, Unknown

Stove Plate, ca. 1791, Made in United States, American, Cast-iron, 26 x 35 in. (66 x 88.9 cm), Metal, Cast by Sally Ann Furnace , Berks County, PA

Newhaven Fishwife, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Limestone statuette of a beardless male votary with a conical helmet, Archaic, late 7th or first half of the 6th century B.C., Cypriot, Limestone, Overall:H.: 6 x W.:2 x D.:1 in. (15.2 x 5.1 x 2.5 cm), Stone Sculpture, The statuette is very

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, 5 3/16 in. (13.1 cm), Glass, Translucent pale blue green. Rim folded out, over, and in, with beveled upper surface and rounded lip around mouth;

Foundation peg in the form of the forepart of a lion, Early Bronze Age, ca. 2200–2100 B.C., Syria, probably from Tell Mozan (ancient Urkesh), Hurrian, Copper alloy, H. 4 5/8 x W. 3 1/8 in. (11.7 x 7.9 cm), Metalwork-Sculpture-Inscribed,

Jug, Late Classical, 4th century B.C., East Greek, Terracotta, H. with handle 7 in. (17.8 cm), Vases

Bronze statuette of Artemis, Hellenistic, 3rd–1st century B.C., Greek, Bronze, h. 7 3/4 in. (19.7 cm), Bronzes, This statuette shows Artemis, goddess of the hunt and hunters, removing an arrow from a quiver that would have been suspended

Glass bowl, Mid or Late Imperial, ca. 3rd century A.D., Roman, Glass; blown, Overall: 1 1/4 x 2 7/8 x 1 3/8 in. (3.2 x 7.3 x 3.5 cm), Glass, Colorless with pale greenish tinge. Thick, rounded rim, with inner lip; short, convex, curving

元 夏永 黃樓圖 冊頁, The Yellow Pavilion, Yuan dynasty (1271–1368), ca. 1350, China, Album leaf; ink on silk, Image: 8 1/8 x 10 1/2 in. (20.6 x 26.7 cm), Paintings, Xia Yong (Chinese, active mid-14th century), Xia Yong carried the

[A Persian revue in a painting that once belonged to Ardeshir Mirza, uncle of the king.], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Fragment of a limestone votive vase, Classical or Hellenistic, 4th or 3rd century B.C., Cypriot, Limestone, Overall: 4 1/2 x 7 5/8 x 1 7/8 in. (11.4 x 19.4 x 4.8 cm), Cesnola Inscriptions, The fragment of a vase has a syllabic inscription that

Pocket bottle, 1769–74, Made in Manheim, Pennsylvania, United States, American, Blown pattern-molded glass, H. 4 3/4 in. (12.1 cm), Glass, Attributed to American Flint Glass Manufactory (1764–1774), Attributed to Henry William Stiegel

Gold necklace with crescent-shaped pendant, Imperial, 1st–3rd century A.D., Roman, Gold, Other: 14 1/2 in. (36.8 cm), Gold and Silver, Some styles of Roman jewelry were both very long-lived and used throughout the Empire. The wheel-shaped

A Portion of the Citywall, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 11 1/2 in. (20.7 × 29.2 cm), Photographs, Lai Fong (Chinese, 1839–1890

The Perilous Situation of Major Mony, When He Fell into the Sea with His Balloon on the 23rd of July, 1785, Off the Coast of Yarmouth; Most Providentially Discovered and Taken Up by the Argus Sloop, After Having Remained in the Water During Five

Bronze cista (toiletries box), Hellenistic, ca. 325–300 B.C., Praenestine, Bronze, H. 11 5/8 in. (29.5 cm); diameter 9 5/8 in. (24.5 cm), Bronzes, The engraved frieze on the cylindrical container depicts a battle between Greeks and Amazons.

Five Cranes by the Water’s Edge, from the series Three Sheets (Mihira no uchi), 「三ひらの内」汀五羽の鶴, Edo period (1615–1868), mid- 1810s, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8

Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), 1789, Oil on canvas, 50 x 40 in. (127 x 101.6 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London), Mrs. Lewis Thomas Watson was the only daughter and

Terracotta barrel-shaped oinochoe (jug), Geometric, ca–700 B.C., Etruscan, Italo-geometric, Terracotta, H. 13 3/16 in. (33.5 cm), Vases, This unusual shape is often found with another distinctive container, a bird-shaped askos. Some

Fragment du Palais de Justice, Rouen, 1852–54, Salted paper print from glass negative, 34.8 x 26 cm (13 11/16 x 10 1/4 in. ), Photographs, Edmond Bacot (French, 1814–1875

Onoe Matsusuke as a Samurai of the Fujiwara Clan, Edo period (1615–1868), ca. 1782, Japan, Polychrome woodblock print; ink and color on paper, 12 4/5 x 5 7/8 in. (32.5 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[Atget's Work Room with Contact Printing Frames], ca. 1910, Albumen silver print from glass negative, 20.9 x 17.3 cm. (8 1/4 x 6 13/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), This straightforward study by Atget

Sortie de la première Cataracte (côté S.E.), 1849–50, Salted paper print from paper negative, Image: 6 5/16 × 8 9/16 in. (16 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Terracotta statuette of an actor, Late Classical, late 5th–early 4th century B.C., Greek, Terracotta, H. 4 7/8 in. (12.4 cm), Terracottas, Fourteen of these figures are said to have been found together in a burial in Attica. They are among

Washing Basin, Han dynasty (206 B.C.–A.D. 220) or earlier, China, Bronze, H. 3 in. (7.6 cm); Diam. 13 1/2 in. (34.3 cm), Metalwork

Glass fusiform bottle, Late Imperial, 4th century A.D., Roman, Glass; blown, Overall: 14 5/8 x 2 5/8 in. (37.2 x 6.7 cm), Glass, Colorless with pale green tinge. Solid, everted rim with rounded lip, forming cup around small mouth; tall

Wine Cup, Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. 10 in. (25.4 cm); W. at handle 4 in. (10.2 cm); L. 7 in. (17.8 cm), Metalwork

The House Built over the Stump of a Big Tree, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

The Atlantic Telegraph, [1866], Illustrations: color lithography, 16 15/16 x 12 1/16 x 1 3/16 in. (43 x 30.6 x 3 cm), Books, This book documents the great 19th century technological achievement of laying a telegraphic cable beneath the Atlantic

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 4 13/16 x 5 1/8in. (12.3 x 13cm), Vases

Sentinel Rock, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

The Actors, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 9 3/4 in. (24.8 cm); W. 13 1/2 in. (34.3 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

「職人合香聞 」, Utensils for the Incense Ceremony, “Incense Master” (Kōgiki), from the series An Array of Artisans, Edo period (1615–1868), ca. 1810s, Japan, Part of an album of woodblock prints (surimono); ink and color on

Lion mask, Eastern Zhou dynasty, Warring States period (475–221 B.C.), China, Bronze, H. 2 1/8 in. (5.4 cm); W. 2 1/2 in. (6.4 cm), Metalwork

Bronze mirror, Classical, ca. 350–300 B.C., Etruscan, Bronze, 9 1/4 x 6 11/16in. (23.5 x 17cm), Bronzes, Zipunu flanked by Prucnas and Thalna. Etruscan inscriptions identify the rather obscure characters depicted here. At the center is

Shiva as Pashupati, Chola period (880–1279), ca. 12th century, India, Copper alloy, H. 10 3/4 in. (27.3 cm); W. 4 5/8 in. (11.7 cm); D. 4 3/4 in. (12.1 cm), Sculpture

The Emperor Aurangzeb Carried on a Palanquin, ca. 1705–20, Made in India, Opaque watercolor and gold on paper, H. 22 7/8 in. (58.1 cm), Codices, Painting by Bhavanidas (active ca. 1700–1748), The emperor Aurangzeb (r. 1656–1707) and his

Courtyard of House at no. 29, Rue de la Tannerie, Abbeville, Somme, France; said to be from the reign of François I, 1865, Watercolor, sheet: 19 1/8 x 13 5/8 in. (48.6 x 34.6 cm), Drawings, Lewis John Wood (British, London 1813–1901

Tetsukuri no Tamagawa, from the series, 'Six Tama Rivers' (Mu Tamagawa), Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, 14 7/16 x 9 3/4 in. (36.7 x 24.8 cm), Prints, Kitagawa Utamaro (Japanese,

Bronze statuette of a Lar, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 4 1/16 in. (10.3 cm); H. with pedestal 4 7/16 in. (11.3 cm), Bronzes, Statuette of a Lar dancing

五十三次名所図会　藤川　山中の里別名宮路山, Fujikawa; Sanchu Yamanaka no Sato Miyajiyama, Edo period (1615–1868), 7th month Hare year 1855, Japan, Polychrome woodblock print; ink and color on paper, 14 x 8 27/32 in. (35.6

Porringer, ca0, Made in Providence, Rhode Island, United States, American, Silver, Overall: 2 1/8 x 7 3/4 in. (5.4 x 19.7 cm); 6 oz. 15 dwt. (210.5 g), Silver, Saunders Pitman (1732–1804

Quillwork Shadowbox, ca. 1817, Made in United States, American, Paper, maple, pine, and glass, 14 x 12 x 3 in. (35.6 x 30.5 x 7.6 cm), Natural Substances, Myra Bates (Willcutt) (1798–1885

Sugar Box, ca. 1710, Made in New Castle, New Hampshire, United States, American, Silver, 5 3/16 x 7 9/16 x 6 7/16 in. (13.2 x 19.2 x 16.4 cm); 22 oz. (685 g), Silver, Probably John Coney (1655/56–1722), Only ten casket-form sugar boxes of

Glass double head flask, Mid Imperial, ca. 2nd century A.D., Roman, Glass; blown in a two-part mold, H.: 2 1/4 in. (5.7 cm), Glass, Semi-translucent deep turquoise blue., Thick everted oval rim, folded over and in; uneven cylindrical neck

Fragment of an inscribed marble block, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Marble, blue gray, Overall: 5 1/2 x 9 1/4 x 3 in. (14 x 23.5 x 7.6 cm), Cesnola Inscriptions, Part of an decree regulating sacrifices

Louise-Marie-Julie, 1849, Salted paper print from paper negative, 16.6 x 12.9 cm (6 9/16 x 5 1/16 in.), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874

Glass cup, Early to Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, 2 9/16 × 2 9/16 in. (6.5 × 6.4 cm), Glass, Translucent greenish yellow. Vertical rounded and thickened rim; broad, cylindrical neck, slightly tapering

Pitcher No 7082, possibly ca. 1883, (none assigned) New York, New York, United States, American, Ink, wax pencil, and graphite on brown board, 25 1/4 x 17 1/2 in. (64.1 x 44.5 cm), Drawings, Tiffany & Co. (1837–present

Underdress, ca. 1822, American, cotton

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 1/8 × 3 13/16 × 7/8 in. (5.4 × 9.6 × 2.3 cm), Vases

清, 孫榮, 觀鵝圖, 扇頁, Two Scholars and Boy with Goose, Qing dynasty (1644–1911), 19th century, China, Fan mounted as an album leaf; ink and color on silk, L. 19 3/4 in. (50.2 cm); open, Paintings, Sun Rong

Chariot fragments, loops, Archaic, ca. 500–480 B.C., Etruscan, Bronze, 2 1/16 × 2 1/4 in. (5.2 × 5.7 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Jérusalem, Mont Sion, 1854, Salted paper print from paper negative, Image: 22.9 x 33.3 cm (9 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

St. Pierre, Caen, 1856, Albumen silver print from paper negative, 19.8 x 25.2 cm. (7 13/16 x 9 15/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/4 × 2 9/16 × 3/8 in. (4.4 × 6.5 × 1 cm), Vases

Three Women Standing on the Seashore, Edo period (1615–1868), 1761–1816, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 8 3/4 in. (26.4 x 22.2 cm), Prints, Kitao Masanobu (Santō Kyōden) (Japanese, 1761–1816

[Plate from Izaak Walton's The Compleat Angler], 1880s, printed 1888, Photogravure, George Bankart (British

Porte de la Mosque, Sultan Hassan. Partie Inférieure, ca. 1860, Albumen silver print from glass negative, 23.5 x 31.2 cm. (9 1/4 x 12 1/4 in.), Photographs, Wilhelm Hammerschmidt (German, born Prussia, died 1869

Landscape, Qing dynasty (1644–1911), 18th century or later, spurious date of 1648, China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/2 x 20 1/2 in. (16.5 x 52.1 cm), Paintings, Unidentified Artist, After Wang Shimin

Bronze statuette of Isis with infant Horus, Late Dynastic-Hellenistic, 664–31 B.C., Egyptian, Bronze, H. 3 5/8 in. (9.2 cm), Bronzes, Seated Isis with child Horus on her lap

Carpet, first half 17th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: H. 198 1/4 in. (503.6 cm), Textiles-Rugs

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Buckle, Han dynasty (206 B.C.–A.D. 220), China, Gold, silver, bronze, L. 7 5/8 in. (19.4 cm), Metalwork

Finlay - The Deerstalker, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

The 2nd Yamashita Kinsaku in the Role of Tsukisayo, Edo period (1615–1868), 2nd month, 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 5/8 in. (30.8 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792