Images at Librifly

Limestone votive chariot with four horses and two figures, Archaic, ca. 7th–6th century B.C., Cypriot, Limestone, Overall: 8 1/2 × 5 1/8 × 9 in. (21.6 × 13 × 22.9 cm), Stone Sculpture, The small horses, pressed one against the other,

Goblet, ca. 1840, Austrian, probably Vienna, Glass, H. 7 7/8 in. (20.0 cm), Glass

Carnelian ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 13/16 in. (2.1 cm), Gems, Young giant with serpent's legs

Tombeau des Sultans Mamelouks, au Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 6 3/8 × 8 9/16 in. (16.2 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Harbour of Hongkong; St Johns Cathedral Hongkong; Carriage; Tub Mending, North of China, ca. 1869, Albumen silver print from glass negative, Image (a), (b): 3 5/8 × 6 7/8 in. (9.2 × 17.5 cm), Photographs, Attributed to John Thomson (British,

Porringer, 1750–75, Made in Salem, Massachusetts, United States, American, Silver, Overall: 1 3/4 x 7 7/8 in. (4.4 x 20 cm); 7 oz. 12 dwt. (237 g), Silver, David Northee (1709–1778

Portrait of Muramatsu Sandayu Takanao, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

View on Koolangsoo Island, Amoy, ca. 1869, Albumen silver print from glass negative, Image: 6 5/8 × 9 1/4 in. (16.9 × 23.5 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Terracotta miniature dish with two handles, Archaic, 7th–6th century B.C., Greek, Laconian, Terracotta, H. 3 5/8 in. (9.2 cm), Vases, With two handles

Thebes. Palais de Karnak. Sanctuaire de granit et salle Hypostyle, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

冨嶽三十六景　武州玉川, Tama River in Musashi Province (Bushū Tamagawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

La robe de moiré, 1860s, Albumen silver print from glass negative, 7.3 x 10.2 cm (2 7/8 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Captain George K. H. Coussmaker (1759–1801), 1782, Oil on canvas, 93 3/4 x 57 1/4 in. (238.1 x 145.4 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London), Reynolds gave close attention to his portrait of George Kein

Limestone statuette of a temple boy, Classical, 4th century B.C., Cypriot, Limestone, 12 1/2 x 9 1/4 x 4 1/4 in. (31.8 x 23.5 x 10.8 cm), Stone Sculpture, Seated figure with earrings, with chain of amulets over left shoulder, holding a hare

東海道五十三次之内　荒井　海上壹リ半舟渡之図, Arai, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 9 x 13 5/8 in. (22.9 x 34.6 cm), Prints, Utagawa Hiroshige (Japanese,

Children Playing with a Goat, Oil on canvas, 26 3/4 x 41 in. (67.9 x 104.1 cm), Paintings, Style of Jacob de Wit (Dutch, 18th century

Joseph Adoring the Christ Child near a Smoking Altar, from the Flight into Egypt, 1752, Etching, plate (trimmed to platemark) : 7 1/16 x 9 5/16 in. (17.9 x 23.7 cm), Prints, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Sash Fragments, 14th–early 16th century, Peru, Peruvian, Cotton, Length (a) 41 in., Textiles-Woven

Kabuki Actors Arashi Ryūzō II and Segawa Kikunojō III, 二代目嵐龍藏・三代目瀬川菊之丞, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 11 3/8 x 5 5/16 in. (28.9 x 13.5 cm),

Pair of Mandarin Ducks and Iris Flowers, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 5/8 x 6 3/4 in. (19.4 x 17.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Necklace pendants and beads, Old Babylonian, ca. 18th–17th century B.C., Mesopotamia, said to be from Dilbat, Babylonian, Gold, L. 42 in. (3.6 cm), Metalwork-Ornaments-Inscribed, These gold pendants and beads exemplify the finest

The First Nakamura Nakazo in the Role of Ko no Moronao, Edo period (1615–1868), June 1786, Japan, Polychrome woodblock print; ink and color on paper, 11 15/32 x 5 in. (29.1 x 12.7 cm) (trimmed), Prints, Katsukawa Shunkō (Japanese,

Seated Bodhisattva Maitreya (Buddha of the Future), 7th–8th century, Afghanistan (found near Kabul), Schist, H. 30 5/8 in. (77.8 cm), Sculpture, This sculpture is a product of the latest period of greater Gandharan production. It is

Limestone chest with incised decoration, Geometric or Archaic, ca. 8th–6th century B.C., Cypriot, Limestone, Overall: 4 5/8 x 4 5/8 x 6 7/8 in. (11.7 x 11.7 x 17.5 cm), Stone Sculpture, Rectangular chest imitated from woodwork, with

Vase fragment, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, Other: 3 1/2in. (8.9cm), Vases

Sock, 12th–13th century, Attributed to Egypt, Fustat, Cotton, H. 19 1/2 in. (49. 5 cm), Textiles-Costumes

Gröfin Auersperg, 1850s–60s, Albumen silver print from glass negative, 25.2 x 19.6 cm. (9 15/16 x 7 3/4 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Glass alabastron (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 13/16 in. (9.7 cm), Glass, Uncertain, appearing opaque black, with handles in same color; trails in opaque

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 4 7/8 in. (12.4 cm), Glass, Translucent blue green; handle in same color. Rim folded out, down, round, and in; flaring mouth; slender cylindrical neck,

Lady & Servant, 1870s, Albumen silver print from glass negative, 25.2 x 20 cm (9 15/16 x 7 7/8 in.), Photographs, Unknown

Vase fragment, Greek, Lydian, Terracotta, Overall: 1 1/4in. (3.2cm), Vases

Shaffron (Head Defense) for a Camel, possibly 17th century, Turkish, Steel, copper alloy, leather, H. 19 (48.3 cm); W. 7 1/2 in. (19 cm); D. 3 1/2 in. (8.9 cm); Wt. 3 lb. 14.2 oz. (1763.3 g), Equestrian Equipment-Shaffrons, Camels were used

諸國名橋奇覧　ゑちぜんふくゐの橋, Fukui Bridge in Echizen Province (Echizen Fukui no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Edo period (1615–1868), 1827–30, Japan,

Morning after the Snow at Koishikawa in Edo (Koishikawa yuki no ashita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　礫川雪の旦, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome

Terracotta guttus with lid (flask with handle and spout), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, Overall: 2 3/8 x 3 15/16in. (6 x 10.1cm), Vases, Instead of the decorated medallion that

[Mosque of Koum], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Chrysanthemums in Fan-shaped Design, Edo period (1615–1868), 1840s, Japan, Polychrome woodblock print; ink and color on paper, H. 8 15/16 in. (22.7 cm); W. 11 3/16 in. (28.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

近代, 俞明, 絲路行旅圖, 扇面, Travel on the Silk Road, early 20th century, China, Folding fan mounted as an album leaf; ink and color on alum paper, 8 x 21 3/4 in. (20.3 x 55.2 cm), Paintings, Yu Ming (Chinese, 1884–1935), Yu

Lekythos, Classical, ca. 470 B.C., Greek, Attic, Terracotta; black-figure, white-ground, Overall: 10 15/16in. (27.8cm), Vases, Female triton

Culling Tea, ca. 1869, Albumen silver print from glass negative, Image: 6 15/16 × 9 3/8 in. (17.6 × 23.8 cm), Photographs, Attributed to Lai Fong (Chinese, 1839–1890

The Highland Family, 1824, Oil on wood, 24 x 36 in. (61 x 91.4 cm), Paintings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar), Wilkie, a genre painter, served as a court artist under George IV and his successors. This

Epichysis, Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Terracotta, 5 13/16in. (14.8cm), Vases

Jérusalem, Beit-Lehem, Vue générale, 1854, Salted paper print from paper negative, Image: 22.6 x 27.6 cm (8 7/8 x 10 7/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), Viewed from afar, the small, dark windows of

Spearhead (Mdung Rtse), 17th–18th century, Tibetan, Iron, gold, silver, L. 18 7/8 in. (47.9 cm), Shafted Weapons

Terracotta hydria (water jar), Archaic, ca. 560 B.C., Greek, Attic, Terracotta; black-figure, H. 15 15/16 in. (40.5 cm), Vases, On the shoulder of this beautifully decorated vase, three men wrapped in brightly colored cloaks are flanked by

Terracotta hemispherical strainer, Archaic, 6th century B.C., Lydian, Terracotta, H. 4 1/8 in. (10.5 cm), Vases, This bowl-shaped strainer, provided with a handle, may have been used to prepare a cheese- or yoghurt-like food

Carnelian ring stone, Late Republican or Imperial, 2nd century B.C.–3rd century A.D., Roman, Carnelian, Length: 5/8 in. (1.6 cm), Gems, gryllos. Fanciful combinations of various human and animal heads, sometimes with the addition of other

Bandol, ca. 1860, Albumen silver print from paper negative?, Image: 33.1 x 42.9 cm (13 1/16 x 16 7/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Creamer, ca. 1810, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 4 13/16 x 5 1/4 in. (12.2 x 13.3 cm); 5 oz. 13 dwt. (175.7 g), Silver, Lewis and Smith (active ca. 1805–11

Market by the Seashore, 1637, Oil on wood, 16 x 23 3/8 in. (40.6 x 59.4 cm), Paintings, Salomon van Ruysdael (Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem), On a beach like that at Zantvoort, near Haarlem, small fishing boats

Scene from Noh Dance, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/16 in. (21 x 18.3 cm), Prints, Kosetsu (Japanese, active early 19th century

北宋 佚名 倣范寬山水圖 軸, Landscape in the style of Fan Kuan, Song dynasty (960–1279), early 12th century, China, Hanging scroll; ink and color on silk, Image: 65 3/8 × 41 1/8 in. (166.1 × 104.5 cm), Paintings, Unidentified

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Bronze eyelet-type pin, Late Helladic IIIA, ca. 14th century B.C., Mycenaean, Bronze, Other: 4 5/16in. (11cm), Bronzes, Eyelet' type with perforation halfway down shaft

Glass finger ring, Late Imperial, ca. 3rd century A.D., Roman, Glass; cast and cut, 1 × 1 1/4 × 1/4 in. (2.5 × 3.1 × 0.6 cm), Glass, Translucent cobalt blue. Solid hoop, flat on both sides, with projecting shoulders, and flat

Terracotta vase in the form of a bull, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; Base-Ring ware, Overall: 4 7/8 x 6 11/16 in. (12.4 x 16.99 cm), Vases, The quality of Base Ring Ware deteriorated in the Late Cypriot II period

Glass double head-shaped bottle, Mid Imperial, 2nd century A.D., Roman, Syrian, Glass; mold-blown, H.: 2 11/16 in. (6.8 cm), Glass, Translucent patchy purple. Uneven rim folded out, round, and in; flaring mouth; cylindrical neck, slanting

Limestone statuette of Pan, Hellenistic or Roman, Cypriot, Limestone, Overall: 14 1/2 x 4 x 2 in. (36.8 x 10.2 x 5.1 cm), Stone Sculpture, A schematic nebris, knotted on the chest, covers the shoulders. There are goat ears and small horns

'Caesar Makes a Talisman', Folio from a Shahnama (Book of Kings), ca. 1330–40, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, Painting: 1 5/8 x 4 5/16 in. (4.2 x 11 cm), Codices

Limestone plinth with the remains of a group of Herakles and the Hydra, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 4 3/8 × 9 3/8 × 25 in. (11.1 × 23.8 × 63.5 cm), Stone Sculpture, Statue base with the remains

Terracotta guttus (flask with handle and vertical spout), Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H. 2 1/2 in. (6.3 cm), Vases, Spout in the form of a lion's head

Stone Bridge over the Aji River, Osaka, Edo period (1615–1868), 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/16 in. (25.6 cm); W. 14 7/8 in. (37.8 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

A Collection of Designs for Household Furniture and Interior Decoration, in the most approved and elegant taste, 1808, Illustrations: etching and aquatint, hand-colored, 11 1/16 x 9 1/8 x 1 9/16 in. (28.1 x 23.2 x 4 cm

The Grandchildren of Sir William Heathcote, 3rd Baronet, Oil on canvas, 55 1/4 x 67 1/2 in. (140.3 x 171.5 cm), Paintings, William Owen (British, Ludlow 1769–1825 London), Owen was a contemporary and rival of Sir Thomas Lawrence. The

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta lekythos (oil flask), Classical, ca. 420 B.C., Greek, Attic, Terracotta; white-ground, H.: 14 1/16 in. (35.7 cm), Vases, Woman between two youths. The youth at the left and the woman are clasping hands, a rare subject on funerary

Roses, Young Bird and a Butterfly, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 x 10 1/2 in. (35.6 x 26.7 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Mug, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, Diameter: 3 1/4 × 2 15/16 × 2 3/16 in. (8.2 × 7.4 × 5.6 cm), Vases

The Third Ichikawa Danzo as a Samurai Dressed in a Ceremonial Kamishimo, Edo period (1615–1868), 1769 or 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 7/8 in. (32.4 x 14.9 cm), Prints, Katsukawa Shunshō

Viola da Gamba, 1640–65, London, United Kingdom, British, Maple, spruce, Height: 45 1/4 in. (115 cm), Chordophone-Lute-bowed-fretted, In England after 1600, small bass viols such as these began to displace larger consort instruments.

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 15/16 in. (2 x 2.3 cm); estimated diam. of rim 7 1/16 in. (18 cm), Glass, Thin-walled rim fragment., Semi-opaque greyish

Westernmost Colossus of the Temple of Re, Abu Simbel, 1850, Salted paper print from paper negative, Image: 9 in. × 6 1/2 in. (22.8 × 16.5 cm), Photographs, Maxime Du Camp (French, 1822–1894), Maxime Du Camp's mission to Egypt and the Near

Carnelian engraved scarab, Archaic, late 7th–early 6th century B.C., Greek, Carnelian, 1 in. (2.5 cm), Gems, The beetle is carinated. A fierce lion attacking a bull

Siege Helmet, ca. 1600–1650, French, Steel, H. 11 7/8 in. (30.16 cm); W. 9 7/8 in. (25.08 cm); D. 11 1/2 in. (29.2 cm); Wt. 20 lb. 9 oz (9.34 kg), Helmets

View of the Karlskirche, Vienna, 1816, Austrian, Vienna, Glass, enameled and gilt, Height: 3 3/4 in. (9.5 cm), Glass, View of the Karlskirche, or Church of Saint Charles Borromeo (Vienna), in bright translucent enamel. The artist, Gottlob

Marble strigilated vase with snake handles, Antonine, 2nd half of the 2nd century A.D., Roman, Marble, H.: 17 5/16 in. (44 cm), Stone Sculpture, The foot is restored.. This marble vase with handles in the form of entwined serpents is arguably

Mirror, Archaic, mid-6th century B.C., Greek, Bronze, Diam.: 6 1/2 x 5/16 in. (16.5 x 0.8 cm), Bronzes

Five Great Soldiers of Shoku, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 5/16 in. (20.8 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Gold earring with ring and hook, Imperial, 2nd–3rd century A.D., Roman, Gold, Other: 1 5/16 in. (3.3 cm), Gold and Silver, Delta-shaped earrings have the free end of the hook-and-eye fastening prolonged beyond the eye into a long free hook

Gold earring with agate bead, Late Republican–Early Imperial, late 1st century B.C.–2nd century A.D., Roman, Gold, agate, Other: 1 9/16 in. (4 cm), Gold and Silver, Delta-shaped earrings have the free end of the hook-and-eye fastening

東海道五十三次之内　舞坂　今切真景, View of Imaki Point from Maizaka, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa

A Young French Lady and a Siamese Servant Taking a Dog for a Walk, Edo period (1615–1868), November 1860, Japan, Polychrome woodblock print; ink and color on paper, 14 x 10 in. (35.6 x 25.4 cm), Prints, Utagawa (Gountei) Sadahide (Japanese,

Saber (Shamshir) with Scabbard, hilt and scabbard, dated 1819; blade, 18th century, probably Lucknow, Uttar Pradesh, probably Indian; hilt and scabbard, Indian, probably Lucknow, Steel, silver, enamel, ivory, gold, glass, L. with

京都名所之内　あらし山満花, Arashiyama Manka, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 3/4 in. (22.2 cm); W. 14 in. (35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

東海道五十三次之内　二川　猿ヶ馬場, Futagawa, Saru ga Baba, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa Hiroshige

The Finding of Moses, third quarter 17th century, British, Silk on canvas, H. 14 1/4 x W. 18 3/4 inches (36.2 x 47.6 cm), Textiles-Embroidered

Cymbal, Bronze, Diam.: 2 5/8 in. (6.7 cm), Bronzes

Spoon probe, Roman, Silver ? Bronze ?, 1 1/16 × 4 1/2 in. (2.7 × 11.4 cm), Gold and Silver

[Chicken Feathers], ca. 1840, Photogenic drawing negative, Image: 7 5/16 × 7 5/8 in. (18.6 × 19.3 cm), irregularly trimmed, Negatives, Nevil Story Maskelyne (British, 1823–1911), Talbot's first successes were made by placing a pressed

東海道五十三次之内　蒲原　夜の雪, Evening Snow, Edo period (1615–1868), 1797–1861, Japan, Polychrome woodblock print; ink and color on paper, 9 5/8 x 14 5/8 in. (24.4 x 37.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Peacock on Pine Tree and Peonies, from the series Three Sheets (Mihira no uchi), 「三ひらの内」松・牡丹に孔雀, Edo period (1615–1868), mid- 1810s, Japan, Part of an album of woodblock prints (surimono); ink and color on paper,

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), W. 15 5/8 in. (39.7 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

[Kitchen and Stables of Government House, Calcutta], 1858–61, Albumen silver print, Image: 12.2 x 18.8 cm (4 13/16 x 7 3/8 in.), Photographs, John Constantine Stanley (British, 1837–1878

Fragment, 5th–6th century, Attributed to Egypt, Wool, linen; tapestry weave, 4.25 in. high 3.75 in. wide (10.79 cm high 9.52 cm wide), Textiles

Palmiers Doums à Hamarneh, 1849–50, Salted paper print from paper negative, Image: 6 5/8 × 8 3/8 in. (16.9 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Folio from a Qur'an Manuscript, late 15th–early 16th century, Attributed to India, probably Delhi or Jawnpur, Ink, opaque watercolor, and gold on paper, 20 9/16 x 12 3/8 in. (52.2 x 31.4 cm), Codices

Terracotta jar with barbotine decoration, 2nd–3rd century A.D., Roman, Terracotta, H. 9 11/16 in. (24.5 cm), Vases, Rough gray urn with barbotine leaf and line decoration on shoulder