Images at Librifly

Cherry Blosson Viewing at Gotenyama, Edo period (1615–1868), ca. 1784, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 10 1/8 in. (37.3 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

[Lucia Moholy; Negative Print], 1924–28, Gelatin silver print, 23.6 x 17.5 cm (9 5/16 x 6 7/8 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), In keeping with the climate of visual and

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 5/8in. (9.2cm), Glass, Colorless. Rim folded out and over, flattened on top but aslant to neck; cylindrical neck; bulbous body; slightly

The First Visit of the Cuckoo, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 10 1/4 in. (26 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Design for hanging lantern, late 19th–early 20th century, Made in New York, United States, American, Colored pencil and graphite on off-white tracing paper mounted on artist board, Overall: 20 1/16 x 14 1/16 in. (51 x 35.7 cm), Drawings,

Woman at a Well, 1891, Etching and aquatint on laid paper; second state of three, sheet: 12 1/2 x 8 1/8 in. (31.8 x 20.6 cm), Prints, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

View in Camoens Garden Macao, ca. 1869, Albumen silver print from glass negative, Image: 10 3/8 × 8 1/4 in. (26.4 × 20.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 9/16 in. (1.4 cm), Gems, Youth leaning against pillar, holding scales and palm Inscribed in the field, L.D. VIRILL The scales suggest

Furniture plaque: wing of a hawk, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), 4 3/8 x 2 1/4 x 3 13/16 in. (11.1 x 5.7 x 9.7

Youthful Manjushri on a Lotus Throne, 16th century, Tibet, Copper alloy, H. 3 1/2 in. (8.9 cm); W. 2 7/16 in. (6.2 cm); Diam. (base) 3 1/2 in. (8.9 cm), Sculpture, This work was likely produced for Chinese use. This unusual representation of

Glass monochrome inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/16 x 2 3/16 in. (0.8 x 5.5 cm), Glass, Opaque light grey blue., Fragment of thin, flat strip with beveled edges at

Pope Benedict XIV (Prospero Lambertini, 1675–1758), 1746, Oil on canvas, 25 1/4 x 19 1/4 in. (64.1 x 48.9 cm), Paintings, Pierre Hubert Subleyras (French, Saint-Gilles-du-Gard 1699–1749 Rome), Elevated to the papacy in 1740, Benedict XIV

Jérusalem, Enceinte du Temple, Piscine probatique, 2, 1854, Salted paper print from paper negative, Image: 23.1 x 32.4 cm (9 1/8 x 12 3/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 5 1/8in. (13cm), Glass, Colorless. Rim folded out, over, and in, with beveled upper surface; cylindrical neck with tooled indent around base;

Desk with Writing Set and Plum Flowers, from the series Ise Calendars for the Asakusa Group (Asakusa-gawa Ise goyomi), 『浅草側いせ暦』　文房具と梅熨斗, Edo period (1615–1868), probably 1814 (Year of the Dog), Japan,

Façade postérieure de grande Temple de Dendérah (Tentyris), 1849–50, Salted paper print from paper negative, Image: 6 7/16 × 8 3/8 in. (16.4 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Laboratoire dans le Jardin Royale des Plantes, n.d., Etching, sheet: 3 15/16 x 9 5/8 in. (10 x 24.5 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Silver swivel ring with glazed steatite scarab in a gold setting, Archaic, 7th–early 5th century B.C., Cypriot or Phoenician, Silver, steatite, Other: 1 3/8 in. (3.5 cm), Gems, Swivel ring with Egyptian glazed steatite scarab with double

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 13/16 x 9/16 in. (2.1 x 1.5 cm), Glass, Thin-walled body fragment., Translucent purple, blue, turquoise blue, honey brown,

Arles, Cloitre St. Trophime, ca. 1861, Albumen silver print from glass negative, Image: 33.2 x 42.5 cm (13 1/16 x 16 3/4 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), The twelfth-century cloister of the Church of

Wine-Set, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/8 x 11 1/4 in. (21.9 x 28.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta jug, Middle Minoan IIB, ca. 1800–1750 B.C., Minoan, Terracotta; Coarse painted ware, H. 6 1/8 in. (15.5 cm), Vases, Numerous examples of this type of jug have been found in the old palace at Phaistos, and their production has

Statuette of a man, Bronze, H.: 3 3/16 in. (8.1 cm), Bronzes

Fragment of an Animal Relief, ca. 1150, Made in possibly Umbria, Italy, Italian, Marble (Lunense marble from Carrara), Overall: 13 1/8 x 11 7/8 x 8 1/2 in. (33.3 x 30.2 x 21.6 cm), Sculpture-Stone, Carving on the back reveals that this slab

Glass cameo fragmentary panel, Early Imperial, Augustan or early Julio-Claudian, ca. A.D. 1–25, Roman, Glass, cameo; cast in two layers and carved, Overall: 5 1/16 x 11 7/8in. (12.9 x 30.2cm), Glass, Translucent deep purple, appearing

Limestone head of a bearded male with a wreath of leaves, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 10 x 7 5/8 x 10 in. (25.4 x 19.4 x 25.4 cm), Stone Sculpture, Bearded head with wreath of leaves, hair and beard

Terracotta lamp in the form of an elephant's head, Hellenistic, 3rd century B.C., Greek, Sicilian, Terracotta, length 7 1/8 in. (18 cm), Terracottas, The campaigns of Alexander the Great brought Greece into contact with animals from India and

Glass cup, Mid or Late Imperial, 3rd century A.D., Roman, Glass; blown and cut, Overall: 2 3/4 x 3 7/8 x 3 1/4 in. (7 x 9.8 x 8.3 cm), Glass, Translucent pale blue green. Rim slightly outsplayed, cracked off, and ground flat; slightly convex

The Six Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

冨嶽三十六景　駿州江尻, Ejiri in Suruga Province (Sunshū Ejiri), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

After the Storm, 1853–56, Salted paper print, Image: 19.5 × 15.3 cm (7 11/16 in. × 6 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Gold crescent-shaped earring, Classical-Roman, 5th century B.C.–1st century A.D., Cypriot, Gold, Other: 7/8 in. (2.3 cm), Gold and Silver, Cresent earrings are developed from the symmetrical hoop-type by expanding the body into a flat

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Two Young Women Seated by a Kotatsu Playing Cat's Cradle, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/4 in. (28.6 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese,

Fishing, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/2 × 9 3/8 in. (36.8 × 23.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Lead figure of an archer, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 15/16 in. (5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

[Indian Mystic], 1850s, Albumen silver print, Image: 9 x 6.7 cm (3 9/16 x 2 5/8 in.), Photographs, Unknown

東海道五十三次　石薬師, Ishiyakushi, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa

Courtesan Dressed in an Elaborate Gown Embroidered with Emblems of Good Luck, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 1/8 in. (20 x 18.1 cm), Prints, possibly Kubo

Matsumoto Yonesaburo as Kewaizaka no Shosho in the Play 'Katakiuchi Noriyaibanashi', Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 9 7/8 in. (38.4 x 25.1 cm), Prints, Tōshūsai Sharaku

[Man Smoking Pipe Outside His Home on Village Street], 1880s, Collotype, 37.2 x 29.1 cm. (14 5/8 x 11 7/16 in.), Photographs, Unknown (German

Beaded Wrist Ornament, 12th–14th century, Peru, Chancay, Shell beads, cord, H. 4 1/4 in. (10.8 cm), Beads-Ornaments

Side Chair, ca. 1830, Made in New York, New York, United States, American, Rosewood, ash, 32 3/4 x 17 5/16 x 18 3/16 in. (83.2 x 44 x 46.2 cm), Furniture, Possibly from the Workshop of Duncan Phyfe (1770–1854), Duncan Phyfe & Sons

Portrait of a Gentleman and His Daughter, ca. 1805, Watercolor on ivory and painted paper, 3 1/2 x 4 9/16 in. (8.9 x 11.6 cm), Paintings, Francois M. Guyol de Guiran (1773/77–1849), Guyol de Guiran is known exclusively by this signed work of

Osagawa Tsuneyo II in the Role of Oishi and Ichikawa Danjuro V in the Role of Honzo, Edo period (1615–1868), ca. 1780, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Image (left): 10 7/8 × 5 1/2 in. (27.6 × 14 cm),

Pheasant Among Snow–laden Bamboo on Hillside, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Glass jug, Imperial, 1st–3rd century A.D., Roman, Glass; blown, H.: 3 9/16 in. (9 cm), Glass, Translucent blue green; handle in same color. Tubular rim folded out, round, and in; wide, concave, cylindrical neck; squat bulbous body with

A Book of Nonsense, ca. 1865, Illustrations: color lithography, 10 1/4 x 9 1/4 x 5/8 in. (26 x 23.5 x 1.6 cm), Books

Sébôuah, Vue Générale du Temple, published 1851, Salted paper print from paper negative, Image: 23.8 x 30.6 cm (9 3/8 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Fragment of a terracotta krater or dinos (bowl for mixing wine and water), Archaic, ca. 570 B.C., Greek, Attic, Terracotta; black-figure, length 2 7/8 in. (7.3 cm), Vases, Two satyrs; inscribed

Handle in the form of a panther, Roman, 30 B.C.–A.D. 364, Egyptian, Bronze, Other: 2 1/2 in. (6.4 cm), Bronzes, Bronze handle in the form aof a feline

Scenes from the Life of King Nebuchadnezzar, Tempera on wood, embossed and gilt ornament, Overall, with engaged frame, 24 3/8 x 69 1/8 in. (61.9 x 175.6 cm); painted surface, left 12 7/8 x 14 5/8 in. (32.7 x 37.1 cm), center 12 3/4 x 14 3/4

Sample copper sheet from Tiffany Studios, 1900–1907, Made in New York, New York, United States, American, Copper, .6a: 18 3/4 x 7 1/4 in. (47.6 x 18.4 cm), Glass, Tiffany Studios (1902–32), Tiffany Studios (1902-1932) became well-known

Bracelet, Cypriot, Bronze, Other (Greatest Diameter): 4 1/2in. (11.4cm), Bronzes

Main Street of the Yoshiwara on a Starlight Night, Edo period (1615–1868), 1852–64, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/8 in. (20.6 x 18.1 cm), Prints, Utagawa Kunisada II (Japanese,

View of Vietri with Young Country Women Dancing for Shepherds in the Foreground, 1800, Dark gray ink, watercolor, gouache, black chalk, black ink, sheet: 24 5/16 x 37 3/8 in. (61.7 x 95 cm), Drawings, Joseph Anton Koch (Austrian, Obergibeln

Tropical Scenery, Santa Maria del Real, Darien, 1871, Albumen silver print from glass negative, Image: 20 x 27.3 cm (7 7/8 x 10 3/4 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

Bronze statuette of Aphrodite, Late Hellenistic, ca. 150–100 B.C., Greek, Bronze, H. 20 3/8 in. (51.7 cm), Bronzes, Variant of the 4th century B.C. Aphrodite of Knidos by Praxiteles. No other sculpture in antiquity enjoyed the renown of

General John Munro, Teanich, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 6 1/16 in. (15.4 cm), Glass, Translucent pale blue green. Rim folded out, over, and in, flattened on top and forming slight constriction to mouth;

Set of jewelry, Late Archaic, early 5th century B.C., Etruscan, Gold, glass, rock crystal, agate, carnelian, L. of necklace 14 3/16 in. (36 cm); D. of disks 2 7/16 in. (6.1 cm); L. of fibula 1 15/16 in. (5 cm); L. of fibulae 1 5/8 in. (4.1

Poem for Hanwen, Ming dynasty (1368–1644), dated 1493, China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 6 1/2 x 18 1/2 in. (16.5 x 47 cm), Calligraphy, Shen Zhou (Chinese, 1427–1509), Shen Zhou modeled his writing

Segawa Kikunojo III, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 5/6 x 5 5/8 in. (32.6 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Other: 1 1/4 x 1 15/16 in. (3.1 x 4.9 cm), Glass, Thin-walled body fragment., Translucent honey brown, blue, and opaque

Swallow and Camellia, Meiji period (1868–1912), ca. 1900, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 8 1/4 in. (23.5 x 21 cm), Prints, Itō Jakuchū (Japanese, 1716–1800

Cour du Palais Rhamsès-Meiamoun, à Médinet-habou (Thèbes) (Restes d'une Eglise Copte), 1849–50, Salted paper print from paper negative, Image: 6 3/8 × 8 3/8 in. (16.2 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Henry Duberly and Mrs. Duberly, 1855, Salted paper print from glass negative, Image: 15.9 x 15.8 cm (6 1/4 x 6 1/4 in.), Photographs, Roger Fenton (British, 1819–1869

The Torpedo Officer (Suirai shikan), frontispiece illustration from the literary magazine Bungei kurabu, vol. 1, no. 8, Meiji period (1868–1912), Japan, Polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x

Floral Arabesque Carpet, 17th century, Made in probably Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 189 in. (209.6 cm), Textiles-Rugs, This floral arabesque carpet belongs to a group previously attributed to

Faience snake amulet, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 3/16 in. (3 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for Sakhmi, the

東海道五十三次　日本橋, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Madame Jerome Bonaparte (Elizabeth Patterson), ca. 1805–10, Watercolor on ivory, 3 13/16 x 3 1/2 in. (9.7 x 8.9 cm), Paintings, Attributed to Thomas Sully (American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania), After

The Second Yamashita Kinsaku in the Role of Onna Kusunoki, Edo period (1615–1868), ca. 12th month, 1779, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 7/32 in. (29.2 x 13.3 cm), Prints, Katsukawa Shunkō (Japanese,

Admiral Sir Chaloner Ogle (1726–1816), Oil on canvas, 30 x 24 5/8 in. (76.2 x 62.5 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria

The Waterwheel at Onden (Onden no suisha), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　隠田の水車, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Terracotta kylix (drinking cup), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 4 1/2 in. (11.4 cm); diameter 11 1/4 in. (28.6 cm), Vases, Interior, post, athlete with halteres (jumping weights) and trainer

[View of a Bungalow], 1850s, Albumen silver print, Image: 16 x 22.9 cm (6 5/16 x 9 in.), Photographs, Unknown

Glass jar, Late Imperial, 3rd century A.D., Roman, Glass; blown and trailed, Height: 3 1/8 in. (7.9 cm), Glass, Colorless with pale blue green tinge; trail in same glass. Thickened, rounded rim; flaring mouth; short, concave neck; bulbous

Bottle with Sprinkler Top, second half 12th century, Attributed to Iran, Khurasan, Quaternary alloy; cast, engraved, inlaid with silver and copper, H. 6 1/16 in. (15.4cm), Metal, Bottles of this form often contained bath oils. The knobs

仮宅の後朝, Scene in the Yoshiwara, Edo period (1615–1868), 1790, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Triptych; each H. 14 3/4 in. (37.5 cm); W. 11 5/8 in. (29.5 cm), Prints, Kitagawa Utamaro

清, 陸漢 山水八開, 冊, Eight Landscapes, Qing dynasty (1644–1911), 1699, China, Album of eight leaves; ink and color on paper, Image (album): 14 × 10 in. (35.6 × 25.4 cm), Paintings, Lu Han (Chinese, died 1722

Terracotta Hadra hydria (water jar), Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Cretan, Terracotta, h. 17 7/16 in (44.3 cm); d. 9 1/2 in. (24.1 cm), Vases, The body carries very faint traces of an inscription. The 'L' shaped

Underweissung der Proportzion und stellung der possen, 1538, Woodcuts, Overall: 6 15/16 x 5 3/8 x 3/8 in. (17.7 x 13.7 x 1 cm), Books, As geometrical knowledge increasingly became understood as critical to the development of skills in

Terracotta lekythos (oil flask), Hellenistic, late 4th century B.C., Greek, Attic, Terracotta; applied relief, H. 5 3/8 in. (13.7 cm), Vases, Telephos, Orestes, and Clytemnestra. Telephos, king of Mysia, was wounded by the Greek hero

Whalers, ca. 1845, Oil on canvas, 36 1/8 x 48 1/4 in. (91.8 x 122.6 cm), Paintings, Joseph Mallord William Turner (British, London 1775–1851 London), Turner was seventy years old when Whalers debuted to mixed reviews at the Royal Academy

Country House near the Water, 1646, Oil on wood, 14 3/8 x 13 in. (36.5 x 33 cm), Paintings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague), The building is an imaginary 'hunting castle', the kind of picturesque retreat that appealed to

Limestone votive krater (mixing bowl), Hellenistic, ca. 3rd–1st century B.C., Cypriot, Limestone, Overall: 17 1/4 x 23 in. (43.8 x 58.4 cm), Stone Sculpture, Large stone vases are characteristic of sanctuary sites on Cyprus. They may have

Gold oktadrachm of Ptolemy III Euergetes, Hellenistic, ca. 246–221 B.C., Greek, Ptolemaic, Gold, 1 in., 0oz. (2.5 cm, 27.77g), Coins, conjoined busts of Ptolemy II and Arsinoe II/conjoined busts of Ptolemy I and Berenike I, Alexandria

El Capitan, Yosemite, 1865–66, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Flyvernaskinin paa Banen, 1905–19, Gelatin silver prints from glass negatives, Image: 3 9/16 × 4 1/2 in. (9.1 × 11.4 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the

Landscape with Figures on the Bank of a River, 17th century, Red chalk, 11 x 16 7/16 in. (28 x 41.8 cm.), Drawings, Gaspard Dughet (French, Rome 1615–1675 Rome

A Scene from Ancient History, Pen and black ink, gray wash, 22 1/2 x 16 in. (57.2 x 40.6 cm), Drawings, François Boitard (French, ca. 1670–ca. 1715

Jimmy Miller, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Tavola parecchiata per colazione a Thè, 1839–40, Photogenic drawing from paper negative, Image: 13.4 x 20.2 cm (5 1/4 x 7 15/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Jérusalem, Saint-Sépulcre, Vue générale, 1, 1854, Salted paper print from paper negative, Image: 23.1 × 33.1 cm (9 1/8 × 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Miniature alabaster press, Cypriot, gypsum (alabaster), Overall: 1 3/8 × 2 3/4 × 3 5/8 in. (3.5 × 7 × 9.2 cm), Miscellaneous-Stone Vases, The small deep bowl has two lugs, one of which is broken, and a pouring spout with a hole to the

Bronze bust of Artemis, Early Imperial, 1st half of the 1st century A.D., Roman, Bronze, H. 3 3/8 in. (8.5 cm), Bronzes, The goddess of the hunt is represented with her quiver on her back

Monuments and Chancel Steps, Tenby Church, 1870s, Albumen silver print, Photographs, Francis Bedford (British, London 1816–1894 London

Glass jar, Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, Overall: 9 1/4 in. (23.5 cm), Glass, Translucent blue green. Thick horizontal rim, with rounded tubular edge, folded out, down, in, and down again, forming collar

The Orchid Pavilion, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink on silk, 13 1/8 in. × 11 ft. 5 in. (33.3 × 348 cm), Paintings, Unidentified Artist, In the style of Zhao Mengfu (Chinese, 1254–1322