Images at Librifly

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 7/16 × 2 7/8 × 1/4 in. (6.3 × 7.2 × 0.7 cm), Vases

Gold bracelet with finials in the form of feline heads, Archaic, late 7th century B.C., East Greek, Gold, Diam.: 4 in. (10.2 cm), Gold and Silver, Bracelet with feline heads

Watercolor of musician playing diangu, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 1/2 × 1 1/2 × 3/16 in. (3.8 × 3.8 × 0.5 cm), Vases

Limestone statue of a lion, Archaic, ca. 700–650 B.C., Cypriot, Limestone, Overall: 7 1/2 × 5 × 11 1/2 in. (19.1 × 12.7 × 29.2 cm), Stone Sculpture, There is red paint preserved on the lips, tongue, and inside the ears

Tripod Cauldron (Ding), 西周 青銅鼎, Western Zhou dynasty (1046–771 B.C.), 11th century B.C., China, Bronze, H. 4 1/4 in. (10.8 cm); Diam. 6 in. (15.2 cm), Metalwork

Panel, Edo period (1615–1868), 18th century, Japan, Lacquered wood, L. 10 3/4 in. (27.3 cm); W. 14 3/4 in. (37.5 cm), Lacquer, Attributed to Ogawa Haritsu (Ritsuō) (Japanese, 1663–1747

Covered Vessel, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 7 in. (17.8 cm); W. 7 11/16 in. (19.5 cm); D. 8 13/16 in. (22.4 cm), Metalwork

A Treatise on the Theory and Practice of Landscape Gardening, 1841, Illustrations: wood engraving, with watercolor tipped in at front, 9 1/2 × 6 1/16 × 1 7/16 in. (24.2 × 15.4 × 3.7 cm

百人一首　うはかゑとき　持統天皇, Poem by Jitō Tenno (Empress Jitō), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1839, Japan, Polychrome woodblock print;

Cuisine, ca. 1910, Albumen silver print from glass negative, 21.4 x 17.2 cm. (8 7/16 x 6 3/4 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

The Kitchen, Edo period (1615–1868), 1795, Japan, Right-hand sheet of a triptych of polychrome woodblock prints; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Utamaro expanded the

The Promenade, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 3/8 in. (39.1 cm); W. 10 15/16 in. (27.8 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Vue du lac d'Oo ou Seculejo, Bagnère de Luchon, 1853, Salted paper print from paper negative, Image: 10 1/8 × 14 1/16 in. (25.7 × 35.7 cm), Photographs, Joseph Vigier (French, 1821–1862

Painting, Qing dynasty (1644–1911), 18th–19th century, China, Album with ten leaves (eight paintings and two title leaves); ink and color on paper, Album: 18 7/8 x 17 13/16 in. (47.9 x 45.2 cm), Paintings, Bi Chang

Bronze statuette of Horus, Hellenistic, 304–30 B.C., Egyptian, Ptolemaic, Bronze, H. 7 3/4 in. (19.7 cm), Bronzes, Seated, with Osirian crown and a side lock

Neck-amphora, fragmentary, Archaic, ca. 525–500 B.C., Greek, Attic, Terracotta; black-figure, 4 3/4 x 7 1/4in. (12.1 x 18.4cm), Vases

『画本虫撰』「蓑虫」「兜虫」, Bagworm (Minomushi); Horned Scarab Beetle (Kabutomushi), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock-printed book; ink

Terracotta rim fragment with latticework design, Late Neolithic, ca. 3800–3300 B.C., Dimini culture, Terracotta, length 4 3/16in. (10.6cm), Vases, From Thessaly. Dark lines on light ground

North Dome on left - Royal Arches - Washington Column, 1861, Yosemite, Albumen silver print from glass negative, Image: 42.5 × 51.5 cm (16 3/4 × 20 1/4 in.), Photographs, Carleton E. Watkins (American, 1829–1916

[Reproduction of Napoleon on the Battlefield of Eylau by Antoine-Jean Gros], 1850s, Albumen silver print, Photographs, Unknown (French), After baron Antoine Jean Gros (French, Paris 1771–1835 Meudon

Limestone votive relief with a “master of lions”, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 16 3/4 x 19 1/4 x 4 in. (42.5 x 48.9 x 10.2 cm), Stone Sculpture, Above a flat band serving as a ground line, a

[Factory Interior], ca. 1880, Albumen silver print from glass negative, Image: 36.7 x 47 cm (14 7/16 x 18 1/2 in.), Photographs, Louis Lafon (French, active 1870s–90s

Arles, Amphithéâtre, 1860 or earlier, Albumen silver print from paper negative, Image: 32.3 x 42.3 cm (12 11/16 x 16 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Terracotta kylix (drinking cup), Archaic, mid-6th century B.C., East Greek, Terracotta, H. 3 11/16 in. (9.4 cm); diameter 6 7/16 in. (16.4 cm), Vases, The shape is derived from Attic Little Master cups, specifically lip cups

[Group of Native American Men, Telegraph Poles in Background], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown (American

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, H.: 2 3/8 x 1 7/16 in. (6.1 x 3.7 cm), Glass, Body fragment. Translucent honey brown, cobalt blue, and opaque

Deep Dish, 1430–1460, Made in Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 18 3/4 in. (47.6 cm), Ceramics, This dish (or brasero) comes from a lavish ensemble of tableware created for the delle Agli family of

Bronze tweezers, Early Minoan II-Late Minoan III, ca. 2900–1050 B.C., Minoan, Bronze, L. 3 3/16 in. (8.1 cm), Bronzes, Tweezers

Votive Stele with Buddha and Bodhisattvas, Northern Qi dynasty, mid- 6th century, China, Limestone with pigment and gilding, H: 21 7/8 in. (55.6 cm); W: 14 5/8 in. (37.1 cm); D: 4 in. (10.2 cm), Sculpture

Plaque in the Form of a Demon, Eastern Han dynasty (25–220), China, Bronze with iron, H. 3 11/16 in. (9.4 cm); W. 4 1/16 in. (10.3 cm), Metalwork

Mrs. George Baldwin (Jane Maltass, 1763–1839), 1782 or later, Oil on canvas, 36 1/8 x 29 1/8 in. (91.8 x 74 cm), Paintings, Workshop of Sir Joshua Reynolds (British, Plympton 1723–1792 London

Trays, 1850–80, Japan, Lacquer, H. 7 1/4 in. (18.4 cm); D. 1in. (2.5cm), Lacquer

Vase fragment, Early Minoan II, Minoan, Terracotta, 3 1/16 × 2 3/8 × 1/4 in. (7.8 × 6 × 0.7 cm), Vases

Vase fragment, Greek, Lydian, Terracotta, Overall: 1 x 1/2in. (2.5 x 1.3cm), Vases

Carnelian scarab, Classical, 5th–4th century B.C., Etruscan, Carnelian, H.: 3/8 x 5/16 in. (1 x 0.8 cm), Gems, Herakles with lion's skin and club

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 2 1/2 in. (6.4 cm), Glass, Translucent golden brown. Beveled vertical rim; slightly concave sides tapering downward, then curved in to

Ishibe, 東海道五十三次　石部, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 2 3/8 in. (6 cm), Glass, Translucent golden yellow. Rounded, slightly inverted flaring vertical rim; sides curving in to slightly concave

[Side View of Main Street, Governor General's Camp], 1858–61, Albumen silver print, Image: 17.9 x 27.2 cm (7 1/16 x 10 11/16 in.), Photographs, Unknown

A Section of the Constellation Cygnus (August 13, 1885), 1885, Albumen silver print from glass negative, 25.8 x 21.2cm (10 3/16 x 8 3/8in.), Photographs, Paul Henry (French, 1848–1905), Prosper Henry (French, 1849–1903), Astronomers at

Terracotta statuette of a seated female figure, Late Classical, 4th century B.C., Greek, Terracotta, 6 3/4 in. x 2 3/4 in. (17.1 cm x 6.9 cm), Terracottas, The 'niche' surrounding the figure suggests that she is probably a deity

[Seated Man in White Vest and Dark Coat], 1850s–60s, Albumen silver print from glass negative, 24.9 x 21.8 cm. (9 13/16 x 8 9/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Buddhist Monk Budai, Qing dynasty (1644–1911), 17th century, China, Porcelain with clear glaze (Fujian Province; Dehua ware), H. 6 3/4 in. (17.1 cm); W. 7 1/4 in. (18.4 cm); D. 5 1/2 in. (14 cm), Ceramics, The kilns near Dehua, in Fujian

Christ at the Foot of the Cross, Mourned by Mary and John, early 16th century, Pen and brown ink and wash with traces of black chalk, on three joined sheets of paper, circular. Verso: black chalk, 13 in. (33 cm) in diameter, Drawings,

Tasayac, or the Half Dome, 4967 Feet, 1861, Yosemite, Albumen silver print from glass negative, Image: 15 13/16 × 20 1/4 in. (40.1 × 51.5 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Stone votive breast, Late Classical-Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Miscellaneous-Stone, On a small plinth painted red is a large, rounded breast, the nipple of which is

Onono Komachi, Parrot Komachi, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 9 7/8 in. (37.1 x 25.1 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

(10) [Gate of all Nations, Persepolis, Fars], 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Fougère arborescente, 1863, Albumen silver print from glass negative, Image: 28.7 x 22.8 cm (11 5/16 x 9 in.), Photographs, Désiré Charnay (French, 1828–1915

Granny, Thereza, Elinor; The Shanty, 1853–56, Salted paper print, Image: 11.1 × 9.5 cm (4 3/8 × 3 3/4 in.) (a), oval, Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Cittern, mid to late 18th century, London, England, United Kingdom, British, Wood and various materials, Total length 66 cm., Fingerboard length 22.8 cm., Fingerboard width--top/bottom 4.6/5.2 cm., Chordophone-Lute-plucked-fretted, A model

Glass ribbed bowl, Early Imperial, late 1st century B.C.–mid 1st century A.D., Roman, Glass; cast, tooled, and cut, H. 1 5/8 in. (4.1 cm), Glass, Translucent pale blue green. Vertical rim with rounded top edge; plain, vertical band of

Tunic, ca. 1920, French, cotton, Denise Poiret's modernity was conveyed not only by her sometimes audacious self-presentation but also by her lithe, small-boned figure. Unlike the odalisques of the Belle Époque, her svelte gamine beauty

Mouth Organ, ca. 1835, Vienna, Austria, Austrian, Wood, leather, various materials, H.: 19 cm (7-1/2 in.); Diam.: 10.8 cm (4-1/4 in.), Aerophone-Free Reed, P. Peckmann, This instrument, known only by this specimen, has the shape of a

[Two Chinese Men in Matching Traditional Dress], 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Unknown

Naser al-Din Shah, ca. 1852–55, Salted paper print from glass negative, Image: 33.7 x 21.2 cm (13 1/4 x 8 3/8 in.), Photographs, Unknown, In this formal portrait of Nasir al-Din Shah (r. 1848-96), he wears a carefully chosen costume of

Venetian Woman with Moveable Skirt, 1563, Engraving, Sheet: 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Venice was famed for its many elaborately dressed and coiffed courtesans. Foreign visitors marveled at their opulent jewels and use of

Bamboo and Poem, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 6 5/8 x 20 5/8 in. (16.8 x 52.4 cm), Paintings, Zhu Lu (Chinese, 1553–1632

An Entertainment at Shinagawa, Edo period (1615–1868), ca. 1788, Japan, Right-hand sheet of a triptych of polychrome woodblock prints; ink and color on paper, 10 1/8 x 7 7/16 in. (25.7 x 18.9 cm), Prints, Sakuragawa Bunkyo (Japanese

In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　遠江山中, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Statuette of a harp (lyre) player, male, Archaic, 3rd quarter of the 6th century B.C., Greek, Bronze, H. 3 1/8 in. (7.9 cm), Bronzes

Bronze statuette of a Lar, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 2 7/8 in. (7.3 cm), Bronzes, Left arm raised and right one extended. He wears a tunic, of which the lower part is blown out on either side; no mantle

Interior Hanging, 19th century, Mali or Ghana, Niger River, Fulani peoples (?), Cotton, wool, natural dye, H. 51 x W. 120 in. (129.5 x 304.8 cm), Textiles-Woven, Large-scale textiles created south of the Sahara were generally intended as

Tantalus Cañon, Utah, 1870s, Albumen silver print from glass negative, Photographs, William Henry Jackson (American, 1843–1942), William Henry Jackson was employed for eight years on the western survey headed by geologist Ferdinand V.

Jérusalem, Tombeau des rois de Juda, Intérieur de la cour, 1854, Salted paper print from paper negative, Image: 23.4 x 31.9 cm (9 3/16 x 12 9/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Steatite oil lamp, Middle Minoan III-Late Minoan I, ca. 1750–1450 B.C., Minoan, Steatite, H. 2 1/4 in. (5.7 cm); Diameter 5 1/4 in. (13.4 cm), Miscellaneous-Stone Vases, Oil would have been placed in the bowl, and wicks could rest on the

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 5/8 x 6 3/4 in. (4.1 x 17.1 cm), Glass, Translucent blue., Plain rounded rim; convex curving side; slightly concave bottom., Intact; a few

Limestone statuette of a boy holding a dove, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall: 18 7/8 x 6 5/8 x 4 5/16 in. (47.9 x 16.8 x 11 cm), Stone Sculpture, Figure holding bird

The Ascension, 14th century, Made in Florence, Italy, Italian, Silk on canvas, 11 3/8 x 16 1/2 in. (28.9 x 41.9 cm), Textiles-Embroidered

Shamisen, Plectrum and a Book, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 4 3/16 x 6 1/4 in. (10.6 x 15.9 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Ornament Ball from kuchie (frontispiece) of a novel, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 11/16 x 11 13/16 in. (22.1 x 30 cm), Prints, Mizuno Toshikata (Japanese, 1866–1908

Fire-Holder and Flower-Pot, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 1/2 in. (14.3 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Propylon du Temple de Dandour (Tropique du Cancer), April 1850, Salted paper print from paper negative, Image: 8 7/8 × 6 5/8 in. (22.5 × 16.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

亜米利加・南京, An American on Horseback and a Chinese with a Furled Umbrella, Edo period (1615–1868), 12th month, 1860, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 in. (35.6 x 22.9 cm), Prints, Utagawa

Outfit for Travel, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Canopic Jar of Minmose, New Kingdom, probably mid-Dynasty 18, ca. 1450–1400 B.C., From Egypt, Travertine (Egyptian alabaster), paint, Egyptian blue, H. 42 cm (16 9/16 in.), The owner of this canopic jar was Minmose, a troop captain whose

Bowl, Archaic or Classical, ca. 550–450 B.C., Italic-Native, South Italian (Daunian), Terracotta, H. 4.39 cm. Diameter 14.81 cm., Vases

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 5 3/8 x 1 15/16in. (13.7 x 5cm), Vases

Fragments of a terracotta kylix (drinking cup), Archaic, ca. 515 B.C., Greek, Attic, Terracotta; red-figure, coral red, b.: 1 9/16 × 2 7/8 in. (4 × 7.3 cm), Vases, Exterior, gods in Olympos. Though fragmentary, the cup is exceedingly

Davidson of Aberdeen, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

七日夜, Wave, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 14 11/16 in. (37.3 cm); W. 10 11/16 in. (27.1 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

The First Nakamura Tomijuro as an Angry Woman Standing in a Room, Edo period (1615–1868), 1772 or 1773, Japan, Polychrome woodblock print; ink and color on paper, 11 11/16 x 5 2/3 in. (29.7 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese,

東海道五十三次之内　大磯　虎ケ雨, Tiger Rain at Ōiso Station, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige

Covered Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 3/8 in. (6 cm); W. 6 13/16 in. (17.3 cm); D. 1 3/4 in. (4.4 cm), Lacquer, This covered box,

Ear pick or Ligula, Roman, Bronze, Other: 5 3/16 in. (13.2 cm), Bronzes

Fragment, 17th century, Armenian, Silk, Overall: 4 5/8 x 10 7/8 in. (11.7 x 27.6 cm), Textiles-Woven

Music Box, ca. 1840, Switzerland, Swiss, Various materials, H. 5.1 cm (2 in.), Idiophone, Gold, light blue and red enamel music box in the form of a Turkish coffee cup (zarf), decorated with rose diamond foliate sprays. Later silver gilt

[Charlie and Peel Ross with Horse after a Hunt], ca. 1856–59, Albumen silver print, 21.5 x 18.7 cm (8 7/16 x 7 3/8 in.), arched top, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Terracotta loom weight, Archaic or later, 6th century or later, Greek, Cretan, Terracotta, 4 3/4 in. x 2 1/2 in. (12 cm x 6.3 cm), Terracottas, In the form of a truncated pyramid

Oboe in C, before 1735, Nürnberg, Germany, German, boxwood, brass, Height: 22 5/8 in. (57.5 cm), Aerophone-Reed Vibrated-double reed, Jacob Denner (German, Nürnberg 1681–1735

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 20 in. (37.1 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

The Dancing Trees, 1922, Palladium print, 24.2 x 19.3 cm (9 1/2 x 7 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Terracotta head of a woman, Hellenistic, 3rd–2nd century B.C., Egyptian (?), Terracotta, H. 2 5/8 in. (6.7 cm), Terracottas, With wreath and heavy fillet around head, and earrings

Bronze basket vase with swinging handles, Late Republican or Augustan, 1st century B.C., Roman, Bronze, w. 10 3/5 in. (27 cm), Bronzes, The majority of bronze basket vases come from Campania, particularly around the Bay of Naples where there

Turban Helmet, 16th century, Turkish, in the style of Turkman armor, Steel, iron, silver, H. including nasal 14 1/2 in. (36.8 cm); H. excluding nasal 12 7/8 in. (32.7 cm); W. 10 1/4 in. (26 cm); D. 11 1/8 in. (28.3 cm); Wt. 3 lb. 12.5 oz.

Terracotta skyphos (deep drinking cup), Geometric, late 8th century B.C., Euboean or Cypriot, Terracotta, H. 2 7/8 in. (7.29 cm), Vases, The cup can be paralleled by an example from Sicily that seems to be Euboean. It may also be a Cypriot

Oinochoe, Late Classical, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Height: 9 15/16 in. (25.2 cm), Vases

Second Pylone du Temple d'Isis, à Philae, April 13, 1850, Salted paper print from paper negative, Image: 9 5/16 × 6 9/16 in. (23.6 × 16.6 cm), Photographs, Maxime Du Camp (French, 1822–1894