Images at Librifly

Colonnade and Fountain with a Crowned Armorial Shield, ca. 1750–1800, Pen and dark brown ink with gray wash, 5 15/16 x 8 7/16 in. (15.1 x 21.4 cm), Drawings, Anonymous, Italian, second half of the 18th century

Glass cosmetic flask with four compartments (kohl tube), Late Imperial, 4th–5th century A.D., Roman, Palestine, Glass; blown, trailed, and tooled, Overall: 6 1/2in. (16.5cm), Glass, Translucent blue green; handles and trails partly in

Tombeau de l'Evêque d'Adran, 1866, Albumen silver print from glass negative, 16.9 x 22.7 cm (6 5/8 x 8 15/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Madame Gihoul, 1854–56, Albumen silver print from paper negative, Image: 7 5/16 in. × 6 in. (18.6 × 15.2 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Stained Glass Lunette from the Cornelius Vanderbilt II House, New York, ca. 1880–82, Made in New York, New York, United States, American, Leaded opalescent glass, 30 1/4 x 63 in., 64lb. (76.8 x 160 cm), Glass, John La Farge (American,

Miniature alabaster amphora, Hellenistic, late 4th–3rd century B.C., Cypriot, Alabaster, H. 3 7/8 (9.8 cm); Diam. 2 1/4 in. (5.7 cm), Miscellaneous-Stone Vases, Long neck and two handles

Pottery Whistle, Pre-Columbian, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, H. 25 mm.; L. 39 mm.; W. 57 mm.; Wt. 22 g., Aerophone-Whistle Flute-whistle

Oakley Cottage, 1853–56, Albumen silver print, Image: 16.1 × 20.8 cm (6 5/16 × 8 3/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Overall: 2 1/2 x 1 3/16 in. (6.4 x 3 cm), Glass, Rim fragment., Translucent honey brown, cobalt blue, and

View of the Gift of the Emperor's Gift Cup, Meiji period (1868–1912), Sept. 5, 1877 (Meiji 10), Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, Image: 14 in. × 9 1/4 in. (35.6 × 23.5 cm), Prints,

Maisons de la porte d'Auteuil, May 1871, Albumen silver print from glass negative, Image: 19.2 x 24.9 cm (7 9/16 x 9 13/16 in.), Photographs, Charles Soulier (French, 1840–1875

Glass pourer flask, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 1 7/8 in. (4.8 cm), Glass, Translucent pale blue green. Irregular, uneven rim, folded over and in, forming collar to inside of mouth; short

Terracotta statuette of a seated woman, Archaic, early 5th century B.C., Greek, probably Attic, Terracotta, H.: 8 1/2 in. (21.6 cm), Terracottas, The figure may be a goddess because she is seated. She seems to hold a small animal in her right

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 x 1 5/16 in. (2.6 x 3.3 cm), Glass, Body fragment., Translucent cobalt blue and opaque white., Convex

Antefix, Etruscan, Terracotta, Overall: 6 15/16 x 6 7/8in. (17.6 x 17.5cm), Terracottas, Female head with earrings

Embroidered Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 4 x 4 1/4 in. (10.16 x 10.8 cm), Textiles-Woven

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 7/8 in. (9.8 cm), Glass, Translucent pale blue. Rounded rim, folded down and over; broad, flaring mouth; cylindrical neck, expanding

Limestone statue of a wreathed boy holding a ball or piece of fruit, Hellenistic or Early Imperial, 3rd century B.C.–1st century A.D., Cypriot, Limestone, Overall: 40 1/4 x 13 x 11 1/2in. (102.2 x 33 x 29.2cm), Stone Sculpture, Standing

Counter box, ca. 1730–35, Austrian, Vienna, Hard-paste porcelain, gold, Height: 2 1/2 in. (6.4 cm), Ceramics-Porcelain, This box held circular gaming pieces known as counters. Its lavish decoration extends not only to the top and bottom but

Limestone fragment of a sphinx supporting an incense burner, Classical, mid-5th century B.C., Cypriot, Limestone, Overall: 2 5/8 × 4 3/4 in. (6.7 × 12.1 cm), Stone Sculpture, The incense burner, with traces of red paint on the edges, the

Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 480 B.C., Greek, Attic, Terracotta; red-figure, H. 14 3/4 in. (37.5 cm); diameter of mouth 6 5/16 in. (16 cm); diameter of foot 4 9/16 in. (11.5 cm), Vases, Obverse, old man

Otchime, the Daughter of the God of the Sea, with a Dragon on a Rock, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 11 in. (20.5 x 27.9 cm), Prints, Totoya Hokkei

南宋 金處士 十王圖 軸（之三）, Ten Kings of Hell, Song dynasty (960–1279), before 1195, China, One of five of a set of ten hanging scrolls; ink and color on silk, Image: 51 x 19 1/2 in. (129.5 x 49.5 cm), Paintings, Jin Chushi

[The Kiosk, Zoological Gardens, Brussels], 1854–56, Salted paper print from paper negative, Image: 9 1/4 × 12 1/8 in. (23.5 × 30.8 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

'A Scolding' (Ochiyo), illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Tomioka Eisen (Japanese,

Mace, 1648–87, Turkish, Silver, copper alloy (niello), leather, wood, L. 24 in. (60.96 cm); Diam. of head 3 1/8 in. (8 cm); Wt. 1 lb. 3 oz. (535 g), Shafted Weapons, This delicately crafted mace, with its head of silver-gilt pierced with

「扇屋昼見世畧」, Interior of the House called Ōgiya, Edo period (1615–1868), ca. 1800, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each H. 15 5/16 in. (38.9 cm); W. 9 5/8 in. (24.4 cm), Prints,

Fragment of a limestone statue of a male votary (worshipper), Archaic, probably 1st half of the 6th century B.C., Cypriot, Limestone, Overall: 6 5/8 x 7 1/4 x 1 1/4 in. (16.8 x 18.4 x 3.2 cm), Stone Sculpture, The fragment comes from an

Candlestick, ca. 1705, Made in New York, New York, United States, American, Silver, Overall: 11 3/4 x 6 7/16 x 6 7/16 in. (29.8 x 16.4 x 16.4 cm); 26 oz. 2 dwt. (811.9 g), Silver, Cornelius Kierstede (1674–ca. 1757), These richly

Apostles in Prayer, ca. 1400–1410, South Netherlandish, Oak, Overall (without base): 19 5/16 x 12 7/8 x 4 3/8 in. (49.1 x 32.7 x 11.1 cm), Sculpture-Wood, This relief depicts an episode from Christ’s final appearance, following the

View of Ryogoku Bridge in the Eastern Capital, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 14 1/2 in. (36.8 cm), Prints, Shotei Hokuju (Japanese, active 1790–1820

Bifolium from the 'Nurse's Qur'an' (Mushaf al-Hadina), ca. A.H. 410/ A.D. 1019–20, Made in Tunisia, probably Qairawan, Ink, opaque watercolor, and gold on parchment, H. 17 1/2 in. (44.5 cm), Codices, This double-page from a Qur'an comes

Feathered Tunic, 15th–early 17th century, Peru, Chimú, Cotton, feathers, 27 x 27 1/2 in. (68.58 x 69.85 cm), Feathers-Containers, The Chimú urban capital of Chan Chan housed thousands of specialized artisans living in densely populated

Faience amulet plaque with a group of deities, Hellenistic, ca. 304–30 B.C., Egyptian, Ptolemaic, Clay, glazed, Other: 1 1/4 in. (3.1 cm), Gold and Silver, Amulet plaque, group of deities

Edicule extérieur Sud, 1866, Albumen silver print from glass negative, 16.5 x 22.1 cm (6 1/2 x 8 11/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

[Two Japanese Women Posing with Laundry], 1870s, Albumen silver print from glass negative, 20.1 x 25.2 cm (7 15/16 x 9 15/16 in.), Photographs, Unknown

Leaf from a Book Entitled: Wakoku Hiaku-jo, One Hundred Japanese Women, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 6 1/2 in. (16.5 cm); W. 6 7/16 in. (16.4 cm), Prints, Hishikawa Moronobu (Japanese, died

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.18 x 1.57 x 0.31 in. (3 x 3.99 x 0.79 cm), Ivory/Bone-Reliefs

Portail de la Cathédrale de Louviers, 1852–54, Salted paper print from glass negative, 34.3 x 25.4 cm (13 1/2 x 10 in. ), Photographs, Edmond Bacot (French, 1814–1875

Bronze kyathos (ladle) with animal-head terminals, Classical, late 5th century B.C., Etruscan, Bronze, Other: 11 3/8 x 3 1/8 in. (28.9 x 7.9 cm), Bronzes, Upper end of handle bifurcated, each part terminating in animal head

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 15/16 x 1 1/8in. (5 x 2.8cm), Vases

冨嶽三十六景　身延川裏不二, View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan,

Ewer (aiguière), ca. 1800, Flemish, Ghent, Silver, ebony, Overall: 15 1/4 x 7 x 5 3/8 in. (38.7 x 17.8 x 13.7 cm), Metalwork-Silver

The Actor Onoe Matsusuke in the Role of Lady Iwafuji, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 10 in. (37.8 x 25.4 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825), This

Landscape with Sailboats, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink and color on paper, 9 5/8 x 14 13/16 in. (24.4 x 37.6 cm), Paintings, Attributed to Shen Zhou (Chinese, 1427–1509

Wild Duckling on Sandy Beach, 20th century, 20th century, China, Album leaf; ink and color on silk, 12 3/8 x 10 1/8 in. (31.4 x 25.7 cm), Paintings, Unidentified Artist, In the style of Cui Bai (Chinese, active ca. 1040–70

Vase, 1886–94, Made in New Bedford, Massachusetts, United States, American, Blown glass, enameled and gilded, Crown Milano, H. 11 7/8 in. (30.2 cm); Diam. 6 in. (15.2 cm), Glass, During the late 1880's and early 1890's, the Mount

Terracotta stemmed dish, Archaic, 6th century B.C., Lydian, Terracotta, H. 4 1/4 in. (10.8 cm), Vases, Shallow bowl on high foot, decorated with groups of concentric circles in black

The Floods of 1856, Avignon, 1856, Salted paper print from paper negative, 30.4 x 43.8 cm (11 15/16 x 17 1/4 in. ), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), In Avignon, Baldus portrayed the disastrous floods of 1856

Upper part of a female limestone votary, 2nd or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 5 1/2 x 3 3/4 x 2 3/4 in. (14 x 9.5 x 7 cm), Stone Sculpture, The head, left shoulder, and a bead necklace remain. The face has

Plaque from a Reliquary, early 13th century, Made in Cologne, Germany, German, Champlevé and cloisonné enamel, copper-gilt, Overall: 3 5/16 x 1 9/16 x 5/16 in. (8.4 x 4 x 0.8 cm), Enamels, Workshop of the Master of the Virgin Mary's

Autumn Evening ( A Poem by Saigyō), from the series Sanseki waka, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm), Prints, Katsukawa Shunshō

Esoteric Buddhist Personage, 15th century, Nepal (Kathmandu Valley), Copper with traces of gilding, H. 6 3/8 in. (16.2 cm); W. 4 3/8 in. (11.1 cm), Sculpture, This wrathful Tantric Buddhist personage, with a shaved head, a vertical third eye,

Glass ribbed bowl, Early Imperial, end of 1st century B.C.–mid 1st century A.D., Roman, Glass; cast, tooled, and cut, H.: 1 3/4 in. (4.4 cm), Glass, Translucent pale blue green. Vertical rounded rim; plain band around top of sides,

Glass bottle, Late Imperial, 4th–5th century A.D., Roman, Glass; blown using a dip mold, H. 7 1/8 in. (18.1 cm), Glass, Translucent light green. Thick, uneven rim, cracked off and ground; funnel-shaped neck; slightly pushed-in shoulder,

Glass mosaic carinated dish fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 1/8 x 1 5/16 in. (2.8 x 3.4 cm); estimated diam. of rim: 5 7/8 in. (15 cm), Glass, Opaque red and white., Short,

Terracotta footed cup, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H. 7 9/16 in. (19.2 cm); diameter of mouth 5 5/16 in. (13.5 cm), Vases, On high foot with frieze of boars in low relief

Bronze statuette of Herakles, Hellenistic, 3rd–1st century B.C., Italic, Bronze, H.: 4 1/4 in. (10.8 cm), Bronzes, Nude with lion's skin over left arm

Sacred animal mummy of a cat, Late Period–Roman Period, ca. 400 B.C.–100 A.D., From Egypt, Linen, paint, animal remains, mummfication materials, H. 34.4 cm (13 9/16 in.); W. 9.5 cm (3 3/4 in.); D. 5.6 cm (2 3/16 in.), Animal cults, The

東海道五十三次　箱根, Hakone, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Claret, 1818, American, Glass, 4 in. (10.2 cm), Glass, Pellatt & Green, William Bayard (1761–1826) commissioned this table service in 1818 for his daughter Harriet (1799–1875) and her husband Stephen Van Rensselaer IV (1789–1868) from

Bronze stylus, Imperial, 1st?2nd century A.D., Roman, Bronze, 2 15/16 in. (7.5 cm.), Bronzes, Stylus

南宋 佚名 猿鹿圖 冊頁, Gibbons and Deer, Southern Song dynasty (1127–1279), China, Album leaf; ink and color on silk, 7 x 8 3/4 in. (17.8 x 22.2 cm), Paintings, Unidentified Artist Chinese, 13th century, This painting is a rebus

Caswell, 1853–56, Salted paper print, Image: 15.1 × 20.4 cm (5 15/16 × 8 1/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Miquelet Pistol, ca. 1830–50, Tbilisi, Caucasian, Tbilisi, Georgia, or Dagestan, Steel, wood, silver, niello, L. 21 in. (53.34 cm); Cal. .56 in. (14.22 mm); Wt. 2 lb. 7 oz. (1106 g), Firearms-Pistols-Miquelet

Tripod with Cover (Ding), Han dynasty (206 B.C.–A.D. 220), China, Bronze, H. 7 7/8 in. (20 cm); Diam. 8 3/4 in. (22.2 cm), Metalwork

Birthday Group, 1856, Albumen silver print, Image: 15.7 × 20.6 cm (6 3/16 × 8 1/8 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Glass bottle, Late Imperial, 4th–5th century A.D., Roman, Glass; blown using a dip mold and trailed, H. 7 3/16 in. (18.3 cm), Glass, Translucent blue green; handles and trails in same color., Rounded rim; flaring mouth; cylindrical neck;

[Dead Female Deer and Game Bird], ca. 1856–59, Salted paper print, 17.8 x 23.8 cm (7 x 9 3/8 in.), oval, Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Vox Humana in F, ca. 1800–1825, London, England, United Kingdom, British, Wood, brass, ivory, Length (w/o crook) 730 mm, Diameter of bell 45 mm, Upper section 348 mm, Lower section 415 mm., Aerophone-Reed Vibrated-double reed, William

Limestone statuette of a lion, Archaic, late 6th–early 5th century B.C., Cypriot, Limestone, H.: 5 3/4 x 6 x 2 1/8 in. (14.6 x 15.2 x 5.4 cm), Stone Sculpture, The lion may have been part of a group in which he was being subdued by Herakles

Plaque from a Tantric Ritual Apron (Chakrasamvara and Vajravarahi at Center), 16th century or later, Nepal, Bone, H. 5 1/4 in. (13.4 cm), Bone

Terracotta pithoid jar, Late Helladic IIIA2 late, ca. 1325–1300 B.C., Mycenaean, Terracotta, H. 19 7/8 in. (50.5 cm.), Vases, With three handles and decorated with conventional ornament

Arm Defense, 15th–17th century, possibly Tibetan, Iron, leather, copper alloy, textile, L. 10 5/8 inches (27 cm), Armor Parts-Arms & Shoulders

Statuette of a man, Bronze, H.: 2 5/8 in. (6.7 cm), Bronzes

Pagoda on the Execution Ground, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 13 3/8 × 9 13/16 in. (33.9 × 24.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, Length: 1 in. (2.5 cm), Gold and Silver, Of plain wire with one turn

Frank Eugene, 1907, Autochrome, 18 x 13 cm (7 1/16 x 5 1/8 in.), Transparencies, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Flying Celestial Apsara (Feitian 飛天), Flying Celestial Apsara (Feitian), Tang dynasty (618–907), 7th century, China, Earthenware with traces of pigment, H. 26 3/4 in. (67.9 cm); W. 16 3/4 in. (42.5 cm); D. 4 3/4 in. (12.1 cm); Wt. 32.2

A Contest between the Shepherds Alcesto and Acaten, ca. 1410, Tempera on wood, Twelve-sided, 21 1/8 x 22 1/8 in. (53.7 x 56.2 cm), Paintings, Master of 1416 (Italian, Florentine, early 15th century), This panel and its companion originally

南宋 理宗 趙昀 行書 《長苦春來》 七絕詩 團扇, Quatrain on Late Spring, Song dynasty (960–1279), China, Fan mounted as an album leaf; ink on silk, Image: 9 5/8 × 9 1/4 in. (24.4 × 23.5 cm), Calligraphy, Emperor Lizong

The 'Doria' Carpet, 17th century, Made in Iran, Silk (warp, weft, and pile), metal wrapped thread; asymmetrically knotted pile, brocaded, Rug: L. 158 in. (401.3 cm), Textiles-Rugs

諸国名所図会内　西京東山一覧, A Glimpse of Higayashiyama the Western Capital, from the series Famous Places in the Nation (Shokoku meisho zukai no uchi-Saikyō Higashiyama ichiran), Meiji period (1868–1912), May, 1880, Japan,

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 x W. 8 in. (20.3 x 20.3 cm), Textiles-Featherwork

元 剔紅仕女嬰戲圖漆盤, Tray with women and boys on a garden terrace, Yuan dynasty (1271–1368), 14th century, China, Carved red lacquer, H. 2 3/8 in. (6 cm); Diam. 21 7/8 in. (55.6 cm), Lacquer, With its lush carving and large

Terracotta sarcophagus rim, Archaic, last quarter of the 6th century B.C., East Greek, Clazomenian, Terracotta, Overall: 7 1/2 x 36 1/2 x 84 in. (19.1 x 92.7 x 213.4 cm), Terracottas, A significant number of terracotta sarcophagi with a

清中期 碧玉童子, Temple attendant, Qing dynasty (1644–1911), late 18th–19th century, China, Jade (nephrite), H. 11 15/16 in. (30.4 cm); W. 6 1/8 in. (15.5 cm); L. 4 3/4 in. (12 cm), Jade

Half-lobed bowl, Sasanian, ca. 6th century A.D., Iran, Sasanian, Silver, 2.05 x 5.2 x 7.87 in. (5.21 x 13.21 x 19.99 cm), Metalwork-Vessels

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 4 1/4 in. (10.8 cm), Glass, Opaque white, with handles in same color; trails in translucent purple.

Boat Setting Sail for Tosa, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 3/16 in. (20.3 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

The Pentecost, 14th century, Made in Florence, Italy, Italian, Silk & metal thread on canvas, 11 3/8 x 16 1/2 in. (28.9 x 41.9 cm), Textiles-Embroidered

Glass beaker or lamp, Late Imperial, 4th century A.D., Roman, Glass; blown with applied decoration and cut, Overall: 4 in. (10.2 cm), Glass, Colorless with green tinge; translucent cobalt blue blobs., Thick, slightly bulging rim, cracked

Plaque from a Reliquary, early 13th century, Made in Cologne, Germany, German, Champlevé and cloisonné enamel, copper-gilt, Overall: 3 1/2 x 1 5/8 x 3/8 in. (8.9 x 4.1 x 0.9 cm), Enamels, Workshop of Master of the Virgin Mary's Reliquary

Panel fragments with hunting scenes, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, H. 2.24 x W. 6.22 in. (5.69 x 15.8 cm), Ivory/Bone-Reliefs

東海道五十三次　白須賀, Shirasuka, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Relief Altarpiece with Saints Peter, Paul, and John the Baptist, 1408, Made in Venice, Veneto, Italy, Italian, Limestone from the Istrian peninsula, painted and gilded, Overall: 66 7/8 x 40 3/8 x 4 1/2 in. (169.9 x 102.6 x 11.4 cm),

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 2 3/4 in. (7 cm), Glass, Small bottle. Translucent smoky grey. Slanting rim, folded out, over, and in, with raised inner lip on one side; cylindrical neck,

Children and a Cow, 1635–39, Oil on wood, 17 1/4 x 21 1/2 in. (43.8 x 54.6 cm), Paintings, Attributed to Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht

Saint Martin of Tours, late 15th–early 16th century, German, Wood, polychromy and gilding, 44 3/4 × 15 1/2 × 6 1/4 in., 18.2 lb. (113.7 × 39.4 × 15.9 cm, 8.2 kg), Sculpture-Wood

Pocket bottle, 1815–40, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown, pattern-molded glass, H. 6 in. (15.2 cm), Glass