Images at Librifly

Pitcher, 1875–85, Made in Brooklyn, New York, United States, American, Porcelain, H. 9 1/2 in. (24.1 cm); W. 10 1/2 in. (26.7 cm); Diam. 6 1/4 in. (15.9 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Bret Harte rivaled Mark Twain

Terracotta vessel fragment with conventionalized lily, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 4 13/16 x 6 1/16in. (12.2 x 15.4cm), Vases, From Knossos, Crete. Large fragment with

Harlequin, ca. 1750–53, German, Höchst, Hard-paste porcelain, Overall (confirmed): 8 1/4 x 4 3/8 x 3 9/16 in. (21 x 11.1 x 9 cm), Ceramics-Porcelain

Bronze kyathos (ladle) terminating in a duck's head, Imperial, 2nd century A.D., Roman, Bronze, L. (unfolded) 15 7/8 in. (40.4 cm); L. (folded) 8 5/8 in. (21.8 cm), Bronzes, Ladle, with a hinge and terminating in a duck's head

Barbara Villiers (1640–1709), Duchess of Cleveland, Oil on canvas, 89 x 54 in. (226.1 x 137.2 cm), Paintings, Workshop of Sir Peter Lely (British, after 1670

Two Actors Dressed in Ceremonial Costumes, Edo period (1615–1868), ca. 1787, Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 11 7/8 in. (30.2 cm); W. 11 3/8 in. (28.9 cm), Prints, Katsukawa Shunkō (Japanese,

Pottery Whistle, Pre-Columbian, ca. 800–1500, Central Region?, Costa Rica, Costa Rican, Clay, L. 50 mm.; W. 35 mm.; H. 42 mm.; Wt. 33 g., Aerophone-Whistle Flute-whistle

Statuette of Herakles, Bronze, H.: 4 1/16 in. (10.3 cm), Bronzes

Limestone statue of a male votary holding a bird in the left hand, Late Cypro-Archaic–Early Cypro-Classical, ca 500–450 B.C., Cypriot, Limestone, Overall: 25 x 9 1/2 x 6 3/4 in. (63.5 x 24.1 x 17.1 cm), Stone Sculpture, The feet and the

Vase fragment, Neolithic, first period, ca. 4000–3000 B.C., Neolithic, Hagiorgetika, Terracotta, length 1 1/8in. (2.8cm), Vases

Man's Mantle, 17th–18th century (?), Bolivia, Aymara, Camelid hair, H. 44-1/2 x 39 in. (113 x 99.1 cm), Textiles-Woven

Pitcher, 1880, British, Worcester, Bone china, Height: 7 3/4 in. (19.7 cm), Ceramics-Porcelain, The patterning of this pitcher and a lozenge-form tray, made four years later, was inspired by Japanese porcelains acquired by the Worcester

A Man Slaying a Monster Carp with a Sword, Edo period (1615–1868), ca. 1830, Japan, Diptych of woodblock prints (surimono); ink and color on paper, 8 1/8 x 14 7/16 in. (20.6 x 36.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Fragment of a terrracotta amphora (jar), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, 2 1/8 × 2 9/16 × 1/8 in. (5.4 × 6.4 × 0.4 cm), Vases, Man and warrior. The two letters in the field between the figures may be the end

Bronze helmet of the Corinthian type, Archaic, 6th century B.C., Greek, Bronze, H.: 8 1/2 in. (21.6 cm), Bronzes, With incised eyebrows

Terracotta alabastron (perfume vase), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 8 3/4 in. (22.3 cm); diameter 2 5/16 in. (5.9 cm), Vases, Obverse, upper zone, women at home; lower zone, youth pursuing woman,

Pitcher, 1829–33, Made in Jersey City, New Jersey, United States, American, Earthenware, 8 3/4 x 8 1/2 x 6 5/8 in. (22.2 x 21.6 x 16.8 cm), Ceramics

Handle of a hydria, 5th–4th century B.C., Cypriot, Bronze, Other: 2 5/8in. (6.7cm), Bronzes

見立『平家物語』 紅葉焚図, Parody of Palace Servants Heating Sake over a Fire of Maple Leaves, Edo period (1615–1868), ca. 1750, Japan, Red-colored woodblock print (benizuri-e); ink and color on paper, Image: 16 5/16 × 11 3/4 in.

Cypriote ring based juglet, New Kingdom, Dynasty 18, ca. 1500–1400 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Chamber B, Burial 78, Carnarvon/Carter excavations, Pottery, black ware, H. 13.7 (5 3/8 in); diam. 6.5 cm (2

Edinburgh. The Royal High School, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Coin rue du Cimitière, Saint-Benoît, 1923, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Lamellar Armor (Byang Bu'i Khrab), possibly 16th–17th century, Tibetan, Iron, leather, H. 38 in. (96.5 cm); W. 29 in. (73.7 cm), Armor for Man

Alabaster stemmed bowl, Late Bronze Age, ca. 1600–1200 B.C., Cypriot, Gypsum (alabaster), H. 2 1/8 x 3 3/8 in. (5.4 x 8.6 cm), Miscellaneous-Stone Vases, Ribbed exterior and high foot

Three Cliffs Bay, 1853–56, Salted paper print, Image: 17.8 × 15.8 cm (7 in. × 6 1/4 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Portrait of a Man, 1647, Oil on wood, Oval, 26 1/4 x 21 5/8 in. (66.7 x 54.9 cm), Paintings, Bartholomeus van der Helst (Dutch, Haarlem, born ca. 1612–15, died 1670 Amsterdam), In 1872 Henry James described this picture as 'the perfect

Fragmentary bronze inscription, Imperial, 1st–2nd century A.D., Roman, Bronze, Overall: 2 15/16 x 2 7/16 in. (7.5 x 6.2 cm), Bronzes, The tablet was a form of license, giving certain rights and privileges to a retailer

Gabbro mace head, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Gabbro, H. 2 3/8 in. (6 cm); Diam.: 2 7/16 in. (6.2 cm), Miscellaneous-Stone, Spherical with a hole through the center

Glass bottle shaped like a bird, Imperial, 1st–3rd century A.D., Roman, Glass; blown and tooled, 1 9/16 × 15/16 in. (4 × 2.5 cm), Glass, Colorless with blue green tinge. Everted, possibly trefoil, rim; cylindrical neck, expanding to

東海道五十三次　吉田, Yoshida; Toyokawa-Bashi, Toyokawa Bridge, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/2 in. (21.6 cm); W. 6 7/16 in. (16.4 cm), Prints, Utagawa

清　王時敏　仿黃公望山水圖　軸 絹本, Landscape in the style of Huang Gongwang, Qing dynasty (1644–1911), dated 1666, China, Hanging scroll; ink on paper, Image: 53 x 22 1/4 in. (134.6 x 56.5 cm), Paintings, Wang Shimin

Gareth and Lynette, 1874, Albumen silver print from glass negative, 33.9 x 28.2 cm (13 3/8 x 11 1/8 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron to

清, 吳大澂, 山水, 扇面, Fragrant Mountains, Qing dynasty (1644–1911), China, Folding fan mounted as an album leaf; ink on alum paper, 6 7/8 x 20 7/8 in. (17.5 x 53 cm), Paintings, Wu Dacheng (Chinese, 1835–1902), The round,

Kitchen Scene, 1620s, Oil on canvas, 44 3/4 x 63 in. (113.7 x 160 cm), Paintings, Peter Wtewael (Dutch, Utrecht 1596–1660 Utrecht

The Kabuki Actor Segawa Kikunojo in the Role of a Courtesan Reading a Letter, 初代瀬川菊之丞の傾城図, Edo period (1615–1868), late 1740s, Japan, Polychrome woodblock print; ink and color on paper, H. 26 3/4 in. (67.9 cm); W. 9 5/8

Sword, Zhou dynasty (1046–256 B.C.), China, Bronze with lacquer-like patina, L. 18 in. (45.7 cm), Metalwork

Cameo glass disk with Medusa head, Early Imperial, 1st century A.D., Roman, Glass; cast and cut, Overall: 7/8 x 1 in. (2.2 x 2.5 cm), Gems, Translucent deep purple with opaque white overlay., Circular disk, with beveled edge; flat back., On

戰國 青銅豆, Grain Serving Vessel (Dou), Eastern Zhou dynasty, Warring States period (475–221 B.C.), 5th century B.C., China, Bronze, H. 7 in. (17.8 cm); W. (incl. lugs) 9 in. (22.9 cm); Diam. of lid: 7 1/4 in. (18.4 cm); Diam. of rim

Temple a Denderah, 1870s, Albumen silver print from glass negative, Photographs, Antonio Beato (British, born Corfu, 1834–1906

Portia, 1886, Oil on canvas, 49 1/4 x 33 in. (125.1 x 83.8 cm), Paintings, Sir John Everett Millais (British, Southampton 1829–1896 London), Millais is best known as one of the artists who founded the Pre-Raphaelite Brotherhood in 1848. As a

Vase, ca. 1915, Made in New York, New York, United States, American, Favrile glass, H. 3 7/8 in. (9.8 cm), Glass, Tiffany Furnaces

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 5/8 × 1 1/2 × 3/16 in. (4.1 × 3.8 × 0.4 cm), Vases

Bowl with Cover, third quarter 16th century, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, 15 1/2 × 15 5/16 in. (39.3 × 38.9 cm), Ceramics

[Violinist and Flute Player], ca. 1847, Daguerreotype, Photographs, Possibly by Unknown (American

Marsh Bowl, Early New Kingdom, early Dynasty 18, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 47, Burial 12, Carnarvon/Carter excavations, 1912, Faience, h. 11 cm (4 5/16 in); diam. 28 cm (11 in), This faience

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 1/4 in. (10.8 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 15/16 x 1 3/16 in. (2.4 x 3 cm), Glass, Rim fragment., Translucent deep purple, opaque white, yellow, and brick

The Execution of the Emperor Maximilian (L'exécution de Maximilien), 1868, Lithograph on chine collé, 13 3/8 x 17 1/4in. (34 x 43.8cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Brocade, 18th century, Attributed to India, probably Deccan, Cotton, silk and metal thread, H. 13 1/2 in. (34.3 cm), Textiles-Woven

Silvered bronze roundel with satyr head (one of a pair), Hellenistic, ca. 325–300 B.C., Greek, Bronze, Diam.: 3 1/4 in. (8.2 cm), Bronzes, These roundels are phalerae, decorative metal bosses from a horse's bridle. Such elaborate bridles

Baptism of Christ, ca. 1480–1490, Made in Nuremberg, Germany, German, Limewood with paint and gilding, Overall: 48 x 40 x 3 in. (121.9 x 101.6 x 7.6 cm), Sculpture-Wood, Workshop of Veit Stoss (German, Hob am Neckar ca. 1445–1533

Amethyst ring stone, Imperial, ca. 1st–2nd century A.D., Roman, Amethyst, Length: 3/4 in. (1.9 cm), Gems, Fortuna (Tyche) wearing a diadem and holding a cornucopia and rudder. Inscribed in field, KWKH, possibly a personal name

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Glass beaker, Late Imperial, ca. 3rd century A.D., Roman, Glass; blown and cut (?), 3 3/8 in. (8.5 cm), Glass, Colorless with light green tinge. Rim short and everted, cracked off and ground; cylindrical body with sides expanding slightly

Table and Writing Set, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/8 in. (20.8 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820), Lacquer objects are often

[Blind Man and His Reader], ca. 1850, Daguerreotype, Image: 9.1 x 6.6 cm (3 9/16 x 2 5/8 in.), Photographs, Unknown (American), Little is known about this enigmatic portrait except that the young reader holds a copy of the New York Herald.

Jar with Figures of Immortals, Ming dynasty (1368–1644), 15th century, China, Porcelaneous ware with cloisonné-style decoration, H. 13 9/16 in. (34.4 cm), Ceramics

Cup, cylindrical (inkstand?), Roman, Cypriot, Bronze, 2 1/4in. (5.7cm), Bronzes

歌川広重画　桜花に都鳥, Hooded Gulls and Cherry Blossoms, Edo period (1615–1868), probably 1850–62, Japan, Polychrome woodblock print; ink and color on paper, H. 7 7/8 in. (20 cm); W. (top) 9 in. (22.9 cm); (bottom) 7 3/4 in.

Shiei (?) on His Carp, Edo period (1615–1868), Japan, Diptych of polychrome woodblock prints (surimono); ink and color on paper, Each print: 8 1/4 x 7 1/8 in. (21 x 18.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Limestone head of a beardless male with a diadem, Archaic, middle of the 6th century B.C., Cypriot, Limestone, Overall: 14 x 8 1/4 x 9 1/2 in. (35.6 x 21 x 24.1 cm), Stone Sculpture, Head of a man wearing a frontlet with rosettes

Working Drawing for T-Cart Phaeton No. 3295, 1877, Graphite with red and blue crayon, sheet: 11 15/16 x 19 1/8 in. (30.3 x 48.6 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven,

Pin, Roman, Bronze, Other: 4 1/4 in. (10.8 cm), Bronzes

見立紫式部図, Parody of Murasaki Shikibu, Author of The Tale of Genji, Edo period (1615–1868), early 18th century, Japan, Monochrome woodblock print; ink on paper, 10 3/8 x 14 1/8 in. (26.4 x 35.9 cm), Prints, Okumura Masanobu

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right, 1508, Engraving, 11 1/4 x 8 1/8 in. (28.6 x 20.7 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Bronze shallow bowl, Hellenistic or Imperial, ca. 2nd century B.C.–2nd century A.D., Etruscan or Roman, Bronze, H. 3 in. (7.6 cm); Diameter 12 1/8 in. (30.8 cm), Bronzes, With incised concentric circles

[Countess de Castiglione], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Gold stater, Early Hellenistic, ca. 323/2–315 B.C., Greek, Gold, 18 mm., Coins, Gold coins of this type were minted for over forty years at the two principal royal mints in Macedon, Pella and Amphipolis. The trident and details of the

Advice to Subscribers, published in Le Charivari, April 1, 1840, April 1, 1840, Lithograph; first state of two (Delteil), Sheet: 13 1/8 × 9 11/16 in. (33.3 × 24.6 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Lion's head terminal, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Bronze, H. 4 13/16 x W. 2 3/16 in. (12.2 x 5.5 cm), Metalwork-Ornaments, This powerful snarling lion has a slightly protruding tongue. The animal's muzzle is

Terracotta jug, Late Imperial, ca. A.D. 220–250, Roman, Terracotta; African Red Slip Ware, 6 1/16in. (15.4cm), Vases, Narrow mouthed jug with one handle, and in stamped relief a man, animal, and leaves. The distinctive shape, fabric,

Bronze statuette of Neptune, Imperial, 1st century A.D., Roman, Bronze, H. 5 3/8 in. (13.6 cm), Bronzes, His right arm is raised, the hand which is clasped having probably held a trident. The eyes are inlaid with silver

Chef de Village en Costume officiel, Cochinchine, 1866, Albumen silver print from glass negative, 20.8 x 16.3 cm (8 3/16 x 6 7/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Illustration to Proverbs 11: 26, 1534, Etching; second state of four, sheet: 7 15/16 x 10 13/16 in. (20.2 x 27.5 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

東海道五十三次　白須賀, Shirasuka, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Men and Women in Court Costume Dancing, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Terracotta kylix (drinking cup), Archaic, ca. 540–520 B.C., Greek, Chalcidian, Terracotta; black-figure, H. 3 1/2 in. (8.9 cm), Vases, Obverse and reverse, between eyes, nose; at handles, ears While certainly influenced by Attic models,

Ryogoku Yanagibashi (Umegawa), 江戸高名会亭尽　柳ばし, The Umegawa at Ryogoku Yanagibashi, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/16 in. (24 cm); W. 14 3/16 in. (36

The Third Sawamura Sojuro as a Man Standing with Feet Spread Widely Apart, Edo period (1615–1868), ca. 1795?, Japan, Polychrome woodblock print; ink and color on paper, 12 5/16 x 5 5/8 in. (31.3 x 14.3 cm), Prints, Katsukawa Shun'ei

Bronze statuette of a Lar, Imperial, ca. 1st century A.D., Roman, Bronze, H. 5 1/16 in. (12.9 cm), Bronzes, The Lar holds in his right hand a rhyton with a protome in the form of an antelope's head and in his left a phiale

五十三次名所図会　御油　本野ヶ原本坂ごへ, Goyu, Edo period (1615–1868), 1855, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/16 in. (35.7 cm); W. 9 1/4 in. (23.5 cm), Prints, Utagawa Hiroshige

Double Pottery Whistle, 500 B.C.–500 A.D.?, San Jose?, Republic of Costa Rica, Costa Rican, Clay, L. 6.9 cm (2-3/4 in.); D. 19 cm (7-1/2 in.); W. 38 cm (15 in.); Wt. 32 g, Aerophone-Whistle Flute-whistle

Basin (Pan), late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 3 1/4 in. (8.3 cm); Diam. 17 1/4 in. (43.8 cm); W. (with loop handles) 18 12 in. (47 cm); Diam. of foot 11 in. (27.9 cm), Metalwork

Terracotta oinochoe (jug) with lid, Late Corinthian, 6th century B.C., Greek, Corinthian, Terracotta, Overall: 5 13/16in. (14.7cm), Vases, Squat oinochoe with trefoil mouth, lid; white lines on neck, shoulder and body

High-Tin Bronze Bowl, 12th century, Attributed to present-day Afghanistan, High-tin bronze; cast, chased, punched, engraved, 7 1/16 x 1 9/16 in. (17.9 x 4 cm), Metal, High tin bronze was an alternative to silver, appreciated for its bright

Limestone statuette of a seated beardless male votary, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall: 11 3/4 x 4 1/2 x 3 1/4 in. (29.8 x 11.4 x 8.3 cm), Stone Sculpture, Seated figure wearing tunic and wreath

One of Six Impressions from Worn Old Blocks, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, Overall: 9 5/8 x 13 7/16 in. (24.4 x 34.1 cm), Prints, Unidentified Artist Japanese, 18th century

Limestone statue of a male votary, Late Hellenistic, 2nd–1st century B.C., Cypriot, Limestone, Overall: 29 3/4 x 10 1/2 x 7 3/4 in. (75.6 x 26.7 x 19.7 cm), Stone Sculpture, Traces of red still visible on the hair, pupils, lips, sandals,

Glass bowl with painted decoration, Hellenistic, 3rd century B.C., Greek, glass; cast and painted, Diameter: 8 in. (20.3 cm), Glass, Colorless; gilding and red enamel paint.. Ground vertical rim; side of body sloping in and rounded at bottom;

Profil du Portail; Entrée Du Cloitre, Arles, Eglise Metropolitaine de Saint-Trophime, 1852, Salted paper prints from paper negatives, Image: 6 7/8 × 5 7/8 in. (17.5 × 15 cm) (each), Photographs, Charles Nègre (French, 1820–1880

'Dragon' design, early 19th century, Attributed to Azerbaijan, probably Kuba, Wool (warp, weft and pile), Textile: L. 120 in. (304.8 cm), Textiles-Rugs

『画本虫撰』「蚓」「こうろき」, Earthworm (Mimizu); Cricket (Kōrogi), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock-printed book; ink and color on

Faience aryballos (oil bottle) in the form of a hedgehog, Archaic, 6th century B.C., East Greek, Faience, Overall: 1 3/4 x 2 9/16 in. (4.4 x 6.5 cm), Miscellaneous-Faience, Hedgehogs are among the most common forms of faience oil flasks. The

Two Beauties, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Jérusalem, Enceinte du Temple, Mosquée El-Aksa, angle Sud-Ouest, 1854, Salted paper print from paper negative, Image: 23.1 x 32.6 cm (9 1/8 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta hydria (water jar), Classical, ca. 430–420 B.C., Greek, Attic, Terracotta; red-figure, H. 9 5/16 in. (23.6 cm), Vases, Eros and woman. The scene shows a woman seated with a casket and pet bird, thus probably in the domestic

Symington, Paisley, and Glasgow, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Terracotta tankard, Late Cypriot I-II, ca. 1600–1200 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 4 9/16 in. (11.6 cm), Vases, Wide-mouthed tankard with horned handle and two bands in relief on neck

Terracotta plate, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 3.8 cm. Diameter 16.5 cm., Vases, Head of a woman. It is worth noting that the woman's head is executed in the red-figure

Erotic Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 10 in. × 15 1/8 in. (25.4 × 38.4 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806