Images at Librifly

Jérusalem, Saint-Sépulcre, Clocher, 1854, Salted paper print from paper negative, Image: 32.9 x 23.5 cm (12 15/16 x 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Ostrakon with an Epistle of Severos, Bishop of Antioch, after 508–640, Made in Byzantine Egypt, Coptic, Limestone with ink inscription, Overall: 3 13/16 x 4 1/8 x 7/8 in. (9.7 x 10.5 x 2.3 cm), Miscellaneous-Stone, Ostraca are texts written

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 9 1/2 x 8 1/4 x 13/16 in. (24.2 x 21 x 2.1 cm), Miscellaneous-Paintings, On black ground; two birds in flowering acanthus plant; flowers in vine

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 in. (7.6 cm), Glass, Translucent light blue, with handles in same color; trails in opaque yellow

Shield with Hunting and Landscape Vignettes, second half 17th century, Attributed to India, Steel; with gold overlay, Diam. 21 11/16 in. (57.7 cm), Arms and Armor, The Mughal aesthetics are reflected in its weaponry. This shield, which belongs

Dish with 'Cintamani' and Tiger-stripe Pattern, ca. 1575–90, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 1 15/16 in. (4.9 cm), Ceramics, The pattern of this charming dish is a variant of the so?called

The Lion Dance, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, H. 8 1/4 in. (21 cm); W. 14 1/4 in. (36.2 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), In this illustration of a New Year's

Glass bottle, Late Imperial, ca. 4th–5th century A.D., Roman, Glass; blown, Overall: 8 in. (20.3 cm), Glass, Translucent deep purple. Slightly everted rim, with beveled outer lip; tall, cylindrical neck, expanding downwards and joining

Limestone votive relief with a lion killing a bull and two human figures, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 17 3/4 × 26 1/8 × 3 3/4 in. (45.1 × 66.3 × 9.5 cm), Stone Sculpture, Above the flat band

Kneeling Youth, late 16th century, Attributed to Iran, Qazvin, Ink, watercolor, and gold on paper, 6.37 in. high 3.50 in. wide (16.5 cm high 8.9 cm wide), Codices, This drawing of a kneeling youth wearing a fur-lined gold cap is based on a

Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), W. 12 1/8 in. (30.8 cm), Lacquer, This covered box, part of a wedding trousseau, comprised of

Plaque, 1879, Made in New York, New York, United States, American, Painted and glazed earthenware, Diam. 16 in. (40.6 cm), Ceramics, John Bennett (1840–1907

[Young Girl with Flowers, Sicily, Italy], 1903, Albumen silver print from glass negative, 21.9 x 16.9 cm. (8 5/8 x 6 5/8 in.), Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

Old Trees, Level Distance, 北宋 郭熙 樹色平遠圖 卷, Northern Song dynasty (960–1127), ca. 1080, China, Handscroll; ink and color on silk, Image: 14 in. × 41 1/8 in. (35.6 × 104.4 cm), Paintings, Guo Xi (Chinese, ca. 1000–ca.

The Actor Otani Hiroji III and the Actor Onoe Kikugoro I, Edo period (1615–1868), ca. 1778, Japan, Diptych of polychrome woodblock prints; ink and color on paper, A: H. 12 in. (30 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shunshō

Glass bowl, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 2 3/8 in. (6 cm), Glass, Translucent blue green. Deep, outsplayed rim, with rounded lip; at bottom of rim, hanging, folded tubular flange; side flares out at top,

Teapot, ca. 1740, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 5 1/4 x 7 5/8 x 4 1/4 in. (13.3 x 19.4 x 10.8 cm); 14 oz. 2 dwt. (438.2 g), Silver, Joseph Richardson Sr. (1711–1784

Vase fragment, Neolithic, Terracotta, 7/8 × 1 3/16 × 3/16 in. (2.3 × 3 × 0.5 cm), Vases

Limestone statuette of Bes, Archaic or Classical, late 6th or early 5th century B.C., Cypriot, Limestone, Overall:H.: 5 1/2 x W.:2 3/4 x D.:2 1/8 in. (14 x 7 x 5.4 cm), Stone Sculpture, The nude figure has a round abdomen and small,

'In Sure and Certain Hope.' York Minster, 1902, Platinum print, Image: 20 x 14.8 cm (7 7/8 x 5 13/16 in.), Photographs, Frederick H. Evans (British, London 1853–1943 London

清, 樊圻, 為玉翁作山水圖, 冊, Landscapes Painted for Yuweng, Qing dynasty (1644–1911), dated 1673, China, Album of eight leaves; ink and color on paper, 6 x 7 7/16 in. (15.2 x 18.9 cm), Paintings, Fan Qi (Chinese,

Bronze furniture attachment, Early Imperial, 1st century A.D., Roman, Bronze, H.: 3 3/4 in. (9.5 cm), Bronzes, This bronze mule's head was originally part of a fulcrum (headrest) on a Roman couch. The mule is associated with Dionysus, the god

Terracotta vase in the form of a ram, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 9/16 in. (9.07 cm), Vases, This vase may have served as a baby-feeder

Papyrus fragment with lines from Homer's Odyssey, Early Hellenistic, ca. 285–250 B.C., Greek, Ptolemaic, Papyrus, 7 1/2 in. (19.1 cm), Miscellaneous-Papyrus, For the ancient Greeks, papyrus, a paper made from the stalks of the papyrus

Terracotta cup-skyphos (drinking cup), Late Classical, late 4th century B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 4 13/16 in. (12.3 cm), Vases, Decorated with stylized grapes; interior, impressed

Genius of the Dance, 1864, French, Paris, Bronze, 21 11/16 x 9 1/2 in. (55.1 x 24.1 cm), Sculpture-Bronze, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie), Carpeaux’s high relief on the façade of the Opéra Garnier in

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 1/2 in. (2.9 x 1.2 cm), Glass, Body fragment. Translucent turquoise blue, partially layered with opaque yellow and

Ichikawa Danjūrō V in the Scene 'Five Chivalrous Commoners' from the Play A Soga Drama on the First Festival Day, Edo period (1615–1868), 1780, Japan, Tetraptych of polychrome woodblock prints; ink and color on paper, Overall: H. 13 in. (33

Numazu, 東海道五十三次　沼津, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 3/4 in. (25.1 x 37.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Bowl rim, Bronze, Diam.: 1 3/4 in. (4.4 cm), Bronzes

Lampstand, Cypriot, Bronze, H.: 9 7/8 in. (25.1 cm), Bronzes

Faience bowl, Hellenistic, 2nd–1st century B.C., Greek, Ptolemaic, faience, h. 4 1/10 in. (10.5 cm); d. 6 4/5 in. (17.2 cm)., Miscellaneous-Faience, The decorative scheme of this bowl, large petals separated by triangular zones of stacked

Paris Interior, ca. 1910, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Amphora, inscribed, Cypriot, Terracotta, Diam.: 14 1/2 in. (36.8 cm), Cesnola Inscriptions

Rising Sun and Plum Tree, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 4 1/2 x 10 1/2 in. (11.4 x 26.7 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Piece, late 17th–early 18th century, Italian, Silk and metal thread, Overall: 17 3/4 x 10 3/4 in. (45.1 x 27.3 cm), Textiles-Woven

Head of an Unidentified Actor as a countryman in Rags, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, H. 8 in. (20.3 cm); W. 9 9/16 in. (24.3 cm), Prints, Katsukawa Shun'ei (Japanese,

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Cross-section of a chapel (?); verso: Pavillion in Neogothic style, ca. 1800, Pen and black ink, brush and gray wash, watercolor, over a sketch in graphite, sheet: 5 1/2 x 9 1/16 in. (13.9 x 23 cm), Drawings, Anonymous, Swedish, 19th

Cybele Prevents Turnus from Setting Fire to the Trojan Fleet by Transforming the Ships into Sea Goddesses, 18th century, Pen and brown ink, brush and brown wash, over black chalk, heightened with white., 14 15/16 x 18 9/16 in. (37.9 x 47.2 cm),

Terracotta kylix (drinking cup), Archaic, ca. 500–490 B.C., Greek, Attic, Terracotta; red-figure, H. 3 7/16 in. (8.7 cm); diameter 8 in. (20.3 cm), Vases, Youth at an altar. The youth is shown in an athletic context, indicated by the

Glass alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H. 6 7/8 in. (17.5 cm), Glass, Translucent cobalt blue, with handles in same color; trails in

Glass cameo: Eros holding a torch, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Glass, Length: 5/8 in. (1.6 cm), Gems, Eros holding an inverted flaming torch

[Ruins in a Garden], 1870s, Albumen silver print, Photographs, Unknown (French

Terracotta amphora (jar), Cypro-Geometric I, 1050–950 B.C., Cypriot, Terracotta, H. 8 1/2 in. (21.59 cm), Vases, The handles are in the form of a stylized goat's head

Terracotta nestoris (two-handled jar), Late Classical, ca. 350–325 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, H. 18 3/4 in. (47.6 cm), Vases, Obverse, youth flying to an altar, Reverse, youth. This vase represents the

名所江戸百景・廓中東雲, The Entrance to the Yoshiwara at Dawn, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 13 3/8 in. (34 cm); W. 8 3/4 in. (22.2 cm), Prints, Designed by Utagawa

Bronze chisel, Bronze, Other: 2 3/16 x 5 3/4 in. (5.6 x 14.6 cm), Bronzes, Covered with a turquoise- blue patina, of the 'winged' variety, with side flanges and a stop ridge for fastening the handle

Cauterets, Pont d'Espagne, 1853, Salted paper print from paper negative, Image: 14 5/16 × 9 1/2 in. (36.4 × 24.2 cm), Photographs, Joseph Vigier (French, 1821–1862

Visit of the Empress to the Third National Industrial Promotional Exhibition at Ueno Park(Ueno dai sankainaikoku kangyō hakuran kai gyokō no zu), 『上野第三回内国勧業 博覧会御幸之図』, Meiji period (1868–1912), 1889, Japan,

Design for an Urn, ca. 1770–90, Pen and brown ink, graphite, 14 11/16 x 9 5/16 in. (37.3 x 23.7 cm), Drawings, Anonymous, French, 18th century

Glass oinochoe (perfume jug), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 4 1/2 in. (11.4 cm), Glass, Translucent cobalt blue, with handle and foot in same color; trails in opaque

Glass jug, Late Imperial, 4th century A.D., Roman, Glass; blown, 10 13/16in. (27.5cm), Glass, Translucent blue green; handle and base in same color., Rim folded out, round and in; broad, conical mouth; cylindrical neck; slender ovoid body;

Group of Four Women, Edo period (1615–1868), ca. 1705–7, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 15/32 in. (25.4 x 36.8 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Engraved Lamp Stand with Interlocking Circles, probably 16th century, Attributed to Iran, Brass; cast, engraved, and inlaid with black compound, H. 11 7/8 in. (30.1 cm), Metal, The verses inscribed around this lamp stand embody spiritual

The Choristers, 1853–56, Albumen silver print, Image: 10.7 × 8.8 cm (4 3/16 × 3 7/16 in.) (oval), Photographs, P. W. Fry (British, active 19th century

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 7/8 in. (7.3 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Bronze aryballos, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 3 11/16 in. (9.4 cm), Bronzes, Concentric circles on the bottom; high shouldered, with short, narrow neck

Casa di Rienzi, Rome, ca. 1855, Salted paper print from paper negative, Image: 16.4 x 21.3 cm (6 7/16 x 8 3/8 in.), Photographs, Unknown (British), Taken from the portico of the Temple of Fortuna Virilis, this photograph shows the Casa di

Tavern Scene, Oil on wood, 14 3/8 x 12 5/8 in. (36.5 x 32.1 cm), Paintings, Copy after Gabriël Metsu (Dutch, late 17th century

Chariot fragments, sockets with Medusa masks, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Body diameter (1): 2 5/16 in. (6 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 3/16 in. (13.2 cm), Glass

Glass flask, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, H. 4 5/8 in. (11.7 cm), Glass, Colorless with slight greenish tinge. Knocked-off, uneven rim; funnel neck; globular body; slightly concave bottom. On body, three

Chuban of the Chushingura Drama, Edo period (1615–1868), Japan, Diptych of polychrome woodblock prints; ink and color on paper, 10 1/8 x 7 3/8 in. (25.7 x 18.7 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

'Alexander Visits the Sage Plato in his Mountain Cave', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, Page: 9 7/8 x 6 1/4 in. (25.1 x 15.9 cm),

Fragmentary head of a woman, Classical, 5th–4th century B.C., Greek, Cretan, Terracotta, 4 1/4 in. x 3 1/4 in. (10.7 cm x 8.2 cm), Terracottas, There is a hole at the top of the head for suspension

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/16 × 1 3/16 × 1/8 in. (3.1 × 2.9 × 0.3 cm), Vases

Pocket bottle, 1792, Possibly made in Maryland, United States; Possibly made in Philadelphia, Pennsylvania, United States, American, Blown and engraved glass, H. 9 in. (22.9 cm), Glass

東海道五十三次之内　鞠子　名物茶店, Mariko; Meibutsu Chaya, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa Hiroshige

Bust of the Virgin, ca. 1390–95, Made in Prague, Bohemia, Bohemian, Terracotta with paint, 12 13/16 x 8 13/16 x 5 7/16 in. (32.5 x 22.4 x 13.8 cm), Sculpture-Ceramics, With regal elegance and a tender face, this image of the Virgin

Hand, right, votive, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

Shanaō [Yoshitsune] Learns Martial Arts in Sōjōgatani (Shanaō Sōjōgatani ni heijutsu o manabu zu), Edo period (1615–1868), 1830s (Tenpô era), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 × 10 1/8 in. (37.5

French Commode, from Chippendale Drawings, Vol. II, ca. 1753–54, Graphite, sheet: 6 x 8 5/16 in. (15.2 x 21.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Étui, ca. 1735, Austrian, Vienna, Hard-paste porcelain, gold, 2 7/16 × 1 13/16 in. (6.2 × 4.6 cm), Ceramics-Porcelain, The decoration displays Viennese baroque Laub und Bandelwerk (foliage and strapwork), similar to the engraved designs

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, H.: 1 1/4 x 15/16 in. (3.1 x 2.4 cm), Glass, Carinated body fragment., Translucent turquoise blue, purple, turquoise blue mixed with

Brushes and Paper Ornaments, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Bowl with White-Baits and Plum Blossoms, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/4 in. (20.8 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 3 3/4in. (9.5cm), Vases

Lead figure of a lion, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Length: 1 3/4 in. (4.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia;

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

'Marriage of Khusrau and Shirin', Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Painting: H. 7 in. (17.8 cm), Codices, Painting

Shaffron (Horse's Head Defense), first half 16th century, Turkish, Copper alloy, gold, iron, H. 23 1/4 in. (59.1 cm); W. 8 3/4 in. (22.2 cm); Wt. 4 lb. 4 oz. (1917 g), Equestrian Equipment-Shaffrons, Armor made of gilt copper (tombak) was

Creamer, 1790–1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 11/16 x 5 7/16 in. (17 x 13.8 cm); 5 oz. 16 dwt. (180 g), Silver, Possibly John David Jr. (1772–1809

Whistle Jar, Pre-Columbian, 100–900 A.D., Colombia, Calima, Ceramic, H. 15.6 x W. 13.5 x D.10.7cm (6 1/8 x 5 5/16 x 4 3/16in.), Aerophone-Whistle Flute-vessel flute

Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary, second half 15th century, Made in Florence, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 22 5/16 x 15 11/16 in. (56.7 x 39.9 cm), Manuscripts and

Vase fragment, Early Minoan II, Minoan, Terracotta, 3 1/16 × 2 3/8 × 3/8 in. (7.8 × 6.1 × 1 cm), Vases

Bronze punch, Bronze Age, ca. 3000–1050 B.C., Minoan, Bronze, L. 5 in. (12.7 cm.), Bronzes, The shaft is rectangular below and rounded above

[Trees], 1854–57, Salted paper print from paper negative, Image: 30.3 x 22.1 cm (11 15/16 x 8 11/16 in.), Photographs, Thomas Keith (British, Kincardine, Aberdeenshire, Scotland 1827–1895 London), A surgeon and gynecologist by profession

Lacock Abbey, 1839–40, Photogenic drawing from paper negative, Image: 16.5 x 21.6 cm (6 1/2 x 8 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

The Second Nakamura Nakazo in the Role of Sadakuro in 'Chushingura', Edo period (1615–1868), 5th month, 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 7/16 in. (32.1 x 13.8 cm), Prints, Katsukawa Shun'ei

Glass unguentarium (perfume bottle), Hellenistic, late 3rd–early 2nd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, 3 9/16 × 1 3/8 in. (9 × 3.6 cm), Glass, Translucent cobalt blue with some brown red streaks;

The Ridotto Pubblico at Palazzo Dandolo, ca. 1765–68, Oil on canvas, 13 3/8 x 20 in. (34 x 50.8 cm), Paintings, Francesco Guardi (Italian, Venice 1712–1793 Venice), While Guardi is known for his landscapes and imaginary lagoon views, he

[Maharajah Putteala's State Elephant], 1858–61, Albumen silver print, Image: 6.5 x 6.6 cm (2 9/16 x 2 5/8 in.), Photographs, Unknown

Fragment of a Figure, ca. 1225, Made in probably Lucca, Tuscany, Central Italy, Italian, Carrara marble, Overall: 31 3/4 x 13 7/8 x 7 5/8 in. (80.6 x 35.2 x 19.4 cm), Sculpture, With a water flask slung over its shoulder, this figure may

Gold necklace with emerald and variscite beads, Late Imperial, 3rd century A.D., Roman, Gold, emerald, and variscite, Overall: 17 1/8 in. (43.5 cm), Gold and Silver, 24 green beads: 1 emerald and 23 variscite

Strainer, ca. 1800, American, Silver, 1 1/4 x 5 x 3 1/2 in. (3.2 x 12.7 x 8.9 cm); 1 oz. 18 dwt. (59.4 g), Silver

Storm Clouds, 1935, Wax emulsion on canvas in artist-made frame, 15 x 21 1/8 in. (38.1 x 53.7 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), As its title suggests, this work portrays a stormy

Fringed Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 5 3/4 x 9 1/4 in. (14.61 x 23.5 cm), Textiles-Woven

Bronze handle of a vessel with Silenos mask, Classical, 450–400 B.C., Etruscan, Bronze, Other: 5 1/2 x 5 3/4 in. (14 x 14.6 cm), Bronzes, From a vase; with garlands