Images at Librifly

Miss Kemp as Ophelia, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Saint Margaret of Antioch, ca. 1475, Made in Toulouse (?), French, Alabaster, with traces of gilding, Overall: 15 3/8 x 9 5/8 x 6 9/16in. (39 x 24.5 x 16.7cm), Sculpture-Stone, The legend of Saint Margaret, the Early Christian martyr also

Courtesans and Attendants Playing in the Snow, 雪こかし, Edo period (1615–1868), ca. 1796, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 15/32 x 29 15/32 in. (36.8 x 74.9 cm), Prints, Utagawa Toyokuni I

Fragment, 5th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 19 11/16 in. high 17 9/16 in. wide (50 cm high 44.6 cm wide), Textiles

Anubis Amulet, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Faience, H. 4.7 cm (1 7/8 in), Funerary amulets often were made in the form of gods who had roles in protecting the mummy. Anubis, the jackal-headed god, oversaw the

Terracotta vase fragment with floral ornament and bands, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, Overall: 1 9/16 x 2 1/8in. (4 x 5.4cm), Vases, From Knossos, Crete. Polychrome fragment with floral ornament

Terracotta beak-spouted jug, Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, H. 2 3/8 in. (6 cm.), Vases, Handle and broad bands

Two Geisha, Edo period (1615–1868), ca. 1792, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 14 1/2 x 9 5/8 in. (36.8 x 24.4 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Vase fragment, Early Helladic, ca. 3000–2000 B.C., Aegean, Terracotta, Other: 1 5/8in. (4.2cm), Vases

Glass weight, 1st century A.D. or later, Roman (?), Glass; formed on the pontil rod, Height: 4 1/16 in., (10.3 cm), Glass, Translucent turquoise blue., Solid cylindrical shape; flat top; convex side; bottom slightly concave with projecting

Baptism, from the series The Seven Sacraments, 1576, Engraving, plate: 10 3/16 x 7 5/8 in. (25.8 x 19.4 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), Engraved by Philips Galle (Netherlandish, Haarlem 1537–1612

東海道五十三次之内　石薬師　石薬師寺, Ishiyakushi, Ishiyakushi Ji, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 1/4 × 2 3/8 × 3/16 in. (5.7 × 6 × 0.6 cm), Vases

Footed Dish with Foliate Rim in Imitation of Chinese Porcelain, ca. 1570–80, Made in Turkey, Iznik, Stonepaste; polychrome painted in blue under a transparent glaze, H. 4 7/16in. (11.3 cm), Ceramics, Many Ottoman sultans were avid collectors

清 龔賢 山水圖 冊 紙本, Landscapes and trees, Qing dynasty (1644–1911), ca. 1679, China, Album of twelve leaves; ink on paper, Image (each leaf): 6 1/4 x 7 1/2 in. (15.9 x 19.1 cm), Paintings, Gong Xian (Chinese, 1619–1689), By

Scene from a Drama: Matsumoto Koshiro I and Two Other Actors, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 9 3/4 in. (24.8 cm); W. 13 1/2 in. (34.3 cm), Prints, Ranshu (Japanese, latter half of the 18th

鈴木春信画　桜狩, Young Man and Woman Caught in the Rain while Enjoying Cherry Blossoms (Sakura-gari), Edo period (1615–1868), ca. 1768–70, Japan, Polychrome woodblock print; ink and color on paper, H. 11 3/8 in. (28.9 cm); W. 8 3/8

Bronze handle of a hydria (water jar), Archaic, 1st quarter of the 5th century B.C., Greek, Bronze, Other: 3 7/16 in. (8.7 cm), Bronzes, The embellishment of the handle shows the traditional combination of the upper body of a woman and a

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Furniture plaque carved in relief with a female figure, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 4.33 x 2.2 x 0.31 in. (11 x 5.59 x 0.79 cm), Ivory/Bone-Reliefs, This piece was found in

Terracotta globular flask, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, H. 4 1/2 in. (11.4 cm.), Vases, Two handles, broad and narrow bands, and floral ornament on shoulder

Powder Flask, late 17th century, German, Ivory, silver, gold, steel, H. 5 3/4 in. (14.5 cm); Diam. 4 1/4 in. (10.8 cm), Firearms Accessories-Flasks & Primers, The finely carved scenes represent hunters and horsemen. Given its quality and

Pottery Whistle, Pre-Columbian, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, L. 3.9 cm (18/16 in.); H. 2.7 cm (1-1/16 in.); D. 3.4 cm (1-5/16 in.); Wt. 14 g, Aerophone-Whistle Flute-whistle

Sacrifice of Isaac, mid-17th century, British, Canvas worked with silk and metal thread; Gobelin, tent, couching stitches; applied satin cartouche worked with silk and metal thread, spangles; satin, long-and-short, split, knot, and couching

The Second Ichikawa Yaozo as a Samurai, Edo period (1615–1868), probably 1773, Japan, Polychrome woodblock print; ink and color on paper, Hosoban; 12 5/16 x 5 9/16 in. (31.3 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Tripytych of Young Men, Edo period (1615–1868), Japan, Undivided triptych of polychrome woodblock prints; ink and color on paper, H. 11 7/8 in. (30.2 cm); W. 17 3/8 in. (44.1 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

清, 石濤, (朱若極), 野色圖, 冊, Wilderness Colors, Qing dynasty (1644–1911), ca. 1700, China, Album of twelve paintings: ink and color on paper, Image (each leaf): 10 7/8 x 9 1/2 in. (27.6 x 24.1 cm), Paintings, Shitao (Zhu

Ushak Medallion Carpet on White Ground, first half 17th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 306 in. (777.2 cm), Textiles-Rugs, Medallion Ushak carpets usually have a red or blue field

Reliquary of Saint Stephen, 13th century (Saint Stephen); 19th century (base and backboard), Mosan, silver gilt, copper gilt, semi-precious stones, glass, Overall (including base): 17 1/16 x 8 15/16 x 6 5/8 in. (43.3 x 22.7 x 16.9 cm),

Veil, 18th century, Attributed to Iran, Silk on linen, H. 26 in. (66 cm), Textiles

明洪武十八年 彩繪木雕水月觀音菩薩像（柳木胎）, Bodhisattva Avalokiteshvara in Water Moon Form (Shuiyue Guanyin), Ming dynasty (1368–1644), dated 1385, China, Wood (willow) with gesso and traces of pigment; single

東海道五十三次　興津, Okitsu, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

South Wind, Clear Sky (Gaifū kaisei), also known as Red Fuji, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　凱風快晴, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock

Salver, 1760–70, Probably made in New York, New York, United States, American, Silver, 1 1/4 x 7 7/8 in. (3.2 x 20 cm); 12 oz. 4 dwt. (379.4 g), Silver, During the 1760s and 1770s gadrooned serpentine rims replaced the scroll-and- shell

Singing Bird on a Branch, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

The Fourth Matsumoto Koshiro in the Role of Oboshi Yuranosuke, Edo period (1615–1868), ca. 1787, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 2/3 in. (30.2 x 14.4 cm), Prints, Katsukawa Shunshō (Japanese,

Plaque: bull-men on the obverse; lion attacking a horned animal on the reverse, Iron Age III, ca. 8th–7th century B.C., Iran, Luristan, Surkh Dum, Iran, Ivory, 1.5 x 3.75 in. (3.81 x 9.53 cm), Ivory/Bone-Reliefs, This ivory plaque is

Bell, Bronze, Other: 1 11/16 in. (4.3 cm), Bronzes

Print, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 16 3/16 x 7 1/4 in. (41.1 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Hair pin, Bronze, Other: 4 3/16 in. (10.6 cm), Bronzes

Bellona, 1633, Oil on canvas, 50 x 38 3/8 in. (127 x 97.5 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Rembrandt’s sober and powerful depiction of Bellona, the Roman goddess of war, was perhaps

Coffeepot, 1780–90, Made in New York, New York, United States, American, Silver, Overall: 13 3/16 x 9 13/16 x 5 3/4 in. (33.5 x 24.9 x 14.6 cm); 44 oz. 2 dwt. (1371 g), Silver, Ephraim Brasher (American, baptized 1744–1810

Porringer, 1715–30, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 13/16 x 7 5/8 in. (4.6 x 19.4 cm); 7 oz. 4 dwt. (224.1 g), Silver, William Cowell Sr. (1682/83–1736

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 1 11/16 in. (4.3 cm), Glass, Colorless with blue green tinge Everted horizontal rim with rounded outer lip; projecting tubular fold below; S-shaped sides curving in

These are Only Poems, Edo period (1615–1868), 18th–19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 3 1/8 x 7 5/8 in. (7.9 x 19.4 cm), Prints, Unidentified Artist

Terracotta askos in the form of a weasel, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 4 7/8 in. (12.4 cm), Vases, With keen observation, utmost economy, and masterful sensitivity, the

Thebes. Médinet-Habou. Partie orientale du Péristyle du Palais de Ramsès-Méiamoun, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Terracotta amphora (jar), Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 15 1/8 in. (38.4 cm), Vases, Obverse, banquet scene, Reverse, maenad riding a mule between two satyrs. Although the subject of

Onoe Matsusuke as a Man Standing on a Path through Rice Fields, Edo period (1615–1868), ca. 1797, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 1/2 x 5 2/3 in. (31.8 x 14.4 cm), Prints, Katsukawa

[Doorway of Predikheevenkerk, Gent, Belgium], ca. 1858, Albumen silver print from glass negative, 23.0 x 27.9 cm. (9 1/16 x 11 in.), Photographs, Charles D'Hoy (Belgian, 1823–1895

The Actor Ichimura Uzaemon Eighth as a Samurai Carring a Basket Hat, Edo period (1615–1868), ca. 1752, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 7/8 in. (14.9 cm), Prints, Torii Kiyomasu I

Faience amulet in the form of a tree frog, Hellenistic, ca. 3rd–1st century B.C., Egyptian, Ptolemaic, Faience, H.: 13/16 x 1 1/8 x 7/8 in. (2.1 x 2.9 x 2.2 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a

Earring with pendant, Gold, Other: 5/16 x 3/8 x 7/8 in. (0.8 x 1 x 2.3 cm), Gold and Silver

Koubbé-Nébi-Monça - Coupole de Moïse à Jérusalem, August 1850, Salted paper print from paper negative, Image: 6 1/4 × 9 3/16 in. (15.8 × 23.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Terracotta pyxis (box with lid), Archaic, ca. 550–525 B.C., Etruscan, Terracotta; buccheroid impasto, Overall: 8 1/4in. (21cm), Vases, Consisting of a lower bowl on a flaring foot and a lid decorated in relief with seated dogs

Glass eye bead, Late Classical, ca. 4th century B.C., Greek, Eastern Mediterranean, Glass, Diam.: 1 1/4 in. (3.2 cm), Glass, Gray opaque bead covered with white and blue eyes

Field Ensign, ca. 1500–1511, Egyptian or Syrian, Steel, L. 20 1/4 in. (51.5 cm); W. 4 5/8 in. (11.7 cm); Wt. 1 lb. 12 oz. (802.0 g), Shafted Weapons, Ensigns like this one often served as finials for standards, which were carried like flags

Terracotta lamp, ca. A.D. 70–120, Roman, Cnidian, Terracotta; mold-made, Overall: 15/16 x 3 11/16 in. (2.4 x 9.4 cm), Terracottas, On discus, a nude woman flanked by a large vase and a bird on a pedestal

The Death of Camilla, ca. 1781, Black chalk with brush and gray wash, 14 7/16 x 15 9/16 in. (36.7 x 39.5 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), Before painting his Neoclassical masterpiece The Oath of the

南宋 佚名 泛舟柳塘圖 團扇, Boating by a Willow Bank, Song dynasty (960–1279), 13th century, China, Fan mounted as an album leaf; ink and color on silk, 9 3/16 x 9 13/16 in. (23.3 x 24.9 cm); with mat: 15 1/2 x 15 1/2 in. (39.4 x

Alabaster alabastron (perfume vase), Classical, 5th–4th century B.C., Cypriot, Calcite (alabaster), Overall: 5 1/8 x 1 5/8 in. (13 x 4.1 cm), Miscellaneous-Stone Vases, There are two lugs above a short trapezoidal tab in low relief. The neck

Glass network mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Height: 13/16 × 1 7/16 × 1/16 in. (2.1 × 3.6 × 0.2 cm); estimated diam. of rim: 3 15/16 in. (10 cm), Glass, Rim

近代 張善子 黃山奇松圖 扇頁, Strange Pine in the Yellow Mountain, dated 1935, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 5/16 x 20 3/16 in. (18.6 x 51.3 cm), Paintings, Zhang Shanzi (1882–1940),

Ambassador of Siam before Louis XIV, n.d., Etching, sheet: 5 7/8 x 7 5/16 in. (15 x 18.5 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Geisha Walking through the Snow at Night, Edo period (1615–1868), ca. 1797, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/8 in. (35.9 cm); W. 9 1/4 in. (23.5 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), A

Bureau Tables, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 5/16 x 13 9/16 in. (18.6 x 34.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Glass pourer flask, Mid Imperial, 2nd–early 3rd century A.D., Roman, Glass; blown, Other: 3 1/16in. (7.8cm), Glass, Translucent pale yellow green. Rim folded out, down, over, and in; broad, flaring mouth; cylindrical neck, expanding

Oinochoe, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 19.02 cm., Vases

Statuette of a swan ?, Roman, Bronze, H. 3.20 cm., Bronzes

Rain at the Togano Gate, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 5 7/8 in. (14.9 cm); W. 8 3/4 in. (22.2 cm), Prints, Hasegawa Sadanobu (Japanese, active mid–19th century

Vue de la façade du pronaos du Temple de Dakkeh (Pselcis), April 5, 1850, Salted paper print from paper negative, Image: 6 3/4 × 8 3/4 in. (17.1 × 22.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Gold necklace, Early Hellenistic, late 4th–3rd century B.C., Greek, South Italian, Tarentine, Gold, H. 16 in. (40.6 cm), Gold and Silver, The ribbon of intricate linked chains is decorated with a central medallion of Dionysos flanked by

Bowl with Red and Purplish-black Palmettes, 10th–11th century, Attributed to Iran, Nishapur, Earthenware; white slip with polychrome slip decoration under transparent glaze, H. 2 1/2 in. (6.4 cm), Ceramics

Jérusalem, Détails de la porte d'un Dôme sépulcral, 1854, Salted paper print from paper negative, Image: 23 x 32.8 cm (9 1/16 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Statuette of a warrior-11, Greek, Laconian, Lead, Height: 15/16 in. (2.4 cm), Miscellaneous-Lead

Reliquary with Contents, ca. 1st century, Pakistan (ancient region of Gandhara), Schist with objects of copper, gold, rock crystal, and pearl objects, H. 2 9/16 in. (6.5 cm); Diam. 2 in. (5.1 cm), Sculpture

Head of a negro man, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta, H. 3 cm., Terracottas

Ichikawa Danjuro Fifth as Kyo no Jiro in Disguise as Dekuroku byoe the Stree Puppet-showman, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 14 15/32 x 10 1/8 in. (36.8 x 25.7 cm), Prints, Torii

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, 1790, Oil on canvas, 94 x 57 1/2 in. (238.8 x 146.1 cm), Paintings, Sir Thomas Lawrence (British, Bristol 1769–1830 London), The Irish actress Elizabeth Farren made

Illustration of Noh Dance Scene, Meiji period (1868–1912), ca. 1910, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 20 in. (36.8 x 50.8 cm), Prints, Tsukioka Kōgyo (Japanese, 1869–1927

Madonna and Child with Saints Philip and Agnes, ca. 1425–30, Tempera on wood, gold ground, Central panel, overall 23 1/2 x 13 1/8 in. (59.7 x 33.3 cm), painted surface 23 1/8 x 12 3/4 in. (58.7 x 32.4 cm); each wing, overall 23 5/8 x 6 in.

Skyphos fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 3/4 x 1 1/4in. (4.4 x 3.2cm), Vases

Felce, 1839, Photogenic drawing, 21.4 x 17.4 cm (8 7/16 x 6 7/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Egrets in a Tree at Night, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Tunic Fragment, 7th–10th century, Peru, Peruvian, Cotton, camelid hair, Height 24 in., Textiles-Woven

Vase fragment, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 2 3/4 × 2 13/16 × 1/4 in. (6.9 × 7.2 × 0.7 cm), Vases

富士三十六景　相州三浦の海上, Fuji from Miura, Sagami (Soshu Miura no Kaijo), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), 1858, Japan, Polychrome woodblock print; ink and color

Nail, Bronze, Other: 6 5/8in. (16.8cm), Bronzes

Terracotta statuette of a draped woman, Hellenistic, 2nd century B.C., Greek, Asia Minor, Terracotta, H.: 11 1/2 in. (29.2 cm), Terracottas, This large statuette preserves traces of pink on her drapery and gilding on her diadem. She may come

Camellia Flowers (left); People Watching a Cockfight (right), Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/2 x 7 1/2 in. (21.6 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese,

Terracotta pyxis (box), Classical, late 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 3 in. (7.6 cm), Vases, Women and Erotes. The representation here probably has some relation to rituals for the goddess Aphrodite that took

A Party of Merrymakers in a Tea-house at Shinagawa, Edo period (1615–1868), ca. 1783, Japan, Diptych of polychrome woodblock prints; ink and color on paper, 15 x 20 3/8 in. (38.1 x 51.8 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Pitcher, ca. 1872, Made in New York, New York, United States, American, Silver, Overall: 11 1/4 x 6 1/8 x 8 5/8 in. (28.6 x 15.6 x 21.9 cm); 39 oz. 16 dwt. (1237.9 g), Silver, This pitcher is a rare example of mid-nineteenth-century American

The Courtesan Kisegawa of Matsubaya, Edo period (1615–1868), 1796, Japan, Polychrome woodblock print; ink and color on paper, 13 x 9 in. (33 x 22.9 cm), Prints, Eishōsai Chōki (Japanese, active late 18th–early 19th century

Terracotta volute-krater (bowl for mixing wine and water), Classical, ca. 450 B.C., Greek, Attic, Terracotta; red-figure, H. 25 in. (63.5 cm), Vases, On the neck, obverse, battle of centaurs and Lapiths; reverse, youths and women, Around

Cover, 17th century, Italian, Linen, needle lace, L. 17 x W. 17 inches, Textiles-Laces

Covered compote, 1880–90, Possibly made in Greensburg, Pennsylvania, United States; Possibly made in Philadelphia, Pennsylvania, United States, American, Pressed glass, H. 7 1/2 in. (19.1 cm); Diam. 5 in. (12.7 cm), Glass, James

[Arch of Titus], 1853–56, Albumen silver print, Image: 19.2 × 25 cm (7 9/16 × 9 13/16 in.), Photographs, Jane Martha St. John (British, 1803–1882

Landscape Painting of Figure in Woodland Setting, Qing dynasty (1644–1911), China, Album leaf; color on silk, 4 7/8 x 14 5/8 in. (12.4 x 37.1 cm), Paintings, Unidentified Artist

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 5/16 × 1 1/4 × 1/8 in. (3.3 × 3.2 × 0.4 cm), Vases