Images at Librifly

Harness Trapping, 5th century B.C., China, Bronze, tin, H. 7 3/8 in. (18.7 cm); W. 6 1/2 in. (16.5 cm), Metalwork

Holy-water Font, ca. 1160–65, Made in probably Pisa, Tuscany, Central Italy, Italian, Carrara Marble, Overall: 9 1/2 x 4 1/2 x 15 in. (24.1 x 11.4 x 38.1 cm), Sculpture-Architectural, Follower of Guglielmus (Italian, active 1158–65),

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 13/16 in. (1.8 x 2.1 cm), Glass, Translucent deep purple, turquoise blue partially mixed with opaque yellow and

Terracotta amphora (jar), Archaic, ca. 530–520 B.C., Greek, Attic, Terracotta; black-figure, 15 5/16in. (38.9cm), Vases, Obverse, quadriga (four-horse chariot) and six men, Reverse, duel of warriors between two women. The antagonists on

Terracotta oinochoe (jug), Middle Corinthian, ca. 590–570 B.C., Greek, Corinthian, Terracotta; black-figure, H. with handle 15 11/16 in. (39.9 cm), Vases, Three friezes with animals

Bronze fork with the head of a wolf, 1st century B.C.–3rd century A.D., Roman, Bronze, Other: 26 7/8 in. (68.2 cm), Bronzes, With the head of a wolf; Ionic column and spindle shaped member

Glass oinochoe (perfume jug), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 7/8 in. (9.8 cm), Glass, Translucent blue, with handle and foot in same color; trails in opaque yellow

Limestone fragment of a figure(?), Hellenistic ?, Cypriot, Limestone, H.: 8 1/2 x 3 1/2 x 2 7/8 in. (21.6 x 8.9 x 7.3 cm), Cesnola Inscriptions, A figure in “semi-relief” emerges from a block rounded on the back. The inscription is a

Fibula, Bronze, Other: 2 3/4 in. (7 cm), Bronzes

Linen sheet of Myt, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Myt, Temple of Mentuhotep II, Pit 18, 1920–21, Linen, l. 2080 cm (818 7/8 in); w. 148 cm (58 1/4 in

Faience amulet in the form of the dwarf god Pataikos, Hellenistic, 304–30 B.C., Egyptian, Ptolemaic, Clay, glazed, H.: 2 1/2 in. (6.3 cm), Gold and Silver, Amulet, Ptah-seker

Ichikawa Komazō III in the Role of Kameō with Iwai Kumesaburō in the Role of Kameō's Wife, Oyasu, from the Play Shunkan futatsu omokage, Edo period (1615–1868), 1798–99, Japan, Polychrome woodblock print; ink and color on paper, H. 15

Portrait of a Woman, Said to Be Caritas Pirckheimer (1467–1532), Oil on linen, 18 1/2 x 14 1/2 in. (47 x 36.8 cm), Paintings, Imitator of Albrecht Dürer (20th century

Glass beaker, Late Imperial, ca. 4th century A.D., Roman, Glass; blown, trailed, and tooled, H. 5 11/16 in. (14.4 cm), Glass, Colorless with pale green tinge; trails in same color. Outsplayed, rounded rim; tall body with slightly convex

Bronze thymiaterion (incense burner) with Marsyas, Classical, late 4th century B.C., Etruscan, Bronze, H.: 21 in. (53.3 cm), Bronzes, This magnificent incense burner is embellished with a figure of Marsyas, the ill-fated satyr who was

[Wohes Family, New York], 1870s, Albumen silver print from glass negative, 13.7 x 9.2 cm. (5 3/8 x 3 5/8 in.), Photographs, Jeremiah Gurney (American, 1812–1895 Coxsackie, New York

Self-Portrait, ca. 1620–21, Oil on canvas, 47 1/8 x 34 5/8 in. (119.7 x 87.9 cm), Paintings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London), The young Van Dyck presents himself as a courtly gentleman, with no reference to his

四代目松本幸四郎とその家庭, The Kabuki Actor Matsumoto Kōshirō IV, Edo period (1615–1868), ca. 1783, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/2 in. (38.7 x 26.7 cm), Prints, Torii Kiyonaga

Terracotta loom weight, Archaic or later, 6th century B.C. or later, Lydian, Terracotta, length 3 in. (7.6 cm), Terracottas, The finds at Sardis include many objects connected with specific crafts. The number of loomweights indicate that

Yung-foo, ca. 1869, Albumen silver print from glass negative, Image: 9 1/2 × 11 1/4 in. (24.1 × 28.6 cm), Photographs, Attributed to Tung Hing (Chinese, active 1870s

Shri Rama Putra Raga: Page from the Dispersed 'Boston' Ragamala Series (Garland of Musical Modes), ca. 1760, India (Rajasthan, Kota or Bundi), Ink, opaque watercolor, silver and gold on paper, Painting 7 1/4 x 4 7/8 in. (18.4 x 12.4 cm),

Handle in the form of a nude girl, Etruscan, Bronze, length 7.59 cm., Bronzes

'Rustam Kills the Commander of the Dehz', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 5/8 x 8 7/16in. (32.1 x 21.4cm), Codices

Terracotta vase in the form of a siren, Archaic, ca. 550–500 B.C., East Greek, Rhodian, Terracotta, 3 1/4 x 4 11/16 in. (8.31 x 11.91 cm), Vases, In the hands of Greek artists, zoomorphic shapes became attractive and well-proportioned

Bronze strainer with loop handle, Classical, 5th century B.C., Etruscan, Bronze, H. 1 13/16 in. (4.6 cm), Bronzes, Strainers were part of the equipment for a symposium (drinking party), serving to strain the wine or additives mixed into it.

[Countess de Castiglione as Elvira at the Cheval Glass], 1861–67, Salted paper print from glass negative, Image: 14.5 x 15.4 cm (5 11/16 x 6 1/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Bible and Book of Common Prayer, ca. 1607, British, Satin worked with silk and metal thread, spangles; long-and-short, split, satin, couching, brick, and knot stitches, L. 13 1/2 x W. 9 1/4 inches (34.3 x 23.5 cm), Textiles-Embroidered,

Final Transcendence (Parinirvana) of the Buddha, Ming dynasty (1368–1644), dated 1503, China, Glazed stoneware, H. 14 in. (35.6 cm); W. 17 1/8 in. (43.5 cm); D. 9 in. (22.9 cm), Ceramics, Qiao Bin (Chinese, active 1481–1507), According

東都名所　新吉原, Shin Yoshiwara, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 10 5/16 x 14 7/8 in. (26.2 x 37.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

鞠子, Mariko, Edo period (1615–1868), ca. 1805, Japan, Polychrome woodblock print; ink and color on paper, 4 15/16 x 14 3/16 in. (12.5 x 36 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Elaine, 1874, Albumen silver print from glass negative, 33.5 x 27.8 cm (13 3/16 x 10 15/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked Cameron to make

Terracotta miniature oinochoe (jug), Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 2 3/8 in. (6.1 cm), Vases, The body is ribbed and has a small head of a bearded man projecting at the front. The

Cuirass, late 18th–early 19th century, Iranian, Leather, lacquer, pigment, iron, copper alloy, gold, of breastplate H. 14 in. (35.6 cm); of backplate H. 15 3/16 in. (38.5 cm); of sideplates H. 11 in. (28 cm); of whole cuirass W. 13 1/2 in.

Plants and Vegetables, Qing dynasty (1644–1911), dated 1740, China, Album of eight double leaves; ink and color on paper, Image: 10 5/8 × 13 3/16 in. (27 × 33.5 cm), Paintings, Unidentified Artist, After Li Shan (Chinese, 1686–ca.

Catcher, ca. 1875–76, Made in Trenton, New Jersey, United States, American, Parian porcelain, 14 7/8 in. (37.8 cm), Ceramics, This parian figure of a baseball player illustrates the exceptional skill and creativity of Isaac Broome, an

Glass bowl, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 5/16 in. (3.3 cm), Glass, Miniature bowl or jar Translucent blue green. Rounded and thickened rim with inner lip; convex sides to cylindrical body; flat bottom with

The Fish–monger, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/16 in. (25.6 cm); W. 7 9/16 in. (19.2 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Glass cup, Early Imperial, mid-1st century A.D., Roman, Glass; blown and cut, H.: 2 3/4 in. (7 cm), Glass, Colorless with faint blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then

The Third Segawa Kikunojo as a Woman Standing in a Road, Edo period (1615–1868), ca. 1788, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shun'ei

Terracotta trick vase, Cypro-Archaic I, 750–600 B.C., Cypriot, Terracotta, H. 10 1/2 in. (26.7 cm), Vases, The spout and neck are in the form of a woman's head. The 'trick' in the vase consists of a hole in the underside of the foot. When

Fragment, 17th century, Attributed to Iran, Silk, metal wrapped thread, Textile: H. 17 in. (43.2 cm), Textiles-Woven, Safavid textiles are praised as the pinnacle of Iranian loom weaving. When the Safavids came to power at the turn of the

Bread plate, ca. 1850, British, Stoke-on-Trent, Staffordshire, Stoneware, Overall (wt. includes wall mount): 13 1/8 in., 4.7 lb. (33.3 cm, 2.1092 kg), Ceramics-Pottery, Augustus Welby Northmore Pugin (British, London 1812–1852 Ramsgate),

Presentation Vase, 1825, Made in Philadelphia, Pennsylvania, United States, American, Silver, 23 3/4 x 20 3/4 x 14 3/4 in. (60.3 x 52.7 x 37.5 cm); 401 oz. 1 dwt. (12473.9 g), Silver, Thomas Fletcher (American, Alstead, New Hampshire

'On My Own', (ware kara), illustration from Bugei Kurabu (Literary Club), Meiji period (1868–1912), Japan, Frontispiece; polychrome woodblock print; ink and color on paper, Album: 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, Mishima Shōsō

Self-Portrait with a Harp, 1791, Oil on canvas, 76 x 50 3/4 in. (193 x 128.9 cm), Paintings, Rose Adélaïde Ducreux (French, Paris 1761–1802 Santo Domingo), This work has been identified with a self-portrait that Mademoiselle Ducreux

Limestone statue fragment of a right hand with a bracelet, holding a flower, Late Classical–Hellenistic, 4th–3rd century B.C., Cypriot, Limestone, Overall: 2 1/2 x 3 1/4 x 6 1/2 in. (6.4 x 8.3 x 16.5 cm), Miscellaneous-Stone, The right

Terracotta cup, Imperial, Flavian–Early Antonine, ca. A.D. 70–150, Roman, Terracotta; Italian sigillata ware, H. 1 11/16 in. (4.3 cm); diameter 4 in. (10.2 cm), Vases, This small cup is decorated with a combination of applied masks and

Terracotta calyx-krater (mixing bowl), Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 12 1/2 in. (31.8 cm), Vases, Obverse, phlyax (comic actor) , Reverse, vine. Phlyax vases

The Actors Ichikawa Yaozo III and Nakamura Sukegoro II, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, Hosoban diptych 12 1/4 x 11 1/4 in. (31.1 x 28.6 cm), Prints, Katsukawa Shunshō (Japanese,

Marble sarcophagus with garlands, Severan, ca. A.D. 200–225, Roman, Marble, Proconnesian, Overall: 53 x 88in. (134.6 x 223.5cm) , Stone Sculpture, The back and cover of this sarcophagus are unfinished, and its inscription tablet is blank,

Alabaster alabastron (perfume vase), Classical, 5th–4th century B.C., Cypriot, Calcite (alabaster), Overall: 7 3/4 x 3 3/4 x 3 1/2 in. (19.7 x 9.5 x 8.9 cm), Miscellaneous-Stone Vases, The alabastron has two lugs above a short trapezoidal

The Commandment to Love One Another, 1599, Engraving; second state, Sheet: 7 5/8 x 11 3/8 in. (19.4 x 28.9 cm), Prints, Gillis van Breen (Netherlandish, active 1595–1622), After Karel van Mander I (Netherlandish, Meulebeke 1548–1606

Candlestick, late 13th–first half 14th century, Attributed to Western Iran, Northern Iraq or Northern Syria, Brass; inlaid with silver, gold, and black compound, H. 12 7/16 in. (31.6 cm), Metal, In the medallions decorating this

百人一首　宇波か縁説　参儀等, Poem by Sangi Hitoshi (Minamoto no Hitoshi), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1760–1849, Japan, Polychrome woodblock

Glass short-strip mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 3/16 in. (3.1 x 3.1 cm); estimated diam. of rim 3 9/16 in. (9 cm), Glass, Rim fragment., Translucent

Glass mosaic fragment, Early Imperial, 1st century A.D., Roman, Glass; blown, Other: 11/16 x 1 3/16 in. (1.7 x 3 cm), Glass, Thin-walled body fragment., Translucent honey yellow and opaque white., Convex curving side., Marbled pattern of

Dish with Court Carriage beneath a Cherry Tree, 染付御所車桜文皿, Edo period (1615–1868), ca. 1770–1800, Japan, Porcelain with underglaze blue (Hizen ware, Nabeshima type), Diam. 8 in. (20.3 cm), Ceramics

Terracotta tondo from a bowl, Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, Diam.: 2 9/16 in. (6.5 cm), Vases, Depicted on the tondo are a crab and a frog

Terracotta calyx-krater (bowl for mixing wine and water), Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, Overall: 14 7/16 x 13 9/16in. (36.7 x 34.4cm), Vases, Obverse, woman seated between two men and two women,

Terracotta vessel fragment (probably from a krater) with bird, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta; Pictorial style, Other: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm), Vases, From Mycenae. Fragment with bird

Fishing Scene, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 11 1/2 x 74 3/8 in. (29.2 x 188.9 cm), Paintings, Unidentified Artist

Beit-Lehem, Mosaïque de l'Église II, 1854, Salted paper print from paper negative, Photographs, Auguste Salzmann (French, 1824–1872

Glass bead, Glass; rod-formed, trailed, and tooled, L.: 15/16in. (2.5 cm), Glass, Uncertain color, appearing black; trail in opaque white (?). Elongated and slightly convex; pierced lengthwise; uneven edge at one end; spiral trail decoration,

Statuette of a woman, Bronze, H.: 2 1/8 in. (5.4 cm), Bronzes

Saddle Axe, ca. 1725–50, Iranian, Steel, wood, leather, gold, L. 21 in. (53.3 cm); Wt. 1 lb. 11 oz. (751 g), Shafted Weapons, As the name implies, small axes of this type, tabarzin in Persian, were carried beneath a horseman’s saddle,

Aquamanile in the Form of a Mounted Knight, ca. 1250, Made in probably Hildesheim, Lower Saxony, Germany, German, Copper alloy, Overall: 14 11/16 x 12 7/8 x 5 5/8 in. (37.3 x 32.7 x 14.3 cm), Metalwork-Copper alloy, Aquamanilia, from the

Ichikawa Monosuke II, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 3/8 x 5 1/2 in. (31.4 x 14 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819), Utamaro's fundamental curiosity about

Two Courtesans, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Segawa Kikunojo III in an Unidentified Role, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper with mica ground, 12 11/32 x 5 3/4 in. (31.4 x 14.6 cm), Prints, Tōshūsai Sharaku (Japanese, active

[Seated Chinese Woman with Fan], 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Young Ladies Paying Homage to a Shrine, Edo period (1615–1868), ca. 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 5 9/16 in. (21.1 x 14.1 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Pommel Plate, ca. 1560–70, Augsburg, Bavaria, German, Augsburg, Steel, gold, 8 1/2 x 9 3/8 in. (21.7 x 23.7 cm), Wt. 11 oz. (326 g), Equestrian Equipment-Saddles, The etched decoration of this pommel plate, consisting of interlaced

Shaffron and Crinet (Horse's Head and Neck Defenses), ca. 1480–95, with 19th century restorations, Franco-Italian, Steel, textile, (shaffron); H. 24 7/8 in. (63.2 cm); W 13 in. (33 cm); D. 9 1/2 in. (24.1 cm); Wt. 4 lb. 4 oz. (1918

Mrs. Rigby, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Scene from an Unidentified Drama, Edo period (1615–1868), ca. 1800, Japan, Diptych of polychrome woodblock prints; ink and color on paper, Each sheet: 15 x 10 in. (38.1 x 25.4 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Statuette of a man, Apollo type, Bronze, H.: 4 1/8 in. (10.5 cm), Bronzes

Mask, Central Javanese period, 8th–early 9th century, Indonesia (Java), Gold, H. 6 in. (15.2 cm); W. 4 5/8 in. (11.7 cm), Metalwork

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, Overall: 3 13/16 x 1 1/2 x 1 5/16 in. (9.7 x 3.8 x 3.3 cm), Glass, Opaque white, with handles in same

Bronze handle of a jug, Dynasty 18 or 19, ca. 1550–1185 B.C., Egyptian, Bronze, length 3 1/8in. (7.9cm), Bronzes, Bronze jugs with such handles have been found on Cyprus in tombs of the thirteenth and twelfth centuries B.C

Krishna, Balarama, and the Cowherders: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), 1800–1825, India (Orissa), Ink and opaque watercolor on paper, 9 5/8 x 15 1/4 in. (24.4 x 38.7 cm), Paintings, Krishna and

'Alexander at a Banquet', Folio from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 6 11/16 in. (17 cm), Codices, The

Carnelian ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Carnelian, Length: 9/16 in. (1.5 cm), Gems, The wounded Spartan hero Othryades writing on a shield

Judson C. Albright, 1865, Albumen silver print from glass negative, Photographs, Reed Brockway Bontecou (American, 1824–1907

Terracotta amphora (jar), Archaic, ca. 530–520 B.C., Greek, Attic, Terracotta; black-figure, H. 21 13/16 in. (55.4 cm), Vases, Obverse, Athena and Herakles in a chariot, Reverse, Dionysos and Ariadne with satyrs and Hermes. There appears

New Year Decorations and Tablewares, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta head of a man, Classical, late 5th–4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 1/2 in. (8.89 cm), Terracottas, The figure wears a pilos. The term applies both to a felt cap that tapers toward the top and

Bronze statuette of a youth, Classical, 5th century B.C., Etruscan, Bronze, H.: 3 13/16 in. (9.7 cm), Bronzes, Perhaps a finial of a candelabrum; raising his right hand, holding a knife in his left

東都名所　芝増上寺雪中ノ図, Zojoji Temple at Shiba in Snow, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 14 3/4 in. (37.5 cm), Prints, Utagawa Hiroshige (Japanese,

Pilaster of Angels Sounding Trumpets from the Parapet of a Pulpit, 1302–10, Made in Pisa, Tuscany, Italy, Central Italian, Marble (Lunense from Carrara (Italy), traces of paint, Overall: 33 1/2 x 7 1/8 x 6 1/2 in. (85.1 x 18.1 x 16.5 cm),

Tropical Scenery, Cathedral, Cartagena, 1871, Albumen silver print from glass negative, Image: 20 x 27.6 cm (7 7/8 x 10 7/8 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

Rome, Titus's Garden–Lucius Pursued by Lavinia (Shakespeare, Titus Andronicus, Act 4, Scene 1), December 24, 1793, Stipple engraving, Image: 19 15/16 x 14 1/2 in. (50.6 x 36.9 cm), Prints

Snuffbox, 1820–40, Made in New York, New York, United States, American, Silver, gold, pearls, hard stones, Overall: 7/8 x 2 7/8 in. (2.2 x 7.3 cm); 4 oz. 10 dwt. (140 g), Silver, Garrett Eoff (1779–1845

Glass beaker, Late Imperial, 4th–5th century A.D., Roman, Glass; blown in a dip mold, Overall: 2 3/4 in. (7 cm), Glass, Translucent light green. Rim folded out and up, cracked off; conical body, tapering downwards; small, flattened

Receptacle with Figurative Relief and Stopper, 1880–1890, Democratic Republic of the Congo, Loango region, Kongo peoples; Vili group, Ivory, H. 6 3/4 x W. 2 x D. 2 1/4in. (17.1 x 5.1 x 5.7cm), This hollow columnar container was most likely

Terracotta statuette of a woman, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 10 7/8 in. (27.6 cm), Terracottas, Standing, holding up drapery with left hand, right hand at breast enveloped in himation

Glass cinerary urn (olla), Imperial, mid-1st–mid 2nd century A.D., Roman, Glass; blown, Diam.: 8 1/4 in. (21 cm), Glass, Translucent blue green. Broad, everted, tubular rim, made by folding out, down, round, and in, with beveled upper

Covered sugar bowl, 1790–1800, Made in New York, New York, United States, American, Silver, Overall: H. 9 3/4 in. (24.8 cm); 12 oz. 9 dwt. (387.6 g), Silver, William W. Gilbert (1746–1832

Designs for McCormick Windows, 1922, Made in New York, United States, American, Watercolor sketching boards with window-shaped mounts with text in graphite, 2 5/8 x 8 5/8 in. (6.7 x 21.9 cm), Drawings, Tiffany Studios (1902–32), One of a

Belt Hook, Song dynasty (960–1279) (?), China, Silver, H. 1 7/8 in. (4.8 cm); W. 1 in. (2.5 cm), Metalwork