Images at Librifly

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 11/16 x 2 3/16 in. (4.2 x 5.5 cm), Glass, Body fragment., Translucent cobalt blue, purple, and opaque

The Third Segawa Kikunojo as (?) Wife of Kudo Suketsune in a Soga Play, Edo period (1615–1868), ca. 1792?, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 1/2 in. (31.1 x 14.0 cm), Prints, Katsukawa Shun'ei (Japanese,

Glass aryballos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 2 1/2 in. (6.4 cm), Glass, Translucent pale blue, with same color handles; trails in opaque yellow and

Sallet, ca. 1510, Innsbruck, Tyrol, German or Austrian, Innsbruck, Steel, H. 9 3/4 in. (24.8 cm); W. 8 1/4 in. (21 cm); D. 11 in. (27.9 cm); Wt. 4 lb. 13 oz. (2172 g), Helmets

The Korean Ambassador on His Way to the Capital, Edo period (1615–1868), 18th century, Japan, Polychrome woodblock print; ink and color on paper, H. 5 3/4 in. (14.6 cm); W. 12 11/16 in. (32.2 cm), Prints, Shigenaga (1697–1756

Bronze ring, Classical, ca. 5th–4th century B.C., Greek, Bronze, Length: 1/2 in. (1.3 cm), Gems, Goat browsing on a tree

草花螳螂牙彫根付, Flowers and Grasses with a Praying-Mantis, Edo period (1615–1868), late 18th century, Japan, Ivory, H. 7/8 in. (2.2 cm); Diam. 2 1/8 in. (5.4 cm), Netsuke, Attributed to Ryūsa (Japanese, active late 18th

Faience vase fragment, Early Imperial, late 1st century B.C.–1st century A.D., Egyptian, Roman, Terracotta, Overall: 2 1/2 x 3 in. (6.4 x 7.6 cm), Vases, Fragment of pale blue-green enamelled vase; warrior or gladiator with shield and

Principal Source of the Jordan, Flowing From a Cave Near Banias, Near the Site of the Northern City of Dan, the Frontier Town of Israel, ca. 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield,

Statuette of a woman, Bronze, 3 3/8in. (8.6cm), Bronzes

Two Ladies, Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/8 in. (28.3 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), In 1765 Harunobu introduced

Pilier du Sanctuaire de granit du Palais de Karnac (Bas-relief représentant le Pharaon Thotmès III et la Déesse Nauth), 1849–50, Salted paper print from paper negative, Image: 8 3/16 × 6 1/4 in. (20.8 × 15.8 cm), Photographs, Maxime Du

Buckle, Bronze, Other: 2 7/8 in. (7.3 cm), Bronzes

Bronze statuette of Harpokrates, Imperial, 1st–2nd century A.D., Roman, Bronze, H.: 2 1/16 in. (5.2 cm), Bronzes, Small votive figurines of Harpokrates (the infant Horus) are common, especially in Egypt where he was an important deity in

Vase fragment, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta, 2 1/4 × 1 5/16 × 3/8 in. (5.7 × 3.4 × 0.9 cm), Vases

Awl, Cypriot, Bronze, Other: 4 1/4in. (10.8cm), Bronzes

Scene from the Drama 'Yuki-motsu-take Furisode Genji', Edo period (1615–1868), December 1785, Japan, Polychrome woodblock print; ink and color on paper, 14 9/16 x 9 11/16 in. (37.0 x 24.6 cm), Prints, Katsukawa Shunkō (Japanese,

Sanogawa Ichimatsu in the Role of Otsuru, Edo period (1615–1868), ca. 1754, Japan, Polychrome woodblock print; ink and color on paper, Overall: 11 7/8 x 5 5/8 in. (30.2 x 14.3 cm), Prints, Torii Kiyohiro (Japanese, active ca. 1737–1766

Terracotta pyxis (box), Late Corinthian, ca. 525 B.C., Greek, Corinthian, Terracotta, H. 3 11/16 in. (9.3 cm), Vases, Of interest in this pyxis shape is the placement of the handles vertically on the shoulder; they seem more decorative than

Fragment of a terracotta oinochoe (jug), Archaic, 7th century B.C., East Greek, Wild Goat Style, Terracotta, H. 2 15/16 in. (7.5 cm), Vases, Horned quadruped and bird

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 1 5/8 x 10 1/8 in. (4.1 x 25.7 cm), Vases, Flat dish with ring base, decorated with ivy vine and stamped pattern

Tago Bay near Ejiri on the Tōkaidō (Tōkaidō Ejiri Tago no ura ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道江尻田子の浦略図, Edo period (1615–1868), ca. 1830–32,

Pedestal Bowl, 6th–8th century, Peru, Moche, Ceramic, Overall: 7 in. (17.78 cm), Ceramics-Containers, This flared bowl, called florero, has an empty pedestal base filled with small ceramic pellets that rattle when the vessel is shaken.

Teapot, ca. 1735–40, Austrian, Vienna, Hard-paste porcelain, H. 4-3/4 in. (12.1 cm.), Ceramics-Porcelain

Sumidagawa no rakugan, 風俗江戸八景　隅田川落雁, Wild Geese Flying Down the Sumida River, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 3/8 in. (28.6 x 21.3 cm), Prints,

The Outer Robe, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 3/4 in. (38.1 x 24.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), Seated figures were displayed to particular

Armes et ustensiles du Kaire, December 1849–January 1850, Salted paper print from paper negative, Image: 8 7/8 × 6 5/16 in. (22.5 × 16 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fragment of a terracotta kylix (drinking cup), Classical, ca. 425 B.C., Greek, Attic, Terracotta; red-figure, H. 2 1/4 in. (5.7 cm); length 4 3/4 in. (12.1 cm), Vases, Figure with two phialai (libation bowls) and two young warriors setting

Asukayama Bosetsu, 江戸近郊八景之内　飛鳥山暮雪, Asukayama in the Snow at Evening, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 1/4 in. (23.5 x 36.2 cm), Prints,

Chalcedony oval, Hellenistic, 2nd century B.C., Greek, Chalcedony, blue, H.: 3/4 in. (1.9 cm), Gems, female portrait head, possibly queen Laodike, wife of Mithradates IV of Pontos

Terracotta oinochoe (jug) with a seated boy, Late Classical, 4th century B.C., Greek, Attic, Terracotta, H. 5.51 cm., Vases, The child sits under a grape arbor holding an oinochoe in his left hand, a cake and cornucopia in his right.. The

Actor (unidentified) as a Peddler of Dry Goods, Edo period (1615–1868), ca. 1728, Japan, Polychrome woodblock print; ink and color on paper (Urushi-e), Overall: 13 x 6in. (33 x 15.2cm), Prints, Okumura Toshinobu (active ca. 1725–1750

Toilet box, ca. 1730, German, Meissen, Hard-paste porcelain, Overall (confirmed): 1 5/8 x 2 9/16 x 2 9/16 in. (4.1 x 6.5 x 6.5 cm), Ceramics-Porcelain, Boxes from Meissen toilet services do not survive in great numbers, and the decoration of

Tempo della Fortuna Virile, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Glass gold-band mosaic bottle, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and blown, and cut, H.: 3 3/16 in. (8.1 cm), Glass, Translucent cobalt blue, honey brown, and bluish green, colorless encasing

Williams Middleton, ca. 1752–58, Watercolor on ivory, Oval: 1 1/2 x 1 in. (3.8 x 2.5 cm), Paintings, Mary Roberts (died 1761 Charleston, South Carolina), The English émigré Mary Roberts was the first known miniaturist in the American

Limestone head of a deer, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: 5 1/4 x 3 1/8 x 4 3/4 in. (13.3 x 7.9 x 12.1 cm), Stone Sculpture, The small head of a deer has laid back ears painted red and horns visible on

Bronze stamp, Early Imperial, 1st century A.D., Roman, Bronze, Other: 3 7/16 in. (8.7 cm), Bronzes

Glass oinochoe (perfume jug), Hellenistic, late 4th–early 3rd century B.C., Eastern Mediterranean or South Italian, Glass; core-formed, Group II, H.: 4 3/8 in. (11.1 cm), Glass, Translucent green, with handle and pad-base in same color;

Bracelet, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Diam.: 3 11/16 in. (9.3 cm), Bronzes

Handbell, ca. 1770, Delft, Netherlands, Dutch, Ceramic, wood, H. 1311 cm (5 3/16 in.) x Diam. 7 cm (2 3/4 in.), Wt. 100 g, Idiophone-Struck-bell-clapper, Johannes Harlees (Dutch, Leiden active 1770–95 Leiden

Vue générale de la Nécropole de Thèbes (Gournah), 1849–50, Salted paper print from paper negative, Mount: Approximately 32 x 47 cm (12 5/8 x 18 1/2 in.), Photographs, Maxime Du Camp (French, 1822–1894

Family Visit, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on paper, 12 1/2 x 107 3/4 in. (31.8 x 273.7 cm), Paintings, Unidentified Artist

The Second Nakamura Juzo as a Samurai of High Rank, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 11/16 x 5 13/16 in. (32.2 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Young Woman at Night accompanied by a Servant Carrying a Lantern and a Shamisen Box, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 13 1/4 in. (33.7 cm); W. 8 3/4 in. (22.2 cm), Prints, Kitagawa Kikumaro

Bronze jug, Cypro-Archaic II, ca. 6th century B.C., Cypriot, Bronze, H. 8 7/8 in. (22.5 cm), Bronzes, The handle ends above in a snake's head, below in a lion's mask. The lion motif as well as the mouth and foot of the vase are typically

Meleager, 1735, Italian, Venice, Marble, Overall (wt. confirmed): 56 1/4 in., 493lb. (142.9 cm, 223.6233kg), Sculpture, Antonio Gai (Italian, Venice 1686–1769 Venice), The Venetian Antonio Gai had an international clientele. According to

Limestone coffin model, Cypro-Geometric I, ca. 1050–950 B.C., Cypriot, Limestone, Overall: 4 3/16 x 4 1/4 x 3in. (10.6 x 10.8 x 7.6cm), Miscellaneous-Stone, This model is particularly elaborate, with the cutouts at the base and the

Bronze patera (shallow bowl with handle), Early Imperial, Augustan, probably, early 1st century A.D., Roman, Bronze, Other: 14 3/4 in. (37.5 cm), Bronzes, This finely worked and ornate vessel was used for serving food or drink at dinner

Genet Amulet, Late Period, Dynasty 26–29, 664–380 B.C., From Egypt, Faience, h. 1.4 cm (9/16 in); l. 2.2 cm (7/8 in); w. 1.1 cm (7/16 in

Vallée de Bosost prise de la capilla San Antonio, 1853, Salted paper print from paper negative, Image: 9 5/8 × 14 9/16 in. (24.4 × 37 cm), Photographs, Joseph Vigier (French, 1821–1862

Rev. John Julius Wood, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Bronze lamp holder, Cypro-Archaic II, 6th century B.C., Cypriot, Bronze, H. 12 15/16 in. (32.9 cm), Bronzes, This form of lamp holder was probably introduced by the Phoenicians, and it remained prevalent in Cyprus from about the eighth to the

東海道五十三次之内　鳴海　名物有松絞, Narumi, Meibutsu Arimatsu Shibori, Edo period (1615–1868), ca. 1734, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/4 in. (24.8 cm); W. 14 1/2 in. (36.8 cm), Prints,

Casket, 1875 or 1876, British (casket) and Italian (cameos), Shell cameo; Macassar ebony; silver-gilt, Overall (confirmed): 12 5/8 x 12 x 8 1/4 in. (32.1 x 30.5 x 21 cm), Natural Substances, The cameos, probably carved in a Neapolitan

[The New Gate, Teheran], 1850s, Albumen silver print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Jasmine, designed 1872, Block-printed wallpaper, Sheet: 21 7/16 x 22 1/2 in. (54.5 x 57.2 cm), Wallpaper

Earl of Rosemore, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

清, 趙之謙, 芍藥 桃花, 扇面, Peach Blossoms and Peony, Qing dynasty (1644–1911), ca. 1860, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 1/2 x 21 1/2 in. (19.1 x 54.6 cm), Paintings, Zhao

Standing Male Deity, Angkor period, second half of the 11th century, Cambodia, Bronze, H. 19 3/4 in. (50.2 cm); W. 7 1/2 in. (19.1 cm); D. 5 1/2 in. (14 cm), Sculpture

Hotei Flowers, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

清, 汪士慎, 山水花卉圖, 冊, Landscapes and Flowers, Qing dynasty (1644–1911), dated 1745, China, Album of eight paintings; ink and color on paper, Image: 8 x 9 7/8 in. (20.3 x 25.1 cm), Paintings, Wang Shishen (Chinese,

Jug, Italic-Native, South Italian (Daunian), Terracotta, H. with handle 21.79 cm., Vases

Baton, 1881, London, England, United Kingdom, British, Ivory, gold, ruby, L. 55.1cm; Diam.: cap 2.4cm, tip .8 cm (L. 21 11/16 x Diam. 15/16 - 5/16 in.), Accessory, Koehler and Son

Liqueur bottle cooler (seau ovale à liqueur) (one of a pair) (part of a service), 1771, French, Sèvres, Soft-paste porcelain, H. 4 1/2 in. (11.4 cm.); L. 11 3/4 in. (29.8 cm.), Ceramics-Porcelain, The table services produced at Sèvres in

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 3 7/16 x 4 1/8 x 13/16 in. (8.7 x 10.5 x 2.1 cm), Miscellaneous-Paintings, On black ground; blue rosettes with white highlights; yellow tendrils between rosettes

Double Kohl Tube, New Kingdom, Dynasty 18–19, ca. 1400–1200 B.C., From Egypt, Northern Upper Egypt, Abydos, Cemetery D, Tomb D33, Egypt Exploration Fund excavations, 1900, Wood, H. 15.9 (6 1/4 in); w. 6.2 (2 7/16 in); th. 2.5 cm (1

[Two Japanese Women Sitting on a Bench], 1870s, Albumen silver print from glass negative, 20.5 x 25.2 cm (8 1/16 x 9 15/16 in.), Photographs, Unknown

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 5/16 x 1 7/16 in. (3.4 x 3.7 cm), Glass, Body fragment., Colorless, with opaque white., Slightly concave bottom and

Summer, modeled 1911, cast probably ca. 1911, French, Bronze, Overall (wt confirmed): 63 1/2 x 28 x 18 in., 231lb. (161.3 x 71.1 x 45.7 cm, 41 1/4 in.), Sculpture-Bronze, Aristide Maillol (French, Banyuls-sur-Mer 1861–1944 Perpignan), In

The Serenade, ca. 1678–80, Oil on wood, Arched top, 5 3/4 x 4 3/8 in. (14.6 x 11.1 cm), Paintings, Frans van Mieris the Elder (Dutch, Leiden 1635–1681 Leiden), Formerly attributed to Gerard Dou, this late work by Van Mieris may have been

Decorative attachment in the form of a head wearing an elephant headdress, Ptolemaic or Roman Period, 200 B.C.–A.D. 100, From Egypt, Bronze, H. 5 cm (1 15/16 in.), The elephant headdress was associated with Alexander the Great because of his

Fragment of a Bowl with a Horse and Rider, 1200–1268, Made in Port Saint Symeon (now al-Mina/Samandag, Turkey), Byzantine, Terracotta with green glaze over slip, decorated in sgraffito, Overall: 6 3/4 x 1/2 x 10 5/8 x 3 3/8 in. (17.2 x 1.3 x

Chlorite necklace with 36 biconical beads, Late Bronze or Early Iron Age, ca. 1600–600 B.C., Cypriot, Chlorite, Approximate length of whole 26 1/2 in. (67.3 cm), Miscellaneous-Stone, Some beads have concentric circles

Nakayama Tomisaburo in a Female Role, Edo period (1615–1868), 1769–1825, Japan, Polychrome woodblock print; ink and color on paper, 13 x 6 in. (33 x 15.2 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Terracotta oinochoe: olpe (jug), Classical, ca. 460–440 B.C., Greek, Attic, Terracotta; black-glaze, H. 9 1/8 in. (23.2 cm), Vases, The handle terminates flush with a circular mouth, double band of leaves on shoulder; tongues around mouth.

Pottery Whistle, Pre-Columbian, ca. 800–1500, Costa Rica, Costa Rican, Clay, L. 6.5 cm.; H. 3.6 cm.; W. 2.7 cm.; Wt. 34 g., Aerophone-Whistle Flute-whistle

Figure: Saint Anthony (Toni Malau), 18th century, Angola, Northwestern Angola, Kongo peoples, Ivory (hippopotamus incisor), H. 4 3/8 x Diam. 1 3/16 in. (11.1 x 3 cm), Bone/Ivory-Sculpture, This small ivory pendant of St. Anthony of Padua

Teapot, 1862–63, Made in New York, New York, United States, American, Silver, 11 1/4 x 9 15/16 in. (28.6 x 25.2 cm), Silver, Wood and Hughes (1845–99), Presented to Christian Dorflinger upon his retirement from the Long Island Flint

Bridle and Matching Crupper Straps, 15th–17th century, Tibetan, Iron, leather, gold, textile, Bridle (a); as mounted, H. 22 in. (55.9 cm); W. 10 in. (25.4 cm); D. 8 in. (20.3 cm); crupper (b); L. 37 in. (94 cm), Equestrian Equipment-Bits,

Terracotta scyphus (drinking cup), Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Terracotta; lead-glazed, H. 2 7/8 in. (7.3 cm), Vases, Two-handled cup decorated with vine leaves and grapes

Damascus, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Chinese Lady, 1738–45, Etching, Sheet (trimmed): 8 1/4 × 5 1/4 in. (21 × 13.3 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

Krishna Slays Bakasura, the Crane Demon: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu)), 1800–1825, India, Ink and opaque watercolor on paper, 13 7/8 x 8 1/4 in. (35.2 x 21 cm), Paintings, The gopas (cowherds) of

Terracotta neck-amphora (jar), Archaic, early 5th century B.C., Etruscan, Terracotta; silhouette, H.: 20 1/8 in. (51.1 cm), Vases, Obverse and reverse, on the shoulder, two winged figures, Erotes? This idiosyncratic vase reflects influence

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

James Glencairn Burns, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Yahashi Kiho, Sails Returning to Yahashi, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 8 13/16 in. (22.4 cm); W. 5 15/16 in. (15.1 cm), Prints, Utagawa Toyohiro (Japanese, 1763–1828

Fragment of a limestone votive relief with a boat, Early Hellenistic ?, Cypriot, Limestone, Overall: 4 1/2 x 2 3/4 x 3/4 in. (11.4 x 7 x 1.9 cm), Cesnola Inscriptions, The curved stern of a boat remains, with the pilot standing at the helm,

Bonaly Towers. Home of Lord Cockburn, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Head of a Female Figure, 4th–5th century, Pakistan or Afghanistan, Terracotta, H. 8 in. (20.3 cm), Sculpture, This depiction of a female lay follower was probably part of a multifigural composition contained in an image shrine. With her

花形見風折烏帽子瀬川富三郎の娘道成寺, Segawa Tomisaburo in the Role of Musume Dojoji in 'Hanagatami Kazaori Eboshi', Edo period (1615–1868), February 1774, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4

Design for medallion window for the American College of Surgeons, Chicago, IL, 1923–26, Made in New York, United States, American, Watercolor, gouachem pen and black and brown India inks, and graphite on off-white wove paper, 24 1/8 x 12

Sun and Plum Branches, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Glass head pendant, Classical, ca. 450–300 B.C., Phoenician or Carthaginian, Glass; rod-formed, tooled, and trailed, 2 1/8 × 1 3/8 × 7/8 in. (5.4 × 3.5 × 2.2 cm), Glass, Translucent pale yellow brown, with additions in opaque yellow,

Snuffbox, ca. 1825, American, Silver, shell, 1 x 2 3/8 x 1 7/8 in. (2.5 x 6 x 4.8 cm); 1 oz. 5 dwt. (39.1 g), Silver

Terracotta kernos (vase for multiple offerings), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Terracotta, H. 6 3/8 in. (16.2 cm), Vases, The small cups were used to hold votive offerings such as poppy seeds, wheat or

Vase fragment, Helladic, Greek, Laconian, Terracotta, 2 1/16 x 1 1/4in. (5.2 x 3.2cm), Vases

Louis Robert and Olympe Aguado, ca. 1860, Albumen silver print from glass negative, Image: 14.7 x 19.1 cm (5 13/16 x 7 1/2 in.), Photographs, Olympe Aguado de las Marismas (French, Paris 1827–1894 Compiegne

Perfume vessel in shape of a monkey, New Kingdom, Dynasty 18, ca. 1550–1295 B.C., From Egypt, Faience, h. 6.5 cm (2 9/16 in); w. 3.3 cm (1 5/16 in); d. 3.8 cm (1 1/2 in