Images at Librifly

Spittoon in Double Bell Design, late 18th–early 19th century, Attributed to India, Zinc and copper alloy; cast, engraved, inlaid with silver (bidri ware), H. 5 7/8 in. (15 cm), Metal

Four-Cornered Hat, A.D. 500–900, Bolivia or Peru, Tiwanaku or Wari, Camelid hair, H. 7 in. × Diam. 7 1/4 in. × Circum. 22 3/4 in. (17.8 × 18.4 × 57.8 cm), Textiles-Costumes, Finely woven tunics and four-cornered hats were symbols of

Kyathos, Archaic or Classical, ca. 550–450 B.C., Italic-Native, South Italian (Daunian), Terracotta, H. with handle 9.4 cm.; diameter 14.10 cm., Vases

Portrait of a Woman, ca. 1805, Oil on canvas, 50 x 40 1/4 in. (127 x 102.2 cm), Paintings, Sir William Beechey (British, Burford, Oxfordshire 1753–1839 Hampstead

Mountain Landscape, Qing dynasty (?) (1644–1911), China, Handscroll; ink on silk, 13 1/4 x 110 3/16 in. (33.7 x 279.9 cm), Paintings, Unidentified Artist, In the style of Mi Fu (Chinese, 1052–1107

[Chinese Man Sitting with Tools], 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Unknown

Flyvebaad 1909-1910., 1905–19, Gelatin silver prints from glass negatives, Image: 4 1/16 × 5 5/8 in. (10.3 × 14.3 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the

Terracotta skyphos (deep drinking cup), Geometric, ca. 750 B.C., Greek, Euboean, Terracotta, H. 3 11/16 in. (9.4 cm), Vases, Obverse and reverse, metopes with birds

Design for a Bangle, early 19th century, India (Pahari Hills), Ink and translucent watercolor on paper, Image (sight): 4 1/4 x 4 5/8 in. (10.8 x 11.7 cm), Paintings

Li Tre Trattai, 1639, plates:engraving, Overall: 5 3/4 x 8 3/16 x 11/16 in. (14.6 x 20.8 x 1.7 cm), Books

The Actor Ichikawa Danzō III as a Court Noble, Edo period (1615–1868), 1768, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/4 in. (32.4 cm); W. 5 11/16 in. (14.4 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Pylones du Temple de Sébona, April 3, 1850, Salted paper print from paper negative, Image: 6 1/2 × 8 3/4 in. (16.5 × 22.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Fuji from Inume (?) Pass, 冨嶽三十六景　甲州犬目峠, Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 9 1/4 in. (36.2 x 23.5 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Inlay: male torso, Early Dynastic IIIa, ca. 2600–2500 B.C., Mesopotamia, Nippur, Sumerian, Shell, 2.17 x 3.23 in. (5.51 x 8.2 cm), Shell-Ornaments, This plaque is cut from a piece of pearly shell in the shape of a man’s upper torso and

Gateway - Bury St. Edmond's, 1858, Albumen silver print from paper negative, 21.8 x 26.8 cm. (8 9/16 x 10 9/16 in.), top corners trimmed, Photographs, Alfred Capel Cure (British, 1826–1896

Fragment of a terracotta column-krater (bowl for mxing wine and water), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, Overall: 3 1/4 x 2 3/4in. (8.3 x 6.9cm), Vases, Upper body of a youth. The figure may be a

Cope, early 17th century, Attributed to Iran, Silk, metal thread, Textile: L. 57 in. (144.8 cm), Textiles-Woven, This garment exemplifies the use of Iranian textiles throughout Europe. Worn in Christian liturgical services, it is made of

Pair of terms, ca. 1745–50, Italian, Florence, Hard-paste porcelain, Each: H. 7 1/2 in. (19.1 cm.), Ceramics-Porcelain

Two Young People, Edo period (1615–1868), 1725–1770, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 5/8 in. (28.6 x 21.9 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Oinochoe, Archaic, 1st quarter of 5th century B.C., Greek, Attic, Terracotta; black-figure, 5 7/16in. (13.8cm), Vases

Glass alabastron (perfume bottle), Late Classical or Hellenistic, mid-4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 3 7/8 in. (9.8 cm), Glass, Translucent blue, with handles in same

The Actor Arashi Wakano, Edo period (1615–1868), ca. 1738, Japan, Polychrome woodblock print; ink and color on paper, 13 1/4 x 6 1/8 in. (33.7 x 15.6 cm), Prints, Shigenaga (1697–1756

Young Lady Looking through Door at Her Kamuro (Little Servant) who is Asleep on the Floor, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 11/16 in. (27.1 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki

Glass jar, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 2 7/8 in. (7.3 cm), Glass, Translucent light bluish green. Vertical rounded rim with slight inward turn below; shallow, angular shoulder expanding downwards; folded

The Actor Ichikawa Monosuke (?) or Ichikawa Omezō in Female Role, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 14 5/8 x 6 5/8 in. (37.1 x 16.8 cm), Prints, Katsukawa Shunshō (Japanese,

[Unknown Sitter], before 1865, Albumen silver print from glass negative, Image: 6 5/16 × 4 3/4 in. (16 × 12 cm), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Laughing Satyr, 1854–58, Salted paper print from glass negative, 29.7 x 26.6 cm (11 11/16 x 10 1/2 in.), Photographs, Roger Fenton (British, 1819–1869

南宋 金處士 十王圖 軸, Ten Kings of Hell, Song dynasty (960–1279), before 1195, China, One of five of a set of ten hanging scrolls; ink and color on silk, Image: 51 x 19 1/2 in. (129.5 x 49.5 cm), Paintings, Jin Chushi (Chinese,

The Actor Sawamura Sojuro 3rd as a Man Stnding in a Pleasure-boat, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 12 9/16 in. (31.9 cm); W. 5 5/8 in. (14.3 cm), Prints, Katsukawa Shun'ei

Temple de Dandour en Nubie, 1860s, Albumen silver print from glass negative, 23.7 x 31.3 cm. (9 5/16 x 12 5/16 in.), Photographs, Wilhelm Hammerschmidt (German, born Prussia, died 1869

Terracotta thymiaterion (incense burner), Late Classical, ca. 350–325 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; added color, H. 10 11/16 in. (27.1 cm), Vases, Two Nikai (personifications of Victory). The early phase of

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Sadakage (Japanese, active mid-19th century

Plaque with Egyptian goddess Sakhmet, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 4.13 x 2.2 in. (10.49 x 5.59 cm), Ivory/Bone-Reliefs

Spoon, Roman, Bronze, Other: 4 11/16 in. (11.9 cm), Bronzes

Bronze handle in the form of Pan, Late Hellenistic or Early Imperial, ca. 100 B.C.–A.D. 100, Greek or Roman, Bronze, H 1 15/16 in. (4.85 cm), Bronzes, Handle in the form of Pan bending backwards

A Woman and Two Men in an Arbor, ca. 1657–58, Oil on wood, Overall 17 3/8 x 14 3/4 in. (44.1 x 37.5 cm); painted surface 17 x 14 3/8 in. (43.2 x 36.5 cm), Paintings, Pieter de Hooch (Dutch, Rotterdam 1629–1684 Amsterdam

Creampot, 1862–63, Made in New York, New York, United States, American, Silver, 8 1/8 x 5 13/16 in. (20.6 x 14.8 cm), Silver, Wood and Hughes (1845–99), Presented to Christian Dorflinger upon his retirement from the Long Island Flint

Close-Helmet, ca. 1515, Milan; Brescia, Italian, Milan or Brescia, Steel, leather, gold, Bowl (a); H. 8 3/4 in. (22.2 cm); W. 7 7/8 in. (20 cm); D. 9 3/8 in. (23.8 cm); Wt. 3 lb. 11.4 oz. (1684 g); visor with bevor (b, c); H. 9 1/4 in. (23.5

Carnelian ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 1/2 in. (1.2 cm), Gems, Odysseus with staff and pilos

Bracelet, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Base: 2 15/16 in. (7.5 cm), Bronzes

Concertina, ca. 1862, London, England, United Kingdom, British, Palisander, leather, paper, ivory, W. across ends 15.9 cm (6 1/4 in.), Aerophone-Free Reed-concertina / accordion, Charles Wheatstone (1802–1875), A student model with

Small pisolitic bauxite axe, Neolithic, 5th–4th millennium B.C., Cretan, Haemaetite, L. 1 3/4 in. (4.5 cm), Miscellaneous-Stone, Celt

Gilt terracotta necklace, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, gold, Average length of beads 3/4 in. (1.9 cm), Terracottas, Terracotta pendants gilded in gold

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/8 x 1 1/2in. (6 x 3.8cm), Vases

Tartar Officer with Blonde Lady, Yuan (1271–1368)–Qing dynasty (?) (1644–1911), 19th century, China, Eight album leaves; color on silk, (a): 10 1/2 x 10 1/2 in. (26.7 x 26.7 cm), Paintings, Unidentified Artist

Prince with Four Attendants, late 18th–early 19th century, India (Rajasthan), Ink and opaque watercolor on paper, Overall: 11 9/16 x 8 9/16 in. (29.4 x 21.8cm), Paintings, Sri Prathi Singh of Ratlam (Indian

歌川広重画　楓に孔雀, Peacock Perched on a Maple Tree, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print (hosoban); ink and color on paper, 14 13/16 x 5 in. (37.6 x 12.7 cm), Prints, Utagawa Hiroshige (Japanese,

Daiitoku Myōō, 大威徳明王, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink on paper, Image: 28 1/4 x 21 1/8 in. (71.8 x 53.7 cm), Paintings, Daiitoku Myōō (Sanskrit: Yamantaka) is one of the five Great Light Kings

Piece, late 16th–early 17th century, Italian, Silk, Overall: 20 5/8 x 16 5/8 in. (52.4 x 42.2 cm), Textiles-Woven

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 15/16 in. (2.2 x 2.3 cm), Glass, Body fragment., Semi-opaque greyish blue, translucent deep purple appearing black,

Sanjō Kantarō as a Woman Arranging Her Hair Before a Lacquer Mirror, Edo period (1615–1868), before 1763, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Attributed to Torii Kiyomasu

Terracotta head of a woman, Classical, late 5th–4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 7/8 in. (9.8 cm), Terracottas, Although the head might be that of a youth, the combination of earrings, full hair, and

Terracotta bridge-spouted jar, Middle Minoan II–III, ca. 1900–1600 B.C., Minoan, Terracotta; Kamares ware, Total height as restored 6 1/8 in. (15.6 cm.), Vases

Young Nuba Woman, 1853–54, Salted paper print from paper negative, Image: 10 9/16 × 8 1/4 in. (26.9 × 21 cm), Photographs, Pierre Trémaux (French, 1818–1895

Fibula, boat-shaped type, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

Camellia and Blue-Headed Bird, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 4 11/16 in. (25.1 x 11.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

The Fourth Iwai Hanshiro as a Woman Holding a Crystal Ball and Dancing on the Bank of a Stream, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 3/4 in. (30.8 x 14.6 cm), Prints,

Le Fontane del Giardino Estense in Tivoli con li Loro Prospetti, e Vedute della Cascata del Fiume Aniene, 1691 or after, Etching, Plate: 8 3/4 x 13 in. (22.3 x 33 cm), Fourth series of the views of fountains published by Giovanni Giacomo Rossi.

Bronze tweezers, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Bronze, length 3 1/4in. (8.2cm), Bronzes, Early and Middle Bronze Age Cypriot bronze workers were conservative in their craft, and the repertoire of objects they produced

Terracotta lead-glazed skyphos, Early Imperial, Augustan, late 1st century B.C.–early 1st century A.D., Roman, Terracotta, H. 10.2 cm. Diameter 11.4 cm., Vases

The Second Yamashita Kinsaku as a Woman Standing at Night, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 3/4 in. (30.2 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Portrait of a Man, 1643, Oil on wood, 25 1/4 x 21 in. (64.1 x 53.3 cm), Paintings, Abraham de Vries (Dutch, The Hague (?) ca. 1590–1649/50 The Hague

Harry, 1860, Albumen silver print from paper negative, 13.9 x 11.0 cm. (5 1/2 x 4 5/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

The Mother of the Forest From the Father of the Forest - Calavaras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916),

Bassorilievo dell'arco di Tito, 1848–52, Albumen print from glass negative, Image: 11 5/16 × 8 5/8 in. (28.8 × 21.9 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Silver fibula (safety pin), Classical, 4th century BC, Greek, South Italian, probably Apulian, Silver, L: 6 in. (15.2 cm), Gold and Silver, With a double arc for the bow and a long catch plate ending in a hemisphere. The catch plate is

白衣観音図, White-Robed Kannon, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 3/8 x 11 in. (36.5 x 27.9 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Glass one-handled beaker, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, H.: 4 1/4 in. (10.8 cm), Glass, Translucent pale blue green; handle in same color. Everted, rounded rim; straight side expanding outwards and then curved

The Magnifying Glass, Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 9 7/16 in. (24 cm), Prints, Toriyama Sekien (Japanese, 1712–1788

Terracotta lekanis (dish), Late Classical, late 4th century B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 6 1/2 in. (16.5 cm); diameter 22 13/16 in. (58 cm), Vases, Interior, Eos in her chariot; below, Eros, a woman and

Glass jar, Late Imperial, 4th century A.D., Roman, Palestinian, Glass; blown and trailed, H.: 3 5/8 in. (9.2 cm), Glass, Translucent deep honey yellow; handles and trail in translucent deep turquoise blue., Rim slightly outsplayed, with

Head of a Bodhisattva, Five Dynasties period (907–60), 10th century, China, Marble with traces of pigment, H. 4 in. (10.2 cm); W. 4 1/2 in. (11.4 cm), Sculpture

Mirror, Greek, Cypriot, Bronze, Other: 5 1/8in. (13cm), Bronzes

Cathedral Towers, 1861, Albumen silver print from glass negative, Image: 20 3/8 × 16 1/8 in. (51.7 × 40.9 cm), Photographs, Carleton E. Watkins (American, 1829–1916

Wall painting fragment, Early Imperial, 1st century A.D., Roman, Fresco, Overall: 4 7/16 x 4 5/16 x 3/8 in. (11.2 x 11 x 1 cm), Miscellaneous-Paintings, On yellow ground; figure of Genius in red facing left, making a libation

Terracotta statuette of a veiled woman, Hellenistic, 2nd century B.C., Greek, South Italian, Terracotta, H. 18 3/8 in. (46.7 cm), Terracottas, The modern head has been detached and is displayed next to the body of the piece

Frets, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 3/8 x 9 5/8 in. (21.3 x 24.5 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Terracotta kylix (drinking cup), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; red-figure, H. 3 5/8 in. (9.2 cm), Vases, Interior, foreigner with his dog, Exterior, obverse, symposium (drinking party); reverse, komos (revel). In

Terracotta lekythos (oil flask), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; white-ground, H. 15 1/4 in. (38.7 cm), Vases, Youth and woman at tomb. The depiction of a stele (grave monument) shows how funerary vases like this one

Panel of Four Calligraphic Tiles, 14th–early 15th century, (none assigned) Morocco, Stonepaste; glazed and carved, H. 4 7/8 in. (12.4 cm), Ceramics-Tiles, Epigraphic friezes executed in ceramic tile were integral to the decorative program of

Spearhead and Storage Case (清 矛頭), 17th–18th century, spearhead, Chinese or Mongolian; case, Tibetan, Steel, gold, leather, copper, possibly cork, wood, L. of spearhead 14 3/8 in. (36.5 cm); W. 1 3/8 in. (3.5 cm); L. of case 15 1/2

Fragment of a terracotta volute-krater (bowl for mixing wine and water), Late Classical, mid-4th century B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Overall: 4 7/16 x 5 9/16in. (11.2 x 14.1cm), Vases, Forepart of Pegasus.

Cock on Drum, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print (surimono); ink and color on paper, 10 x 7 in. (25.4 x 17.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Benzaiten ni Ryu, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 11/16 x 7 1/2 in. (22.1 x 19.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Catherine Holborn, 1876, Albumen silver print from glass negative, 9.3 x 5.6 cm (3 11/16 x 2 3/16 in. ), Photographs, Unknown (British

[St. Mary's Gate, York], 1850s, Albumen silver print, Photographs, Unknown (British

The Fourth Matsumoto Koshiro as a Man Dressed in a Short Kimono, Edo period (1615–1868), 1779, Japan, Diptych of polychrome woodblock prints; ink and color on paper, a: H. 12 13/16 in (32.5 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa

Yucca Gloriosa, 1853–56, Salted paper print, Image: 20.2 × 15.7 cm (7 15/16 × 6 3/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Ichikawa Danjūrō I as Soga Gorō, Edo period (1615–1868), ca. 1710, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura Masanobu (Japanese, 1686–1764), The versatile artist

Tomb, Macao, ca. 1869, Albumen silver print from glass negative, Image: 10 9/16 × 8 1/8 in. (26.9 × 20.6 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and tooled, Overall: 3 5/16 in. (8.4 cm), Glass, Colorless with pale blue green tinge. Rim folded out, over, and in, with beveled upper surface; slightly flaring

Curette or spoon, Roman, Bronze, Other: 5 9/16 in. (14.1 cm), Bronzes

The Man in Armor (Self-Portrait), 1898, Platinum print , 17.3 x 11.9 cm. (6 13/16 x 4 11/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Blossoming Cherry Trees by a Stream, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/2 x 21 1/4 in. (19.1 x 54 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Print, Meiji period (1868–1912), ca. 1908, Japan, Polychrome woodblock print; ink and color on paper, 7 1/2 x 10 7/8 in. (19.1 x 27.6 cm), Prints, Unidentified Artist

Glass face bead, Late Classical, mid-4th–3rd century B.C., Phoenician or Carthaginian, Glass; rod-formed and trailed, H.: 1 1/16 in. (2.7 cm), Glass, Translucent dark cobalt blue, with opaque turquoise blue, white, and yellow, and

Vase fragment, Early Minoan II, Minoan, Terracotta, 3 1/4 × 3 3/16 × 5/16 in. (8.3 × 8.1 × 0.9 cm), Vases

Cincinnati Pottery Club Incised Pitcher, ca. 1882, Made in Cincinnati, Ohio, United States, American, Earthenware with various glazes, 7 x 5 in. (17.8 x 12.7 cm), Ceramics, Laura A. Fry (1857–1943

Yahagi Bridge at Okazaki on the Tōkaidō (Tōkaidō Okazaki Yahagi no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), 「諸國名橋寄覧　東海道岡崎 矢はぎのはし」, Edo period

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/8 x 4 in. (2.9 x 10.2 cm), Terracottas, With crane