Images at Librifly

Lobster, Hamayumi (Ceremonial Miniature Bow) with Arrows and Fans, 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/4 x 7 7/8 in. (13.3 x 20 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Inscribed Stone, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, Foot of Hatshepsut's causeway, Ptolemaic radim, 1915–16, Limestone, H. 22 cm (8 11/16 in.); W 14 cm (5 1/2 in.); D. 7 cm

Vue du Village de Hamarneh, près de Dendérah (Rive droite), 1849–50, Salted paper print from paper negative, Image: 5 13/16 × 8 9/16 in. (14.7 × 21.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Miss Elizabeth Logan, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

The Actor Nakamura Tomijuro in the Role of Sayohime Disguised as Hanamasu, Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper, 11 3/8 x 5 3/8 in. (28.9 x 13.7 cm), Prints, Torii Kiyonaga (Japanese,

Probe, double, Cypriot, Bronze, Other: 5 3/8in. (13.6cm), Bronzes

Lyon, Hôtel de Ville, ca. 1861, Albumen silver print from glass negative, Image: 33 x 42.7 cm (13 x 16 13/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Part of a Buddhistic Sutra, Tang dynasty (618–907), dated 797, China, Handscroll; ink and color on paper, 11 1/2 x 52 1/2 in. (29.2 x 133.4 cm), Paintings, Unidentified Artist

Framed picture, mid-17th century, British, Silk on canvas, H. 11 3/4 x W. 14 3/4 inches (29.8 x 37.5 cm); Framed: H. 13 1/2 x W. 16 1/2 x D. 1 1/4 (34.3 x 41.9 x 3.2 cm), Textiles-Embroidered

[Part of the Exterior of the St. Paul's Cathedral, Calcutta], 1850s, Albumen silver print, Image: 18.8 x 23.4 cm (7 3/8 x 9 3/16 in.), Photographs, Captain R. B. Hill

Bust of Patroclus, August 9, 1843, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Coln Church + Mr Kent; 3 Miss Wallingtons, 1853–56, Albumen silver print, Image: 15.5 × 14.5 cm (6 1/8 × 5 11/16 in.) (a), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Landscape, Ming dynasty (?) (1368–1644), China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Fan Hong

White Lotus Society, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Handscroll; ink on paper, 11 7/8 in. × 19 ft. 5 1/2 in. (30.2 × 593.1 cm), Paintings, Unidentified Artist, In the Style of Li Gonglin (Chinese, ca. 1041–1106

Sages Admiring Waterfall, Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 9 1/4 x 10 1/8 in. (23.5 x 25.7 cm), Paintings, Unidentified Artist

[Claudet Family Group, Chateau de la Roche, Amboise], 1856, Salted paper print from glass negative, 17.5 x 13.4 cm (6 7/8 x 5 1/4 in.) visible, Photographs, Francis George Claudet (Canadian, 1837–1906

Basin with Figural Imagery, early 14th century, Attributed to probably Iran, Brass; raised, engraved, inlaid with silver and gold, H. 5 1/8 in. (13.0 cm), Metal, A limited number of basins were produced with this distinctive scallop-shaped

The Goddess Durga Slaying an Enemy; Page from a Dispersed Markandeya Purana (Stories of the Sage Markandeya), 1650–60, India, Ink and opaque watercolor on paper, 4 3/16 x 5 1/2 in. (10.6 x 14 cm), Paintings

Trees in a Thicket, 1845, Conté crayon, sheet: 12 1/4 x 16 1/8 in. (31.1 x 41 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon

Silver ring, Classical, ca. late 5th century B.C., Greek, Silver, Length: 7/8 in. (2.2 cm), Gold and Silver, Ecstatic maenad

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 5/16 × 1 13/16 × 1/4 in. (5.8 × 4.7 × 0.6 cm), Vases

東海道五十三次　江尻, Ejiri, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

清 戴本孝 山水圖 冊 紙本, Landscapes, Qing dynasty (1644–1911), China, Album of twelve leaves; ink on paper, Each: 8 7/16 × 6 9/16 in. (21.4 × 16.7 cm), Paintings, Dai Benxiao (Chinese, 1621–1693), All his life Dai pursued a

A Study, No. 1, 1901, Gelatin silver print, Photographs, Rudolph Eickemeyer (American, 1862–1932

Vase Carpet, late 16th –early 17th century, Made in Iran, Isfahan or Kirman, Cotton (warp and weft), silk (weft), wool (weft and pile); asymmetrically knotted pile, Rug: H. 325 in. (825.5 cm), Textiles-Rugs, This richly colored carpet

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.98 x 0.75 x 0.2 in. (2.49 x 1.91 x 0.51 cm), Ivory/Bone-Reliefs

Mustard Pot, ca. 1795–1820, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 2 7/8 x 3 3/8 in. (7.3 x 8.6 cm); 3 oz. 8 dwt. (105.6 g), Silver, Joseph Shoemaker (1765–1829

Mathilde (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Act VIII (Dai hachidanme): Actors Bandō Hikosaburō V as Honzō's Wife (Nyōbō) Tonase and Sawamura Tosshō II as His Daughter (Musume) Konami, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura), Edo period

Terracotta cup, Archaic, 6th century B.C., East Greek or Lydian, Terracotta, H. 6 3/16 in. (15.7 cm), Vases, Much restored, this cup appears to be a Lydian imitation of a Chiot chalice. The latter is a vase with two vertical handles and a

[Supplemento al no. 6 anno 2o del Ricoglitore di Cognizioni Utili (15 July 1839), p. 25], 1839, Ink on paper, 30.1 x 20.4 cm (11 7/8 x 8 1/16 in.), Ephemera

Allegory of Government: Wisdom Defeating Discord, Oil on canvas, 20 1/8 x 15 3/8 in. (51.1 x 39.1 cm), Paintings, Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam

Cathedral Rocks and Spires, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Furniture element, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, gold foil, 3.82 x 2.32 in. (9.7 x 5.89 cm), Ivory/Bone-Reliefs

東海道五十三次之内　吉原　左富士, Yoshiwara, Hidari Fuji, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese,

Dish with Vegetal Design, Edo period (1615–1868), mid-17th century, Japan, Porcelain with incised decoration under celadon glaze (Hizen ware; Imari type), H. 2 1/2 in. (6.4 cm); Diam. 8 7/8 in. (22.5 cm), Ceramics

Tile From an Inscriptional Frieze, dated A.H. 707/A.D. 1308, From Iran, Natanz, Stonepaste; underglaze painted in blue, luster-painted on opaque white ground, modeled, H. 15 in. (38.1 cm), Ceramics-Tiles, This tile is one in a series which

明/清 陳洪綬 橅古圖 冊, Miscellaneous Studies, Ming dynasty (1368–1644), one leaf dated 1619, China, Album of twelve paintings; ink on paper, Image (each leaf): 7 x 7 in. (17.8 x 17.8 cm), Paintings, Chen Hongshou (Chinese,

Glass alabastron (perfume bottle), Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 5 1/8 in. (13 cm), Glass, Translucent cobalt blue, with handles in same color;

Collection de Meubles et Objets de Goût, vol. 1, [1802–07], Engraving, hand-colored, Overall: 16 1/4 x 11 7/16 x 2 3/4 in. (41.3 x 29 x 7 cm), Books, Volume 1 of a three volume set

Habiti delle Donne Venetiane (Dress of Venetian Women), ca. 1591–1610, Engraving and woodcut, Overall: 11 x 8 1/4 x 1 in. (28 x 21 x 2.5 cm), Books, Giacomo Franco (Italian, Venice 1550–1620 Venice), This book consists of twenty numbered

The Cock and the Precious Stone, from Aesop's Fables, ca. 1760, Etching, sheet: 6 1/4 x 6 3/4 in. (15.9 x 17.2 cm), Prints, After Francis Barlow (British, Lincolnshire ca. 1626–1704 London

Footed Salver, 1700–1735, Probably made in New York, New York, United States, American, Silver, Overall: 1 3/4 x 5 5/8 in. (4.4 x 14.3 cm); 5 oz. 9 dwt. (169.4 g), Silver

Carpet, first half 15th century, Made in Murcia, Spain, Spanish, Wool, Overall: 122 x 66 1/2 in. (309.9 x 168.9 cm), Textiles-Rugs, With its vividly colored pattern of stars and octagons, this rug exemplifies the distinctive 'Holbein'

Terracotta vessel fragment with curvilinear decoration, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 9/16 x 3 1/2in. (4 x 8.9cm), Vases, From Phylakopi, Melos. Fragment with curvilinear design

胴乱印籠と懐中時計根付, probably 1817, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 9/16 x 7 1/4 in. (14.1 x 18.4 cm), Prints, Hokusen Taigaku (Japanese, active 1805–1825), Surimono are

Alabaster 'alabastron', Classical ?, 4th century B.C. ?, Cypriot, Dark alabaster, H.: 11 x 7 in. (27.9 x 17.8 cm), Cesnola Inscriptions, The large “alabastron” has a flat base, no neck, and a flat mouth. One of the two lugs is broken.

木曽海道六拾九次之内　洗馬, Senba Station, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Small oblong table, Antoine-Mathieu Criaerd (French, 1724–1787), ca. 1755–60, French, Paris, Oak veneered with tulipwood and amaranth, gilt bronze, leather, Overall: 26 3/4 × 17 1/4 × 12 3/4 in. (67.9 × 43.8 × 32.4 cm),

Vase fragment, Neolithic, first period, ca. 4000–3000 B.C., Neolithic, Hagiorgetika, Terracotta, length 2 1/4in. (5.8cm), Vases

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/16 x 1 3/16 in. (2.7 x 3 cm), Glass, Body fragment., Translucent honey brown, cobalt blue, opaque

Fireworks Display for the Convalescence of Louis XV, 1726, Pen and gray and brown ink, brush and gray wash, with watercolor, over black chalk, 14 3/4 x 14 7/8 in. (37.5 x 37.8 cm), Drawings, Jacques de Lajoüe (French, Paris 1686–1761

Family Training, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Ten panels mounted as a handscroll; ink and color on silk, Image (each panel, approx.): 13 3/8 × 16 1/4 in. (34 × 41.3 cm), Paintings, Unidentified Artist, Spurious

Terracotta necklace with palmette and lotus pendants, Hellenistic, 3rd century B.C., Etruscan, Terracotta, 19 1/2 in. (49.5 cm), Terracottas, Terracotta jewelry represents an inexpensive substitute for pieces in precious metals. The pendants

[Cavalry Maneuvers, Camp de Châlons], 1857, Albumen silver print from glass negative, Image: 26.7 x 33 cm (10 1/2 x 13 in.), Photographs, Gustave Le Gray (French, 1820–1884), For six weeks in August, September, and October 1857, 25, 000

Plaque fragment: kneeling lion-headed figure, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (hippopotamus), gold foil, 3 7/8 x 1 7/8 in. (9.8 x

Cypress, Pebble Beach, California, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Masquerader (one of a pair), 1745, German, Meissen, Hard paste-porcelain, Overall (confirmed): 6 1/2 x 4 x 2 3/4 in. (16.5 x 10.2 x 7 cm), Ceramics-Porcelain, This model of a porcelain figure wearing a black tricorne hat, a white half mask,

Seated Statue of King Menkaure, Old Kingdom, Dynasty 4, ca. 2490–2472 B.C., From Egypt, Memphite Region, Giza, Pyramid Complex of Menkaure, Valley Temple: Sculptor's workshop, Harvard-Boston MFA excavations, 1911, Indurated limestone,

Saddle (gser sga), 15th–17th century, Tibetan, Iron, gold, copper, wood, leather, H. 13 3/4 in. (34.9 cm); L. 23 3/8 in. (59.4 cm); W. 15 1/4 in. (38.7 cm), Equestrian Equipment-Saddles, This saddle is remarkable for the quality and

南宋 傳夏珪 澤畔疾風圖 團扇, Windswept Lakeshore, Southern Song dynasty (1127–1279), China, Fan mounted as an album leaf; ink on silk, 10 1/4 x 10 5/8 in. (26 x 27 cm), Paintings, Attributed to Xia Gui (Chinese, active ca.

The Practitioners of the Visual Arts, 1578, Engraving, sheet: 16 7/8 x 11 1/4 in. (42.8 x 28.6 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Jan van der Straet, called Stradanus (Netherlandish, Bruges

Sparrow and Hibiscus, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 13 1/2 x 4 1/2 in. (34.3 x 11.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Close Helmet, ca. 1550, Milan or Brescia, Italian, Milan or Brescia, Steel, gold, silver, H. 11 3/4 in. (29.9 cm); W. 14 in. (35.6 cm); D. 14 in. (35.6 cm); Wt. 6 lb. 14 oz. (3128 g), Helmets, The fantastic appearance of this helmet, with

Terracotta calyx-krater (mixing bowl), Late Classical, ca. 400–390 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 12 1/16 in. (30.6 cm), Vases, Obverse, scene from a phlyax play. Reverse, three youths. The representation

近江八景之内　石山秋月, The Autumn Full Moon at Ishiyama, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 11/16 in. (22.5 x 34.8 cm), Prints, Utagawa Hiroshige (Japanese,

Bowl, Etruscan, Bronze, Diam.: 7 3/8 x 1 1/4 in. (18.7 x 3.2 cm), Bronzes

Mer Méditerranée - Sète, 1857, Albumen silver print from two glass negatives, Image: 32.1 x 41.9 cm (12 5/8 x 16 1/2 in.), Photographs, Gustave Le Gray (French, 1820–1884), The dramatic effects of sunlight, clouds, and water in Gustave

'Rustam Seizes Afrasiyab by the Girdle and Lifts him from the Saddle', Folio from a Shahnama (Book of Kings), ca. 1430–40, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, 7.5 in. high 7.62 in. wide (19.1 cm high

Design for hanging light fixture, late 19th–early 20th century, Made in New York, United States, American, Watercolor, colored pencil, and graphite on tan wove paper with vertical grain direction, Overall: 22 1/8 x 15 1/16 in. (56.3 x 38.3

Fragment of a terracotta bell-krater (mixing bowl), Classical, late 5th century B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, H. 3 1/4 in. (8.2 cm), Vases, Head and arms of an Amazon with a spear. This detail from a

[Rural Manor, Possibly Bredicot], 1852–54, Waxed paper negative, 11 5/8 x 15 1/2, Negatives, Benjamin Brecknell Turner (British, 1815–1894

Martin Luther (1483–1546), probably 1532, Oil on wood, 13 1/8 x 9 1/8 in. (33.3 x 23.2 cm), Paintings, Workshop of Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar), Lucas Cranach and his workshop produced many printed and painted

A Fisherman is Struggling amid the Rocks and Currents of an Inlet of the Sea, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/2 in. (26.7 cm); W. 8 in. (20.3 cm), Prints, Totoya Hokkei (Japanese,

Terracotta bust of a man, Classical, 5th century B.C., Greek, Terracotta, H.: 7 1/8 in. (18.1 cm), Terracottas, The mold used to make this work is difficult to distinguish from one for a female figure. Note especially the treatment of the

Talismanic Scroll, 11th century, Made in Egypt, Ink on paper; printed, Ht. 10 5/8 in. (25.5 cm), Codices, Talismanic scroll in block-print was rolled and stored in an amulet box

Sardonyx cameo portrait of the Emperor Augustus, Early Imperial, Claudian, ca. A.D. 41–54, Roman, Sardonyx, 1 7/16 × 1 1/8 × 5/16 in. (3.7 × 2.9 × 0.8 cm), Gems, The cameo depicts Augustus as a triumphant demigod wearing the aegis, a

Aquamanile in the Form of a Lion, 14th century, Made in Lower Saxony, German, Copper alloy, Overall: 9 1/2 x 9 13/16 x 4 3/8 in. (24.1 x 24.9 x 11.1 cm), 5lb. (2294g), Metalwork-Copper alloy

Terracotta jug, Late Helladic IIIA-B, ca. 1400–1190 B.C., Mycenaean, Terracotta; Coarse ware, H. 10 7/8 in. (27.6 cm.), Vases, Course ware terracotta jug without decoration

[South Gate of the Arq, Teheran, Iran], 1840s–60s, Photographs, Luigi Pesce (Italian, 1818–1891

The Unicorn is Killed and Brought to the Castle (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 145 x 153in. (368.3 x 388.6cm), Textiles-Tapestries, Two episodes of

[Main Entrance], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

二品親王女三宮, The Third Princess and Kashiwagi, from Chapter 34, “New Herbs I (Wakana I)” (Nihon shinnō onna sannomiya), Meiji period (1868–1912), 1890, Japan, Triptych of polychrome woodblock prints; ink and color on paper,

Thebes. Médinet-Habou. Runes de la ville de Papa, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Vase, ca. 1913, Made in New York, New York, United States, American, Favrile glass, 6 5/8 x 4 7/8 in. (16.8 cm), Glass, Tiffany Furnaces, This object forms part of a group of glass vessels and enamel containers Louis Comfort Tiffany

Statuette of a woman, Greek, Laconian, Lead, Height: 1 1/4 in. (3.1 cm), Miscellaneous-Lead

Plaster relief fragment with a male figure on a throne, Early Imperial, 1st century A.D., Roman, Plaster, H.: 3 7/8 in. (9.8 cm), Miscellaneous-Plaster, Cast from a Greek metal relief of the 4th century B.C.. The plaster reliefs displayed in

Statuette of a youth, Bronze, H.: 3 1/2 in. (8.9 cm), Bronzes

View Opposite Canton, ca. 1869, Albumen silver print from glass negative, Image: 10 15/16 × 10 9/16 in. (27.8 × 26.8 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Vase fragment, Greek, Lydian, Terracotta, Overall: 2 3/8 x 9/16in. (6 x 1.5cm), Vases

The Twenty Tirthankaras: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519), India (Gujarat), Ink, opaque watercolor, and gold on paper, 4 3/8 x 10 1/8 in. (11.1 x 25.7 cm), Paintings

Missionary Houses, Foochow, ca. 1869, Albumen silver print from glass negative, Image: 8 1/8 × 11 3/8 in. (20.7 × 28.9 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Bronze statuette of a bull, Archaic, 7th century B.C., Greek, Bronze, H. 1 15/16 in. (4.9 cm), Bronzes, Statuette of a bull with horns facing forward

Terracotta neck-amphora (jar), Archaic, ca. 540–530 B.C., Greek, Chalcidian, Terracotta; black-figure, H. 14 1/16 in. (35.7 cm), Vases, Obverse, on the body, lions attacking a bull; on the neck, two roosters, Reverse, on the body,

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

The First Nakamura Tomijuro as a Woman Walking Toward the Left, Edo period (1615–1868), late 1777 or early in 1778, Japan, Polychrome woodblock print; ink and color on paper, 11 23/32 x 5 3/4 in. (29.8 x 14.6 cm), Prints, Katsukawa Shunkō

Hanging Laver, late 15th century, South Netherlandish, Copper alloy, cast, Overall (with handle up): 12 1/4 x 12 7/8 x 7 3/8 in. (31.1 x 32.7 x 18.7 cm), Metalwork-Copper alloy

Fibula, Cypriot, Bronze, Other: 4in. (10.2cm), Bronzes

Terracotta one-handled cup, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 2 9/16 in. (6.5 cm), Vases, From the Hymettos deposit

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 3 5/8 in. (9.3 cm), Stone-Sculpture