Images at Librifly

Shallow terracotta dish with lid, Archaic, 6th century B.C., Lydian, Terracotta, H. with cover 3 13/16 in. (9.7 cm), Vases, Two-handled vase with cover, decorated with concentric circles

The Nativity, Oil on wood, gold ground, 37 x 36 1/4 in. (94 x 92.1 cm), Paintings, South Netherlandish Painter (ca. 1460

Floral collar from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907, Papyrus, olive

Plaque fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.75 x 6.06 in. (1.91 x 15.39 cm), Ivory/Bone-Reliefs

Sir John Boilleau, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Letter, Ming dynasty (1368–1644), dated 1597, China, Folding fan mounted as an album leaf; ink on gold-flecked paper, 5 3/4 x 18 in. (14.6 x 45.7 cm), Calligraphy, Xue Mingyi (Chinese, active ca. 1538–after 1597

Maria Christine Teschen, ca. 1775, Austrian, Vienna, Hard-paste porcelain, Overall: 5 5/8 x 4 3/4 x 1 1/8 in. (14.3 x 12.1 x 2.9 cm), Ceramics-Porcelain, These small, highly decorative plaques are representative of the purely Neoclassical

Terracotta disk with Aphrodite riding on a swan, Late Classical, 4th century B.C., Greek, Terracotta, D. 2 3/4 in. (6.9 cm.), Terracottas, In Greek art, beginning at least in the Archaic period, Aphrodite was sometimes depicted with a swan,

Suggestion for Window, ca. 1910–20, Made in New York, United States, American, Gouache and watercolor over silver gelatin photograph collage and watercolor, pen and black India ink, and graphite on wove paper support:, 16 9/16 x 11 13/16

Faience polyhedron inscribed with letters of the Greek alphabet, Mid Imperial, 2nd–3rd century A.D., Roman, Faience, Width (Point to point, greatest): 2 11/16 in., 7.2oz. (6.8 cm, 204.9g), Miscellaneous-Faience, A number of polyhedra made

Yokohama Miyozaki-kaku Gankirō ijin yūkyō no zu, Foreigners Enjoying a Party at the Gankirō Tea House, Edo period (1615–1868), 1st month, 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 3/8 x 9

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.59 x 1.42 x 0.39 in. (1.5 x 3.61 x 0.99 cm), Ivory/Bone-Reliefs

Bronze distaff, Early Imperial, ca. 1st century A.D., Roman, Bronze, Other: 5 1/2 in. (14 cm), Bronzes, The distaff was used for spinning wool into thread

Design for a corner of a rug for the Curtis Publishing Co., late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and ink, and graphite on artist board, 21 5/8 x 29 7/16 in. (55 x 74.8 cm), Drawings,

Faith and Hope, 1867–69, Made in New York, New York, United States, American, Stained glass, Approx. 204 x 78 in. (518.2 x 198.1 cm), Architecture, Henry E. Sharp (active ca. 1850–ca. 1897), The mid-1850s saw the growth of a

Terracotta alabastron (jar), Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, H. 1 3/4 in. (4.5 cm.), Vases, Low body and two small handles

Mary Carrick Riggs, Dresden, 1857, Albumen silver print, Photographs, Unknown (German

Two-handled Jar, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 4, Between head of coffin and wall, 1915–16, Pottery (marle clay), h. 17.7 cm (6 15/16

Brandy Warmer, 1840–57, Made in New York, New York, United States, American, Silver, Overall: 5 3/8 x 3 in. (13.7 x 7.6 cm); 16 oz. 5 dwt. (505.2 g), Silver, Gerardus Boyce (1795/96–1880

Christ Crucified between the Virgin and Saint John, 14th century, Made in France (?), French (?), Sardonyx, rock crystal, gold and enamel mount, Overall: 1 3/4 x 1 1/4 x 7/16 in. (4.4 x 3.1 x 1.1 cm), Lapidary Work-Sardonyx, In the Middle

Cephalus and Procris, probably 1680s, Oil on canvas, 25 1/2 x 31 3/8 in. (64.8 x 79.7 cm), Paintings, Godfried Schalcken (Dutch, Made 1643–1706 The Hague

[Main Entrance], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

La nièce de Mr. Tahon propriétaire de la maison n° 7, 1854–56, Salted paper print from paper negative, Image: 9 3/4 × 7 5/16 in. (24.7 × 18.6 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium,

[Right Flank of Governor Generals Camp], 1858–61, Albumen silver print, Image: 20.1 x 28.2 cm (7 15/16 x 11 1/8 in.), Photographs, Unknown

Furniture plaque carved in relief with papyrus buds and flowers, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.06 x 3.06 in. (10.31 x 7.77 cm), Ivory/Bone-Reliefs, During the

Curette ?, Roman, Bronze, Other: 2 1/2 in. (6.4 cm), Bronzes

Carpet with Repeating Tree Design, probably late 17th–early 18th century, Attributed to Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Textile: L. 209 in. (530.9 cm), Textiles-Rugs

Steatite spindle whorl, Early Minoan III-Late Minoan I, ca. 2400–1450 B.C., Minoan, Steatite, H. 7/16 in. (1.1 cm), Miscellaneous-Stone, Spindle whorls aided in the making of cloth for garments and bedding. They were placed in tombs,

The Fourth Iwai Hanshiro as a Young Girl Standing by a Wooden Bench, Edo period (1615–1868), ca. 1790?, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 17/32 in. (32.4 x 14.1 cm), Prints, Katsukawa Shun'ei (Japanese,

Defense for the Left Forearm, 14th–16th century, possibly Tibetan, Iron, L. 11 1/4 in. (28.6 cm); W. 4 3/4 in. (12.1 cm), Armor Parts-Arms & Shoulders

Agate lentoid seal, Late Minoan II, ca. 1450–1400 B.C., Minoan, Agate, Diameter 2.7 cm-2.9 cm, Gems, A lion and two bulls

Cylinder Desk and Bookcase, 1815–20, Made in New York, New York, United States, American, Mahogany, mahogany veneer, satinwood, gilded, 95 3/8 x 48 1/8 x 24 in. (242.3 x 122.2 x 61 cm), Furniture, Attributed to Duncan Phyfe

Presentation vase, 1859, Made in Brooklyn, New York, United States, American, Blown, cut, and engraved glass, H. 16 7/8 in. (42.9 cm); Diam. 6 1/8 in. (15.6 cm), Glass, Long Island Flint Glass Works of Christian Dorflinger (1852–63),

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 15/16 in. (2.9 x 2.4 cm), Glass, Thin-walled body fragment., Translucent deep purple, light blue appearing green,

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 3/16in. (5.6cm), Vases

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 7/8 x 3 1/4 in. (2.2 x 8.3 cm), Terracottas

Beaker, ca. 1725–28, Austrian, Vienna, Hard-paste porcelain, H. 3 in. (7.6 cm.), Ceramics-Porcelain, The large number of beakers without handles or with one or two handles made by Du Paquier were likely used for chocolate and coffee. Records

Barnyard Scene, ca. 1650–55, Oil on canvas, 20 x 27 in. (50.8 x 68.6 cm), Paintings, Anthonie van Borssom (Dutch, Amsterdam 1630/31–1677 Amsterdam

Pottery Whistle, 9th–16th century, Costa Rica, Costa Rican, Clay, Diam. (greatest): 3.9 cm (1-9/16 in.)(; H. 4.4 cm (1-11/16 in.); Wt. 26 gm, Aerophone-Whistle Flute-whistle

Branch of Tree with Fruit and Birds, Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 11 x 10 7/8 in. (27.9 x 27.6 cm), Paintings, Unidentified Artist

Kettle Drums, 1779, Hanover, Germany, Hanoverian (German), Silver, iron, calfskin, textiles, gilding, Height: 16 1/8 in. (41 cm), Membranophone-single-headed / kettle drum, Franz Peter Bunsen (ca. 1725–1795 (master 1754)), This

Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66), ca. 1525–30, Istanbul, Turkish, Istanbul, Steel, gold, ivory (walrus), silver, turquoise, pearls, rubies, L. 23 3/8 in. (59.3 cm); L. of blade 18 3/8

Furniture plaque carved in relief with volutes and palmette, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 9.84 x 2.32 x 0.39 in. (24.99 x 5.89 x 0.99 cm), Ivory/Bone-Reliefs, This ivory panel was

Helmet, 14th–16th century, possibly Iranian or Central Asian, Iron, brass or copper alloy, H. 8 7/8 in. (22.5 cm); W. 7 7/8 in. (20 cm); D. 8 1/4 in. (21 cm); Wt. 2 lb. 5.7 oz. (1068.8 g), Helmets

Glass hexagonal bottle, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; blown in a three-part mold, H.: 3 1/16 in. (7.8 cm), Glass, Translucent cobalt blue., Rim folded out, round, and in; cylindrical neck,

An Unidentified Actor Stands with an Open Fan in His Hand, Edo period (1615–1868), 1743–1812, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 1/2 in. (31.1 x 14 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Glass two-handled bottle, Late Imperial, 5th century A.D., Roman, Syrian, Glass; blown, trailed, and tooled, H.: 5 3/4 in. (14.6 cm), Glass, Translucent pale purple; handles, disk, trail, and pontil stud in translucent pale blue green.,

Gold and carnelian boat-shaped earring, Late Archaic, 6th–5th century B.C., Cypriot, Gold, carnelian, Other: 7/8 in. (2.2 cm), Gold and Silver, Boat-shaped earring with carnelian setting

The Poet Sōjō Henjō (816–890) Slipping a Letter into a Woman’s Sleeve, from the series Five Colors of Love for the Six Poetic Immortals (Goshiki-zome rokkasen), 『五色染六歌仙』　僧正遍昭, Edo period (1615–1868), ca. 1798,

Paul and Barnabas at Lystra, Oil on wood, 19 x 28 7/8 in. (48.3 x 73.3 cm), Paintings, Jacob Pynas (Dutch, Amsterdam 1592/93–after 1650 Amsterdam

Design for Ceiling of Ladies' Dressing Room at the Pantheon, Oxford Street, London, ca. 1770, Ink and watercolor over graphite, sheet: 20 1/4 x 14 3/16 in. (51.5 x 36 cm), James Wyatt (British, Weeford, Stafforshire 1746–1813 near

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 × 9 7/8 in. (36.2 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 3/4 in. (1.9 cm), Gems, Eagle with a palm branch sitting on an altar

A Study, 1865–66, Albumen silver print from glass negative, 34.4 x 26.4 cm. (13 9/16 x 10 3/8 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), This image, also titled After Perugino /

Ink Tablet with Peach Tree, late Qing dynasty (1644–1911, early Republic period, late 19th–early 20th century, China, Black ink, H. 4 in. (10.2 cm); W. 3 7/8 in. (9.8 cm), Ink, Ink for calligraphy and painting was made from soot mixed

Hammering & Eng. Design for Tray No 2220, possibly 1889–91, (none assigned) New York, New York, United States, American, Ink and graphite on brown card, 17 1/2 x 18 in. (44.5 x 45.7 cm), Drawings, Tiffany & Co. (1837–present

Madhumadhavai Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), ca. 1640–50, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 10 1/2 x 7 7/8 in. (26.7 x 20 cm), Paintings, The text of this Ragini tells

Glass jug, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, H.: 4 1/8 in. (10.5 cm), Glass, Small jug. Translucent light blue green; handle, foot ring, and trail in same color. Uneven rim folded over and into flaring

南宋/元 佚名 六馬圖 卷, Six Horses, 13th–14th century, China, Handscroll; ink and color on paper, Image: 18 3/16 x 66 1/4 in. (46.2 x 168.3 cm), Paintings, Unidentified Artists Chinese, 13th c. (1st half scroll); 14th c. (2nd

Terracotta globular cup with two handles, Archaic, last quarter of the 6th century B.C., Etruscan, Terracotta; black-figure, Pontic ware, H.: 5 3/4 in. (14.6 cm), Vases, The shape of the cup is derived from Etruscan bucchero models. The

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 1/2 in. (2.5 x 8.9 cm), Terracottas, With degenerate rosette

Terracotta alabastron (perfume vase), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta, H. 3 1/8 in. (7.9 cm), Vases, A rooster; in the field, rosettes

風俗美人時計　子ノ刻　妾, Midnight: Mother and Sleepy Child, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 x 9 5/8 in. (36.5 x 24.4cm), Prints, Kitagawa Utamaro (Japanese,

清 汪廷儒 山水 扇頁, Landscape, Qing dynasty (1644–1911), 19th century, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 6 1/8 x 20 5/8 in. (15.6 x 52.4 cm), Paintings, Wang Tingru (Chinese,

木曽海道六拾九次之内 大井, Ōi Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 15/32 in. (23.5 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

(16) [Apadana Hall Eastern Stairway, Persepolis, Fars], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Bandō Hikosaburō III in the Role of Obiya Chōemon and Iwai Hanshiro IV in the Role of Shinanoya Ohan, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper; white mica ground, Image: 14 1/2 x 9 7/8 in.

[Two Soldiers Packing Gear], 1890s, Gelatin silver print, Photographs, Unknown (French

東海道五十三次之内　関　本陣早立, Station Forty-Eight: Seki, Early Departure from the Headquarters Inn, from the Fifty-Three Stations of the Tokaido, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print;

Pendant in the form of a vase, Classical, 5th–4th century B.C., Greek, Gold, Other: 9/16 in. (1.4 cm), Gold and Silver, Gold pendant in the form of a vase

Head of a pin in form of a winged horse, Iron Age II, ca. 8th–7th century B.C., Iran, Luristan, Surkh Dum, Iran, Ivory, 1.1 x 2.17 x 0.35 in. (2.79 x 5.51 x 0.89 cm), Ivory/Bone-Ornaments, This winged horse carved in the round has a

Dr. Welsh (Retiring Moderator of Gel' Assembly 1843), 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

Futami-ga-ura akebono-no kuni, Futami-ga-ura Rocks at Ise, Land of Dawn, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, H. 9 1/2 in. (24.1 cm); W. 14 in. (35.6 cm), Prints, Utagawa Kunisada

Bronze finial of two warriors from a candelabrum, Archaic, ca. 480–470 B.C., Etruscan, Bronze, H. (with base) 5 1/4 in. (13.3 cm), Bronzes, This finial, which originally decorated the top of a tall candelabrum, is an excellent example of

Young Lady by the Shore, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 27 1/8 × 4 9/16 in. (68.9 × 11.6 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Lady with Fan Standing on Verandah, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 7/16 in. (21.3 x 18.9 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Awabi (Ear-Shell) and Various Shells, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/8 in. (20.6 x 18.1 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Alabaster alabastron (perfume vase), Archaic or Classical, 6th–5th century B.C., Cypriot, Calcite (alabaster), H. 10 1/4 x 3 3/4 in. (26 x 9.5 cm), Miscellaneous-Stone Vases, The lip is missing and both lugs are broken. The veining of the

Skating at Sloten, near Amsterdam, Oil on canvas, 36 1/4 x 51 5/8 in. (92.1 x 131.1 cm), Paintings, Johannes Abrahamsz Beerstraten (Dutch, Amsterdam 1622–1666 Amsterdam

Indigo Vats, 1850s, Albumen silver print, Image: 19.1 x 24.8 cm (7 1/2 x 9 3/4 in.), Photographs, Captain R. B. Hill

Hanging Lamp, 10th–11th century, Probably made in Iran, Glass, colorless with green tinge; blown, applied handles, H. 4 3/16 in. (10.6 cm), Glass, The squat body, short flared neck, and low foot of this object are typical of lamps

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Bronze appliqué in the form of a bust of a barbarian, Imperial, late 1st–2nd century A.D., Roman, Bronze, H.: 2 1/2 in. (6.4 cm), Bronzes, The barbarian tribes that confronted the Romans along the Rhine and Danube frontiers were often

Imaginary portrait, Shuihuzhuan of Stage:, Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Bandō Hikozaburō plays as Nyūunryū, Meiji period (1868–1912), 1875, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 1/2 in.

Christian II, King of Denmark, 1523, Woodcut, sheet: 9 15/16 x 6 3/4 in. (25.2 x 17.2 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Landscape with Temple, Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 8 x 8 3/16 in. (20.3 x 20.8 cm), Paintings, Unidentified Artist, In the style of Yanxiu (Chinese, early 10th century

Samme Aeroplan svarende., 1905–19, Gelatin silver prints from glass negatives, Image: 3 5/16 × 4 7/16 in. (8.4 × 11.2 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the

Wintery Bough and Magpies, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and white pigment on silk, 9 5/8 x 10 in. (24.4 x 25.4 cm), Paintings, Unidentified Artist, In the style of Ma Yuan (Chinese,

Glass cinerary urn, Mid Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 12 in. (30.5 cm), Glass, Translucent blue green; handles in same color. Everted rim, folded down, round, up, and in, forming a solid, vertical collar

元 趙孟頫 行書右軍四事 卷, Four anecdotes from the life of Wang Xizhi, Yuan dynasty (1271–1368), 1310s, China, Handscroll; ink on paper, Image: 9 5/8 x 46 1/16 in. (24.4 x 117 cm), Calligraphy, Zhao Mengfu (Chinese,

Ceremonial Knife (Tumi), 10th–11th century, Peru, Lambayeque (Sicán), Gold, turquoise, H. 13 x W. 5 1/8 in. (33 x 13 cm), Metal-Implements

Woman Tuning a Shamisen and a Cat Looking at its Own Reflection, 三味線の調弦, Edo period (1615–1868), mid- 1820s, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/16 x 7 5/16 in. (20.8 x 18.6 cm),

Ann Chittenden, 1875, Albumen silver print from glass negative, 9.3 x 5.6 cm (3 11/16 x 2 3/16 in. ), Photographs, Unknown (British

Two Courtesans Enjoying the View from a Teahouse, Edo period (1615–1868), Japan, Ink on thin paper, 14 1/4 x 30 1/2 in. (36.2 x 77.5 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), Ichiransai Kunitsuna (Japanese, mid-nineteenth

Ducks and Reeds, Edo period (1615–1868), ca. 1650, Japan, Album leaf; ink on paper, 8 3/8 x 10 3/4 in. (21.3 x 27.3 cm), Paintings, Kano Tan'yū (Japanese, 1602–1672

Toy decanter, 1825–40, Made in Sandwich, Massachusetts, United States, American, Blown-molded glass, H. 2 15/16 in. (7.5 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Terracotta skyphos (deep drinking cup), Classical, ca. 470 B.C., Greek, Attic, Terracotta; red-figure, H. with handles 5 13/16 in. (14.8 cm); width with handles 10 15/16 in. (27.8 cm); diameter of bowl 7 1/4 in. (18.4 cm), Vases, Obverse,

Sword, 9th century, Excavated in Iran, Nishapur, Iron, wood, gilded bronze, 1 3/8 x 28 1/8 in. (3.5 x 71.5 cm), Arms and Armor, This sword has an iron blade and was adorned with gilt-bronze elements on the cross guard and quillon. Parts of

Landscape Painting of Figure in Woodland Setting, Qing dynasty (1644–1911), China, Album leaf; color on silk, 4 3/4 x 14 5/8 in. (12.1 x 37.1 cm), Paintings, Unidentified Artist

Limestone statuette of Eros, Hellenistic, ca. 330–30 B.C., Cypriot, Hard limestone, Overall: 10 x 4 1/8 x 5 1/4 in. (25.4 x 10.5 x 13.3 cm), Stone Sculpture, The nude god, with large vertical wings, held an object against his abdomen,