Images at Librifly

Front Half of a Tournament Helm, ca. 1510–20, East Sussex, Anglo-Flemish, Steel, leather, H. 15 1/2 in. (39.4 cm); W. 10 in. (25.4 cm); D. 8 1/4 in. (21 cm); Wt. 9 lb. 11.2 oz. (4399.8 g), Helmets

Print, Edo period (1615–1868), ca. 1801, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/8 x 20 1/4 in. (18.1 x 51.4 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Seated limestone kourotrophos, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall:H.: 9 x W.:5 1/4 x D.:1 5/8 in. (22.9 x 13.3 x 4.1 cm), Stone Sculpture, Seated 'nursing mother' on a high-backed throne

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 1/16 in. (2.4 x 2.7 cm), Glass, Rim fragment., Translucent cobalt blue, turquoise blue, opaque white,

A Lady and Her Duenna: Page from a Dispersed Rasikapriya (Lover's Breviary), 1685–92, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, Overall: 9 1/2 x 5 5/8 in. (24.1 x 14.3 cm), Paintings, Ibrahim

Imaginary portrait, Shuihuzhuan of Stage: Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Ichikawa Danjūrō plays as Sanjō, Meiji period (1868–1912), 1875, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 1/2 in. (35.9

Decorative Roundel, 12th–13th century, Made in Venice probably, Veneto, Italy, Italian, Marble (Preconnesian marble from island of Marmara (Turkey)), Overall: 8 5/8 x 3 5/8 in. (21.9 x 9.2 cm), Sculpture-Architectural

Vehicles on the Streets of Tokyo, Edo period (1615–1868), 1870, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 13 3/4 x 27 1/2 in. (34.9 x 69.9 cm), Prints, Utagawa Yoshitora (Japanese, active ca. 1850–80

Emperor Xiaowen and His Court, Northern Wei dynasty (386–534), ca. 522–23, China, Limestone with traces of pigment, H. 82 in. (208.3 cm); W. 12 ft. 11 in. (393.7 cm), Sculpture, Together with a companion piece showing an empress and her

Terracotta lekanis (covered dish), Classical, last quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, H. with lid 5 in. (12.7 cm), Vases, Interior scene with women. Vases of this type were often presented as wedding gifts,

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Painting, Meiji period (1868–1912), 19th century, Japan, Album of seventeen sketches; watercolor on paper; mounted on natural silk, Image: 11 x 14 in. (27.9 x 35.6 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Scene from the Drama 'Soga Moyo Aigo no Wakamatsu', Edo period (1615–1868), dated 1769, Japan, Polychrome woodblock print; ink and color on paper, Overall: 12 1/16 x 5 13/16 in. (30.6 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese,

Glass spindle whorl, Imperial, ca. 1st–2nd century A.D., Roman, Glass; rod-formed and wound, Height: 7/16 in. (1.1 cm), Glass, Translucent cobalt blue. Tall, domed body, with slight flaring lip at base; flat bottom but with circular

Portrait of a Woman; (reverse, now covered by relining canvas) Study of a Child's Head, 1790s, Oil on canvas, 30 x 24 7/8 in. (76.2 x 63.2 cm), Paintings, John Hoppner (British, London 1758–1810 London

Pottery seller, ca. 1745, Italian, Naples, Soft-paste porcelain, Overall (confirmed): H. 7 7/8 x W. 3 5/8 x D. 4 1/8 in. (20 x 9.2 x 10.5 cm), Ceramics-Porcelain, Annibale Carracci (Italian, Bologna 1560–1609 Rome), The subject of

Limestone statuette of a reclining banqueter, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 3 1/2 x 5 13/16 x 1 1/2 in. (8.9 x 14.8 x 3.8 cm), Stone Sculpture, Bearded, reclining figure

Plaque with God Creating the Animals, 1084, Made in Amalfi, South Italian, Ivory, Overall: 4 3/16 x 4 3/16 x 5/16 in. (10.7 x 10.6 x 0.8 cm), Ivories, From the Cathedral of Salerno, this plaque comes from a set of about fifty ivories

Alabaster pyxis (lidded jar), Classical (?), ca. 5th–4th century B.C. ?, Cypriot, Calcite (alabaster), H. 12 (30.5 cm); H. with cover 12 7/16 (31.6 cm), Miscellaneous-Stone Vases, This vase is probably of Egyptian workmanship

Boulevard de Strasbourg, Corsets, Paris, 1912, Gelatin silver print from glass negative, Image: 22.4 x 17.5 cm (8 13/16 x 6 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Atget found his vocation in photography in

Fitting, Han dynasty (206 B.C.–A.D. 221), 2nd–1st century B.C., China, Bronze, W. (across head) 1 7/8 in. (4.8 cm); L. 5 3/16 in. (13.2 cm), Metalwork

[Man in Courtyard Before House], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Head of a woman, Greek, South Italian, Tarentine, Terracotta, H. 5 1/2 in. (14.0 cm), Terracottas

Tithe Barn, Great Cokkeswell, Interior, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate

Solomon and the Queen of Sheba, 16th century, Engraving, Sheet (trimmed): 10 1/4 × 14 13/16 in. (26 × 37.6 cm), Prints, Anonymous, French, School of Fontainebleau, 16th century, After Maarten van Heemskerck (Netherlandish, Heemskerck

Furniture or cosmetic box plaque carved in relief with a striding bull, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.85 x 2.44 x 0.31 in. (4.7 x 6.2 x 0.79 cm), Ivory/Bone-Vessels, This

Le chapelet (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Lake Vineyard and Orange Grove, Los Angeles, 1876, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 5 in. (12.7 cm), Glass, Translucent pale blue green. Rim folded out, over, and in, flattened on top and forming slight constriction to mouth;

Glass fragmentary bottle, Imperial, ca. 1st–4th century A.D., Roman, Glass; blown, H. 5 3/8 in. (13.7 cm), Glass, Colorless with blue green tinge. Cylindrical body with sligthly convex side; thick bottom with kick and pontil scar. Broken and

Apollo and Aurora, 1671, Oil on canvas, 80 1/2 x 76 1/8 in. (204.5 x 193.4 cm), Paintings, Gerard de Lairesse (Dutch, Liège 1641–1711 Amsterdam

Bottom of the Sea Showing Cray Fish, Meiji period (1868–1912), ca. 1890–92, Japan, Album leaf; silk, 14 1/4 x 10 5/8 in. (36.2 x 27.0 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

忠臣蔵四段目, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 13 in. (33 cm); W. 8 7/8 in. (22.5 cm); Diam. of circle 8 3/8 in. (21.3 cm), Prints, Kitagawa Utamaro (Japanese,

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Italian, Glass; cast and tooled, Other: 13/16 x 1 1/4 in. (2 x 3.1 cm), Glass, Body fragment., Translucent purple and opaque white.,

Sword with Scabbard, 17th century, Chinese, Steel, brass, enamel, wood, L. with scabbard 36 1/4 in. (92.1 cm); L. without scabbard 34 3/4 in. (88.3 cm); L. of blade 28 5/8 in. (72.7 cm); W. 3 1/2 in. (8.9 cm); Wt. 1 lb. 10.5 oz. (751.3 g); Wt.

A Banquet, 1628, Oil on wood, 16 x 26 in. (40.6 x 66 cm), Paintings, Dirck Hals (Dutch, Haarlem 1591–1656 Haarlem), Frans Hals's younger brother Dirck probably studied with him and perhaps with the Rotterdam genre painter Willem Buytewech

Design for a Cassone. Verso, Design for a Cabinet Door or Cassone Lid, ca. 1600, Pen and black ink with gray wash, 10 13/16 x 16 in. (27.4 x 40.7 cm), Drawings, Anonymous, Italian, 17th century

[Jerusalem], 1860s, Albumen silver print from glass negative, Image: 16.3 x 21.8 cm (6 7/16 x 8 9/16 in.), Photographs, John Anthony (British, born France, 1823–1901

Portrait of a Lady, ca. 1845, Made in United States, Watercolor on ivory, Framed: 3 x 2 1/4 in. (7.6 x 5.7 cm), Paintings, Daniel F. Ames (1803–1886

Kohl jar, Middle Kingdom, Dynasty 13–17, ca. 1800–1550 B.C., From Egypt, Anhydrite

初代中村富十郎, Kabuki Actor Nakamura Tomijūrō I in a Female Dance Role, Edo period (1615–1868), ca. 1777, Japan, Polychrome woodblock print; ink and color on paper, Hosoban 11 7/8 x 5 17/32 in. (30.2 x 14.1 cm), Prints, Katsukawa

Carnelian ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Carnelian, Length: 9/16 in. (1.4 cm), Gems, Man working on prow of ship

Gold-glass skyphos (drinking cup) fragment, Hellenistic, 2nd century B.C., Greek, Eastern Mediterranean, Glass, Gold; cast and painted, Other: 2 5/8 in. (6.7 cm), Glass, Colorless with yellowish tinge, with gold foil and blue enamel.,

Christ on the Cross between Two Thieves, n.d., Engraving, 18 1/8 x 12 5/8 in. (46 x 32.1 cm), Prints, Engraved by Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp), after Jan van der Straet, called Stradanus (Netherlandish, Bruges

Chinese Lady Seated at a Table, Composing an Ode, Edo period (1615–1868), 1835, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

冨嶽三十六景　甲州三島越, Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Agate scarab, Classical, late 4th century B.C., Etruscan, Agate, H.: 1/2 x 7/16 in. (1.3 x 1.1 cm), Gems, Satyr carrying a tripod

El sauio Romano (The Wise Roman), ca. 1495–1500, Printed book with one woodcut, 8 1/4 x 5 5/8 x 3/16 in. (20.9 x 14.3 x 0.4 cm), Books

Armchair, ca. 1810, Made in New York, New York, United States, American, Mahogany, 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm), Furniture, Charles-Honoré Lannuier (France 1779–1819 New York), This unusually wide scroll-back armchair

Kabuki Actor, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 5 1/2 in. (20.6 x 14 cm), Prints, Utagawa Toyoshige (Japanese, active 1802?–?1835

Reclining River God, 1694–1715, Black chalk, heightened with white chalk on blue paper, 12 15/16 x 20 9/16 in. (32.9 x 52.2 cm), Drawings, Louis de Boullogne the Younger (French, Paris 1654–1733 Paris), Louis de Boullogne the Younger was

Rama and Lakshmana Overwhelmed by Arrows: Folio from a Ramayana 'Siege of Lanka' Series, ca. 1725, India (Guler, Himachal Pradesh), Ink on paper, Page: 23 1/2 x 33 in. (59.7 x 83.8 cm), Paintings, Attributed to Manaku (active ca. 1725–60),

Samme Aeroplan., 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/16 × 4 1/16 in. (7.7 × 10.3 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright

Glass jug, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, trailed, and tooled, H.: 3 3/8 in. (8.6 cm), Glass, Small jug. Translucent pale blue green; same color handle and trail. Rim folded out, down, round, and in, and

東海道五十三次　見附, Mitsuki, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Votive Stela with Three Hathor Cows, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Hatshepsut Hole, 1922–23, Limestone, H. 12 cm (4 3/4 in); w. 12 cm (6 11/16 in); th. 3 cm (3/16 in

南宋 佚名 風雨拉縴圖 團扇, Towing a Boat in a Rainstorm, Song dynasty (960–1279), late 12th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 9 5/8 × 10 1/4 in. (24.4 × 26 cm), Paintings, Unidentified

Study of a Head, 1857, Albumen silver print, Photographs, Oscar Gustav Rejlander (British, born Sweden, 1813–1875

Portrait of a Woman, Tempera on wood, 16 1/4 x 12 1/4 in. (41.3 x 31.1 cm), Paintings, Attributed to Giovanni di Franco (Italian, Rovezzano 1425/26–after 1498 Florence), The attribution of this fascinating portrait has been much debated. It

Pottery Whistle, Pre-Columbian, ca. 800–1500, Costa Rica, Costa Rican, Pottery, H. 75mm.; W. 52 mm.; D. 69 mm.; Wt. 66 g., Aerophone-Whistle Flute-whistle

Profile du grande Sphinx, pris du Sud, December 1849, Salted paper print from paper negative, Image: 6 1/8 × 8 11/16 in. (15.6 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

Tsurigitsune, Trapping the Fox, Edo period (1615–1868), 1808, Japan, Polychrome woodblock print; ink and color on paper, H. 14 in. (35.6 cm); W. 9 1/4 in. (23.5 cm), Prints, Utagawa Toyohiro (Japanese, 1763–1828

A Woman Seated in a Kago, Edo period (1615–1868), ca. 1752, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/2 in. (39.4 cm); W. 11 3/16 in. (28.4 cm), Prints, Ishikawa Toyonobu (Japanese, 1711–1785

Oboe in D, second half 18th century, Austria, possibly Austrian, Ebony, ivory, Aerophone-Reed Vibrated-double reed

Terracotta vessel fragment with linear motifs, Early Helladic II, ca. 2600–2300 B.C., Helladic, Terracotta, 2 5/16 × 1 7/8 × 3/16 in. (5.9 × 4.8 × 0.5 cm), Vases, Dark lines on light ground

Head of King Amasis, reworked for a non-royal individual, Late Period, Saite, Dynasty 26, 570–526 B.C., From Egypt, Graywacke, H. 6 cm (2 3/8 in

Vue générale des ruines de Baâlbek, prise à l'Est, September 1850, Salted paper print from paper negative, Image: 16.2 × 21.7 cm (6 3/8 × 8 9/16 in.), Photographs, Maxime Du Camp (French, 1822–1894

Glass monochrome inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Overall: 13/16 x 2 in. (2.1 x 5.1 cm), Glass, Semi translucent turquoise blue., Fragment of thick, flat block, with parts of

Incense Burner with Cover, Edo period (1615–1868), 1750, Japan, White porcelain decorated with blue under the glaze (Hirado ware), H. 3 1/4 in. (8.3 cm), Ceramics, Incense burners such as this were usually placed in the tokonoma alcove of a

Openwork furniture plaque with a rearing goat, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 6.3 x 2.95 x 0.47 in. (16 x 7.49 x 1.19 cm), Ivory/Bone-Reliefs, In this fragmentary, openwork plaque,

Lady Elizabeth Stanley (1753–1797), Countess of Derby, 1776–78, Oil on canvas, 50 x 40 in. (127 x 101.6 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria), On November 27, 1776, Lady Derby first

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Henning, Handyside Ritchie, & D.O. Hill, R.S.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews,

Skyphos fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 15/16 x 1 1/2in. (5 x 3.8cm), Vases

Turban Helmet, late 15th century, possibly Istanbul, Turkish, possibly Istanbul, in the style of Turkman armor, Steel, iron, silver, H. 12 3/4 in. (32.39 cm); Diam. 9 1/4 in. (23.5 cm); Wt. 4 lb. 4 oz. (1928 g), Helmets, Helmets of this

琉球八景　中島蕉園, Banana Garden at Nakashima (Nakashima shōen), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei), Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 9

Peasants of the Alto-Douro, 1856, Albumen silver print from glass negative, Image: 18.5 x 15.1 cm (7 5/16 x 5 15/16 in.), Photographs, Joseph James Forrester (British, 1809–1862

Limestone head of a veiled female votary, Hellenistic, 4th–1st century B.C., Cypriot, Limestone, Overall: 10 x 6 7/8 x 7 1/8 in. (25.4 x 17.5 x 18.1 cm), Stone Sculpture, Female head with veil and earrings

The First Babe, 1872, Watercolor, Overall: 14 1/8 x 17 1/2 in. (35.9 x 44.5 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris

Bowl, fluted, Cypriot, Bronze, 1 15/16in. (4.9cm), Bronzes

Ōhashi Atake no yūdachi, 名所江戸百景　大はしあたけの夕立, Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), Edo period

Saint Firmin Holding His Head, ca. 1225–75, Made in Amiens, France, French, Limestone and paint, Overall: 43 1/2 x 15 x 13in. (110.5 x 38.1 x 33cm), Sculpture-Stone, Saint Firmin was a fourth-century missionary who became the first bishop

Still Life with a Glass and Oysters, ca. 1640, Oil on wood, 9 7/8 x 7 1/2 in. (25.1 x 19.1 cm), Paintings, Jan Davidsz de Heem (Dutch, Utrecht 1606–1683/84 Antwerp), De Heem's earliest paintings are precocious fruit pieces produced in his

Fog and Cypress Trees, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

Ivory disk with rosette, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Ivory, Diameter 2 in. (5.1 cm), Ivory was imported to Cyprus from the Near East or Egypt. The rosette was a popular decorative motif originally inspired by designs on

Jérusalem, Mosquée d'Omar, côté est, Intérieur de l'enceinte, 1, 1854, Salted paper print from paper negative, Image: 22.1 x 26.8 cm (8 11/16 x 10 9/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Cosmopolitan Saloon, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/4 x 2 5/8in. (7 x 6.7cm), Vases

Ogino Isaburo as Asamajiro; Sanogawa Ichimatsu as Fujitaro, Edo period (1615–1868), 1748, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 7/8 in. (14.9 cm), Prints, Torii Kiyonobu (Japanese,

Covered Box with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 2 in. (5.1 cm); W. 8 3/8 in. (21.3 cm); D. 2 1/2 in. (6.4 cm), Lacquer, This covered box,

Moulding from arched doorway with palmettes, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 15 1/2 x 25 1/8 x 5 in. (39.4 x 63.8 x 12.7 cm), Stucco-Sculpture

[Young Japanese Woman], 1870s, Albumen silver print from glass negative, 25 x 19.9 cm (9 13/16 x 7 13/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

[Botanical Specimens], ca. 1841, Photogenic drawing negatives on paper and fabric, Sheet: 11 1/8 × 11 5/16 in. (28.2 × 28.8 cm), album page, Negatives, Attributed to Robert Hunt (British, 1807–1887), About 1841, at the same time he wrote

Music Box, early 19th century, Switzerland; France, French or Swiss, Various materials, H. 8.3 cm (3 1/4 in.), Idiophone, Gold music box in the shape of a fitted necessaire, featuring four reserves, three decorated with flowers, one blank

A Garden in Canton, ca. 1869, Albumen silver print from glass negative, Image: 8 7/16 × 10 7/8 in. (21.5 × 27.6 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Terracotta alabastron (perfume vase), Transitional, ca. 630–615 B.C., Greek, Corinthian, Terracotta; black-figure, H. 3 13/16 in. (9.7 cm), Vases, Winged male figure

Fuji from the Katakura Tea Fields in Suruga (Sunshū Katakura chaen no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　駿州片倉茶園の不二, Edo period (1615–1868), ca. 1830–32, Japan,

Bottle, Sasanian, ca. 3rd–7th century A.D., Mesopotamia, Ctesiphon, Sasanian, Glass, 3.25 in. (8.26 cm), Glass-Vessels

Terracotta kylix (drinking cup), Late Classical, ca. 350 B.C., Greek, Attic, Terracotta; red-figure, 3 5/8in. (9.2cm), Vases, In the tondo, Eros driving three-horse chariot. The cup is noteworthy for its very fine potting with vertical

Woman Cutting Her Nails after GatHering Herbs, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 5/16 in. (20.8 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820