Images at Librifly

Fragment, 18th century, Attributed to present-day Greece, Thessaloniki, Linen, silk, metal wrapped thread; plain weave, embroidered, H. 15 1/2 in. (39.4 cm), Textiles-Embroidered

Queen Nefertari being led by Isis, New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C., Original from Egypt, Upper Egypt, Thebes, Valley of the Queens (Biban el-Malikat), KV 66 (Tomb of Nefertari), Facsimile by Charles K. Wilkinson,

View in Central Hall, Art Treasures Exhibition, Manchester, 1857, Albumen silver print, Photographs, Philip Henry Delamotte (British, 1821–1889

Terracotta Hadra hydria (water jar), Hellenistic, 3rd century B.C., Greek, Ptolemaic, Terracotta, Other: 15 3/4 x 10 7/8 in. (40 x 27.6 cm), Vases, On body, wave pattern; on shoulder, conventional ornaments

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 7/16 × 2 7/8 × 1/4 in. (6.2 × 7.3 × 0.6 cm), Vases

[photo-reproduction of Hogarth's print illustrating the Dunciad, Book I, line III], 1850s–60s, Albumen silver print from paper negative, 15.9 x 17.5 cm. (6 1/4 x 6 7/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896

[View from the Government House, Barrackpore], 1858, Albumen silver print, Image: 10.6 x 13.2 cm (4 3/16 x 5 3/16 in.), Photographs, Unknown

Alabaster mortar or deep bowl, Late Bronze Age (?), ca. 1600–1050 B.C. (?), Cypriot, Gypsum (alabaster), H. 1 15/16 x 5 3/4 in. (4.9 x 14.6 cm), Miscellaneous-Stone Vases, The bowl has a flat base, three lugs with an incised line along the

Glass finger ring, Imperial, 1st–2nd century A.D., Roman, Glass, 15/16 × 1/4 × 13/16 in. (2.4 × 0.6 × 2 cm), Glass, Translucent cobalt blue; bezel in same color. Circular hoop, flat in cross section, made from a rod and joined under

Augustus Saint Gaudens, 1897, Etching, second state, plate: 7 3/4 x 5 5/16 in. (19.7 x 13.5 cm), Prints, Anders Zorn (Swedish, Mora 1860–1920 Mora

山姥と金太郎, Yamauba and Kintoki, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 1/16 in. (38.3 cm); W. 9 7/8 in. (25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Terracotta bowl, Early Imperial, early 1st century A.D., Roman, Cypriot, Terracotta; red-glazed, mold-made, H. 4 1/2 in. (11.4 cm); diameter 6 1/4 in. (15.9 cm), Vases, This mold-made bowl was produced locally imitating Italian Arretine

Jacob van Dalen (1570–1644), Called Vallensis, 1640, Oil on wood, 27 1/2 x 23 in. (69.9 x 58.4 cm), Paintings, Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567–1641 Delft

Statuette of a youth, 4th century B.C., Greek, Cypriot, Bronze, 4in. (10.2cm), Bronzes

Parody of the Legend of Kyoyu and Sofu, Edo period (1615–1868), 1764–72, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/4 in. (27.3 cm); W. 8 1/4 in. (21 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Bronze head of a goddess, Late Hellenistic or Early Imperial, ca. 100 B.C.–A.D. 100, Greek or Roman, Bronze, H. 1 in. (2.5 cm), Bronzes, Head of a woman wearing a diadem with short straight hair, parted in the middle, and slightly wavy

Dish, 1800–1830, Made in New York, New York, United States, American, Silver, H. 1 7/8 in. (4.8 cm); Diam. 5 3/4 in. (14.6 cm); 6 oz. 10 dwt. (202.1 g), Silver, Lewis Fourniquet (active ca. 1794–1825

Magnolia Flowers, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual, ca. 1394–1402, Made in Bologna, Italy, Italian, Tempera, gold, and ink on parchment, Overall: 7 1/2 x 6 15/16 in. (19 x 17.6 cm), Manuscripts and

Glass oinochoe (perfume jug), Late Classical or Hellenistic, 4th–3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 2 in. (5.1 cm), Glass, Translucent cobalt blue, with handle in same color; trails in

Hat, probably 5th–8th century, Attributed to Egypt, Wool, Textiles, Although frequently found in cemeteries, hats such as this example, are rarely recognizably depicted and thus their use is poorly understood. The bag-shaped hats are

[Cathedral at Mainz], ca. 1852, Salted paper print from paper negative, Photographs, Unknown (German

Embroidered Fragment, 10th–15th century, Peru, Peru; north coast (?), Cotton, camelid hair, Overall: 13 x 15 1/4 in. (33.02 x 38.74 cm), Textiles-Woven

Terracotta head of a youth, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 3/4 in. (9.53 cm), Terracottas, The elaborate headdress consists of a flat band with a disk at either side and, above, a tubular

[Temple of Concord, Rome], 1850s, Salted paper print from paper negative, Photographs, Attributed to Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

『名物革仝印籠仝根付』 印籠根付, Edo period (1615–1868), 1810s, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 1/4 in. (13.8 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820),

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.06 x 3.62 x 0.28 in. (2.69 x 9.19 x 0.71 cm), Ivory/Bone-Reliefs

'Khusrau Catches Sight of Shirin Bathing', Folio 50 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Page: H. 12 5/8 in. (32.1 cm), Codices,

Creamer, 1810–30, Made in Albany, New York, United States, American, Silver, 5 1/2 x 6 5/8 in. (14 x 16.8 cm); 7 oz. 17 dwt. (243.4 g), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York

Glass jar, Late Imperial, 4th century A.D., Roman, Glass; blown, Overall: 3 1/4in. (8.3cm), Glass, Translucent manganese purple., Rim slightly outsplayed, with rounded vertical lip; below hollow folded flange; funnel-shaped neck; pushed-in

David and Abigail, mid-17th century, British, Linen embroidered with silk thread, H. 19 x W. 24 1/2 in. (48.3 x 62.2 cm), Textiles-Embroidered, This panel was probably intended as a cushion cover. It illustrates scenes from the life of the

Grotesque Panel, 1550, Etching; second state of three, Sheet (trimmed): 4 1/8 × 2 5/8 in. (10.5 × 6.7 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

The Life of Christ, Tempera on wood, gold ground, Central panel, overall, with engaged frame, 24 1/8 x 16 3/4 in. (61.3 x 42.5 cm), painted surface 20 5/8 x 14 3/4 in. (52.4 x 37.5 cm); left wing, overall, with engaged frame, 23 3/8 x 8 1/4

Statuette of a man, Bronze, H.: 3 1/2 in. (8.9 cm), Bronzes

La Comtesse de Castiglione en Reine de la Nuit, 1863–67, Albumen silver print from glass negative, Image: 10.5 x 7.4 cm (4 1/8 x 2 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Fragmentary terracotta female statuette, perhaps Artemis, Hellenistic, 3rd–2nd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 3 1/8 in. (7.9 cm), Terracottas, Fragmentary; upper part of nude female

亀戸龍眼寺の萩, Bush Clover at Ryuganji Temple, Kameido from the series hana bijin meisho awase (Collections of Flowers, Beauties and Famous Places)　亀戸龍眼寺の萩, Meiji period (1868–1912), series ca. 1889, Japan, Triptych

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Box with Design of Pine, Bamboo, and Plum, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), 7 x 9 1/8 x 8 3/8 in. (17.8 x 23.2 x 21.3 cm), Lacquer, Well-born Japanese brides brought elaborate sets of

Radha and Krishna on a Bed at Night, ca. 1830, India (Punjab Hills, Sirmur), Ink and opaque watercolor on paper, 7 3/8 x 9 3/4 in. (18.7 x 24.8 cm), Paintings

The Inume Pass in Kai Province (Kōshū Inume tōge), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　甲州犬目峠, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 4 7/8 x W. 3 1/16 x Th. 7/16 in. (12.4 x 7.7 x 1.1

「青楼美撰合　初売座敷之図　扇屋　滝川」, Takigawa of the Ōgiya House, from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), Edo period (1615–1868), ca. 1794–95, Japan,

Bairadi Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1605–6, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 8 1/4 x 6 1/8 in. (21 x 15.6 cm), Paintings, In this image lovers quarrel and the bedchamber

Vue prise au Village d'Abou-hor (Tropique du Cancer), April 1850, Salted paper print from paper negative, Image: 6 1/16 × 8 13/16 in. (15.4 × 22.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Woman in Traditional Japanese Garment Photographed from Behind], 1870s, Albumen silver print from glass negative, 25.1 x 20 cm (9 7/8 x 7 7/8 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Ichikawa Danjuro VI as Funa Bansaku, son of Fuwa Banzayemon, Edo period (1615–1868), 1794–95, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 31/32 in. (32.4 x 15.2 cm), Prints, Tōshūsai Sharaku (Japanese, active

Carpet with Palm Trees, Ibexes, and Birds, late 16th–early 17th century, Probably made in present-day Pakistan, Lahore, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, Rug: L. 328 in. (833.1 cm), Textiles-Rugs, This

An Oiran Holding a Black Dog, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, H. 25 7/8 in. (65.7 cm); W. 4 1/2 in. (11.4 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Dr. Capadore, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

東海道五十三次之内　関　本陣早立, Seki, Honjin Sotatsu, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa Hiroshige

Terracotta thymiaterion (incense burner), Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 12 in. (30.5 cm), Vases, On the shaft, seated Eros. On the top, head of a woman. As with the adjacent

Vase fragment, East Greek/Sardis, Lydian, Terracotta, width 2 1/16in. (5.2cm), Vases

Gold annular earring, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Gold, Diameter 1 5/16 in. (3.4 cm), Gold and Silver, Earring of simple form

Glass beaker, Late Imperial, probably 3rd century A.D., Roman, Cypriot, Glass; blown and cut, 3 9/16 × 3 3/16 in. (9 × 8.1 cm), Glass, Translucent blue green. Plain, knocked-off rim, with slight bulging collar beneath; straight sides to

Pepper Box, ca. 1755, Made in Boston, Massachusetts, United States, American, Silver, Overall: 3 13/16 x 2 1/4 in. (9.7 x 5.7 cm); 2 oz. 17 dwt. (89.1 g), Silver, William Breed (1719–1761/62

Skyphos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 9.27 cm.; diameter 8.23 cm., Vases

Mr. and Mrs. John Thomson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Tartar Officer Carrying Blond Lady, Qing dynasty (1644–1911), 19th century, China, Album leaf; ink and color on silk, 10 5/8 x 10 15/16 in. (27.0 x 27.8 cm), Paintings, Unidentified Artist

Glass mosaic bottle, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast and blown, 3 9/16in. (9cm), Glass, Colorless, translucent cobalt blue, translucent honey brown, opaque light blue, opaque white, and

Scepter, 13th–17th century, Chile, Central Andes, Chile, Stone, H x W x D: 8 3/4 x 5 7/8 x 1 3/4 in. (22.2 x 14.9 x 4.5 cm), Stone-Sculpture

Bronze stamp, Early Imperial, 1st century A.D., Roman, Asia Minor, Bronze, Overall: 1 7/16 x 3 3/8 in. (3.7 x 8.6 cm), Bronzes, The stamp has a retrograde Greek inscription: Alexandras

Sash Fragment, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 1 1/2 x 158 3/4 in. (3.81 x 403.23 cm), Textiles-Woven

Flask with Zodiac Medallions, first half 14th century, with additions first half 20th century, Attributed to Iran, Kashan, Stonepaste; molded, blue-glazed, overpainted, and gilded, H. 12 in. (30.5 cm), Ceramics, All twelve of the zodiac

六十余州名所図会　播磨　舞子の浜, Harima, Maiko no Hama, Edo period (1615–1868), 1853–56, Japan, Polychrome woodblock print; ink and color on paper, Oban tate-e 14 x 9 7/16 in. (35.6 x 24 cm), Prints, Designed by Utagawa

Caster, ca. 1840, Made in New York, New York, United States, American, Silver, Overall: 6 13/16 x 2 3/4 in. (17.3 x 7 cm); 5 oz. 7 dwt. (167.1 g), Silver, William Forbes (baptized 1799, active New York, 1826–63

Biaritz; SIr Baldwin Leighton, Miss M. Leighton, Miss Leighton, 1853–56, Albumen silver print, Image: 13.3 × 16.8 cm (5 1/4 × 6 5/8 in.) (a), Photographs, James Knight (British

清 沙馥 松鼠葡萄 扇面, Squirrel and Grapes, Qing dynasty (1644–1911), dated 1894, China, Folding fan mounted as an album leaf; ink and color on alum paper, 6 5/8 x 19 3/4 in. (16.8 x 50.2 cm), Paintings, Sha Fu (Chinese,

The Temple. Collection of Antiquities, 1850s, Albumen silver print from glass negative, Photographs, Roger Fenton (British, 1819–1869

『画本虫撰』 「けら」「はさみむし」, Mole Cricket (Kera); Earwig, (Hasami-mushi), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and

L'Orage, 1860s, Albumen silver print from glass negative, 6.0 x 8.6 cm. (2 3/8 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

History of Kamakura: Visitors to Hoshinoi Well, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 in. (20.3 x 17.8 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Ivory and gold pin, 2nd–3rd century A.D., Roman, Ivory, gold, H.: 4 7/16 in. (11.3 cm), With gold covered head

Spieghel der Schryfkonste...(Mirror of the Art of Writing), 1605, Plates: etching and woodcut, Overall: 8 11/16 x 13 3/8 x 1 3/16 in. (22 x 34 x 3 cm

A Man Lighting His Pipe from that of A Young Woman who Sits Beside Him, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Terracotta lekythos (oil flask), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; Six's technique, H. 8 3/4 in. (22.2 cm), Vases, Herakles with the Delphic tripod. The subject of Herakles and the tripod that he stole from the temple of Apollo

Untitled, Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 8 3/8 in. (29.2 x 21.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The poem inscribed on this print of a young man

Flora, ca. 1654, Oil on canvas, 39 3/8 x 36 1/8 in. (100 x 91.8 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Although pictures of Flora by Titian and other Italian artists ultimately inspired this work,

Kidderpore Church, 1850s, Albumen silver print, Image: 18.4 x 24.1 cm (7 1/4 x 9 1/2 in.), Photographs, Captain R. B. Hill

Gold swivel ring with agate scaraboid, Late Archaic, 6th–5th century B.C., Cypriot or Phoenician, Gold, agate, 1/4 × 5/8 × 5/16 in. (0.6 × 1.6 × 0.8 cm), Gems, Two seated roaring lions with a plant between them

Embroidered sampler, 1830, Made in Baltimore, Maryland, United States, American, Embroidered silk on linen, 17 x 12 3/4 in. (43.2 x 32.4 cm), Textiles, Hannah Ann Smith (1821–1899

[Standing with a Rosary], 1861–67, Albumen silver print from glass negative, Image: 11.7 x 8.5 cm (4 5/8 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Ewer, Tang dynasty (618–907), late 7th century, China, Earthenware with three-color (sancai) glaze, H. 11 1/8 in. (28.3 cm), Ceramics, Brilliantly colored lead glazes in shades of green, amber, and white, which are known as three-color,

Four Gospels in Armenian, 1434/35, Armenian, Tempera and gold on paper; stamped leather binding, Overall: 11 1/16 x 7 5/8 x 3 3/8 in. (28.1 x 19.4 x 8.5 cm), Manuscripts and Illuminations, Illuminated manuscripts are among the finest works of

Ito Chujo tekidan o mite shi warau suru zu, Vice Admiral Ito Mocks, Points and Looks at the Enemy Bullets, Meiji period (1868–1912), ca. 1894, Japan, Polychrome woodblock print; ink and color on paper, 6 11/16 x 9 1/8 in. (17 x 23.2 cm),

Marble head of a young woman, perhaps a muse, Hellenistic period, 3rd–2nd century B.C., Greek, Marble, H. 6 3/8 in. (16.2 cm), Stone Sculpture, The young girl wears a wreath and rests her head on her right hand. The head may come from a

Still life: a drum and a bookcase for the Noh Dance, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/8 x 7 3/16 in. (13 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

'Rustam Saved by his Horse Rakhsh from an Attacking Lion', Folio from a Shahnama (Book of Kings), late 15th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 12 in. (30.5 cm), Codices

Cuneiform tablet: a-she-er gi-ta, balag to Innin/Ishtar, Seleucid or Parthian, ca. 2nd–1st century B.C., Mesopotamia, probably from Babylon (modern Hillah), Seleucid or Parthian, Clay, 3 7/8 x 3 1/4 x 1 in. (10 x 8.3 x 2.4 cm),

The Actor Nakamura Tomijuro as a Tall Woman in a Flat Straw Hat, Edo period (1615–1868), ca. 1778, Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 14 1/4 in. (36.2 cm); W. 6 11/16 in. (17 cm), Prints, Katsukawa

Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　山下白雨, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Vase with Medusa's Head, 1840, Salted paper print from paper negative, Sheet: 6 7/8 × 8 7/8 in. (17.5 × 22.5 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Although photogenic drawings made from direct

Winter, n.d., Engraving, sheet: 18 7/16 x 23 11/16 in. (46.8 x 60.2 cm), Prints, After Nicolas Poussin (French, Les Andelys 1594–1665 Rome), Jean Audran (French, Lyons 1667–1756 Paris

Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 2 1/16 in. (5.2 cm), Metalwork

[Old Tom], ca. 1856–59, Salted paper print, 20 x 15.1 cm (7 7/8 x 5 15/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

Ono no Dofu as a Young Man Watching a Frog Jumping at a Willow Branch, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 10 13/16 in. (27.5 cm); W. 7 9/16 in. (19.2 cm), Prints, Kitao Shigemasa (Japanese,

Bracelet, Bronze, diameter 10.11 cm., Bronzes

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 1/2 in. (8.9 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Glass alabastron (perfume bottle), Hellenistic, 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 in. (12.7 cm), Glass, Translucent deep cobalt blue, with handles in same color; trail in opaque

元/明 宋克 草書負郭堂成七律詩 卷, Poem on Retirement, late Yuan (1271–1368)–early Ming (1368–1644) dynasty, China, Handscroll; ink on gold-flecked paper, Image: 10 1/2 x 27 1/4 in. (26.7 x 69.2 cm), Calligraphy, Song Ke