Images at Librifly

Blake House, 1860, Albumen silver print from paper negative, 19.8 x 23.9 cm. (7 13/16 x 9 7/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Terracotta oinochoe (jug), Late Classical or Hellenistic, 4th–3rd century B.C., Etruscan, Terracotta, H. with handle 10 in. (25.4 cm), Vases, Reeded body; triple handle with plastic palmette at lower junction and a pair of plastic shells and

La Bièvre, Boulevard d'Italie 13ème disparue en 1891; aujourd'hui rue Edmond Gondinet, ca. 1898, Albumen silver print from glass negative, Image: 21.5 x 17.1 cm (8 7/16 x 6 3/4 in.), Photographs, Eugène Atget (French, Libourne 1857–1927

Gold and copper alloy spiral, Classical, 5th century B.C., Cypriot, Gold, bronze, Other: 3/4 in. (1.9 cm), Gold and Silver, Of gold plated bronze with lions' heads on the ends

Rejected Geisha from Passions Cooled by Springtime Snow, Edo period (1615–1868), 1824, Japan, Polychrome woodblock print; ink and color on paper, H. 7 in. (17.8 cm); W. 5 in. (12.7 cm), Prints, Keisai Eisen (Japanese, 1790–1848), One of

Pluto and Cerberus, early 17th century, French, Bronze, Height: 11 3/8; Width (elbow to forearm): 3 5/8; maximun depth (diagonal from tree trunk support behind leg to front edge of base): 5 1/16 in. (28.9 x 9.2 x 12.9 cm); Wt. 6lb. (2.7216kg),

Portrait of a Horseman, Oil on canvas, 37 x 51 5/8 in. (94 x 131.1 cm), Paintings, James Seymour (British, London ca. 1702–1752 Southwark (London)), The crisp, taut handling is typical of Seymour's sporting pictures. Although the sitter is

[The Taj Mahal, Agra], 1858–61, Albumen silver print, Image: 20.6 x 28.7 cm (8 1/8 x 11 5/16 in.), Photographs, Unknown

Large Brooch with Spirals, 1400–1100 B.C., European Bronze Age, Copper alloy, Overall: 10 3/16 x 4 1/2 x 3 1/16 in. (25.8 x 11.5 x 7.8 cm), Metalwork-Copper alloy

Architecture in Dharwar and Mysore, 1860s, Albumen silver prints, Books, Thomas Biggs (British), Andrew Charles Brisbane Neill (British, active India, 1814–1891), Doctor William Henry Pigou (British, active India, 1818–1858

Augustus Saint-Gaudens, ca. 1904, Oil on canvas, 38 7/8 x 30 in. (98.7 x 76.2 cm), Paintings, Ellen Emmet Rand (American, San Francisco, California 1875–1941 Salisbury, Connecticut), Rand studied at the Art Students League in New York with

Figures Promenading on a Point of Land; Water and Boats in the Foreground, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 27 7/16 in. (19.7 x 69.7 cm), Prints, Katsushika Hokusai

Bronze attachment in the form of the head of Pan, Late Republican or Imperial, 1st century B.C.–2nd century A.D., Roman, Bronze, Overall: 6 11/16 x 5 1/2 in. (17 x 14 cm), Bronzes, With a garland of grapes and leaves on his head

Sacred Wine Bottles and Yema (Sacred Picture for Dedication in the Temple), Edo period (1615–1868), probably 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Katsushika

Byland Abbey, 1856, Albumen silver print from paper negative, 21.1 x 27.0 cm. (8 5/16 x 10 5/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896

(5) [Persepolis], 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 1/8 in. (8 cm), Glass, Translucent blue, with handles in same color; trails in opaque yellow and

Scott (of Peel), 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

A Girl Hanging up a Mosquito Net Canopy over Her Bed., Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 x 7 1/8 in. (25.4 x 18.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Sash, 17th century, Attributed to India, Cotton; printed and painted, H. 100 in. (254 cm), Textiles-Costumes

The Bishop's Palace, Calcutta, 1850s, Albumen silver print, Image: 18.9 x 24 cm (7 7/16 x 9 7/16 in.), Photographs, Captain R. B. Hill

Terracotta kylix: lip-cup (drinking cup), Archaic, ca. 530–520 B.C., Greek, Attic, Terracotta; black-figure, H. 5 1/8 in. (13 cm), Vases, Interior, youth riding a hippalektryon (a mythical combination of a horse and a rooster). Late

Terracotta skyphos, Early Imperial, Augustan, end of the 1st century B.C.–early 1st century A.D., Roman, Terracotta; lead-glazed, 2 5/8in. (6.7cm), Vases, Lead-glazed cup with floral sprays in relief made at Tarsus in Cilicia (southern Asia

Seated Avalokiteshvara, the Buddha of Infinite Compassion, 17th century, Tibet or Mongolia, Gilt copper alloy, H. 8 1/2 in. (21.6 cm), Sculpture

Statuette of a warrior-11, Greek, Laconian, Lead, Height: 13/16 in. (2.1 cm), Miscellaneous-Lead

Glass amphoriskos (perfume bottle), Hellenistic, 2nd to mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 7 1/16 in. (17.9 cm), Glass, Translucent cobalt blue; handles and base-knob in translucent

Kabuki Actor Ichikawa Danjūrō V in a Shibaraku (Stop Right There!) Role, 五代目市川団十郎, Edo period (1615–1868), 11th month, 1779, Japan, Polychrome woodblock print; ink and color on paper, Hosoban 12 1/2 x 5 7/8 in. (31.8 x 14.9

A Doll Representing a Boy Playing a Flute, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 10 x 7 1/8 in. (25.4 x 18.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Hat, 5th–9th century, Attributed to Egypt, Akhmim (former Panopolis), Wool; sprang technique, embroidered, Textiles, This pink and green hat was made using the 'sprang' technique, which creates a network of stitches that allows the hat to

The Judgment of Solomon, 1640s, Oil on wood, 31 1/8 x 40 1/2 in. (79.1 x 102.9 cm), Paintings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft

Box, ca. 1800, German, Stuttgart, Silver, Overall: 4 1/2 × 9 × 4 1/2 in., 2.5lb. (11.4 × 22.9 × 11.4 cm, 1133g), Metalwork-Silver, These silver boxes, part of larger silver, presumably were used to keep sweets and other delicacies, as

Dolls on the Balcony, 1926, Gelatin silver print, 23.5 x 17.5 cm (9 1/4 x 6 7/8 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), Moholy-Nagy took this photograph in 1926 while on holiday

Fragment, 5th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 3 15/16 in. high 4 13/16 in. wide (10 cm high 12.2 cm wide), Textiles

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 475–465 B.C., Greek, Attic, Terracotta; red-figure, H. 17 in. (43.2 cm), Vases, Obverse, satyr pursing maenad, Reverse, satyr with keras (drinking horn). By the

[Portrait in a White Dress], 1856–57, printed 1861–66, Salted paper print from glass negative, Image: 32.5 x 27 cm (12 13/16 x 10 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Aquilin Schad

Bottle, Late Bronze Age ?, ca. 1600–1050 B.C., Cypriot, Faience, 10 1/4 × 5 1/16 in. (26 × 12.8 cm), Miscellaneous-Faience

Lamp with Christ Trampling the Beasts, 5th century, Probably made in Tunesia, Earthenware; molded, L. 5 3/4 in. (14.6 cm), Ceramics, Small earthenware lamps, made from double molds, were the most commonly used source of light in North Africa

Kantharos, Classical, ca. 400 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 4 in. (10.2 cm), Vases

The Actor Tatsuoka Hisagiku in the Role of Kurenai, Edo period (1615–1868), 1739, Japan, Polychrome woodblock print (hand-colored); ink and color on paper, 12 x 6 in. (30.5 x 15.2 cm), Prints, Kiyonobu II (Japanese, active 1720–1750),

Undecorated limestone chest, Cypriot, Limestone, Overall: 5 1/4 x 4 1/4 x 6 3/4 in. (13.3 x 10.8 x 17.1 cm), Miscellaneous-Stone, On the short ends are cross-pieces reinforced by three vertical uprights

Pyke House, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Silk Kashan Carpet, 16th century, Made in Iran, probably Kashan, Silk (warp, weft and pile); asymmetrically knotted pile, Rug: L. 96 in. (243.8 cm), Textiles-Rugs, This carpet was possibly woven in Kashan, an important center for silk trade

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 5/8 in. (9.2 cm), Glass, Translucent pale blue green. Thick rim folded out, over, and in, flattened on top; cylindrical neck with band of

Bone hairpin with bust of a woman, Imperial, 2nd–3rd century A.D., Roman, Bone, H.: 4 7/8 in. (12.4 cm), Surmounted by bust of a woman

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 3/16 in. (1.6 x 3.1 cm), Glass, Body fragment., Translucent blue, honey brown, and opaque white., Convex curving

Calligraphy, Ming dynasty (1368–1644), China, Album leaf; ink on gold-flecked paper, H. 12 1/8 in. (30.8 cm); W. 12 1/8 in. (30.8 cm), Calligraphy, Tang Yin (Chinese, 1470–1524

The Sorrow of Telemachus, 1783, Oil on canvas, 32 3/4 x 45 in. (83.2 x 114.3 cm), Paintings, Angelica Kauffmann (Swiss, Chur 1741–1807 Rome), Angelica Kauffmann was born in Switzerland but made her reputation in Italy and England, where she

Allegorical Victory of the Grand Condé, 1786, French, Terracotta, 9 × 6 × 4 in. (22.9 × 15.2 × 10.2 cm), Sculpture, Robert Guillaume Dardel (French, 1749–1821), The year 1786 was the centenary of the death of Louis II de Bourbon,

Lead ornament, possibly imitating jewelry, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 7/16 in. (3.7 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Peony Flower and Leaves, Song dynasty (?) (960–1279), China, Album leaf; ink and color on silk, 9 3/8 x 7 1/2 in. (23.8 x 19.1 cm), Paintings, Unidentified Artist

Spearhead, Bronze, Other: 14 1/2in. (36.8cm), Bronzes

Costume Plate: German Messenger, ca. 1558–70, Engraving, Sheet (trimmed to edge): 5 7/8 × 4 7/16 in. (14.9 × 11.2 cm), Prints, Reverse copy after Enea Vico (Italian, Parma 1523–1567 Ferrara

Glass jug, Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 2 7/8 in. (7.3 cm), Glass, Small, one-handled jug. Translucent pale blue green; handle in same color. Rim, folded out, round, and in, pressed flat and into top of

(1) [Tag-e Bustan, Kermanshah], 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 2 7/16in. (6.2cm), Glass, Translucent pale blue. Plain, knocked-off rim; small, flaring mouth; cylindrical neck; globular body; flattened bottom. Broken around rim

Shoemaker North of China; Wandering Restaurant North of China, ca. 1869, Albumen silver print from glass negative, Image: 4 in. × 5 3/4 in. (10.1 × 14.6 cm); each, Photographs, Attributed to John Thomson (British, Edinburgh, Scotland

Segawa Kikunojo III as a Samurai, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 1/2 in. (30.8 x 14 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Pin, eyelet type, Cypriot, Bronze, Other: 4 11/16in. (11.9cm), Bronzes

Bone hairpin, 1st–2nd century A.D., Roman, Bone, H.: 3 1/16 in. (7.8 cm), The head is in the form of a pinecone

Terracotta head of a horse, Iron Age, ca. 11th–8th century B.C., Greek, Terracotta, H. 5 7/8 in. (14.8 cm), Terracottas, Head of a horse

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, 1761–66, Oil on canvas, 100 1/4 x 142 in. (254.6 x 360.7 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London), Seated at the center with a

Ingrain carpet runner piece, ca. 1880, American, Wool, 88 x 22 1/2 in. (223.5 x 57.2 cm), Textiles

Teapot, 1710–22, Made in Boston, Massachusetts, United States, American, Silver, Overall: 7 9/16 x 8 1/4 x 4 13/16 in. (19.2 x 21 x 12.2 cm); 18 oz. (560.3 g), Silver, John Coney (1655/56–1722), This rare surviving teapot by John Coney

Chlorite box lid, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Chlorite, H. 3/8 in. (1 cm); Diam. 2 1/8 in. (5.4 cm), Miscellaneous-Stone, There is a hole in the center. Around it is a rosette and a zone of cross-hatched triangles. The

Plum Tree in Blossom, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 3 9/16 in. (20.3 x 9 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Guardian Deity (Rakshasa), Angkor period, ca. 921–945, Cambodia, Stone, H. 38 3/4 in. (98.5 cm); W. 15 1/2 in. (39.3 cm), Sculpture

Glass alabastron (perfume bottle), Late Hellenistic, 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, Overall: 5 7/16 x 1 1/2in. (13.8 x 3.9cm), Glass, Translucent light blue with greenish tinge; opaque

The Third Segawa Sojuro and the Third Segawa Kikunojo as Lovers, Edo period (1615–1868), ca. 1779?, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 7/8 in. (32.7 x 14.9 cm), Prints, Katsukawa Shunkō (Japanese,

[Spying in Glenfeshie], ca. 1858, Salted paper print, 18.7 x 23.4 cm (7 3/8 x 9 3/16 in.), Photographs, Horatio Ross (British, Rossie Castle, near Montrose, Scotland 1801–1886 Scotland

New Year's Decoration of Pine Trees and Manzai Dancers, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 11 3/8 in. (21 x 28.9 cm), Prints, Ryūryūkyo Shinsai (Japanese,

Calligraphic Plaque, probably late 17th century, Attributed to Iran, Steel; forged and pierced, H. 6 1/2 in. (16.5 cm), Metal, This cartouche shaped plaque was created from a single sheet of solid steel, whose wide, flat border encloses a

Seven of Diamonds, from a Set of Piquet Cards, late 18th–19th century, Hand-colored woodcut, sheet: 3 3/8 x 2 1/4 in. (8.6 x 5.7 cm), Prints, Claude Fayolle (French, Vaise (Rhône) ca. 1752–1826 Lyon

Ivory disk with rosette, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Ivory, Diameter 1 7/8 in. (4.8 cm), Ivory was imported to Cyprus from the Near East or Egypt. The rosette was a popular decorative motif originally inspired by designs on

Newhaven Fishwives, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

La Ciotat, ca. 1860, Albumen silver print from paper negative, Image: 32.4 x 43 cm (12 3/4 x 16 15/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

元 陸廣 丹臺春曉圖 軸, Spring Dawn Over the Elixir Terrace, early Ming dynasty (1368–1644), ca. 1369, China, Hanging scroll; ink on paper, Image: 24 1/4 x 10 1/4 in. (61.6 x 26 cm), Paintings, Lu Guang (Chinese, ca. 1300–after

Gold capsule in the form of a grasshopper, Archaic-Classical, 6th–4th century B.C., Cypriot, Gold, Other: 1 in. (2.5 cm), Gold and Silver, A recurrent object of the Archaic and Classical periods--part amulet, part jewelry--is the small

Mrs. Robert Shurlock Sr. (Ann Manwaring), 1801, Pastel on paper, laid down on canvas, 24 x 17 7/8 in. (61 x 45.4 cm), Pastels & Oil Sketches on Paper, John Russell (British, Guildford 1745–1806 Hull), Mrs. Shurlock was the mother of Robert

Yabase no Kihan, 近江八景之内　矢橋帰帆, Fishing Boats Returning to Yabase, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa

東海道五十三次　鳴海, Narumi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Forêt de Fontainebleau, 1870s, Carbon print from glass negative, Image: 18.8 x 13.9 cm (7 3/8 x 5 1/2 in.), Photographs, William Harrison (British, died by 1893

Snowy Landscape, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Carnelian scarab, Archaic, ca. 500 B.C., Greek, Carnelian, L. 1.4 cm; W. 1 cm, Gems, Youth bending to lift a Corinthian helmet ., Inscribed TIMEAS

Glass flask, Late Imperial, 3rd to 4th century A.D., Roman, Glass; blown, H.: 4 1/16in. (10.3cm), Glass, Colorless with slight greenish tinge. Plain, rounded rim; funnel-shaped neck, tooled in around base; globular body; shallow kick in

At the Shrine Gate, Edo period (1615–1868), 17th century, Japan, Two-panel folding screen; ink, color, and gold on paper, 60 x 64 1/4 in. (152.4 x 163.2 cm), Screens, This bird's-eye view of a Shinto shrine and its environs offers a lively

Terracotta straight-sided cup, Middle Minoan IIB-IIIA, ca. 1800–1700 B.C., Minoan, Terracotta; Kamares ware, H. as restored 2 1/8 in. (5.4 cm.), Vases, Decorated with a rosette and bands in white and orange

Chalcedony scaraboid seal, Classical, 5th century B.C., Greek, Chalcedony, Length: 5/8 in. (1.6 cm), Gems, Lion prowling

Lead figure of a goddess with a spear and aegis, probably Athena, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 7/8 in. (4.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Détail Décoratif de la Grande Pagode, 1866, Albumen silver prints from glass negatives, 16.4 x 11.2 cm (6 7/16 x 4 7/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Print, Edo period (1615–1868), early 18th century, Japan, Monochrome woodblock print (sumie); ink on paper, 9 1/2 x 13 3/4 in. (24.1 x 34.9 cm), Prints, Hishikawa Morofusa (Japanese, active ca. 1685–1715

Bracelet, Cypriot, Bronze, Other (Greatest Diameter): 4 13/16in. (12.2cm), Bronzes

Limestone head of a boy, Late Classical–Early Hellenistic, 4th–early 3rd century B.C., Cypriot, Limestone, Overall: 5 x 4 1/8 x 5 1/4 in. (12.7 x 10.5 x 13.3 cm), Stone Sculpture, The head may belong to a so-called temple boy, a

Glass lid, Mid Imperial, 2nd–3rd century A.D., Roman, Cypriot, Glass; blown, Diam.: 2 3/16 in. (5.6 cm), Glass, Colorless. Knocked-off, uneven, downturned lip; circular, concave disk with rounded edge. Intact; pinprick and larger

Arrowhead, Bronze, Other: 5/8 x 1 5/8 x 1/4 in. (1.6 x 4.1 x 0.6 cm), Bronzes

Limestone statuette of a beardless male votary in Greek dress, Archaic, late 6th century B.C., Cypriot, Limestone, Overall: 12 7/8 x 5 x 2 5/8 in. (32.7 x 12.7 x 6.7 cm), Stone Sculpture, Male figure with hair in short curls, chiton and

Krishna and Radha, Page from a Dispersed Rasikapriya (Verses Celebrating Aspects of Love), ca. 1660–70, India (Rajasthan, Bundi), Ink, opaque watercolor, and gold on paper, Image: 12 3/8 in. × 7 in. (31.4 × 17.8 cm), Paintings, Krishna

Colorless glass ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Glass, transparent paste, Length: 1 1/4 in. (3.2 cm), Gems, Priest pouring a libation at an altar

Jérusalem, Restes de scupltures judaïques, 1854, Salted paper print from paper negative, Image: 23.5 x 33 cm (9 1/4 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

Suggestion for Decoration of Hershey Community Theater, Hershey, PA, ca. 1915, Made in New York, United States, American, Watercolor, gouache, pen and black ink, aluminum paint, and graphite on artist board with original shaped window mat,

Angel Supporting a Heraldic Shield, 1505–15, Made in Possibly Brabant, South Netherlands, South Netherlandish, Glass, vitreous paint, sanguine, enamel, and silver stain, 11 3/16 × 1/4 in. (28.4 × 0.7 cm), Glass-Stained