Images at Librifly

Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, Overall: 5in. (12.7cm), Glass, Translucent pale green, combined with translucent blue green; trails in translucent pale green., Thick,

Study of the Costume of Monsieur Clément, 1748, Black chalk, heightened with white, on blue paper, faded to gray, 21 9/16 x 16 11/16 in. (54.8 x 42.4 cm), Drawings, Anonymous, French, 18th century

Porringer, 1700–1730, Made in Newport, Rhode Island, United States, American, Silver, Overall: 1 15/16 x 7 5/8 in. (4.9 x 19.4 cm); 9 oz. 3 dwt. (285.1 g), Silver, Samuel Vernon (1683–1737), The shallow bowls with handles known as

Mug, 4th century B.C., Etruscan, Terracotta; black-glaze, H. 8.94 cm., Vases

Fibula, boat-shaped type, Bronze, Other: 1 7/16 in. (3.7 cm), Bronzes

Mirror handle, Mid-18th Dynasty, ca. 1400 B.C., Egyptian, Clay, glazed, Overall: 1 5/16 x 2 1/2 x 1 3/16 in. (3.3 x 6.4 x 3 cm), Terracottas, Handle of a mirror with lotus petals in white

Glass lid, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 1 9/16 × 3 3/8 in. (4 × 8.6 cm), Glass, Translucent yellow green. Solid, round, central knob; domed upper sides; broad, folded, tubular flange, turned slightly

The Third Matsumoto Koshiro as a Samurai Standing, Edo period (1615–1868), 1769 or 1770, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Two gold belt attachments, Late Republic or Early Imperial, 1st century B.C.–1st century A.D., Roman, Gold, 3/8 × 1 1/4 in. (1 × 3.2 cm), Gold and Silver, Two rectangular belt attachments each showing three hoops attached to two squares

Glass beaker or lamp, Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown and blobbed, H.: 2 13/16 in. (7.1 cm), Glass, Colorless with pale green tinge; translucent blue blobs appearing opaque bluish grey. Thick rim, cracked off and

Glass Bowl in Millefiori Technique, 9th century, Made in Probably Iraq, Glass, green, opaque yellow, and opaque red mosaic; fused, slumped, ground, and polished, applied foot, H. 2 in. (5.1 cm), Glass, The millefiori technique was

Terracotta lekane (dish), Archaic, ca. 550–540 B.C., Greek, Boeotian, Terracotta; black-figure, Diam.: 12 in. (30.5 cm), Vases, Interior, dolphin, Exterior, animal frieze, Interior, dolphin; exterior, frieze of animals

The Seventh Month, Edo period (1615–1868), ca. 1767, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 3/8 in. (18.7 cm), Prints, Ishikawa Toyomasa (Japanese, active 1770–1790

Terracotta rhyton (vase for libations or drinking), Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 6 1/2 in. (16.5 cm), Vases, The rhyton is in the form of a sheep's head. On the cuff is Eros

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 9/16 x 1 1/8in. (1.5 x 2.8cm), Vases

New Great Bridge at Naka Zu in Edo, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 10 1/2 x 15 1/8 in. (26.7 x 38.4 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814

View of the Villa Borghese, after 1677, Etching, Plate: 9 1/16 x 16 5/16 in. (23 x 41.5 cm), Prints, Simon Felice (Italian, 17th century), Standing at the center of the park on the Pincian Hill with a circumference of almost four miles, the

清, 王原祁, 江國垂綸圖, 卷, Fishing in River Country at Blossom Time, Qing dynasty (1644–1911), dated 1709, China, Handscroll; ink and color on paper, 10 1/4 x 57 1/2 in. (26 x 146.1 cm), Paintings, Wang Yuanqi (Chinese,

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 15/16 in. (1.6 x 2.3 cm), Glass, Thin-walled body fragment., Translucent purple, opaque white, yellow, and red.,

이유원, 매화도 조선, 李裕元 梅花圖 朝鮮, Plum Branch, Joseon dynasty (1392–1910), dated 1888, Korea, Hanging scroll; ink on paper, 58 1/16 x 37 3/16 in. (147.5 x 94.5 cm), Paintings, Yi Yuwon (Korean, 1814–1888),

Pitcher, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 6 1/8 in. (15.6 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Rev D.T.K. Drummond, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

[Charles Garnier in the Drafting Room While Designing the New Paris Opera], ca. 1870, Albumen silver print from glass negative, Photographs, Louis-Emile Durandelle (French, 1839–1917

Ichikawa Yaozō II, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, Hosoe: 12 3/8 x 5 3/4 in. (31.4 x 14.6 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Bronze statuette of Venus, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 4 in. (10.2 cm), Bronzes, The statuette is a small-scale Roman copy of the famous Greek statue of Aphrodite Anadyomene

Sofa, 1850–60, Made in New York, New York, United States, American, Rosewood, 53 1/4 x 66 x 25 in. (135.3 x 167.6 x 63.5 cm), Furniture, John H. Belter (1804–1863), This five-legged sofa exemplifies the Rococo Revival style, popular in

[Armenian Woman of Teheran], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Castle by a River, 1647, Oil on wood, 26 x 38 1/4 in. (66 x 97.2 cm), Paintings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague), Many of Van Goyen's pioneering river views of the 1630s employ the diagonal recession, the repoussoir of a

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 2 11/16 in. (6.8 cm), Glass, Colorless, with slight blue green tinge. Rim folded out, down, over, and in, with beveled upper surface and

Karnak (Thèbes), Vue Générale des Ruines Prise du Point B, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.6 x 30.4 cm. (9 5/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Temple at Allipore, 1850s, Albumen silver print, Image: 18.6 x 24.1 cm (7 5/16 x 9 1/2 in.), Photographs, Captain R. B. Hill

Temple, 1st–8th century, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, H. 4 9/16 x W. 4 in. (11.6 x 10.2 cm), Stone-Sculpture

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, Height (Approximate): 2 3/4 in. (7 cm), Aerophone-Whistle Flute-vessel flute

Takigawa of the Ogiya Pleasure House, Edo period (1615–1868), early 19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 14 11/16 in. (37.3 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Toyokuni I (Japanese,

Igirisujin, Englishmen, Edo period (1615–1868), 1861, Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 x 9 7/8 in. (36.5 x 25.1 cm), Prints, Utagawa Yoshikazu (Japanese, active ca. 1850–1870

Ein frembdes und wunderbares kunstbüchlein, 1538, Woodcuts, Overall: 7 3/8 x 5 11/16 x 1/4in. (18.8 x 14.5 x 0.7cm), Books

Kabuki Actor Segawa Kikunojō III in a Mad Female Role, Edo period (1615–1868), 1798 (Kansei 9), Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/4 in. (36.2 cm); W. 9 1/2 in. (24.1 cm), Prints, Utagawa Toyokuni I

Fragment of a terracotta amphora (jar), Archaic, ca. 550–540 B.C., Greek, Attic, Terracotta; black-figure, H. 2 1/2 in. (6.3 cm), Vases, Head and shoulders of a youth

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Cameo with the Archangel Michael, probably late 14th century, Byzantine, Sardonyx, Overall: 1 1/8 x 13/16 x 3/16 in. (2.8 x 2.1 x 0.4 cm), Lapidary Work-Sardonyx, The archangel Michael, commander of the heavenly host, became one of the most

Terracotta votive statuette of two draped females, Classical, 4th–3rd century B.C., Etruscan, Terracotta, H. 5 7/16 in. (13.8 cm), Terracottas, Two seated, cloaked women

Terracotta zoomorphic askos (vessel), Middle Cypriot, 1900–1600 B.C., Cypriot, Terracotta; White painted ware, H. 3 13/16 in. (9.7 cm), Vases, Deer-shaped vase with spout, loop-handle, and lattice-bands

Buckle fragment, Bronze, Other: 3/4 in. (1.9 cm), Bronzes

Landscape, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, Overall: 10 1/2 x 106 in. (26.7 x 269.2 cm), Paintings, Unidentified Artist, Formerly Attributed to Fang Congyi (Chinese, ca. 1301–after

Winter Landscape, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 x 15 in. (25.4 x 38.1 cm), Prints, Keisai Eisen (Japanese, 1790–1848

The Queen of Flowers, ca. 1435–40, Engraving printed from two plates, sheet: 5 1/8 x 3 9/16 in. (13 x 9.1 cm), Prints, Master of the Playing Cards (German, active ca. 1425–50), The Queen of Flowers is one of the exceptionally beautiful and

Books and a Bookcase, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 11/16 x 6 5/8 in. (19.5 x 16.8 cm), Prints, Keisai Eisen (Japanese, 1790–1848

Games of Football Being Played by Nobles, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 5 1/8 in. (13 cm); 8 13/16 in. (22.4 cm), Prints, Hishikawa Moronobu (Japanese, died 1694

Terracotta stemless kylix (drinking cup), Late Classical, late 4th–3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, H. 1 15/16 in. (5 cm); diameter 4 7/16 in. (11.3 cm); width with handles 6 11/16 in.

Glass alabastron (perfume bottle), Hellenistic, 3rd–2nd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 3/16 in. (13.2 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Courtesan Placing a Hairpin in Her Hair, Edo period (1615–1868), ca. 1714, Japan, Polychrome woodblock print; ink and color on paper, 22 3/4 x 12 3/4 in. (57.8 x 32.4 cm), Prints, Kaigetsudo Anchi (Japanese, active 1714

Whale-oil lamp, 1830–40, Made in Boston, Massachusetts, United States, American, Free-blown and pressed glass, H. 9 3/4 in. (24.8 cm), Glass, This lamp’s decorative “mercurial ring” was created by tooling a deep indentation in the

Danjūrō VII's Benkei as Fudō Myōō, Edo period (1615–1868), ca. 1824, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 7/16 x 7 3/8 in. (21.4 x 18.7 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), Benkei

Portrait of a Man, ca. 1720, Oil on canvas, 22 1/4 x 18 3/4 in. (56.5 x 47.6 cm), Paintings, Circle of Arnold Boonen (Dutch, Dordrecht 1669–1729 Amsterdam

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Mt. Fuji from the series Famous Mountains in Japan, Edo (1615–1868), ca. 1865, Japan, Polychrome woodblock print; ink and color on paper, 9 5/8 x 14 5/16 in. (24.4 x 36.4 cm), Prints, Utagawa Yoshimori (Japanese, 1830–1885

Vue de l'île d'Eléphantine, en face d'Assouan, 1849–50, Salted paper print from paper negative, Image: 5 11/16 × 8 11/16 in. (14.4 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

Eagle Relief, 11th century, Made in South Italian, Italian, White Carrara marble, Overall: 11 x 22 1/2 x 5 1/2in. (27.9 x 57.1 x 14cm), Sculpture-Architectural

Young Lady with Parasol in the Yoshiwara District, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 3/8 (28.9 cm); W. 5 5/8 in. (14.3 cm), Prints, Ishikawa Toyonobu (Japanese, 1711–1785

Tester bed (lit à la duchesse en impériale), ca. 1782–83, French, Paris, Carved, painted and gilded walnut, pine, and linden; iron hardware; silk and wool Beauvais tapestry; modern silk damask, Overall (bed components installed): H. 156

Picture of a man of Nankin, Edo period (1615–1868), 1789, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 7/8 in. (25.4 x 37.8 cm), Prints, Kuwagata Keisai (Japanese, 1764–1824

Plaque with a tree of intertwined papyrus and pomegranates; craftsman's mark on the lower tenon, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.99 x 2.44 x 0.43 in. (7.59 x 6.2 x 1.09 cm),

今戸川, Imadogawa, Edo period (1615–1868), ca. 1801–4, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/16 in. (25.9 cm); W. 15 1/4 in. (38.3 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo

Headdress, ca. 1920, French, cotton, metal, ceramic

東海道五十三次之内　保土ヶ谷　新町橋, Hodogaya Station and Shinkame Bridge, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints,

清 沙馥, 人物, 扇面, The Peach and Plum Garden, Qing dynasty (1644–1911), dated 1879, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 x 21 3/8 in. (17.8 x 54.3 cm), Paintings, Sha Fu (Chinese,

Vue de la Ville Chinoise (Cholen) Feuille No. 4, 1866, Albumen silver print from glass negative, 23.9 x 30 cm (9 7/16 x 11 13/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Equivalent No. 314, 1926, Gelatin silver print, 11.9 x 9.1 cm (4 11/16 x 3 9/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), By photographing clouds, Stieglitz meant to demonstrate how 'to hold a

The Huis ten Bosch at The Hague and Its Formal Garden (View from the East), ca. 1668–70, Oil on wood, 15 3/8 x 21 5/8 in. (39.1 x 54.9 cm), Paintings, Jan van der Heyden (Dutch, Gorinchem 1637–1712 Amsterdam), In the garden, two

Hanging Shelves, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 7 3/8 x 4 1/2 in. (18.7 x 11.5 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Terracotta stemmed dish, Archaic, 6th century B.C., Lydian, Terracotta, H. 5 3/8 in. (13.7 cm), Vases, The surface of the stem and bowl is enhanced with a white slip, perhaps to simulate the effect of marble or alabaster

Bronze bowl, Classical, 5th–4th century B.C., Greek, Bronze, H. 8.0 cm., Bronzes, Shallow bowl with a turned out lip. Shoulder decorated with a tongue pattern and the body with lotus petals. On the bottom, a rosette

Court Ladies Dragging a Cabinet along the Floor, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 10 9/16 in. (20.6 x 26.8 cm), Prints, Kubo Shunman (Japanese,

Granulated Tube Amulet, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Gold, 3.5 cm (1 3/8 in); w. 0.8 cm (5/16 in

鈴木春信画　虚無僧・「風俗四季歌仙　卯月」, A Flute-Playing Monk (Komusō); The Fourth Month (Uzuki), from the series Fashionable Poetic Immortals of the Four Seasons (Fūzoku shiki kasen), Edo period (1615–1868), ca. 1768,

Adam and Eve, n.d., Graphite, pen and black ink, 13 3/4 x 25 3/8 in. (34.9 x 64.5cm), Drawings, Antoine-Émile Bourdelle (French, Montauban 1861–1929 Vésinet

[View of Chowringhee from Government House, Calcutta], 1858–61, Albumen silver print, Image: 11.1 x 15.8 cm (4 3/8 x 6 1/4 in.), Photographs, John Constantine Stanley (British, 1837–1878

[Nadir Shah's Golden Gate and Minaret. Otherwise known as the Golden Iwan of Ali Shir Nawai, late 15th Century with Restorations. MESHED], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Henry Marquand, 1893, Etching; only state, Plate: 10 7/8 × 7 13/16 in. (27.6 × 19.8 cm), Prints, Anders Zorn (Swedish, Mora 1860–1920 Mora

Tile Panel, 18th century, Attributed to Syria, Stonepaste; painted and glazed, H. 33 in. (83.8 cm), Ceramics-Tiles

Raven Rattle, ca. 1840, Canada, British Columbia, Haida, Wood, ivory, H. 8 5/8 x W. 5 in. (22.1 x 12.7 cm), Wood-Musical Instruments

Bed Morris Was Born In, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick

Glass flask, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, H.: 4 1/4 in. (10.8 cm), Glass, Colorless with blue green tinge; foot ring and trail in same color. Flaring, oval rim, with beveled outer lip; tall,

The Arming of Bellona, 18th century, Red and black chalk, 15 7/8 x 21 1/8 in. (40.4 x 53.7 cm), Drawings, Laurent Hubert (French, died ca. 1780

Terracotta stand with a satyr, 4th century B.C., Etruscan, Terracotta, H. 7 in. (17.8 cm), Vases, Fragmentary trumpet-shaped vase with plastic satyr

Shin-Yoshiwara, asazukura no zu, 東都名所　新吉原朝桜之図, Morning Cherry Blossoms at Shin-Yoshiwara, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 15 1/8 in. (26 x 38.4 cm), Prints,

Scene Three from the Life of the Reverend Jean de la Barrière, n.d., Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite, 21 1/8 x 17 9/16 in. (53.7 x 44.6 cm), Drawings, Matthieu Elias (French, Peene

Terracotta oinochoe (jug), Hellenistic, early 3rd century B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 14 1/2 in. (36.8 cm), Vases, On the neck: ivy garland. On the handle: in relief at the upper attachment,

Dish with Abstract Design, 色絵抽象文変形小皿, Edo period (1615–1868), second half of the 17th century, Japan, Porcelain with overglaze polychrome enamels (Hizen ware, Matsugatani type), H. 1 in. (2.5 cm); W. 5 1/8 in. (13 cm); L. 6

東海道五十三次之内　荒井, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Fragment from the neck of a terracotta amphora (jar), Cypro-Geometric III, 850–750 B.C., Cypriot, Terracotta, 5 7/8 x 9 15/16 in. (15 x 25.3 cm), Vases, Panel with quadruped The animal has been identified as a lion, which would have been

Tokaido Yotsuya Kaidan, Onoe Matsusuke as the Ghost of the Murdered Wife Oiwa, in 'A Tale of Horror from the Yotsuya Station on the Tokaido Road', Edo period (1615–1868), 1812, Japan, Polychrome woodblock print; ink and color on paper, H. 14

Books and Cards, 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 x 6 1/2 in. (17.8 x 16.5 cm), Prints, Reisai (Japanese, 18th–19th century), This limited-edition New Year's greeting card

Hodogaya on the Tōkaidō (Tōkaidō Hodogaya), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東海道保土ケ谷, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Statuette of a man with an oryx, a monkey, and a leopard skin, Neo-Assyrian, ca. 8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 5 5/16 x W. 3in. (13.5 x 7.6cm), Ivory/Bone-Sculpture, Phoenician ivory carvers

Glass jar, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, H.: 3 in. (7.6 cm), Glass, Translucent light blue green; trails in same color. Rounded rim with partially upturned lip; broad, outsplayed mouth; short, concave

Jérusalem, Vallée de Josaphat, Faces Ouest et Nord, 1, 1854, Salted paper print from paper negative, Image: 22.8 x 32.8 cm (9 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Fibula, Cypriot, Bronze, Other: 1 5/8in. (4.1cm), Bronzes

The Fourth Ichikawa Danjuro in the Role of Yahei-byoe Munekiyo, Edo period (1615–1868), 12th month, 1768, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 1/2 in. (31.4 x 14.0 cm), Prints, Katsukawa Shunshō

Glass sprinkler bottle in the shape of a fish, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown, trailed, and tooled, Overall: 1 5/16 x 8 3/4 in. (3.3 x 22.2 cm), Glass, Translucent pale blue green; applied trails and blobs in