Images at Librifly

Glass cup, Imperial, mid-1st–early 2nd century A.D., Roman, Glass; blown and tooled, H.: 3 7/8 x 4 x 2 1/16 in. (9.8 x 10.2 x 5.2 cm), Glass, Colorless with blue green tinge. Rim outsplayed, cracked off and ground; side almost straight and

Fibula, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Other: 3 7/16 in. (8.7 cm), Bronzes

A Sketch from Nature, January 24, 1784, Hand-colored etching and stipple, sheet: 11 3/4 x 15 7/8 in. (29.8 x 40.3 cm), Prints, William Paulet Carey (British, Dublin 1759–1839 Birmingham), After Thomas Rowlandson (British, London

Scene from the Drama 'Sazareishi Suehiro Genji', Edo period (1615–1868), 12th month, 1743 or 1st month, 1744, Japan, Urushi-e (lacquer) print, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Torii Kiyomasu I (Japanese, active 1696–1716

Maple Leaves, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Portrait of Sugino Juheiji Tsugifusa, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Limestone funerary stele with volutes and a Hathor head, Classical, late 5th century B.C., Cypriot, Limestone, Overall: 23 3/4 x 19 x 4 1/2 in. (60.3 x 48.3 x 11.4 cm), Stone Sculpture, Tombstone with Cypriot capital, head of Hathor,

Near Penshurst, Kent, 1828, Oil on wood, 27 1/2 x 36 1/4 in. (69.9 x 92.1 cm), Paintings, Patrick Nasmyth (British, Edinburgh, Scotland 1787–1831 London), Patrick Nasmyth was known as 'the English Hobbema.' The influence of

'Pré Catelan', 1918, French, silk, metallic thread, ‘Pré Catelan’ refers to the restaurant in the Bois de Boulogne famous for its lavish Belle Époque interiors. Its attractive gardens made it a favored meeting place on summer evenings.

Mitsui Shop at Surugachō in Edo (Edo Surugachō Mitsui mise ryaku zu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　江都駿河町三井見世略図, Edo period (1615–1868), ca. 1830–32, Japan,

The Harbour of Copenhagen from the Esplanade between Langelinie and Toldboden; verso: Sketch of a Standing Man, 1809, Graphite, brush and grey ink, grey washes; verso: graphite. Framing line in pen and black ink, sheet: 13 1/4 x 18 3/16 in.

Pair of candlesticks, ca. 1745, French, Gilt bronze, Each H. 10 1/4 in. (26 cm.); Diam. 6 3/4 in. (17.1 cm.), Metalwork-Gilt Bronze, A 1728 design for a candlestick by Juste-Aurèle Meissonnier (1695–1750) incorporated a pair of entwined

Unidentified Actor of the Ichikawa Line as an Old Woman, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3 15/16 x 2 3/4in. (10 x 7cm), Vases

[The Bridge at Dizfoul], 1840s–60s, Salted paper print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Glass mosaic beaker fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 13/16 in. (3.1 x 4.7 cm): estimated diam. of rim: 4 5/16 in. (11 cm), Glass, Thin-walled rim fragment.,

Fille de lanxchow, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

H.B. Johnston, R.S.A., 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Sir David Brewster, ca. 1844, Salted paper print from paper negative, 20.2 x 15.1 cm (7 15/16 x 5 15/16 in. ), Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St.

St. Andrews. The Fore Tower of the Castle, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. app. 7 cm (2-3/4 in.); W. 5 cm (1-15/16 in.), Aerophone-Whistle Flute-vessel flute

Figured flask, 1836–40, Probably made in Pittsburgh, Pennsylvania, United States, American, Blown-molded glass, H. 7 in. (17.8 cm), Glass

Omar Pasha, 1855, Salted paper print from glass negative, Image: 17.9 x 13.4 cm (7 1/16 x 5 1/4 in.), Photographs, Roger Fenton (British, 1819–1869

Bronze applique in the form of a bull's head, ca. 4th century B.C.– 3rd century A.D., Italic or Roman, Bronze, H. 5.7 cm., Bronzes, Appliqué in the form of bull's head with small handle at top of head

Wall painting on black ground: landscape, from the imperial villa at Boscotrecase, Early Imperial, last decade of the 1st century B.C., Roman, Pompeian, Fresco, Overall: 12 x 12 1/2in. (30.5 x 31.8cm), Miscellaneous-Paintings, Many private

A Game of Hand Sumo in the New Yoshiwara, Edo period (1615–1868), ca. 1740, Japan, Polychrome woodblock print; ink and color on paper, Oban: 12 31/32 x 18 1/2 in. (33.0 x 47.0 cm), Prints, Furuyama Moromasa (Japanese, 1712–1772

Tobacco Box, 1816, Made in Baltimore, Maryland, United States, American, Silver, 1/2 x 2 3/4 x 2 3/16 in. (1.3 x 7 x 5.6 cm); 2 oz. 9 dwt. (76.8 g), Silver, John Erwin (active ca. 1809–21

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 8 3/4 x . 8 3/8 in. (22.2 x 21.3 cm), Textiles-Featherwork, Colorful bird feathers were highly prized items in ancient Peru and textiles covered with them are

Caster, 1770–1800, American, Silver, Overall: 6 7/8 x 2 1/16 in. (17.5 x 5.2 cm); 4 oz. 9 dwt. (138.3 g), Silver

Whale Fishing, Edo period (1615–1868), probably 19th century, Japan, Monochrome woodblock print; ink on paper, 13 x 17 3/4 in. (33 x 45.1 cm), Prints, Unidentified Artist

Chalcedony scarab, Late Classical, 4th century B.C., Etruscan, Chalcedony, H.: 3/8 x 1/2 in. (1 x 1.3 cm), Gems, Horse with bird

Saka no Shita, 東海道五十三次　坂の下, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Box with cover, 1777, Austrian, Vienna, Silver, Overall: 7 13/16 x 6 5/8 in. (19.8 x 16.8 cm, Weight 1790g ), Metalwork-Silver

Seki, 東海道五十三次　関, Edo period (1615–1868), ca. 1848–49, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

風流六玉川　山城　近江　摂津, Women and Children on the Banks of a Stream, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 5/8 x 9 7/16 in. (37.21 x 23.9 cm), Prints, Kitagawa

Terracotta Columbus alabastron (perfume vase), Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 2 13/16 in. (7.1 cm), Vases, Two light bands around neck

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 2 7/8 in. (7.3 cm), Glass, Translucent pale blue green. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then angled in to

Eagle Holding Small Bird, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 3/4 in. (36.2 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

[Gateway], 1850s, Albumen silver print, Image: 17.2 x 24.4 cm (6 3/4 x 9 5/8 in.), Photographs, Unknown

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 2 5/16 in. (5.9 cm), Glass, Colorless with pale blue tinge. Short, slightly funnel-shaped, cylindrical neck with horizontal tooling marks around base; piriform

Tool ? Nail cleaner ?, Roman, Bronze, Other: 3 1/2 in. (8.9 cm), Bronzes

[The Qutub Minar, Delhi], 1858–61, Albumen silver print, Image: 28.3 x 19.5 cm (11 1/8 x 7 11/16 in.), Photographs, Unknown

Glass cameo cup (scyphus) fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast in two layers or blown and cased, then carved, Overall: 1 7/8 x 1 5/8 in. (4.8 x 4.1 cm), Glass,

Bronze arrowhead, 6th–4th century B.C. or later, Greek or Achaemenid, Bronze, Other: 1 3/8 in. (3.5 cm), Bronzes, Heavily encrusted

Roundel with radiating palmettes, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 24 1/2 in., 80 lb. (62.2 cm), Stucco-Architectural, When this wheel-shaped window was excavated, it was in pieces, indicating that

冨嶽三十六景　武陽佃島, Tsukudajima in Musashi Province (Buyō Tsukudajima), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Seated limestone kourotrophos, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, Overall: H.:6 1/8 x W.:4 x D.:2 in. (15.6 x 10.2 x 5.1 cm), Stone Sculpture, Statue of a 'nursing mother' with veil seated on a high-backed throne

Vue de la Salle Hypostyle du palais de Karnac, prise sur l'angle N.E., 1849–50, Salted paper print from paper negative, Image: 6 1/8 × 8 1/4 in. (15.5 × 21 cm), Photographs, Maxime Du Camp (French, 1822–1894

Border Fragment, 4th–3rd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 4 1/2 x 5 in. (11.43 x 12.7 cm), Textiles-Woven

Les monuments d'Égypte, ca. 1808, French, Jouy-en-Josas, Roller-printed cotton, L. 98 1/2 x W. 38 inches (250.2 x 96.5 cm), Textiles-Printed, After an illustration by Louis François Cassas (French, Azay-le-Ferron 1756–1827 Versailles),

元 方從義 雲山圖 卷, Cloudy Mountains, Yuan (1271–1368), ca. 1360–70, China, Handscroll; ink and color on paper, Image: 10 3/8 x 57 in. (26.4 x 144.8 cm), Paintings, Fang Congyi (Chinese, ca. 1301–after 1378), Fang Congyi, a

Oval Platter, ca. 1820–25, American, porcelain, 2 1/8 x 12 3/16 x 18 5/16 in. (5.4 x 31 x 46.5 cm), Ceramics, Attributed to Marc Schoelcher (established 1798–1834), This platter was originally part of a large dinner service ordered by

Statuette of Herakles, Classical, 5th century B.C. or later, Etruscan, Umbrian, Bronze, H.: 4 5/8 x 2 3/8 x 1 3/8 in. (11.7 x 6 x 3.5 cm), Bronzes

Costume Plate: Bearded Man from Spain, ca. 1557–58, Engraving, sheet: 6 1/4 x 4 1/16 in. (15.8 x 10.3 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

The Western Gopuram, January–March 1858, Albumen silver print from waxed paper negative, Image: 36.1 x 28.5 cm (14 3/16 x 11 1/4 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Ring Handle, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, W. 2 1/2 in. (6.4 cm); L. 3 5/8 in. (9.2 cm), Metalwork

北魏 云崗石窟 彩繪石雕交腳菩薩像（砂岩）, Bodhisattva with Crossed Ankles, Northern Wei period (386–534), ca. 480–90, China, Sandstone with traces of pigment, H. 51 in. (129.5 cm); W. 22 7/8 in. (58.1 cm); D. 18 in. (45.7

東海道五十三次　池鯉鮒, Chiryūshuku, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa

Tutucanula, El Capitan, 4000 Feet, 1861, Albumen silver print from glass negative, Image: 16 1/2 × 19 1/2 in. (41.9 × 49.5 cm), Photographs, Carleton E. Watkins (American, 1829–1916

The Actor Onoe Matsusuke as a Samurai with a Drawn Sword, Edo period (1615–1868), 1786, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 1/2 in. (14 cm), Prints, Katsukawa Shunsen (Japanese,

'Visiting, ' from the Series Seven Fashionable Komachi, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 7 3/4 in. (19.7 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Glass flask decorated with intersecting circles, Imperial, 2nd–3rd century A.D., Roman, Glass; blown in a four-part mold, H.: 4 5/16 in. (11 cm), Glass, Translucent blue green., Unworked, knocked-off rim; short cylindrical neck, expanding

Bureau Tables, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 1/8 x 13 3/4 in. (20.6 x 35 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 1 3/4in. (4.5cm), Vases

Drawings and Prints, Print Ornament & Architecture, Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 6, Artist, Publisher, Alexis Loir, Pierre Mariette le fils, French,

Yoshitsune Serenading Jorurihime, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/8 in. (35.9 cm); W. 9 5/8 in. (24.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 9/16 in. (9 cm), Glass, Translucent dark cobalt blue, with handles in same color; trails in opaque

Mosquée d'El-Arif et Tombeau de Mourad-Bey, à Souhadj, 1849–50, Salted paper print from paper negative, Image: 5 1/8 in. × 8 in. (13 × 20.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

東海道五十三次之内　袋井　出茶屋の図, Fukuroi; De Chaya, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige

[Young Girl, Seated, with Young Boy, Leaning on Table], 1860s, Gelatin silver print, Photographs, Unknown (British

Teapot, ca. 1780, Made in Paris, France, French, possibly, Porcelain, H. 5 1/4 in. (13.3 cm), Ceramics

Krishna and Radha Conversing: Page from a Dispersed Gita Govinda (Loves of Krishna), 18th century, India (Orissa), Ink and opaque watercolor on paper, 8 3/4 x 5 1/4 in. (22.2 x 13.3 cm), Paintings, Krishna and Radha sit conversing on opposite

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 13/16 × 2 × 1/4 in. (4.7 × 5.2 × 0.6 cm), Vases

The Penitent St. Mary Magdalen, 1742, Red chalk., 19 5/16 x 13 1/16 in. (49.1 x 33.2 cm), Drawings, Charles Parrocel (French, Paris 1688–1752 Paris

Hakuba no Sechie, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 in. (22.9 cm); W. 14 in. (35.6 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Act IX (Dai kudanme): Actors Sawamura Tanosuke III as Ōboshi Rikiya and Bandō Kamezō I as Kakogawa Honzō, from the series The Storehouse of Loyal Retainers, a Primer (Kanadehon chūshingura), Edo period (1615–1868), 1862 (Bunkyū 2), 6th

[The Armor of Philip III], 1866, Albumen silver print from glass negative, Image: 33.3 x 23 cm (13 1/8 x 9 1/16 in.), Photographs, Charles Clifford (Welsh, 1819–1863), For a sixteenth-century nobleman, a finely decorated suit of armor was

'Rustam Slays the White Elephant', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 5/8 x 8 1/2in. (32.1 x 21.6cm), Codices

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 3 1/8 x 2 15/16 x 11/16 in. (8 x 7.5 x 1.8 cm), Miscellaneous-Paintings, On yellow ground; plant stalk in sepia with tendrils; white calyx below

Mongol Circus, Yuan (1271–1368) or Ming (1368–1644) dynasty, China, Handscroll; ink and color on silk, 10 1/2 x 68 in. (26.7 x 172.7 cm), Paintings, Unidentified Artist Chinese, In the style of Zhao Yong (Chinese, 1289–after 1360

Cypress, Pebble Beach, California, 1910s, Gum bichromate print, Photographs, Henry Ravell (American, 1860–1930

魚づくし　かれい　かながしらに笹, Kanagashira and Karei Fish, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/8 x 14 1/2 in.

Glass ribbed bowl, Late Hellenistic, 1st century B.C., Greek, Eastern Mediterranean, Glass; cast, tooled, and cut, H.: 2 3/16 in. (5.6 cm), Glass, Translucent yellow green., Outsplayed rim, with upright rounded edge and plain

近江八景之内　矢橋帰帆, Fishing Boats Returning to Yabase, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese,

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/16 x 11/16 in. (2.7 x 1.7 cm), Glass, Body fragment., Translucent blue and opaque white., Shallow

Teapot, ca. 1787–1799, Made in New York, New York, United States, American, Silver, Overall: 6 3/16 x 11 7/16 in. (15.7 x 29.1 cm); 18 oz. 18 dwt. (588 g), Silver, Jeronimus Alstyne (active ca. 1787–1799

Christ, left profile, 16th century, Woodcut, sheet: 3 5/8 x 2 15/16 in. (9.2 x 7.4 cm), Prints, Melchior Lorck (Danish, Flensburg 1526–after 1588 Hamburg

Stained glass window, 1906–8, American, leaded glass, Inner panel: 64 x 21 in. (162.6 x 53.3 cm), Glass, John Scott Bradstreet (1845–1914), John Scott Bradstreet, like his Prairie school contemporaries George Grant Elmslie and George

Limestone plinth with the feet of a colossal male statue, Archaic, middle or 2nd half of the 6th century B.C., Cypriot, Limestone, H. 13 1/8 x 18 x 25 in. (33.3 x 45.7 x 63.5 cm), Stone Sculpture, The feet stand on a remarkably thin plinth,

Stylized Figure Pendant, 12th–14th century, Panama, Parita, Gold (cast), H. 4 1/2 in. (11.43 cm), Metal-Ornaments

東海道五十三次之内　袋井　出茶屋の図, Fukuroi; De Chaya, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 1/3 in. (24.8 x 36.4 cm), Prints, Utagawa Hiroshige

Twenty-four-light chandelier (lustre) (one of a pair), ca. 1790, French, Gilt bronze, rock crystal, H. 62 x W. 45 in. (157.5 x 114.3 cm), Metalwork-Gilt Bronze, Numerous entries in the account book for the period 1748–58 of the

Panel fragment, Iron Age III, ca. 8th–7th century B.C., Iran, said to be from Ziwiye, Iran, Ivory, 0.75 x 1.26 in. (1.91 x 3.2 cm), Ivory/Bone-Reliefs

Fishing Boats at Dusk, Meiji (1868–1912)–Taishō (1912–26) period, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Kahō (Japanese, early 20th century

Architectural Capriccio with a Monumental Arch, 18th century, Gouache with touches of gum arabic on antique laid paper, Sheet: 18 1/2 x 26 in. (47 x 66 cm), Drawings, Jean Nicolas Servandoni (Italian, Florence 1695–1766 Paris), Born in

Young Woman Playing the Flute by a Bridge, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/8 x 5 5/16 in. (20.6 x 13.5 cm), Prints, Kubo Shunman (Japanese,

Wine Bottle, Cup and Cherry Blossoms, probably 1817, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/16 x 7 1/8 in. (20.5 x 18.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Design for an Urn, ca. 1770–90, Pen and brown ink, graphite, 14 5/8 x 9 9/16 in. (37.1 x 24.3 cm), Drawings, Anonymous, French, 18th century

Bottle, 10th century, Attributed to Egypt, Glass; cut, H. 7 in., Glass

Terracotta rim fragment of a closed vase, Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Vasilike ware, Other: 3 7/16 in. (8.7 cm), Vases, From Vasiliki, Crete. Rim fragment of a closed vase