Images at Librifly

Jérusalem, Carrière à la Porte de Damas, 1854, Salted paper print from paper negative, Image: 23.5 x 33.4 cm (9 1/4 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Bowl, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, 1 5/8 x 2 3/8 x 2 3/8 in. (4.1 x 6 x 6 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902

Limestone fragment of a lyre, Classical ?, 5th century B.C. ?, Cypriot, Limestone, Overall: 6 1/4 x 2 1/4 x 2 in. (15.9 x 5.7 x 5.1 cm), Stone Sculpture, Seven strings of a lyre are attached to a crosspiece painted pinkish red

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Glass mosaic fragment, Late Imperial, 3rd–4th century A.D., Roman, Glass; cast, Overall: 1 3/4 x 1 7/8 in. (4.5 x 4.7 cm), Glass, This fragment is a rare example of a Late Roman type of mosaic glass in which slices of mosaic canes were added

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Sard, Length: 1/2 in. (1.2 cm), Gems, The Ephesian Artemis with supports for arms

Salt, 1815–40, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown-molded glass, H. 3 1/2 in. (8.9 cm), Glass

View of Mt. Asama from the Usui Pass, Edo period (1615–1868), ca. 1850, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/8 in. (24.4 cm); W. 14 1/16 in. (35.7 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Fotogramm, 1926, Gelatin silver print, 23.9 x 17.9 cm (9 7/16 x 7 1/16 in.), Photographs, László Moholy-Nagy (American (born Hungary), Borsod 1895–1946 Chicago, Illinois), Moholy-Nagy played a key role at the Bauhaus in Weimar and Dessau

Terracotta cup, Geometric, early 7th century B.C., Greek, Attic, Terracotta, H. 1 3/4 in. (4.4 cm), Vases, From the Hymettos deposit, This type of Geometric cup, with flaring sides and a flat base, is known as a Phaleron cup, after the

Déjatch Alámayou, King Theodore's Son, July 1868, Albumen silver print from glass negative, Image: 29.2 x 23.3 cm (11 1/2 x 9 3/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon),

Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary, ca. 1340, Made in Siena, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 22 5/8 x 15 7/8 in. (57.5 x 40.4 cm), Manuscripts and

Two Designs for Clothes Chest, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 5/8 x 13 3/8 in. (21.8 x 33.9 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

北宋/金 傳黃宗道 舊傳李贊華 獵鹿圖 卷, Stag Hunt, Northern Song (960–1127) or Jin (1115–1234) dynasty, China, Handscroll; ink and color on paper, Image: 9 11/16 × 31 1/16 in. (24.6 × 78.9 cm), Paintings, Attributed to

The Pelkus Gate near Utrecht, 1646, Oil on wood, 14 1/2 x 22 1/2 in. (36.8 x 57.2 cm), Paintings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague), About a dozen paintings by Van Goyen feature some form of the once familiar Pelkus gate

Print, Edo period (1615–1868), 1757–1820, Japan, Polychrome woodblock print; ink and color on paper, A. 15 5/16 x 10 6/16 in. (38.9 x 26.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.55 x 1.06 x 0.2 in. (1.4 x 2.69 x 0.51 cm), Ivory/Bone-Reliefs

Limestone votive head, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 1 3/4 x 4 3/4 in. (4.4 x 12.1 cm), Stone Sculpture, This head, slightly swollen on one side, was part of a group of votive offerings. All of these

Séboûah, Temple, Colosse et Sphinx de la Partie Gauche de l'Avenue, 1851–52, Salted paper print from paper negative, Image: 24 × 31.1 cm (9 7/16 × 12 1/4 in.), Photographs, Félix Teynard (French, 1817–1892), These two desert friends

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Height: 3 1/8 in. (8 cm), Glass, Translucent deep cobalt blue. Uneven, rounded rim; short, flaring mouth; cylindrical neck, expanding downwards; globular body;

Sugar bowl, 1765–90, Possibly made in Manheim, Pennsylvania, United States; Possibly made in Gloucester County, New Jersey, United States, American, Blown pattern-molded glass, H. 4 1/4 in. (10.8 cm); Diam. 3 1/8 in. (7.9 cm), Glass,

Mending the Tears, 1888, Etching, plate: 17 3/8 x 22 15/16 in. (44.1 x 58.3 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Bottle, 1820–50, Made in Southern, United States, American, Earthenware, H. 5 1/2 in. (14 cm), Ceramics

商 青銅爵, Wine Vessel (Jue), Shang dynasty (ca. 1600–1046 B.C.), 12th century B.C., China, Bronze, H. 7 3/4 in. (19.7 cm); W. 3 15/16 in. (10 cm); D. 6 1/2 in. (16.5 cm), Metalwork, A single character (clan sign) is cast on the body of

Side Drum, 1694–1733, Dresden, Germany, German, Copper alloy, wood, various materials, Height: 23 3/4 in. (60.4 cm), Membranophone-double-headed / cylindrical drum, This side drum bears a magnificent royal cartouche with the cipher of

Evening dress, 1924, French, silk, metallic, Poiret made several trips to the Near and Middle East throughout his career, and the influence of the decorative and structural elements of Eastern costumes informed his designs. An interesting

Flowers of the Four Seasons, Ming dynasty (1368–1644), China, Handscroll; ink and color on paper, 10 13/16 x 198 3/4 in. (27.5 x 504.8 cm), Paintings, Shen Zhou (Chinese, 1427–1509

Fibula, La Tene type, Bronze, Other: 1 5/8 in. (4.1 cm), Bronzes

春秋 青銅敦, Grain Vessel (Dui), Eastern Zhou dynasty, Spring and Autumn period (770–476 B.C.), early 6th century B.C., China, Bronze, H. 8 in. (20.3 cm); Diam. 10 5/8 in. (27 cm), Metalwork

商 青銅盉, Spouted Wine Vessel (He), Shang dynasty (ca. 1600–1046 B.C.), 11th century B.C., China, Bronze, H. to knob 7 in. (17.8 cm); W. at spout and handle 5 1/2 in. (14 cm), Metalwork, Seven characters are cast on the body of the

Buddhist Nun Speaking to Two Little Girls who are Following Her, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print (urushi-e); ink and color on paper, H. 11 3/4 in. (29.8 cm); W. 5 7/8 in. (14.9 cm), Prints, Kondo Katsunobu

Rice-Drying Frame, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

'Bahram Gur in the Yellow Palace on Sunday', Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Painting: H. 7 1/2 in. (19.1 cm),

Seated Male Nude Facing Right, mid-18th century, Charcoal, stumped, black chalk heightened with white on gray-green paper, 19 15/16 x 13 3/8 in. (50.7 x 34 cm.), Drawings, Nicolas Bernard Lépicié (French, Paris 1735–1784 Paris

Spoon probe, Bronze, Other: 3 1/8 in. (7.9 cm), Bronzes

Oinochoe, Italic-Native, South Italian (Daunian), Terracotta, H. 8.71 cm.; diameter 6.4 cm., Vases

Poem by Henjō Sojō, 百人一首　僧正遍昭, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, H. 10 9/16 in. (26.8 cm); W. 8 3/16 in. (20.8 cm), Prints, Suzuki Harunobu (Japanese,

Small tray, cup and saucer (déjeuner carré), ca. 1765–70, French, Sèvres, Soft-paste porcelain, Tray, Overall: 1 1/4 x 5 13/16 in. (3.2 x 14.8 cm), Ceramics-Porcelain, The fascination with the decorative and artistic qualities of

Necklace, 11th–12th century, Attributed to Iran, Gold sheet; granulation, twisted wire, Necklace:, Jewelry, Both men and women wore silver and gold necklaces in Seljuq times, but this resembles a woman’s choker. This necklace consists of

Terracotta globular bottle with two handles, Late Cypriot III, ca. 1200–1050 B.C., Cypriot, Terracotta, H. 5 9/16 in. (14.1 cm.), Vases, This is a native imitation of a Mycenaean ware

Jérusalem, Fontaine de Saint-Philippe, 1854, Salted paper print from paper negative, Image: 33.7 x 23.6 cm (13 1/4 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Hat, ca. 1855, American, a) linen, silk, leather, paper; b, c) leather; d-f) paper

Perles et Parures, Les Joyaux, 1850, Wood engraving, etching with hand-coloring, Overall: 11 5/16 x 8 1/16 x 1 3/8 in. (28.8 x 20.4 x 3.5 cm), Books, V. Corbay (French), Charles-Michel Geoffroy (French, Joinville 1819–1882 Passy), After

Study of Heads for Study for 'Castor and Pollux Freeing Helen', 1817, Black crayon, stumping, and white chalk on buff laid paper, sheet: 8 11/16 x 11 7/8 in. (22.1 x 30.2 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874

Gold ring with two horizontal ribs, Geometric, 8th–7th century B.C., Cypriot or Greek, Gold, Diam.: 13/16 in. (2.1 cm), Gold and Silver, Elaborate moulding on the outside

Fragmentary neck-amphora (jar), Archaic, ca. 675 B.C., Greek, Protoattic, Terracotta, b.: 11 1/8 × 12 1/8 × 5/8 in. (28.3 × 30.8 × 1.6 cm), Vases, On the neck, two birds of prey, probably eagles. The decoration may be by the Polyphemos

Terracotta jug, Late Cypriot I-IIIA, ca. 1600–1150 B.C., Cypriot, Terracotta; White slip ware, H. 9 3/8 in. (23.8 cm), Vases, White slip ware with handle, pinched lip, lattice, lozenge and wavy lines

Closed Burgonet, ca. 1550–60, Innsbruck, Probably Austrian, Innsbruck, Steel, leather, gold, brass, H. 15 in. (38.1 cm); W. 10 in. (25.4 cm); D. 13 7/8 in. (35.2 cm); Wt. 6 lb. 11 oz. (3037 g), Helmets

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Sard, Length: 1/2 in. (1.2 cm), Gems, Partially draped woman seated on chair, tuning her lyre

Infantry Shield (Pavise), ca. 1450, possibly Chomutov, Bohemian, possibly Chomutov (now Czech Republic), Wood, leather, gesso, silver foil, polychromy, H. 42 1/2 in. (107.95 cm); W. 20 1/2 in. (52.07 cm); H. of curvature 5 in. (12.7 cm); D.

Chest of Drawers, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 13/16 x 13 11/16 in. (22.4 x 34.8 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Ornaments, 14, Greek, Laconian, Lead, Height: 1 1/4 in. (3.1 cm), Miscellaneous-Lead

La Marquise Mathilde, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for a Cabinet with an Alternative for the Right Side, ca. 1730–60, Pen and ink with gray and red wash, 14 x 8 7/8 in. (35.6 x 22.6 cm), Anonymous, French, 18th century

The Oiran Sugawara of Tsuru-ya seated beside a hibachi (fire box), Edo period (1615–1868), ca. 1775, Japan, Polychrome woodblock print; ink and color on paper, 14 3/5 x 9 7/8 in. (37.1 x 25.1 cm), Prints, Isoda Koryūsai (Japanese,

Bronze jug, Late Republican or Imperial, ca. 1st century B.C.–1st century A.D., Roman, Bronze, H. 8 3/16 in. (20.7 cm), Bronzes, The molding on the lip is inlaid with silver

商青銅鉞, Axe, Shang dynasty (ca. 1600–1046 B.C.), 12th–11th century B.C., China, Bronze, H. 9 13/16 in. (24.9 cm); W. 6 3/8 in. (16.2 cm), Metalwork

東都名所 新吉原衣紋阪秋月, Shin Yoshiwara Emonzaka Aki no Tsuki, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 4 7/8 in. (37.5 x 12.4 cm), Prints, Utagawa Hiroshige

Covered dish, 1835–40, Made in New England, United States, American, Pressed glass, 4 5/16 x 4 x 6 3/8 in. (11 x 10.2 x 16.2 cm), Glass, The Gothic-arch pattern pressed into this covered dish reflects the Gothic revival of the 1830s and

東海道五十三次　保土ヶ谷, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Three-light wall brackets (set of four), late 18th or early 19th century, French, Gilt bronze, Each: H. 27 1/4 x W. 15 1/4 x D. 9 1/4 in. (69.2 x 38.7 x 23.5 cm), Metalwork-Gilt Bronze, These four gilt-bronze wall lights are decorated with

Branch of Tree with Flowers, Ming (1368–1644) or Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 10 1/2 x 11 in. (26.7 x 27.9 cm), Paintings, Unidentified Artist

Manhattan Trust Company, New York, 1870s–80s, Albumen silver print, Photographs, Unknown (American

Bronze strigil (scraper), Imperial, 1st century B.C. – 1st century A.D., Roman, Bronze, Other: 8 1/4 in. (21 cm), Bronzes, The shape of the strigil and its spring handle identify it as a type that became established in the first half of the

Leather Shoe with Gilded Medallions, 2nd–9th century, From Egypt, Akhmim (former Panopolis), Leather; gilded, 9 3/4 in. long (24.7 cm long), Leather, Many types of footwear existed in the Byzantine world. Boots were worn by soldiers and

Glass hexagonal bottle, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; blown in a three-part mold, H.: 2 13/16 in. (7.1 cm), Glass, Opaque white., Rim folded out, round, and in, with slightly beveled upper

Unidentified Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1610, India (Rajasthan, Bikaner), Ink and opaque watercolor on paper, 6 5/8 × 9 3/4 in. (16.8 × 24.8 cm), Paintings, A nobleman is about to lose his

Amerika Karuhorunia Ko shuppan no zu, Sailing from a California Port, Edo period (1615–1868), 1862, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image: 14 1/4 x 28 15/16 in. (36.2 x 73.5 cm), Prints, Utagawa

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, L. 15/16 in. (2.4 cm), Gold and Silver, Of plain wire with two turns

Mosaic glass ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 13/16 x 1 1/16 in. (2.1 x 2.7 cm), Glass, Body fragment., Translucent blue and opaque white., Convex

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Bowl, ca. 1908, Made in New York, New York, United States, American, Favrile glass, H. 6 5/16 in. (16 cm), Glass, Tiffany Furnaces

Mandolin, 1796, Milan, Italy, Italian, Rosewood, spruce, walnut, bone, mother-of-pearl, L. 56.3 cm (22 3/16 in.); String L. 31.5 cm (12 3/8 in.); Max. W. 19.9 cm (7 13/16 in.), Chordophone-Lute-plucked-fretted, Giuseppe Presbler (German,

Glass perfume bottle, Late Imperial, 3rd century A.D. or later, Roman, Glass; blown, 3 3/16 in. (8.1 cm), Glass, Translucent green. Rim folded out with beveled lip; tall cylindrical neck; globular body; flattened bottom with large circular

魚づくし　かさご　いさきに生姜, Isaki and Kasago Fish, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1830s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 14 7/8 in. (26 x 37.8

Illuminated Gospel, late 14th–early 15th century, Ethiopia, Amhara region, Amhara peoples, Parchment (vellum), wood (acacia), tempera, ink, H. 16 1/2 x W. 11 1/4 x D. 4 in. (41.9 x 28.6 x 10.2 cm), Hide-Documents, This illuminated

[Japanese Woman in Traditional Dress Posing with Two Men], 1870s, Albumen silver print from glass negative, 20.1 x 25.3 cm (7 15/16 x 9 15/16 in.), Photographs, Unknown

Curule Stool, 1837–38, Made in New York, New York, United States, American, Mahogany, ash, pine, 15 1/4 x 20 3/4 x 15 1/4 in. (38.7 x 52.7 x 38.7 cm), Furniture, Workshop of Duncan Phyfe (1770–1854

Scene from Noh Dance, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/16 in. (20.8 x 17.9 cm), Prints, Kosetsu (Japanese, active early 19th century

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 5/8 in. (1.8 x 1.7 cm), Glass, Thin-walled body fragment., Translucent purple, light blue appearing green, opaque

Embroidered Mantle Fragment, 3rd–2nd century B.C., Peru, Paracas, Camelid hair, Overall: 5 x 6 in. (12.7 x 15.24 cm), Textiles-Woven

Mantle Fragment, 9th–10th century, Peru, Wari, Camelid hair, cotton, Overall: 17 7/8 x 20 3/8 in. (45.39 x 51.75 cm), Textiles-Woven

Handle of a bowl, Cypriot, Bronze, Other (length-end to end): 2 3/8in. (6cm), Bronzes

Embroidered Rank Badge for Civil Official, Qing dynasty (1644–1911), 19th century, China, Silk, gold and silver metallic threads, Overall: 11 1/4 x 10 1/2 in. (28.6 x 26.7cm), Textiles-Embroidered

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 7/8 × 2 × 3/16 in. (4.7 × 5.1 × 0.5 cm), Vases

Jar, late Heian period (ca. 900–1185), 2nd half of the 12th century, Japan, Earthenware (Suzu ware), H. 16 in. (40.6 cm), Ceramics, Said to have been found under water at Sado Island in the Sea of Japan, this jar retains traces of mollusk

Terracotta Nolan neck-amphora (jar), Classical, ca. 480–470 B.C., Greek, Attic, Terracotta; red-figure, H. 13 in. (33 cm), Vases, Obverse, satyr playing lyre, Reverse, satyr with wineskin. As followers of the wine-god Dionysos, satyrs

Mary Carrick Riggs, Dresden, 1857, Albumen silver print, Photographs, Unknown (German

Glass mosaic dish fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 5/8 in. (2.4 x 4.1 cm); estimated diam. of rim 7 1/16 in. (18 cm), Glass, Rim fragment., Translucent cobalt blue

Terracotta squat lekythos (oil jar), Late Classical, mid-4th century B.C., Greek, Attic, Terracotta; red-figure, H. 8 1/8 in. (20.6 cm); diameter 4 3/8 in. (11.1 cm), Vases, Events in the Athenian festival of the Adonia. The Adonia was a

Bronze statuette of a goddess, Hellenistic, ca. 3rd–1st century B.C., Italic, Bronze, H. 3 3/8 in. (8.6 cm), Bronzes, The right arm is extended and holds a patera. The left is bent at the elbow and holds a pyxis

Evening coat, ca. 1917, French, silk

Briefcase (portefuille), 1763–64, Turkish and French, Red morocco leather embroidered with gold thread and silk, fitted with gold lock, lined with green silk; gold, L. 17-11/16 x W. 13-1/8 x D. 2-1/2 in. (45 x 33.3 x 6.3 cm.), Natural

Fountains Abbey. The Chapel of the Nine Alters, Interior, 1850s, Albumen silver print, Image: 28.6 x 23.6 cm (11 1/4 x 9 5/16 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry

The Third Segawa Kikunojo as a Woman Dancing in a Shosa Act, Edo period (1615–1868), ca. 1785?, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 1/2 in. (31.4 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese,

Box for Betel Leaves, Bronze and Iron Age period, ca. 500 B.C.–A.D. 300, Indonesia (Sulawesi), Bronze, H. 6 in. (15.2 cm); W. 6 1/2 in. (16.5 cm); D. 5 in. (12.7 cm), Metalwork

Isabella, Duchess of Grafton, 1692, Mezzotint, image: 12 3/16 x 9 3/4 in. (31 x 24.7 cm), Prints, John Smith (British, Daventry 1652–1743 Northampton), After Sir Godfrey Kneller (German, Lübeck 1646–1723 London

The Treasure Boat, Edo period (1615–1868), ca. 1795, Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 14 3/8 in. (36.5 cm); W. 30 in. (76.2 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Onoe Matsusuke I as an Oiran Stands at the Left, Talking to Nakamura Nakazo I as a Samurai, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 1/8 in. (38.4 x 25.7 cm), Prints, Torii

Two Girls Under Plum Tree, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm), Prints, Nishikawa Sukenobu (Japanese, 1671–1750