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Catalogue of the Soulage collection being a descriptive inventory of a collection of works of decorative art, formerly in the possession of M. Jules Soulages of Toulouse, now.... exhibited to the public at the Museum of Ornamental art, Marlborough

Soldier disconnecting his fuse from the cock of his helm (no. 13), c. 1600, A soldier, full-length, to the right, holding a helm (a certain type of firearm) with his left hand (no. 13), c. 1600. With his right hand, he disengages the burning

Soldier carrying his spear horizontally on his right shoulder (no. 26), ca. 1600, A soldier, full-length, to the right, carrying a spear (lance) horizontally on his right shoulder. His right hand around the spear (no. 26), ca. 1600. First

View of the Nave of the Palace of Art and Industry during the 1862 World's Fair, View in the Nave, No.5 (title on object), The International Exhibition of 1862 (series title on object), William England, publisher: The London Stereoscopic and

Illustrated catalogue of the exhibition of portraits on loan in the new Galleries of art (title on object), Thomas Annan (mentioned on object), publisher: Thomas Annan (mentioned on object), Glasgow, 1868, paper, cardboard, printing, albumen

Interior of the Palace of Art and Industry at the 1862 World's Fair, as seen from the west side, View under the Western Dome (title on object), The International Exhibition of 1862 (series title on object), William England, publisher: The London

Part of the portal of the Cathedral of Aulnay, Art Roman - Aulnay - Départ d' archivolte du portail latéral de droite. (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object), Aulnay,

Soldier removing his ramrod from the holder under the barrel of his musket (no. 25), c. 1600, A soldier, full-length, to the right, seen from behind, holding a musket (a certain type of firearm) with his left hand near his left thigh and

Soldier pressing his fuse on the cock of his helm (no. 7), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 7), c. 1600. With his right hand, he presses a burning wick onto

Nave and choir screen of Cathedral of Lichfield, Part of Album of Photographs of Sights and Landscapes in England and of Art., anonymous, Lichfield, c. 1850 - c. 1870, paper, albumen print, height 108 mm × width 82 mm

Photoreproduction of (presumably) a print of Christ and an Apostle, Part of Album of Photographs of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 42 mm × width 33

Photoreproduction of (presumably) a print depicting Mary with child, John the Baptist and Saint Francis, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper,

Alte Pinakothek, Munich, Germany, View from the front left of the Alte Pinakothek, built by architect Leo von Klenze between 1826-1836 on behalf of Louis I who wanted to show his art collection to the public there, as well as in the Neue

Cast of a part of an archivolt decorated with rankwork, Rinceau encadrant l'archivolte d'une porte (title on object), Art Gothique XIII siècle (series title on object), anonymous, 1850 - 1900, photographic support, cardboard, albumen print,

Ruins of Tintern Abbey, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, Tintern, c. 1850 - c. 1870, paper, albumen print, height 131 mm × width 106 mm

Crew of the USS Wisconsin on the deck, On the Fo' castle of the Battleship Wisconsin, anonymous, publisher: Universal Photo Art Company, (mentioned on object), Philadelphia, 1901, photographic support, cardboard, height 89 mm × width 178

Display of Saxon art in the Bayerisches Nationalmuseum in Munich, Sachsischer Saal (südwestl. Ecke.) (title on object), anonymous, publisher: Johann Baptist Obernetter (mentioned on object), Bayerisches Nationalmuseum, publisher: München,

Soldier closing the pan of his musket (no. 18), c. 1600, A soldier, full-length, to the right, closing the pan (the powder reservoir) of his musket (a certain type of firearm) with his right hand (no. 18), c. 1600. In his left hand, in

La photographie appliquée à l'archéologie réproductions des monuments, oeuvres d'art, mobilier, inscriptions, manuscrits (title on object), Eugène Trutat (mentioned on object), publisher: Gauthier-Villars (mentioned on object), Paris,

Soldier blowing powder from his musket (no. 20), c. 1600, A full-length soldier holding a musket (a certain type of firearm) near his mouth with both hands and blowing on it, to get off any powder that may have fallen outside the pan (the powder

Soldier disconnecting his fuse from the cock of his helm (no. 13), c. 1600, A soldier, full-length, to the right, holding a helm (a certain type of firearm) with his left hand (no. 13), c. 1600. With his right hand, he disengages the burning

Photoreproduction of (presumably) a print depicting a veiled woman, Part of Album of Photographs of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 74 mm × width 61

Arrangement of works of art in the Bayerisches Nationalmuseum in Munich, Werke aelterer Meister. Room 1. View from the right side. (title on object), anonymous, publisher: Johann Baptist Obernetter (mentioned on object), Bayerisches

Triple gourd-shaped bottle with brown glaze and flower scrolls, Bottle-shaped vase (gourd-shaped bottle) of porcelain consisting of three spheres, long neck with thickening and spreading rim, covered with a café-au-lait glaze and painted in

Assertion on art and science, Gesina ter Borch, Zwolle, 1646, paper, height 155 mm × width 211 mm

Plaster model for sculpture at the Palais du Louvre: La Beauté et l'Art by Eugène Guillaume, Part of Réunion des Tuileries au Louvre 1852-1857, album 2., Édouard Denis Baldus, Eugène Guillaume, Paris, c. 1855 - c. 1857, paper, salted

Soldier on guard holding his rudder with his left hand by his right side angled upward, his right hand extended (no. 37), c. 1600, A soldier on guard, full-length, to the right, holding a rudder (a certain type of firearm) with his left hand by

Possible replica of a statue of Athena from the Temple of Afaia, Athene provenant du Temple d'Egine (title on object), Art Grec (series title on object), Adolphe Giraudon (mentioned on object), 1850 - 1900, photographic support, cardboard,

Soldier with a helm opening his powder horn (no. 22), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand near his left thigh, the barrel pointing diagonally upward (no. 22), c. 1600.

Interior of the Palace of Art and Industry at the 1862 World's Fair, as seen from the east side, The Nave, from the Eastern Dome (title on object), The International Exhibition of 1862 (series title on object), William England, publisher: The

Cast of a capital in the Cathedral of Laon, Art Gothique - XIII siècle - Chapiteau de colonne du triforium (Cathédrale de Laon) (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object),

Soldier pulling his ramrod from the barrel of his helm (no. 27), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand near his left thigh and pulling his ramrod from the barrel with his

The exercise with the targe and rapier: the soldier holds the targe with the right hand and grasps the belt with the left hand (no. 3), 1618, The exercise with the targe and rapier: the soldier holds the targe with the right hand and grasps the

Rowing boat at a riser in the canal at Kadoelen, Canal at Kadoelen (title on object), Is Photography Art? Second series of twelve heliogravures, after photographs (series title), Barend W. Arendsen, printer: Hübner & Van Santen Roeloffzen,

Woodland landscape with a water in England, Part of Album of photographs of sights and landscapes in England and of art., anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 192 mm × width 161 mm

Title page of a German edition of Adam van Breens De Nassausche Wapen-Handelinge, 1618, Title page of a German edition Adam van Breens De Nassausche Wapen-Handelinge, 1618. Published under the (here missing) title: Nassauische Waffenhandelung.

Soldier holding a rudder, sliding his right hand to the end of his ramrod (no. 25), c. 1600, A soldier, full-length, to the right, holding a rudder (a certain type of firearm) with his left hand near his left thigh and bringing his right hand

Interior of the Palace of Art and Industry during the World's Fair of 1862, Exposition Londres 1862. Salon del Palacio de Cristal Londres (title on object), The International Exhibition of 1862 (series title on object), William England,

Photoreproduction of (presumably) a print depicting a young woman in an armchair, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 71 mm

Art cabinet with two doors and eleven drawers in the Rijksmuseum in Amsterdam, anonymous, Rijksmuseum Amsterdam, c. 1875 - c. 1900, photographic support, height 145 mm × width 110 mm

Soldier holding his helm with both hands upright in front of him (no. 20), c. 1600, A soldier, full-length, to the right, holding a helm (a certain type of firearm) with both hands in front of him, pointing the barrel upward, to bring it to

Soldier blowing sparks away from the pan of his musket (no. 16), c. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) near his mouth and blowing over the pan (the powder reservoir) (no. 16), c. 1600. In

History of an imperial servant in Persia; Time with the Mexicans, Persian History, Histoire de Perse, Veder Painter Konst, Art de peindre chés les Mexiquains (title on object), Les Indes Orientales et Occidentales et autres lieux (series

The exercise with the targe and rapier: how the soldier should defend himself with the targe resting against the left knee and left shoulder, the drawn rapier in hand, seen from the front, (no. 9), 1618, The exercise with the targe and rapier:

Primitive shelter along a road in English landscape, Part of Album of pictures of sights and landscapes in England and of art., anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 100 mm × width 80 mm

Gazette du Bon Ton.Art, Modes et Frivolités, 1923, No. 5, Fashion Magazine: Gazette du Bon Ton: Art, Modes et Frivolités, No. 5-1923, 6th Année. Fondateur Lucien Vogel (vol. 6, no. 5 (1923) incomplete), publisher: Lucien Vogel, Paris,

Collage of cutting art, Gesina has made a collage of six different representations, all made by her cousins Cornelis and Gerrit Schellinger., Cornelis Schellinger (signed by artist), Gerrit Schellinger (signed by artist), Zwolle, 1687, paper,

Soldier on guard covering the pan of his helm with two fingers against sparks (no. 42), c. 1600, A soldier on guard, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 42), c. 1600. On the cock

Soldier aims and fires the helm (No. 11), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) horizontally with both hands, aims and fires (No. 11), c. 1600. Plate 11 in the instructions for handling

Cast of a relief in the Cathedral of Reims, Art Gothique - XIII s. - Panneau d'ornamentation de paroi intérieure (Cath. de Reims) (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object),

Soldier disconnecting his fuse from the cock of his musket (no. 14), c. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) and a furket (musket fork) with his left hand (no. 14), c. 1600. With his right

Interior of a house with various art objects, anonymous, c. 1910 - c. 1940, glass, height 120 mm × width 180 mm

Photoreproduction of (presumably) a print depicting a woman with tambourine, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 74 mm ×

Soldier disconnecting his fuse from the cock of his helm (no. 13), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 13), c. 1600. With his right hand, he disengages the

Soldier lifting his spear with both hands horizontally above his right shoulder (no. 27), c. 1600, A soldier, full-length, to the right, lifting a spear (lance) with both hands horizontally above his right shoulder (no. 27), c. 1600. Plate 27

Plaster models for sculptures at the Palais du Louvre: on the left L'Astronomie by Louis Auvray and on the right L'Art romain by Ferdinand Taluet, Part of Réunion des Tuileries au Louvre 1852-1857, album 1., Édouard Denis Baldus, Louis Auvray,

Soldier aims and fires the helm (no. 11), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) horizontally with both hands, aims and fires (no. 11), c. 1600. Plate 11 in the instructions for handling

Soldier with a musket picking up his fuse (no. 6), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand (no. 6), c. 1600. In his left hand, in addition to the musket, he holds a furket

Christ, le Beau Dieu, Salvator Mundi, Le Beau Dieu (title on object), L'Art Religieux. Architecture. Sculpture. Peinture, Lille 1853-1854 (series title), Standing Christ makes blessing gesture and holds imperial apple, in portal of Reims

Cast of a capital of the Abbey of Moissac, Art Roman - Chapiteau d'une colonnette, Cloître de Moissac. (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object), France, publisher: Paris, c.

Soldier taking his helm from his shoulder (no. 2), c. 1600, A soldier, full-length, to the right, taking a helm (a particular type of firearm) from his left shoulder with his right hand (no. 2), c. 1600. In his left hand, in addition to the

Cast of a frieze of the Cathedral of Bourges, Art Roman - Partie d'une grande frise Cathédrale de Bourges. (title on object), Adolphe Giraudon (mentioned on object), France, c. 1875 - c. 1900, cardboard, albumen print, height 202 mm × width

Soldier giving the fuse on the cock of his musket its proper place and shape (no. 9), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand (no. 9), c. 1600. With the thumb and middle

Soldier carrying his spear on his right shoulder, the point directed obliquely to the ground (no. 11), c. 1600, A soldier, full-length, to the right, carrying a spear (lance) on his right shoulder, the point directed obliquely to the ground

Cast of a capital of the Cathedral of Troyes, Art Gothique - XVe siècle - Rampant, bouquet et culot. Cathédrale de Troyes. (title on object), Adolphe Giraudon (mentioned on object), France, c. 1875 - c. 1900, cardboard, albumen print,

Soldier on guard with a rudder grabbing his fuse (no. 38), c. 1600, A soldier on guard, full-length, to the right, holding a rudder (a particular type of firearm) with his left hand. In his left hand, in addition to the rudder, there is a

Cast of a relief from the Notre-Dame at Caen, Art Gothique - XVe siècle - Claveau d'une fenêtre de l'Église Notre-Dame, Caen. (title on object), Adolphe Giraudon (mentioned on object), France, c. 1875 - c. 1900, cardboard, albumen print,

Cast of a fragment of an archivolt decorated with a leaf motif, Rinceau encadrant l'archivolte d'une porte (title on object), Art Gotique XIII siècle, anonymous, 1850 - 1900, photographic support, cardboard, albumen print, height 303 mm ×

Photoreproduction of (presumably) a print depicting a rowing woman in a storm, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 95 mm ×

Image of Mary with child, Vierge et enfant (title on object), Art Roman (series title on object), Adolphe Giraudon (mentioned on object), 1850 - 1900, photographic support, cardboard, albumen print, height 369 mm × width 296 mm

Soldier laying his helm on his shoulder with his right hand (no. 32), c. 1600, A soldier, full-length, to the right, laying a helm (a particular type of firearm) on his left shoulder with his right hand, the barrel pointing upward (no. 32), c.

Photoreproduction of (presumably) a painting of a mother at a crib, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, after: anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 136 mm ×

Soldier with a musket bringing his fuse to his mouth to blow it clean (no. 7), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand (no. 7), c. 1600. With his right hand, he brings a

Interior of the Palace of Art and Industry at the 1862 World's Fair, seen from the western side, The Nave, from the Western Dome (title on object), The International Exhibition of 1862 (series title on object), William England, publisher: The

Soldier holding his spear with both hands upright in front of him high above the ground (no. 3), c. 1600, A soldier, full-length, holding a spear (lance) with both hands upright in front of him high above the ground (no. 3), c. 1600. This is the

Cast of a capital of the Cathedral of Laon, Art Gothique - XIIIe diècle - Chapiteau de colonne du triforium (Cathédrale de Laon) (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object),

Ruin the Ship of Tintern Abbey, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, Tintern, c. 1850 - c. 1870, paper, albumen print, height 153 mm × width 114 mm

Cast of a tympanum with floral motif of the Monastery of Mont Saint-Michel, Art Gothique - XIIIe diècle - Tympan d'une arcature. Cloître de Mont Saint-Michel. (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon

Soldier with a musket picking up his fuse (no. 6), c. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) with his left hand (no. 6), c. 1600. In his left hand, in addition to the musket, he holds a

Cityscape of London, One of sixteen light prints in cover., publisher: Muchmore Art Co Ltd, United Kingdom, c. 1860 - c. 1915, paper, collotype, height 203 mm × width 277 mm

Cityscape of London, One of sixteen light prints in cover., publisher: Muchmore Art Co Ltd, United Kingdom, c. 1860 - c. 1915, paper, collotype, height 203 mm × width 277 mm

Soldier holding his helm upright with his right hand, his left hand open to accept the weapon (no. 3), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his right hand, the barrel pointing

Cityscape of London, Houses of Parliament, One of sixteen light prints in cover., publisher: Muchmore Art Co Ltd, United Kingdom, c. 1860 - c. 1915, paper, collotype, height 203 mm × width 277 mm

Photoreproduction of (presumably) a print depicting a woman wearing a headscarf, Part of Album of Photographs of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height 166

Interior of the Palace of Art and Industry at the 1862 World's Fair, seen from the west side, The Nave from the Western Dome (2) (title on object), The International Exhibition of 1862 (series title on object), William England, publisher: The

Soldier carrying his spear with his right hand by his right side, the point raised diagonally and near his belly (no. 21), c. 1600, A soldier, full-length, to the right, carrying his spear (lance) with his right hand by his right side, the

Fragment of printed silk with Art-Deco pattern, Fragment of white silk printed black Art-Deco pattern consisting of wide zigzag lines with geometric motifs in between., maker: Wiener Werkstätte, Vienna, c. 1910 - c. 1925, silk, printing,

Soldier holding his helm upright with his right hand (no. 31), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his right hand, the barrel pointing upward, before placing the weapon on his left

Two casts of capitals of the Saint-Pierre at Caen, Art Gothique - XVe siècle Caen. Colonnette supportant la retombée d'un arc, Eglise Saint-Pierre. (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon

Soldier blowing the fuse and covering the pan with his fingers (no. 9), c. 1600, A soldier, full-length, to the right, holding a rudder (a certain type of firearm) with his left hand (no. 9), c. 1600. He brings the helm to his mouth to blow the

Depiction of the Ascension of Mary, L'Assomption (title on object), Art Gothique XIIIe siècle (series title on object), anonymous, 1850 - 1900, photographic support, cardboard, albumen print, height 372 mm × width 340 mm

Soldier holding a rudder sliding his right hand to the end of his ramrod (no. 25), c. 1600, A soldier, full-length, to the right, holding a rudder (a certain type of firearm) with his left hand near his left thigh and bringing his right hand to

Soldier holding his musket with his right hand upright, in his left hand the furket to place his weapon on (no. 4), ca. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) with his right hand, the barrel

Galérie D'Appolon, Louvre, Paris, View of the long corridor of the gallery, with works of art, crafts in display cases, furniture and ceiling paintings., J. Kühn (uitgever) (mentioned on object), Paris, c. 1870 - c. 1890, photographic

Cast of a door knocker as at Bayonne Cathedral, Heurtoir d'une porte (title on object), Art Gothique XIII siècle (series title on object), Adolphe Giraudon (mentioned on object), 1850 - 1900, photographic support, cardboard, albumen print,

Part of the portal of the Église Saint-Lazare at Avallon, Art Roman - Détail des pilliers (Eglise d'Avallon) (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object), Avallon, publisher:

Cast of a capital in the Cathedral of Laon, Art Gothique - XIII siècle - Chapiteau de colonne du triforium (Cathédrale de Laon) (title on object), Adolphe Giraudon (mentioned on object), publisher: Adolphe Giraudon (mentioned on object),

Soldier shaking powder from his rudder (no. 18), c. 1600, A soldier, full-length, to the right, shaking a rudder (a certain type of firearm) with both hands, to get off any powder that may have fallen outside the pan (the powder reservoir) (no.

Chapel of the Cathedral of Chartres, Art Gothique - XIIIe siècle - Chapiteau. Cathédrale de Chartres. (title on object), Adolphe Giraudon (mentioned on object), Chartres, c. 1875 - c. 1900, cardboard, albumen print, height 203 mm × width

Photoreproduction of (presumably) a print depicting two young women with hair ornaments, Part of Album of Pictures of Sights and Landscapes in England and of Art., anonymous, anonymous, England, c. 1850 - c. 1870, paper, albumen print, height

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