Images at Librifly

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Lake view park., Liebich's Art Gallery, Ohio, Cleveland (Ohio

Fountain in public square., Liebich's Art Gallery, Ohio, Cleveland (Ohio

Art Gallery, New York Metropolitan Fair., J. Gurney & Son, New York (State), New York (N.Y.), Manhattan (New York, N.Y.), New York

View of a bridge over a river with houses in the background., Liebich's Art Gallery, Ohio, Cleveland (Ohio

Corcoran Art Building, Washington., Corcoran Gallery of Art, Renwick Gallery, 1875, Washington (D.C

Art Gallery, Vassar College., Pach, G. W. (Gustavus W.) (1845-1904), Vassar College, 1875, New York (State), Poughkeepsie (N.Y

Men walking over a bridge in a park., Liebich's Art Gallery, Ohio, Cleveland (Ohio

Corcoran Art Gallery., Chase, W. M. (William M.) (ca. 1818-1901), Corcoran Gallery of Art, Renwick Gallery, 1875, Washington (D.C

Andrew Ure, M.D. F.R.S. &c. Author of Dictionary of Art, manufactures & mines, &c. &c. Andrew Ure signature, still image, Clippings, 1840 - 1857

Interior of the McGraw-Fiske Mansion, Ithaca, N.Y. Ancient Spanish tapestry (1619) in art gallery., New York (State), Ithaca (N.Y

Domestic art-dining room and living room., New York (State), New York (N.Y.), Brooklyn (New York, N.Y

Art Gallery, Vassar College., Pach, G. W. (Gustavus W.) (1845-1904), Vassar College, New York (State), Poughkeepsie (N.Y

The Corcoran Gallery of Art, Washington, D.C.., Corcoran Gallery of Art, Renwick Gallery, 1865, Washington (D.C

The veiled Nun from original in Marble. Corcoran Art Gallery., Corcoran Gallery of Art, 1865, Washington (D.C

Art Gallery, Vassar College., Pach, G. W. (Gustavus W.) (1845-1904), Vassar College, 1875, New York (State), Poughkeepsie (N.Y

Metropolitan Museum of Art, Central Park., 1896, New York (State), New York (N.Y.), New York, Central Park (New York, N.Y.), Manhattan (New York, N.Y

View of Confederate gunboat Drury, blown up and sunk (by the 1st Conn. Art.) in the James River., Browne, William Frank, Philp & Solomons, 1862, United States

Art Gallery, Vassar College., Pach, G. W. (Gustavus W.) (1845-1904), Vassar College, 1875, New York (State), Poughkeepsie (N.Y

Art Gallery, Vassar College, with Apollo Belvedere., Pach, G. W. (Gustavus W.) (1845-1904), Vassar College, 1875, New York (State), Poughkeepsie (N.Y

Niagara, Luna Island, winter., Graves, C. H. (Carleton H.) (d. 1943), Universal Photo Art Co., New York (State), Niagara Falls (N.Y. and Ont.), Niagara Falls

The U. S. government dock., Liebich's Art Gallery, Ohio, Cleveland (Ohio

Corcoran Art Building Penn. Avenue., Soule, John P. (1827-1904), 1865, Washington (D.C

Tammany Hall, 14th St., N.Y., Alfred S. Campbell Art Co., Tammany Society, or Columbian order (N.Y.), 1896, New York (State), New York (N.Y.), Manhattan (New York, N.Y

Interior of the McGraw-Fiske Mansion, Ithaca, N.Y., from grand entrance through rotonda to art gallery. (W. H. Miller, architect), New York (State), Ithaca (N.Y

The Corcoran Art Gallery, corner seventeenth and pennsylvania avenue., Jarvis, J. F. (John F.) (b. 1850), Totherick, E., Corcoran Gallery of Art, Renwick Gallery, 1875, Washington (D.C

Corcoran Art Gallery., Corcoran Gallery of Art, Renwick Gallery, 1880, Washington (D.C

The Corcoran Art Gallery, corner seventeenth and pennsylvania avenue., Jarvis, J. F. (John F.) (b. 1850), Corcoran Gallery of Art, Renwick Gallery, 1885, Washington (D.C

Corkrans' Art Gallery., Corcoran Gallery of Art, Renwick Gallery, ca. 1870?, Washington (D.C

Anonymous, 17th century, hewn, With frame: 16.7 x 51.4 x 2.9cm 167 x 514 x 29mm, flower, Fragment of a marble mantelpiece. The fragment is an ornament carved in marble. On either side are two flowers with leaves in the center with branches that

signboard, Anonymous, first half 18th century, wood, paint, Rectangular signboard of a microscope maker. On the board in gilded writing letters a four-line inscription: The art of the glass frame makes a visual impression here. The smallest

cutting art, Anonymous, c. 1800, wood, pencil, paper, glass, lacquer, Cut-out with in different fonts, in four lines the text: This I command you that you love mallows. Around this, flowers, leaves and berries have been cut out. The sketch

Carlo Brogi, Firenze - S. Croce: Sagrestia, Reliquario del secolo XIV, albumin paper, black and white positive process, sheet size: height: 25, 50 cm; width: 20, 00 cm, inscribed: recto: image no. 9627, title; Edizioni Brogi, photography,

Christoph Reisser's Söhne, Gustav Bamberger, Künstlerbund Hagen. VIII. Exhibition, lithograph, total: height: 55, 50 cm; width: 42, 00 cm, monogrammed: u. Mitte im Druck: G.B, u. Mitte im Druck: CHRISTOPH REISSER'S S SÖHNE, WIEN V,

Wilhelm Weimar, wine jug, St. Michaelis Church, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 843, work of applied art (metals), church furnishings

Wilhelm Weimar, plate with landscape, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1360, work of applied art (ceramics), plate, plate, landscape with plants,

Hugo Erfurth, Büxenstein & Company, Gotthard Kühl, paper, heliogravure, image size: height: 17, 3 cm; width: 12, 2 cm, signed and dated: recto o. r.: exposed: Hugo Erfurth 1910, inscribed: recto at the lower platemark: in engraved

Hugo C. M. Elmqvist, long-necked vase, bronze, cast, reliefs, patinated, Total: Height: 40, 00 cm; Diameter: 14, 90 cm, signed: on the wall of the belly: HUGO ELMQVIST, ornamental objects, ivy, plant ornaments, beetle, art nouveau

Apollo of Belvedere, Vatican Museums, Collections of Classical Antiquities, Rome, albumin paper, black and white positive process, image size: height: 40.50 cm; width: 28.60 cm, history of Apollo (Phoebus), sculpture, plastic, sculpture

Wilhelm Weimar, Figure Grieved Girl, glass negative, black and white negative process, Total: Height: 17.8 cm; Width: 12.8 cm, numbered: top left: in black ink: 217, work of applied art (ceramics), Weimar recognizes the historical value of

Askos in the shape of a lying papposilens, Acquired from Swiss art dealers, clay, pressed into the mold, hand modeled, painted (ceramic), alternately fired, clay, Total: Height: 12.7 cm; Width: 18.2 cm; Depth: 5.2 cm; Weight: 281.2 g; Volume:

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Rathausmarkt Hamburg, silver gelatin paper, black and white positive process, image size: height: 12.20 cm; width: 9.00 cm, title: verso: handwritten in lead: Rathausmarkt Hambg,

Théophile-Alexandre Steinlen, Imprimerie Charles Verneau, Tournée du Chat Noir, paper, lithograph, Total: height: 140 cm; width: 97, 7 cm, signed: bottom left in print: Th. Steinlen, theater posters, art/culture (posters), cat, animals,

Jean Carriès, Kumme, bowl-shaped vessel, stoneware, glazed, total: height: 10, 30 cm; diameter: 17, 00 cm, incised mark, signature on the bottom: 18 Jean Carriès X, ceramics, dinnerware and serving dishes, art nouveau

Alfred Roller, Ver Sacrum, Albert Berger Lithographic Institute, Secession. IV. Art exhibition of the Vereinigung bildender Künstler Österreichs, lithography, total: height: 62, 00 cm; width: 89, 00 cm, monogrammed: u. li. in print: AR,

Wilhelm Weimar, Lüneburg Room, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 969, work of applied art (wood, e.g. panelling), door, plant ornaments, tendril

Edward Burne-Jones, Morris & Co, John Henry Dearle, Tapestry Adoration of the Kings, Acquired at the World Exhibition in Paris 1900, cotton, Total: Height: 255.00 cm; Width: 382.00 cm, Ref. in upper margin: THE 'ADORATION' DESIGNED BY SIR E.

Hugo Erfurth, Büxenstein & Company, Gotthard Kühl, paper, heliogravure, image size: height: 17, 3 cm; width: 12, 2 cm, signed and dated: recto o. r.: exposed: Hugo Erfurth 1910, inscribed: recto below the picture: in engraved typewriting u.

Hermann Gradl, Villeroy & Boch Keramische Werke, Orivit AG, wall fountain with fishes, Acquired from the manufacturer at the world exhibition 1900 in Paris, earthenware, pewter, glazed, Total: Height: 85, 20 cm (with wooden frame); Width: 61,

Lit. A. Gual, Santiago Rusiñol, Teatro Artistico. Interior por Mce Maeterlinck, paper, lithography, total: height: 86, 3 cm; width: 59, 1 cm, signed: in print and left: S. Rusiñol, theater posters, peacock, gardens and parks, fountain

George Barbier, Meynial éditeur, Paris, Portfolio of the fashion almanac Falbalas et Fanfreluches 1924, paper, opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, total (cover) Height: 26.2 cm; Width: 17.8 cm

George Barber, Meynial éditeur, Paris, Oui! from the fashion almanac Falbalas et Fanfreluches 1922 Campe'schen Historische Kunststiftung, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet

Wilhelm Weimar, tapestry Melkeveien (The Milky Way), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: right: in black ink: 2659, photography, Work of applied art (textiles), Stars,

Kōzaburō Tamamura, Three Monkys by Lifthand artist at Nikko, albumin paper, black and white positive process, hand colored, image size: height: 19.20 cm; width: 25.40 cm, titled: recto u. right: 1052 Three Monkys [sic!] by Lifthand [sic!]

Wilhelm Weimar, tureen, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 1313, a, photography, Work of applied art (ceramics), Bowl, Animals as ornament, Fish

Séraphin-Médéric Mieusement, Musée de Cluny. Panneau en bois sculpté, ébène, albumin paper, black and white positive process, image size: height: 18.2 cm; width: 25.3 cm, dry stamp: recto and left: MIEUSEMENT, PHOTOGRAPH, inscribed:

Hugo Erfurth, Theodor Däubler, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 25.4 cm; width: 19.8 cm,

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, fast steamer 'Deutschland', View of the large dining room, collodion paper, black and white positive process, Total: Height: 24.50 cm; Width: 18.60 cm, inscribed and dated: verso:

Nicola Pisano and others Arca di San Domenico, Basilica San Domenico, Bologna, albumin paper, black and white positive process, image size: height: 25.20 cm; width: 19.30 cm, copied title recto below the photograph is illegible and heavily

Wilhelm Weimar, mangle board, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: left: in black ink: 242, photography, handicrafts, arts and crafts, industrial design, woman, plant

Wilhelm Weimar, Meissen porcelain group from London (fake), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2032. sculpture, sculpture, sculpture art, work of applied

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, unloading of bottles at the Vorsetzen, Hamburg, silver gelatin paper, black and white positive process, total: height: 12.90 cm; width: 17.90 cm, inscribed and dated: verso o.: in

Wilhelm Weimar, decorative plate The Royal Danish Privilege Fäyance-Fabrique, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: right: in black ink: 2617. work of applied art (ceramics

Wilhelm Weimar, name shawl from the Vierlanden, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2531. photography, applied art (textiles), ornaments, letters,

Peter Behrens, art is only created as an intuition of strong individualities, paper, ink, pen and ink drawing, pen on strong paper, total: height: 20, 9 cm; width: 16, 6 cm, signed: Peter Behrens, autograph, handwriting, handwritten text

Wilhelm Weimar, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 514, photography, woman, history of Cupid, Cupid (Eros), snakes, crying (tears), death, bow and

Wilhelm Weimar, bowl (palace scenes), glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left: in black ink: 1566, b, signed: re. in black ink: enhanced, plate, plate, work of applied

Hugo Erfurth, Wolfgang Erfurth as soldier, paper, platinum print, image size: height: 22, 8 cm; width: 16, 3 cm, signed and dated, in lead: Hugo Erfurth 1916, dry stamp: recto u. r. : HUGO ERFURTH, DRESDEN 1916, stamp: recto Japan paper:

Wilhelm Weimar, Judith chest, front wall, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: right: in black ink: 1188, handicraft, arts and crafts, industrial design, chest, box, work of

Wilhelm Weimar, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 161, man, handicraft, arts and crafts, industrial design, candle holder, candelabra, human

Wilhelm Weimar, scissors chair, glass negative, black and white negative process, total: height: 23, 8 cm; width: 17, 8 cm, numbered: top left : in black ink: 1580, arts and crafts, arts and crafts, industrial design, chair, ornaments,

Cornelis de Bruin, De Distel, Plateelbakkerij, jug, earthenware, painted (ceramic), total: height: 18.00 cm; diameter: 19.80 cm, inscribed: Bottom: on the bottom brush mark under glaze: DISTEL 153/CB, drinking and barware, rose, art nouveau

Kelmscott Press, Edward Burne-Jones, William Morris, Kelmscott Chaucer, paper, leather, letterpress, white pigskin binding on wooden covers with silver clasps, total (book cover): height: 43.40 cm; width: 28.80 cm, book illustrations, plant

Hans Rudi Erdt, Hollerbaum & Schmidt, Den Berliner Börsen-Courier lesen Mann und Frau, paper, lithography, total: height: 70, 3 cm; width: 95, 5 cm, signed: u. r. im Druck: H R ERDT, product advertising (posters), newspaper, hat, man,

L. di Ruggero or Vito di Marco: Phrygian Sibyl, detail of the floor in the Cathedral of Siena, albumin paper, black and white positive process, image size: height: 25, 40 cm; width: 19, 10 cm, SIENA - Cattedrale. La Sibilla Frigia, dettaglio

Wilhelm Weimar, art of the Middle Ages, exhibition, glass negative, black and white negative process, Total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 1150, museum

George Barbier, Meynial éditeur, Paris, Le Langage des Fleurs, from the fashion almanac Falbalas et Fanfreluches 1922, handmade paper, non-opaque watercolor, etching, stencil printing (pochoir), pochoir and etching, sheet size: Height: 24,

Nicola Perscheid, Max Klinger, crouching, silver gelatin paper, black and white positive process, total: height: 32.00 cm; width: 26.20 cm, signed and dated: recto: N. Perscheid, Leipzig, 1899, titled: verso, photography, sculpture,

Nicola Perscheid, Max Klinger, head, silver gelatin paper, black and white positive process, total: height: 32.00 cm; width: 26.20 cm, signed and dated: recto: N. Perscheid, Leipzig, 1899, titled: verso: title in lead, photography,

Gustav Heinrich Wolff, white figure, Japan paper, woodcut, woodcut on Japan paper, image size: height: 49, 8 cm; width: 21, 8 cm, estate stamp GUSTAV H. WOLFF NACHLASS on verso, printmaking, printing, Free Graphic Art (printmaking, printing),

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Holsatia-Werke Arnoldstraße Blank, silver gelatin paper, black and white positive process, Total: Height: 17, 90 cm; Width: 24, 20 cm, Dry stamp, J. HAMANN, Hamburg, Atelier

Ernst Klimt, Kunstanstalt S. Czeiger, Internationale Ausstellung für Musik und Theaterwesen, paper, lithography, total: height: 89, 5 cm; width: 120, 7 cm, signed: u. li. in the printing medium: ERNST KLIMT, exhibition posters, art/culture

Ver Sacrum, Max Kurzweil, Lithographic Institute Albert Berger, Secession. XVIIth exhibition of the association bildend. Artists of Austria. 1903, lithograph, total: height: 92, 50 cm; width: 31, 00 cm, signed: u. r. im Druck: KURZWEIL,

Heinrich Hamann, Atelier J. Hamann, Schlagballspiel der Damen, im Schlagmal, silver gelatin paper, black and white positive process, Total: height: 8, 90 cm; width: 15, 80 cm, title: verso: handwritten in lead: Schlagballspiel der Damen, im

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Im Zoo, collodion paper, black and white positive process, Image size: Height: 12.50 cm; Width: 17.30 cm, Stamp: verso on cardboard: J. Hamann, Hamburg 36, Valentinskamp, 41,

Wilhelm Weimar, Element of the Nuremberg Oven by Andreas Leupold (1662), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: lower left : in black ink: 1514, work of applied art (ceramics

Léon Vidal, Boite d'Evangéliare, paper, photochrome print, image size: height: 31.5 cm; width: 24.2 cm, inscribed: recto: printed above the photograph: Musee National Du Louvre Galerie D'Apollon; below the photograph: Ateliers de Photochromie

Giacomo Brogi, Edizioni Brogi, Napoli, Museo Nazionale. Supplizio di Dirce, detto il Toro Farnese, Apollonio e Taurisco, albumin paper, black and white positive process, sheet size: height: 24.50 cm; width: 19.00 cm, inscription: recto

Emil Orlik, A. Haase (Prague), Chocolat-Cacao Lobosic, lithograph, Total: height: 157.5 cm; width: 118 cm, signed: recto u. re. im Stein: Orlik, product advertising (posters), woman, hat, chocolate, cocoa, food and drink, flower

Hugo Erfurth, Ludwig Mies van der Rohe, paper, oil print, image size: height: 38, 4 cm; width: 27, 6 cm, label: cardboard verso: top left in typescript: Hugo Erfurth added by hand in lead: Mies v. d. Rohe; lower right in typescript: HUGO ERFURTH

G. Ricordi e C, Leopoldo Metlicovitz, Tosca. Musica di G. Puccini, lithograph, total: height: 75.40 cm; width: 51.30 cm, monogrammed: u. r. in print: LM, opera posters, woman, hat, flower ornaments, rose, accessories, accessories of

Leopold Stolba, Lithographic Institute Albert Berger, XX exhibition of the association forming. Artist Oesterreichs Secession March-May 1904, lithograph, total: height: 95, 20 cm; width: 65, 50 cm, exhibition posters, En face (frontal view),

Léon Vidal, Plat de Charles V, paper, photochrome print, image size: height: 33.4 cm; width: 26.5 cm, inscribed: recto: printed above the photograph: Musee National Du Louvre Galerie D'Apollon; below the photograph: Ateliers de Reproductions

Wilhelm Weimar, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left. : in black ink: 631, factual photography, work of applied art (metals), bishop, archbishop, coronation, historical

Heinrich Hamann, Atelier J. Hamann, Johann Hinrich W. Hamann, Ellerntorsbrücke, silver gelatin paper, black and white positive process, total: height: 11.10 cm; width: 8.60 cm, titled: verso: handwritten in lead: Ellerntorsbrücke, Atelier

Wilhelm Weimar, showcase with metal craft objects from the region of Schleswig-Holstein, exhibition, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2785. photography,

Wilhelm Weimar, tile Le Matin (after Nicolas Lancret), glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2540. works of applied art (ceramics), ornaments, rocaille,

Church of S. Maria dei Frari, main portal, Venice, albumin paper, black and white positive process, image size: height: 25.00 cm; width: 19.00 cm, 1. VENEZIA - Chiesa di S. Maria dei Frari. La Porta Maggiore. (XIV Secolo.) Recto noted with

Heinrich Hamann, Atelier J. Hamann, women in Swedish gymnastic clothing, on ribbstol, silver gelatin paper, black and white positive process, Total: Height: 9, 20 cm; Width: 11, 70 cm, Dry stamp, J. HAMANN, Hamburg, titled: verso:

Wilhelm Weimar, tapestry tapestry, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 2646. applied arts (textiles), ornaments, flower ornaments, angels (Christian

Wilhelm Weimar, Esther chest, glass negative, black and white negative process, total: height: 23.8 cm; width: 17.8 cm, numbered: top left: in black ink: 212, chest, box, box, work of applied art (wood, z. B. panelling), ornaments,

search results: Art clear search