Images at Librifly

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Face of Senwosret III, Middle Kingdom, Dynasty 12, ca. 1878–1840 B.C., From Egypt, Red quartzite, H. 16.5 cm (6 1/2 in.); W. 12.6 cm (4 15/16 in.); D. 11.4 cm (4 1/2 in.), The face of Senwosret III is one of the most individual and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 11r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Jewish Woman of Algiers, 1862, French, Paris, Algerian onyx-marble, bronze, gilt bronze, enamel, and amethyst eyes; white marble socle, Overall on socle (confirmed): H. 35 1/2 x W. 25 1/4 x D. 13 3/4 in., 265lb. (90.2 x 64.1 x 34.9 cm,

Tile, 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Wine decanter, ca. 1780, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 13 11/16 x 4 1/8 in. (34.8 x 10.5 cm), Metalwork-Silver, This decanter was used to serve mulled wine. The sculpted snake holding an apple in its mouth and resting

Georgia O'Keeffe, 1925–27, Alabaster, H. 22-3/4 x W. 7-3/4 x D. 12-1/4 in. (57.8 x 19.7 x 31.1 cm); including 5-3/4 in. high base., Sculpture, Gaston Lachaise (American (born France) 1882–1935), This bust of O'Keeffe (1887–1986) is one of

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 2 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 13v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Terracotta globular cup, Archaic, ca. 520–510 B.C., Etruscan, Terracotta; black-figure, Pontic ware, H.: 3 3/4 in. (9.5 cm), Vases, Male and female figures flanked by heraldic lions. The subject of this vase is unusual: a male figure

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 30r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Deity Figure (Zemí), ca0, Dominican Republic (?), Caribbean, Taíno, Wood (Guaiacum sp.), shell, H. 27 x W. 8 5/8 x D. 9 1/8 in. (68.5 x 21.9 x 23.2cm), Wood-Sculpture, The Taino peoples of the Greater Antilles—the islands of Cuba,

Gilt silver kylix, Classical period, late 5th century B.C., Greek, Silver-gilt, Diameter: 5 1/8 in. (13 cm), Gold and Silver, The hero Bellerophon rides Pegasos, the winged horse, as he battles the Chimaera, a mythical creature with the

Standing Male Nude Holding a Bow ('Poynter Apollo'), 1501–3, Pen and brown and black ink, 8 5/8 x 5 11/16 in. (21.9 x 14.5 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), As his artistic career advanced and his

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 6r), Binder, Publisher, Riviere & Son(s), Hermann Gülfferich, London, 1542–1554, Frankfurt am Main, Riviere & Son(s),

Flask with Lotus Pond, Yuan dynasty (1271–1368), mid-14th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 11 1/4 in. (28.6 cm); Diam. 3 1/4 in. (8.3 cm), Ceramics, Introduced with Buddhism in

A Princely Hunt, late 16th century, Attributed to Iran, Qazvin, Ink, gold, and watercolor on paper, Painting: H. 6 15/16 in. (17.6 cm), Codices, Following the death of Shah Tahmasp in 1576 royal art patronage declined and artists sought

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 7r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 7v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Famous Themes for Painting Study Known as The Garden of Painting (Gaen), 狩野探幽筆　『画苑』, Edo period (1615–1868), 1670, Japan, One of a pair of handscrolls; ink on paper, 10 7/8 in. x 10 ft. 7 5/8 in. (27.6 x 324.2 cm),

Disk with Dragons, Yuan (1271–1368)–Ming (1368–1644) dynasty, 14th–15th century, China, Ivory, H. 10 1/8 in. (25.7 cm); Diam. 4 9/16 in. (11.6 cm), Ivories, This disc either may have been used as inlay to decorate another a piece of

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 7r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

The Terminal, 1893, printed 1911, Photogravure, 12.1 x 16.0 cm (4 3/4 x 6 5/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

The Artist's Garden at St. Clair, 1904–5, Watercolor, Sheet: 10 1/2 x 14 1/8 in. (26.6 x 35.8cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair), The art of Henri-Edmond Cross belongs to the

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 3v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 17 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Satire on Art Criticism, 1644, Pen and brown ink corrected with white., 6 1/8 x 7 15/16 in. (15.5 x 20.1 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), An atypical subject and approach to composition,

Study for 'A Sunday on La Grande Jatte', 1884, Oil on canvas, 27 3/4 x 41 in. (70.5 x 104.1 cm), Paintings, Georges Seurat (French, Paris 1859–1891 Paris), This is Seurat’s final study for his monumental painting of Parisians at leisure on

Fragment of a Hanging with Birds and Flowers, 5th–7th century, Attributed to Egypt, Linen, wool, 27 15/16 in. high 26 9/16 in. wide (71 cm high 67.5 cm wide), Textiles, This delicate linen is decorated with a trellis pattern of buds joined

Spartan Soldier, 1859, Albumen silver print from glass negative, Image: 35.3 x 43.5 cm (13 7/8 x 17 1/8 in.), Photographs, Charles Nègre (French, 1820–1880), Astonished on first seeing daguerreotypes (about 1844) and dreaming of the

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Catalogue of the F.M. Co., Art Pottery, Barbotine Vases, Baskets, Jardineres, 1881–82, Illustrations: wood engraving, 7 13/16 x 5 3/8 in. (19.9 x 13.7 cm), Books

Ring with Seated Lion, 12th century, Attributed to Iran, Gold; inlaid with black organic compound, H. 7/8 in. (2.2 cm), Jewelry, This ring with molded lion and the niello inscription—which employs a black organic compound—of the words

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 8r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Decorated spoon, New Kingdom, Ramesside or Third Intermediate Period, Dynasty 19–20 or later, ca. 1295–1070 B.C. or later, From Egypt, Faience, L. 19 cm (7 1/2 in), Decorated spoons in the form of an arm and hand holding a shell have a

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 35r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Allegory of Art, 1595, Pen and black ink, brush and coloured washes, heightened with white, over red chalk, sheet: 8 1/16 x 6 in. (20.5 x 15.2 cm), Drawings, Joachim Lüchteke (German, active 1595

Conical cup, ca. 1640, Hungarian, Kolozsvár, Silver, partly gilded, Height: 7 7/8 in. (20 cm), Metalwork-Silver, The plaquette on this cup commemorates Holy Roman Emperor Rudolph II (1552–1612), the great Habsburg collector, who amassed

The Terminal, 1893, printed 1913 or before, Photogravure, 25.5 x 33.5 cm (10 1/16 x 13 3/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 18r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Crucifixion of Christ, before 1577, Pen and brown and ink, brush and brown ink, heightened with white gouache; on blue paper, 16-1/4 x 10-3/8 in. (41.3 x 26.4 cm), Drawings, Hans Speckaert (Netherlandish, Brussels ca. 1540–1577 Rome),

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 10v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Chocolate Pot, ca. 1890–96, Made in Trenton, New Jersey, United States, American, Porcelain, 10 1/2 in. (26.7 cm), Ceramics, Attributed to Ceramic Art Company (American (Trenton, New Jersey), 1889–1896

Design for a niche with urn, late 19th–early 20th century, Made in New York, United States, American, Graphite, gouache, watercolor, and black pen on splatter painted buff paper, Overall: 29 x 20 1/2 in. (73.7 x 52.1 cm), Drawings,

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 7 9/16 in. (19.2 cm), Terracottas, This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 16 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Bowl with Enthroned Figure and Horsemen, late 12th–early 13th century, Country of Origin Iran, Stonepaste; glazed in opaque white, overglaze-painted, H. 3 1/4 in. (8.3 cm), Ceramics, The enthroned ruler is a favorite theme in late Seljuq and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 22v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Vase, 1876–80, Made in Chelsea, Massachusetts, United States, American, Probably earthenware, H. 7 1/2 (19.1 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics, Chelsea Keramic Art Works (1872–1889

Bronze handle from a cista (toiletry box), Late Classical, 4th century B.C., Praenestine, Bronze, H.: 5 1/2 in. (14 cm), Bronzes, These solid-cast handles depict a popular subject in Etruscan art, warriors carrying the body of a fallen

Cows Crossing a Ford, 1836, Oil on canvas, 14 1/4 x 24 5/8 in. (36.2 x 62.5 cm), Paintings, Jules Dupré (French, Nantes 1811–1889 L'Isle-Adam), The low horizon and broadly painted sky in this picture testify to Dupré’s interest in recent

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 15r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Steerage, 1907, printed in or before 1913, Photogravure, 32.2 x 25.8 cm (12 11/16 x 10 3/16 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

Statuette of a striding man, Middle Kingdom, mid-Dynasty 12, ca. 1900–1850 B.C., From Egypt, Graywacke, H. 32.2 cm (12 11/16 in.); W. 9.2 cm (3 5/8 in.); D. 15.6 cm (6 1/8 in.), The Art of the Middle Kingdom Mid-Dynasty 12 through Dynasty 13

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 8r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Standing Shiva or Temple Guardian (Dvarapala), ca. first half of the 10th century, Vietnam (Champa), Stone, H. 50 1/2 in. (128.3 cm), Sculpture, Located on a major sea route between India and China, Champa, in the central part of Vietnam,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 4 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

View in the East Nave (The Greek Slave, by Power [sic]; from Recollections of the Great Exhibition), 1851, Hand-colored lithograph with gum, Sheet: 10 11/16 × 14 11/16 in. (27.2 × 37.3 cm), Prints, John Absolon (British, London 1815–1895),

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 11r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 23r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Virgin of the Annunciation, ca. 1300–1310, Made in Paris, France, French, Limestone, traces of paint, Overall: 16 11/16 x 11 5/8 x 7 3/8 in. (42.4 x 29.6 x 18.8 cm), Sculpture-Stone, Interrupted in her spiritual meditations, the Virgin

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Saint Maurice, ca. 1520–25, Oil on linden, 54 x 15 1/2 in. (137.2 x 39.4 cm), Paintings, Lucas Cranach the Elder and Workshop (German, Kronach 1472–1553 Weimar), Originally the wing of an altarpiece, this panel represents Maurice, the

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 15 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Hagar and the Angel, ca. 1657, Oil on canvas, 41 3/4 x 54 in. (106 x 137.2 cm), Paintings, Francesco Maffei (Italian, Vicenza 1605–1660 Padua), Maffei, who lived and worked in the cities of Vicenza and Padua, was profoundly influenced by

[The Averted Head - A Study in Flesh Tones], 1899, Platinum print, 16.5 x 10.5 cm. (6 1/2 x 4 1/8 in.), Photographs, Joseph T. Keiley (American, 1869–1914), Lawyer turned amateur photographer, Keiley was involved in establishing the

Two Alternate Designs for a Doorway, ca. 1730–60, Pen and brown ink, brush and brown, gray, yellow, and red wash, over lead point or graphite, Sheet: 7-11/16 x 5-11/16 in. (19.55 x 14.4 cm), Drawings, Anonymous, Italian, Piedmontese,

Roundel with Central Asian-style 'Candelabra Tree', 7th–9th century, Attributed to Egypt or Syria, Silk; samite, Textile: H. 6 1/8 in. (15.5 cm), Textiles-Woven, This beige and green silk textile fragment displays a roundel with a border of

Duck-Head Vessel, 12th–9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, H. 2 1/2 x D. 4 1/4 in. (6.4 x 10.8 cm), Ceramics-Containers, This black vessel is in the form of an upward-facing duck with the opening of the bill functioning

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 2 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Bottle vase, ca. 1890, French, Choisy-le-Roi, Porcelain, confirmed: 16 15/16 × 7 1/2 × 7 1/2 in., 11 lb. (43 × 19.1 × 19.1 cm, 5 kg), Ceramics-Porcelain, This bottle vase is decorated with a flambé glaze, a mixture of deep copper red

Figure: Female (Dege Dal Nda), 18th–19th century, Mali, Dogon peoples, Wood, H. 25 x W. 3 3/4 x D. 4 7/8 in. (63.5 x 9.5 x 12.4 cm), Wood-Sculpture, Master of Ogol, This female figure is one of about a dozen works that have been attributed

Dish with Birds and Flowers on Fan, Qing dynasty (1644–1911), ca. 1730–50, China, Porcelain painted in overglaze famille rose enamels and gold (and possibly silver), Diam. of rim: 7 7/8 in. (20 cm), Ceramics, The layering of designs on

Lorelei Vase, 1902, Made in Colorado Springs, Colorado, United States, American, Glazed ceramic, 9 3/4 in. (24.8 cm), Ceramics, The Van Briggle Pottery Company was one of America’s most important and longest lasting art potteries,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 4 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Vase des Binelles, 1903, Stoneware, 51 1/4 × 15 3/8 × 15 5/8 in. (130.2 × 39.1 × 39.7 cm), Ceramics-Porcelain, This vase is an extraordinary feat of Art Nouveau ceramics by the French architect Hector Guimard, who designed the iconic Paris

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 19 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 7 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 61 x 73 1/2 x 3 1/4 in. (154.9 x 186.7 x 8.3 cm), Stone-Reliefs-Inscribed, The beardless male figure depicted on this panel from

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 6 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 26v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 4 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 24r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 31v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Marble head of a baby, Early Imperial, Augustan, 1st century B.C.–1st century A.D., Roman, Marble, 3 7/8 × 2 3/4 × 3 3/4 in. (9.8 × 7 × 9.5 cm), Stone Sculpture, Portraits of small children are not uncommon in Greek and Roman art. Here,

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 20 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 12v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Seal with knob in the shape of a wheel, Ming dynasty (1368–1644), Yongle period (1403–24), dated 1424, China, Ivory, H. 2 3/4 in. (7 cm); W. 1 5/8 in. (4.2 cm); D. 1 5/8 in. (4.2 cm), Ivories, Symbolic of teaching, the wheel is a

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... title page (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vorsterman. Title is printed in black and framed within a

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 9v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Dongfang Shuo stealing peaches of longevity, 清 琥珀東方朔偷桃擺件, Qing dynasty (1644–1911), China, Amber, H. 6 1/2 in. (16.5 cm); W. 4 1/2 in. (11.4 cm), Amber, Dongfang Shuo was an official at the court of Han Emperor Wu (r.

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 14v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 27r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 10r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Comedy, ca. 1736, Oil on canvas, enlarged, 18 3/4 x 23 1/2 in. (47.6 x 59.7 cm), Paintings, Pierre Charles Trémolières (French, Cholet 1703–1739 Paris), Between 1736 and 1738 Trémolières painted large canvases of Comedy and Tragedy.

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 5v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

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