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Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Prayer Book (compilation), St. Jerome in penance, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Man cooking in flaming oven, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Illuminated Manuscript, Vienna book of hours, Virgin and Child, This book of hours was written in German in Vienna, Austria, ca. 1460-65. It is one of a series of manuscripts commissioned at the court of Emperor Frederick III of Austria

Psalter and Office of the Dead, Man trampling grapes while drinking wine, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of

Book of Hours, Man threshing, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Capricorn, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Gospels, Evangelist John, This volume is primarily remarkable for its excellently preserved early (but not original) binding, as well as the peculiar style of its miniatures. The manuscript opens with an unusual, icon-like prefatory image of the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Prayer Book (compilation), Lamentation, witnessed by reverent cleric, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Illuminated Manuscript, Reichenau Gospels, Canon table, This Gospel book is believed to come from the Abbey of St. Peters in Reichenau, on the basis of its script, its illumination, and the fact that it contains a dedication image, in which a

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Illuminated Manuscript Khamsa, An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Psalter and Office of the Dead, Man digging at base of tree, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial 'D' with jeweled cross pendant of gold and pearls, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Initial 'I' with green fronds with rosary beads in maiolica vase, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Initial 'D' with fool eating a loaf and carrying a club, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials.

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Psalter and Office of the Dead, Initial, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the Dead

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Psalter and Office of the Dead, Initial 'B' with King David playing the harp and young David decapitating Goliath, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Initial, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the Dead

Lace Book of Marie de' Medici, David harping, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This pocket-sized Flemish Book of Hours was likely created in Bruges ca. 1500. It contains illuminations produced by the Ghent-Bruges school stylistically associated with the Master of the Prayerbooks, who was active at

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Incomplete Book of Hours, Image of the Holy Face, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth

Lace Book of Marie de' Medici, Top: Christ before Pilate; Carrying the Cross; Bottom: Man of Sorrows supported by angel; Souls of the blessed brought before God the Father, This Prayerbook was made for Marie de' Medici in the second quarter of the

Book of Hours, Initial, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the Handsome, also known as Philip the Fair (1478-1506), duke of

Psalter and Office of the Dead, Initial, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the Dead

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Crucifixion, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Initial 'T' with Crucifixion with Mary and John on hanging shield, This Book of Hours was created by the artists known as the Ghent Associates ca. 1490-1500. The manuscript appears to have been originally made for Philip the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Lace Book of Marie de' Medici, Deposition, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Psalter and Office of the Dead, Woman holding two lit candles for Candlemas, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Incomplete Book of Hours, Marginalia, This Book of Hours was made ca. 1310-20, likely in Ghent. It was badly rebound with a sixteenth-century Flemish binding by Léon Gruel in Paris at the end of the nineteenth or early twentieth century, and the

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Prayer Book (compilation), Initial 'A' with angel, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Book of Hours, Marginalia, This Book of Hours was created in northeastern France in the early fourteenth century, possibly for the marriage of Louis I of Châtillon (d. 1346) and Jeanne of Hainaut, as the Châtillon de Blois arms are depicted,

Psalter and Office of the Dead, Initial, Dating from ca. 1265-80, this manuscript includes twelve calendar illustrations, four extant full-page miniatures, and eight historiated initials. Originally composed of the Psalter and Office of the Dead

Lace Book of Marie de' Medici, Lace margins, This Prayerbook was made for Marie de' Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately

Prayer Book (compilation), Initial, This Prayer Book, ca. 1500, is a compilation of several texts from at least five different hands, with the miniatures featuring several hands as well. The illusionistic borders with exceptional motifs are of

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