Images at Librifly

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Checker with floral motifs and monogram in the middle, Colored Art Nouveau stained glass window with monogram and year (1900). In decorative wooden frame., anonymous, 1900, glass, h 78.1 cm × w 84.2 cm × d 2.4 cm

Portrait of a Member of the Van der Mersch Family Portrait of a Member of the Van der Mersch Family Portrait of a member of the Van der Mersch family, Portrait of an art and music lover, probably one of the three brothers of the Mennonite family

Vase with poppies, Concave, ground cut. Flared up, flattened body with a square mouth with raised sides. Colorless glass, orange-red and colorless Überfang with brown-green fused glass powder, free and etched with a needle. Decor of red poppies

Four bunches of fruit and an ornament Ornaments with cherubs and bunches of fruit (series title), Four bunches of fruit, with a small bunch or ornament in the middle. Numbered bottom right: 17. The print is part of an album, ornaments, art,

Notebook, ornaments, art, anonymous, Amsterdam, 1776, silver (metal), h 12.8 cm × w 9.2 cm × d 3.2 cm

Pair of candlesticks Candlestick Candlestick, multicolored, with octagonal base and square stem, Faience candlestick, with square shaft and round candleholder on octagonal base. Ornaments in red, blue, green black and gold on white ground,

World Exhibition at the Palais de l'Industrie in Paris, in honor of Napoleon III, Emperor of the French, Front: A woman with a halo on her head stands on an elevation adorned with an imperial eagle and loves each of both hands wreath above the

Necklace made of ivory beads, Necklace made of ivory beads. Art déco. The convex beads are of varying sizes, with a screw lock., anonymous, West-Europa, c. 1920, ivory, basting, l 45 cm d 1.6

Five images of two fighting men, Five glasses with images of two fighting men, one with a red jacket and blue pants, the other with a blue jacket and red pants. Each of the images shows a grasp or technique from combat art, hand-to-hand fighting

Lidded goblet, Lid jar with Olympic gods, Jar with lid of carved amber, surrounded by eight bands of gold with superimposed motifs of enamel and precious stones. The crowning glory is an enamelled Minerva figure with shield and lance. Around the

Writing and dressing table, Table glued with multiple types of wood on an oak core, with gilt bronze fittings. The stretched S-shaped legs placed diagonally overflow into the scalloped lines. The front bar contains a concave, recessed drawer and

Handicraft with art nouveau motif, Handicraft with art nouveau border motif in red and moss green, in the stitch, on a white satin rectangle. Belonging to a series of eight white and ten colored handicrafts, manufactured by Aagje Tiket for

Table piece Table piece of partially gilt silver, with three female figures on triangular base, symbolizing Industry, Chemistry and the Arts respectively, Table piece of partially gilt silver, with three triangular base female figures,

Labor and Industry (Labor and Diligents) The reward of labor, industry, practice and art (series title), A naked woman, personification of the Vlijt, sits on her lap with a naked man, the personification of Labor, and kiss him. In the

Vase Vase with orienting motifs, Vase with curved foot edge, conical foot, funnel-shaped body, flat and protruding edge. Decoration in white, brown, dark and light blue and gilt in orienting motifs. Marked on the bottom in white enamel with the

Jacob de Vos Sr (1735-1833), Amsterdam Art Collector, Portrait of Jacob de Vos Sr, insurance deliverer and art collector in Amsterdam. Sitting, in the right hand a sheet of paper (a drawing?), Leaning with the left arm on a book lying on a

Pair of candlesticks candlestick with medallions Pair of candlesticks, The candlesticks are round in cross-section. The straight-walled base has a flat top, over which runs a pearl rim that surrounds the foot. This is constructed in steps and

Art Society in the Arms Trade in Amsterdam, Lead Medal. Front: Minerva with plumed helmet, shield and spear, imagining the city of Amsterdam, standing amidst a pile of weaponry within a circle, cut off: inscription and year. Reverse:

Figure in the shape of a Japanese man with a fish, Image of porcelain in the shape of a Japanese man with a fish on his neck. Painted in underglaze green, beige, brown and on the enamel gold. Marked on the bottom with the scepter, the numbers

A vista in the Botanical Gardens. Buitenzorg, Java, C.H. Graves & Universal Photo Art Co., 1902

Sideboard Sideboard, consisting of a substructure, a recessed intermediate structure and a hood, Coromandelwood sideboard, consisting of a base with sloping sides, a recessed intermediate structure and a hood. The substructure is divided into

Cabinet Art cabinet, glued with turtle on a red bottom layer. On both sides of the two doors are above and below eleven drawers. Behind the doors, another ten drawers around a mirror-clad, Tuscan-style room with a turtle and ivory-glued floor,

Chess pieces by Charles V from boxwood Schach figures by Karl V. aus Buchsbaumholz (title on object) 55 [/ Aus dem Bayerischen National Museum] (series title), Schachfiguren von Karl V. aus Buchsbaumholz 1520-1550, chessmen, work of applied art,

Portrait of Arnoud van Halen (1673-1732). Painter, Printmaker, Poet and Collector in Amsterdam, engraver, poet and collector in Amsterdam. Founder of the Panpoeticum Batavam. Halfway through, for the cabinet in which he kept his collection of

Dresser, Dresser decorated with marquetry of rosewood and mahogany on oak core and with gilt bronze. The S-shaped corner posts placed at an angle merge into the legs. The double vertically curved front has two drawers and fittings, consisting of a

Taurus with front legs on an elevation Sic fox non vobis / Si quid melius videris (series title on object) Black ornaments (series title), A bull or ox with the title of the series between its horns and its front legs on an elevation with two

Roman gate in Athens, Print upper right: Pag. 140. Tom. II, architecture (Roman art), parts of church exterior and annexes: porch, Athens, Jan Luyken, Amsterdam, 1679, paper, etching, h 125 mm × w 107 mm

Sculpture of at the Musée de Cluny in Paris, representing Maria with Child Paris, Musée Cluny: La Vierge et l'enfant, art Allemand (permanent object), permanent exhibition, museum, Madonna: ie Mary with the Christ-child, sculpture, Neue

Four candlesticks Candlestick with fluted stem Four candlesticks, The candlesticks are round in cross-section. The profiled foot rests on the straight-walled base, which is decorated with fasces and with a pearl edge. A vaulted, fluted section

Dish with mythological animals in landscapes, Porcelain dish with ribbed wall and lobed edge, painted in underglaze blue and on the glaze blue, red, green, yellow, eggplant, black and gold. On the flat a double medallion with a flying feng

Basket, The oval basket rests on four cast feet in the shape of a bird's claw on a sphere. The flat bottom is encased in the lower edge, which, like the upper edge, is decorated with fasces. The vaulted wall is completely cut-out with grille,

View in a Forest, Outer Left Wing of a Triptych, Forest view. One of the two forest views on the outside of the two side panels of a triptych. This is the left-hand side panel with a gatehouse. The insides of these side panels and the center panel

Wick lock musket, Wick lock with rectangular lock plate with rounded ends and a flat rooster. The barrel fan slightly to the trumpet, provided with an iron grain, powder pan attached to the barrel with hinged pan lid and a fire screen, stamped on

Bowl, Coupe on foot, of rock crystal in a golden frame with translucent enamel. The foot and the barrel are lobed. Vertical gold bands connect the lip and bottom edge. At the bottom of the barrel in translucid enamel a pelican with young,

Pepe Illo making the pass of the ‘recorte’, plate 29 from The Art of Bullfighting, 1815, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, aquatint, drypoint and burin on ivory laid paper, 209 x 307 mm

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory

Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist’s Pencil, Read before the Royal Society, January 31, 1839, William Henry Fox Talbot,

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and drypoint on ivory laid paper, 210 x 311 mm (image),

Blessed Art Thou Among Women, 1899, Gertrude Käsebier, American, 1852–1934, United States, Photogravure, from "American Pictorial Photography, Series II" (1901), edition 34/150, 23.7 x 14.1 cm (image), 26.4 x 16.4 cm (paper), 28.5 x

The Forceful Rendón Stabs a Bull with the Pique, from which Pass He Died in the Ring at Madrid, plate 28 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching,

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid

Illustration from Kunst des Messens (The Art of Measurement), plate eight from Woodcuts from Books of the XVI Century, 1531, assembled into portfolio 1937, Attributed to Monogrammist H.H. (German, active 1539-1559), assembled by Max Geisberg

A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

The Arrival of the Muses of Art at Architecture, 1890, Jan Toorop, Dutch, 1858–1928, Netherlands, Pen and brown ink and colored crayons on cream wove paper (discolored to buff), pieced, 206 x 248 mm

The Same Ceballos, Mounted on Another Bull, Breaks Short Spears in the Ring at Madrid, plate 24 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and burin on ivory laid paper, 216 x

Well Spring Carafe, 1847, Designed by Richard Redgrave, English, 1804-1888, Made by John Fell Christy, Stangate Glass Works (Lambeth, England, active 1840/50), Commissioned by Henry Cole (English, 1808-1882) for Felix Summerly’s Art

The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and

Art of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and drypoint on ivory laid paper, 204 x 317 mm

Two teams of picadors thrown one after the other by a single bull, plate 32 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid

The Celestial Art, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on off-white China paper laid down on ivory wove paper, 316 × 256 mm (image/chine), 453 × 349 mm (sheet

The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, plate 14 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching,

The rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and aquatint on ivory laid paper, 202

A Spanish knight kills the bull after having lost his horse, plate nine from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and burin on ivory

Pitcher, 1880, Designed by Christopher Dresser, English, born Scotland, 1834-1904, Manufactured by Linthorpe Art Pottery, English, Yorkshire, 1879-1889, Yorkshire, Lead-glazed earthenware, 19.4 x 15.9 x 14 cm (7 5/8 x 6 1/4 x 5 1/2 in

Art of Writing, from Encyclopédie, 1760, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude

Another madness of his in the same ring, plate 19 from The Art of Bullfighting, 1815, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid paper, 205

The Celestial Art, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on off-white loose chine, 316 × 258 mm

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting, 1814/16, published 1876, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539, Lucas Cranach the Younger (German, 1515-1586), written by Fabian von Auerswald (German, born 1462), printed by Hans Lufft (German, 1495-1584), Germany,

Art Thou Not Dear Unto My Heart (valentine), c. 1850, Unknown Artist, English, 19th century, England, Lithograph with hand-coloring on cut and embossed ivory wove paper (lace), 195 × 124 mm (folded sheet

Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching and burnished aquatint on ivory laid

Banderillas with firecrackers, plate 31 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, lavis, drypoint and burin on ivory laid paper, 210

Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejón, plate 21 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

L’Art Nouveau, Grafton Galleries, 1899, Frank Brangwyn (English, 1867-1956), printed by Charles Verneau (French, active 1890s), England, Color lthograph on cream wove paper, laid down on linen, 773 × 493 mm

A True Art Lover, plate 66 from Les Bons Bourgeois, 1847, Honoré Victorin Daumier, French, 1808-1879, France, Lithograph in black on white wove paper, 257 × 200 mm (image), 359 × 276 mm (sheet

Almanac for L’Art, published 1883, Daniel Charles Marie Mordant, French, c. 1853-1914, France, Etching, with drypoint, aquatint, and plate tone, on cream laid paper, 247 × 322 mm (image), 279 × 331 mm (plate), 298 × 431 mm (sheet

À la cour d’assises: L’avocat, debout, s’entretenant avec l’accusé, 1878, Burn Smeeton (British, 19th century) and Auguste Tilly (French, died 1898), after Honoré Victorin Daumier (French, 1808-1879), published by L’Art,

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and burin on ivory laid paper, 201 x 315

Terpsichore (recto), and Dancing Female Figure (verso), Mural Studies for Drawing Room Ceiling, Residence of Collis P. Huntington, now Yale University Art Gallery, c. 1894, Edwin Howland Blashfield, American, 1848-1936, United States,

The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and

The Way in which the ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting, 1814/16, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and drypoint on

The daring of Martincho in the ring at Saragossa, plate 18 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint and drypoint on ivory laid paper,

Thou Art the Star that Guides Me (valentine), c. 1840, Joseph Addenbrooke, English, 19th century, England, Lithograph with hand-coloring on cut and embossed ivory wove paper (lace), 195 × 124 mm (folded sheet

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished aquatint, drypoint and burin on ivory laid paper, 199 x 309

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes,

Art Students and Copyists in the Louvre Gallery, Paris, published January 11, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 230 x 349 mm

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate 15 from The Art of Bullfighting, 1814/16, published 1816, Francisco José de Goya y Lucientes, Spanish, 1746-1828, Spain, Etching, burnished

The Celestial Art, 1894, Odilon Redon, French, 1840-1916, France, Lithograph in black on off-white China paper laid down on ivory wove paper, 315 × 257 mm (image/chine), 452 × 349 mm (sheet

Scenes from Campbell's Poems: Being Four Photographs from Pictures. Painted for the Art-Union of Glasgow., Robert Herdman, T & R Annan (Scottish, 1869 - 1888), Glasgow, Scotland, 1878, Carbon print, Closed: 45.5 × 33 × 1.3 cm (17 15/16 ×

Fireman in outfit posed inside the fire station, Gay's Gallery of Art, about 1875, Albumen silver print

This is a View Which One Sees on Entering Gill's Art Store, Looking down the Southwest side through the Fancy Goods..., Unknown maker, American, about 1875, Albumen silver print

Interior of the McGraw-Fiske Mansion Ithaca, N.Y., from Grand Entrance through Rotunda to Art Gallery. W.H. Miller, Arch., Joseph Dunlap Eagles (American, 1837 - 1907), 1883, Albumen silver print

One print, 19th and 20th Century. (Works of Art), Unknown maker, British, 1870s - 1880s, Print

Our Father Which Art in Heaven., Attributed to London Stereoscopic Company (active 1854 - 1890), about 1865, Hand colored albumen silver print

The Art Journal Illustrated Catalogue: The Industry of All Nations 1851., Unknown maker, German, 1851, Engraving / Woodcut, Closed: 33 × 25.8 × 3.5 cm (13 × 10 3/16 × 1 3/8 in

Studying the Art of War, Alexander Gardner (American, born Scotland, 1821 - 1882), Washington, District of Columbia, United States, June 1863, Albumen silver print, 17.8 × 22.9 cm (7 × 9 in

L'Art, Sculpture by Emile Seurre, Decoration of the Louvre, Paris, Édouard Baldus (French, born Germany, 1813 - 1889), Paris, France, 1852–1857, Salted paper print, 12.2 × 12.7 cm (4 13/16 × 5 in

One print, 19th and 20th Century. (Works of Art), Unknown, 1870s - 1880s, Print

One print, 19th and 20th Century. (Works of Art), Unknown, 1860s, Print

One print, 19th and 20th Century. (Works of Art), Unknown, 1860s, Print

One print, 19th and 20th Century. (Works of Art), Unknown, 1860s, Print

Interior of an art gallery, paintings and photographs on the walls, bearded man seated at back, Horace Partridge & Co., about 1870, Albumen silver print

search results: Art clear search