Images at Librifly

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Lacock Abbey, 1839–40, Photogenic drawing from paper negative, Image: 16.5 x 21.6 cm (6 1/2 x 8 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

The Cabinet-Maker and Upholsterer's Drawing-Book. In Four Parts, 1802, Illustrations: etching and engraving, Books

Foundry at Canon, 1792, Watercolor over graphite, 7-1/4 x 8-7/8 in. (18.4 x 22.5 cm), Drawings, John Baptist Malchair (British, Cologne 1731–1812 Oxford), When he made this atmospheric study of a working foundry during a trip to

Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Rinaldo in the Enchanted Forest, ca. 1763, Brown wash over very light black chalk underdrawing, 13 3/16 × 18 in. (33.5 × 45.7 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), This boldly handled and beautifully

Felce, 1839, Photogenic drawing, 21.4 x 17.4 cm (8 7/16 x 6 7/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Photogenic Drawing of the Laocoon, September 1839; Tomb of William de Valence, 1839, Photogenic drawing negatives, Top Image: 7 1/8 × 5 1/16 in. (18.1 × 12.8 cm), Negatives, Unknown (British

[Botanical Specimens], ca. 1841, Photogenic drawing negatives on paper and fabric, Sheet: 11 1/8 × 11 5/16 in. (28.2 × 28.8 cm), album page, Negatives, Attributed to Robert Hunt (British, 1807–1887), About 1841, at the same time he wrote

Salvator Mundi, ca. 1505, Oil on linden, 22 7/8 x 18 1/2in. (58.1 x 47cm), Paintings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This picture of Christ as Salvator Mundi, Savior of the World, who raises his right hand in

The Harbour of Copenhagen from the Esplanade between Langelinie and Toldboden; verso: Sketch of a Standing Man, 1809, Graphite, brush and grey ink, grey washes; verso: graphite. Framing line in pen and black ink, sheet: 13 1/4 x 18 3/16 in.

清, 任薰, 海棠小鳥, 扇面, Bird on a Rock by a Flowering Branch, Qing dynasty (1644–1911), dated 1879, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 x 20 7/8 in. (17.8 x 53.0 cm), Paintings, Ren Xun

Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Allegory in Honor of Cardinal Antonio Barberini the Younger (1607-1671) (Design for an Engraving), 1596–1669, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper, 20-1/2 x 30-3/8 in. (52.0 x 77.2

Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 17.8 x 18.6 cm (7 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Fragment of a terracotta plate, Archaic, 7th century B.C., East Greek, Wild Goat Style, Terracotta, greatest H. 4 3/4 in. (12 cm); estimated diameter 14 in. (35.6 cm), Vases, Obverse, above, griffin; below, sphinx, Reverse, head of

Terracotta lekythos (oil flask), Classical, ca. 480 B.C., Greek, Attic, Terracotta; black-figure, white-ground, 9 5/16 x 3 1/4 in. (23.7 x 8.3 cm), Vases, Dionysos (god of wine) with a satyr and goat. The decoration on the body is executed

Singer and Sarinda Player, ca. 1800, India (Rajasthan, Jaipur), Ink on paper, 26 x 18 1/4 in. (66 x 46.4 cm), Paintings, Attributed to Sahib Ram (active reign of Maharaja Sawai Pratap Singh, 1778–1803), This large drawing of two musicians

Drawing the Eel, early 1650s, Oil on wood, 29 1/2 x 41 3/4 in. (74.9 x 106 cm), Paintings, Salomon van Ruysdael (Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem

[Lacock Abbey], 1839–40, Photogenic drawing from paper negative, Image: 19.6 x 25 cm (7 11/16 x 9 13/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Wall Elevation for a Salon, ca. 1780, Pen and ink with blue, gray and yellow wash, sheet: 9 x 6 3/4 in. (22.9 x 17.1 cm), Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris), In this drawing and the inscription below, Jean

Terracotta lekythos (oil flask), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; white-ground, H. 11 15/16 in. (30.3 cm); diameter 3 11/16 in. (9.3 cm), Vases, Two women at a tomb. The woman at the left kneels and gesticulates in

明 佚名 犬戲圖 冊頁, Puppies Playing beside a Palm Tree and Garden Rock, Ming dynasty (1368–1644), 15th century, China, Album leaf; ink and color on silk, Image: 8 15/16 x 8 1/2 in. (22.7 x 21.6 cm), Paintings, Unidentified Artist

Tussilago Farfara, 1839, Photogenic drawing, 17.8 x 10.8 cm (7 x 4 1/4 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design for a nave, ca. 1892–1918, Made in New York, United States, American, Watercolor, pen and red and brown inks, and graphite on white wove paper; tissue, Overall: 19 7/8 x 25 in. (50.5 x 63.5 cm), Drawings, Possibly Tiffany Glass and

Casket, ca. 1680, Polish, Gdansk (Danzig), Amber, gold foil, gilt brass, wood, silk satin, paper, Overall: 11 13/16 × 13 × 8 1/4 in. (30 × 33 × 21 cm); Pedestal: 15 x 24 in. (38.1 x 61 cm), Natural Substances, During the Renaissance

Drawing Intended as Design for an Actor Print, Edo period (1615–1868), 1833–47, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 10 1/8 in. (35.9 x 25.7 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Zhu Shouchang, Edo period (1615–1868), 19th century, Japan, Woodblock print; ink on thin paper (some corrections have been pasted over the drawing), 13 3/4 x 8 1/2 in. (34.9 x 21.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861),

Recto: 'Libro Primo, Chapo Quarto...' (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5)., 1530–45, Pen and dark brown ink, sheet: 5 5/8 x 11 1/16 in. (14.3 x 28.1 cm), Drawings,

1. Felce. 2. Alga, 1839, Photogenic drawing, 11.2 x 18.5 cm (4 7/16 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Armor, 1891, Charcoal and conté crayon, 20 x 14 1/2 in. (50.7 x 36.8 cm), Drawings, Odilon Redon (French, Bordeaux 1840–1916 Paris), This fantastical drawing of a helmeted woman in profile is one of four similar charcoal drawings Redon

The Ford, possibly 1636, Oil on canvas, 29 1/4 x 39 3/4 in. (74.3 x 101 cm), Paintings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), This picture is accurately recorded in Claude’s Liber Veritatis, the book of

Adoration of the Magi, first quarter 16th century, Flemish, Antwerp, Pen and light brown and grayish brown ink over traces of black chalk; original borderline all around., 11 x 7 15/16 in. (28 x 20.2 cm), Drawings, Flemish , first quarter of

Presa da una litografia, 1839–40, Photogenic drawing from paper negative?, Image: 15.3 x 21.2 cm (6 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Indrajit Makes Offerings, ca. 1725, India (Himachal Pradesh, Guler), Ink on paper, 24 1/2 x 32 5/8 in. (62.2 x 82.9 cm), Paintings, Attributed to Manaku (active ca. 1725–60), This preparatory drawing was for a painting intended for a Siege

Carpet with Irises, Tulips, and Other Flowering Plants, ca. 1650, Made in India or present-day Pakistan, Kashmir or Lahore, Cotton (warp and weft); wool (pile); asymmetrically knotted pile, Rug: H. 170 in. (431.8 cm), Textiles-Rugs,

Elevation for a stairway and a second en suite drawing (unmatted): design for ironwork balustrade, ca. 1700, Pen and ink with gray and yellow wash, 10 1/2 x 9 1/16 in. (26.7 x 23 cm), Drawings, Anonymous, French, 18th century

Gothic Windows in the Ruins of the Monastery at Oybin, ca. 1828, Oil on canvas, 17 x 13 1/4 in. (43.2 x 33.7 cm), Paintings, Carl Gustav Carus (German, Leipzig 1789–1869 Dresden), This church, with its fine Gothic tracery, was founded in

Terracotta lekythos (oil flask), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; white-ground, H. 7 7/8 in. (20 cm), Vases, Hypnos (Sleep) and Thanatos (Death) transporting the body of a dead youth. Despite the incomplete and damaged

Head of Krishna: cartoon for a mural of the Raslila, ca. 1800, India (Rajasthan, Jaipur), Ink and opaque watercolor on paper, H. 27 1/4 in. (69.2 cm); W. 18 1/2 in. (47 cm), Paintings, Attributed to Sahib Ram (active reign of Maharaja Sawai

Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery, October 14, 1840 , Photogenic drawing from paper negative, Image: 5 13/16 × 7 1/16 in. (14.7 × 17.9 cm), irregularly trimmed, Photographs, William Henry

Tiffany Drawing, 1893, Made in New York, New York, United States, American, Watercolor on paper, 43 x 29 in. (109.2 x 73.7 cm), Drawings

Two Brothers Zhang Xiao and Zhang Li, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink on thin paper, H. 8 1/2 in. (21.6 cm); W. 13 3/4 in. (34.9 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861), This

1. Foglia di Fico. 2. Foglia di Spina Bianco, 1839, Photogenic drawing, 21 x 17.5 cm (8 1/4 x 6 7/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Bowood, 1840, Photogenic drawing from paper negative, Image: 16.3 x 21.5 cm (6 7/16 x 8 7/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Thapsia Asclepium from Corfu, 1839–40, Photogenic drawing, 22.5 x 18.5 cm (8 7/8 x 7 5/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design drawing of peony blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Design Drawing, 1875–76, (none assigned) New York, New York, United States, American, Watercolor, ink, and graphite on gray wove paper, Overall: 18 9/16 x 15 7/16 in. (47.1 x 39.2 cm), Drawings, Tiffany & Co. (1837–present

The Martyrdom of St Lawrence after Bandinelli, ca. 1520, Engraving, sheet: 16 15/16 x 22 5/8 in. (43.1 x 57.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Baccio Bandinelli (Italian, Gaiole

Equestrian Portrait of a Noble, ca. 1775, India (Rajasthan, Devgarh), Ink and opaque watercolor on paper., 8 11/16 x 12 in. (22 x 30.5 cm), Paintings, Attributed to Bakhta, Rajput paintings are often jewel-like in their minute details and

[Leaf], ca. 1840, Photogenic drawing negative, Sheet: 3 1/8 × 3 13/16 in. (8 × 9.7 cm), Negatives, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

近代, 陳衡恪, 秋山蕭寺, 扇面, Remote Temple on the Autumn Mountain, dated 1920, China, Folding fan mounted as an album leaf; ink and color on alum paper, 7 15/16 x 22 in. (20.2 x 55.9 cm), Paintings, Chen Hengke (Chinese,

[Photogenic Drawing from Leaf], 1839–40, Photogenic drawing, 10.6 x 14 cm (4 3/16 x 5 1/2 in.), irregularly trimmed, Photographs, Likely Sebastiano Tassinari (Italian, 1814–1888

San Simeone Piccolo, Venice, Seen from the Grand Canal, 1721–80, Pen and brown ink, over constructed outline drawing in graphite or lead and black chalk, 10 1/2 x 14 3/4in. (26.7 x 37.5cm), Drawings, Bernardo Bellotto (Italian, Venice

The Visit, 1746, Oil on canvas, 24 x 19 1/2 in. (61 x 49.5 cm), Paintings, Pietro Longhi (Pietro Falca) (Italian, Venice 1701–1785 Venice), Here an elegant woman, accompanied by her family chaplain and possibly her husband, receives an

Drapery Study for 'Castor and Pollux Freeing Helen', 1817, Black chalk, stumping, white chalk, and black crayon on buff laid paper, sheet: 17 15/16 x 12 in. (45.6 x 30.5 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874), This

Sketch for Mirror Frame of Jewels & Wirework, 1892–1902, Made in New York, United States, American, Watercolor, pen and black India ink, and graphite on white watercolor paper in warm grey original window matt, Overall: 18 5/16 x 13 7/8 in.

Ichikawa Danzo III as a Samurai Drawing a Sword, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Drawing for hanging dome shade, 1905–15, Made in New York, United States, American, Watercolor, gouache, pastel, and graphite on off-white wove paper mounted on board, 23 3/4 x 19 13/16 in. (60.4 x 50.4 cm), Drawings, Tiffany Studios

Print, Edo period (1615–1868), Japan, Preliminary sketch for drawing intended as design for woodblock print; ink on thin paper, 14 1/4 x 30 1/2 in. (36.2 x 77.5 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865), Ichiransai Kunitsuna

Elegant Transformed View of Drawing a Court Wagon, Edo period (1615–1868), ca. 1805, Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 30 in. (76.2 cm), Prints, Kikugawa Eizan (Japanese,

Chastisement of a Pupil, dated 114 (A.H. 1014/ A.D. 1605–6), Attributed to Iran, Mashhad, Ink, watercolor, and gold on paper, Painting: H. 9 3/4 in. (24.8 cm), Codices, Painting by Muhammad Qasim (active ca. 1600–d. 1659), In this

Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780, India (Himachal Pradesh, Guler), Graphite and ink on paper, pricked for transfer, 5 1/4 x 7 5/8 in. (13.3 x 19.4 cm), Paintings, This

Two Camels Fighting, late 16th–early 17th century, Attributed to Iran, Ink, watercolor, and gold on paper, Painting: H. 4 1/8 in. (10.5 cm), Codices, The depiction of two camels fighting has a long history in Iranian art, stretching back

The Actor Kataoka Nizaemon in Ceremonial Robes of Green and Pink, Drawing His Sword, Edo period (1615–1868), 1769–1825, Japan, Polychrome woodblock print; ink and color on paper, 14 11/16 x 10 in. (37.3 x 25.4 cm), Prints, Utagawa

Presa da una litografia, 1839–40, Photogenic drawing from paper negative, Image: 12 x 17.8 cm (4 3/4 x 7 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Lace in the Solar Microscope, 400 times magnified in surface, 1839, Photogenic drawing, 10 x 18.3 cm (3 15/16 x 7 3/16 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Graminacea, 1839–40, Photogenic drawing, 20.7 x 16.5 cm (8 1/8 x 6 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Foglia di Peonia, 1839, Photogenic drawing, 18.6 x 12 cm (7 5/16 x 4 3/4 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Three Men Looking at Framed Lacquer Drawing, Edo period (1615–1868), Japan, Album leaf; lacquer on gold paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Patroclus, 1840, Photogenic drawing from paper negative, Image: 15.7 x 13.6 cm (6 3/16 x 5 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 17 x 20 cm (6 11/16 x 7 7/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Figure Study for 'The Death of Socrates', ca. 1786-87, Black chalk, stumped, heightened with white chalk on beige paper; squared in black chalk, 21 1/8 x 16 5/16 in. (53.6 x 41.4 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825

Crape, 1839–40, Photogenic drawing, 9.6 x 11.5 cm (3 3/4 x 4 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Bearded Nude Male Figure Running Toward the Right, mid-15th century, Pen and brown ink., 12 1/16 x 8 in. (30.6 x 20.3 cm), Drawings, Veronese School, possibly a follower of Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?)

Merletto o Pizzo, 1839–40, Photogenic drawing, 21 x 17.1 cm (8 1/4 x 6 3/4 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

North end of Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 17.6 x 18.8 cm (6 15/16 x 7 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Mio Giardino, 1840, Photogenic drawing from paper negative, Image: 17.1 x 21.3 cm (6 3/4 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

The Wigwam, a Canadian Scene at Penllergare, ca. 1855, Albumen silver print from glass negative, Image: 18.5 x 22.1 cm (7 5/16 x 8 11/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales), Within a

Wrack, 1839, Photogenic drawing, 22 x 17.5 cm (8 11/16 x 6 7/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), This evanescent trace of a biological specimen, among the rarest of

[Lacock Abbey], 1840, Photogenic drawing from paper negative, Image: 15.4 x 21.3 cm (6 1/16 x 8 3/8 in.), irregular, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design Drawing for Perfume Container Exhibited at 1893 Columbian Exposition in Chicago, ca. 1893, Made in New York, New York, United States, American, Graphite, watercolor, ink wash, and ink on off-white wove paper, black ink on reverse,

Graminacea, 1839, Photogenic drawing, 23 x 18.7 cm (9 1/16 x 7 3/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

鈴木春信画　若水を汲む男女, Drawing the First Water of the New Year, Edo period (1615–1868), ca. 1769–70, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm), Prints, Suzuki Harunobu

Sisymbrium Cumingianum, 1839, Photogenic drawing, 22.1 x 18.1 cm (8 11/16 x 7 1/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Arcadian Landscape with Three Figures at a Lake, 1792, Black chalk, and white gouache on brown paper, sheet: 23 x 33 7/8 in. (58.4 x 86 cm), Drawings, Johann Christian Reinhart (German, Hof 1761–1847 Rome), Reinhart made this imposing

Suggestion for Marble & Mosaic Floor, ca. 1932–33, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper, Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm), Drawings, Louis C. Tiffany

Bronze simpulum (ladle), Mid Imperial, 2nd century A.D., Roman, Bronze, Other (unfolded): 18 7/16 in. (46.8 cm), Bronzes, This ladle has an unusually long, hinged handle for drawing wine or oil from a deep storage container

[Emma Charlotte Dillwyn Llewelyn's Album], 1853–56, 128 salted paper prints and albumen silver prints from paper and glass negatives, 28.8 × 22.3 cm (11 5/16 × 8 3/4 in.), Albums, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882

Cordella o Nastro a velo, 1839, Photogenic drawing, 21.6 x 18 cm (8 1/2 x 7 1/16 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall, ca. 1900–1915, American, Watercolor, graphite, and ink on paper, 18 3/8 x 14 in. (46.7 x 35.6 cm), Drawings, Lenox, Incorporated (established 1889

Seated Male Nude, n.d., Red chalk, 15 5/8 x 19 15/16 in. (39.7 x 50.6 cm), Drawings, Louis Lagrenée (French, Paris 1725–1805 Paris), This sheet is of a kind sometimes called an academy, that is, a carefully executed drawing of a nude in a

Bowood, 1839–40, Photogenic drawing from paper negative, 16.4 x 21.2 cm (6 7/16 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

A Gazelle in Profile, Moving Toward the Right, early 15th century, Tip of the brush and brown, gray (both in various shades), and black ink; contours with metalpoint (?or black chalk?); touches of white chalk; brown and light brownish gray wash;

Design for dining room, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on board, Overall: 13 5/8 x 21 15/16 in. (34.6 x 55.7 cm), Drawings, Tiffany Studios (1902–32), Tiffany Studios

Design for hanging wall-mounted lantern, late 19th–early 20th century, Made in New York, United States, American, Graphite, colored pencil, and gouache drawing on tracing paper on board, Storage (mat size): 28 × 22 in. (71.1 × 55.9 cm),

Architectural Capriccio: Garden Entrance to a Palace (recto); Three Masked and Costumed Figures and Other Figure Studies (verso), 1712–93, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink (recto);

Drawing of a Mounted Arquebusier (Soldier on Horseback), late 16th century, Austrian, Water color, paper, 12 7/8 x 9 1/2 in. (32.7 x 24.1 cm), Works on Paper-Drawings

Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the Coast Survey Plate' (Kennedy no.

Two Saints in Adoration., n.d., Pen and brown ink, brush and brown wash over traces of leadpoint, 6 1/2 x 12 5/8 in. (16.5 x 32.1 cm), Drawings, Ventura Salimbeni (Italian, Siena 1568–1613 Siena), This relatively finished working drawing in

Nude Male Figure with Upraised Right Arm., 1550–60, Brush and brown wash, over slight traces of black chalk, 11-5/8 x 6-9/16 in. (29.5 x 16.7 cm), Drawings, Girolamo Romanino (Italian, Brescia 1484/87–1560 Brescia), The historical

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