Images at Librifly

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Project for a Candlestick, Pen and sepia on paper, Vertical rectangle. Baluster form shaft with scrolls., Italy, ca. 1820, metalwork, Drawing, Drawing

A Country House, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A poor frame house with rotten straw roof is shown near a lake. Three steps lead to the porch.,

Design for a table with decorated base, Giuseppe Barberi, Italian, 1746–1809, Brush and black and grey wash, pen and black ink on paper, Design for a table supported in the center by a fluted column, decorated in its middle with a relief

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1236. The main differences are the omission of the most receding third lateral sections

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, incised line on glazed tracing paper, The repeat, five of which are shown, consists of a kind of

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash (bistre) on lined off-white laid paper, A variation of 1938-88-1229. The main differences are: the wall beside the attic of the pediment is

Two Designs for Sarcophagi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two left halves of elevations are shown. At left: the body is angular, with the representation of a

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, From a calyx similar to that in -1948 a garland drags downward to the scrolls of a half figure with

The Child and Saint John the Baptist, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Child sits upon steps, in front of a parapet, holding the lamb in his lap. Saint John is coming from the right, carrying a

Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Somewhat more than the left half of the central wing is shown. Three stories. The central sections

Elevation of a Fountain, Pen and brown ink, brush and gray wash on off-white laid paper, lined, Obelisk topped by a phoenix rising from a basin with dolphins., Italy, late 18th century, architecture, Drawing, Drawing

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, Two women stand at the edge of a river, beyond which a church and other buildings are shown. at left is an elevation., France, Paris,

Trophy of artists' tools, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A palette with brushes in the hold, a compass, a square, a drawing-pen, a protractor, and a garland in front

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Somewhat less than a quarter is shown. Pair of gaines support the octagonal central framing, over

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1303, without an attic or a base of the pedestal. The pedestal of the

Heads of two men, in the style of Frans Hals, Homer Dodge Martin, American, 1836 - 1897, Pen and bistre ink on light brown paper, Bust of man wearing cap and large collar, turned to left. Upper right, small bust of bearded older man. Verso,

Am Armored Woman on Horseback, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Riding through the country. Seen from the front. Her hair is blowing toward right, her overcoat toward left. Her left hand points to the right, her

Designs for Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on white laid paper, Top: shown is a chapel of design similar to -1133, and the left flanking motif: two towers of alternative

Pastoral Scene, Jean Honoré Fragonard, French, 1732 - 1806, Black crayon on paper, Composition is disposed in a diagonal from the lower left to the upper right corner: a sitting dog, a seated girl with a baby. Another girl in the background is

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

References to a Church Plan, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Half of the plan and details. Accounts., Rome, Italy, 1800-1830, architecture, Drawing, Drawing

Figure on a Rearing Horse, Pen and ink, brush and wash on paper, Figure on a rearing horse, France, 17th century, Drawing, Drawing

Stage Design, Bridge Across Water, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Bridge on high arch leading across water, figure in boat below., Italy, early 19th century, theater, Drawing, Drawing

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The calyx at left is not shown. A garland drags down as an acanthus calyx from which the neck of a

Stage Design, Church Interior, Pietro Narducci, Italian, active 1809 - 1841, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic church with ogival vaults in foreground, rose window in background., Italy,

Design for a Painted Porcelain Plate, Le Jasmin (Jasmine) from the Service de la Culture des Fleurs (Cultivation of Flowers Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white

Round table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Supported by three chimeras, connected at the height of their knees by a wreath. Usual background., Rome, Italy,

Russian Dance, Victor Vincent Adam, 1801–1866, Pen and ink, brush and sepia and gray wash on paper, Vignette of a woman standing, center, with her left hand resting on her hip. At left, a man dances. At right, a musician is seated.,

Designs for Monuments, Gateways, Altar and Cabinet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, furniture, Drawing, Drawing

Design for Brooch with Three Diamonds, Pen and sepia on paper, A faceted octagonal gem framed with two volutes, a mask above and acanthus leaf below. Three suspended pearls., Italy, 16th century, jewelry, Drawing, Drawing

Harbor Scene, Jan Griffier I, Dutch, active England, 1645 - 1718, Pen and sepia washes on paper, A harbor scene, with many small sailboats in foreground. Buildings to left and right. Mountains in distance. On verso: unfinished drawing,

Design for the Decoration of Four Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, One beside the other, separated by empty strips. Each decoration follows the

Two Elevations of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top: flights of stairs lead to an ovoidal platform on which the palace stands. A tower rises over a

Frame for an Escutcheon, Pen and ink, brush and sepia wash on paper, Right half of a frame showing putti at upper right and lion mask upper center. Scrollwork escutcheon at center., Italy, 1750–1800, ornament, Drawing, Drawing

Design for a Stuart Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is similar to 1938-88-1296. The sarcophagus stands below in front of a

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The inner consists of a part of a frame upon a base. Its frieze is decorated with branches which are surrounded by a waved ribbon. Above is a frieze with rinceaux. A

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Granary of Prince Ruspoli in Cerveteri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, Shown are the plan and, in opposite direction, top center, a corner of a lateral elevation showing the top of a

Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, On either sides of the alcoves is a panel. In the upper drawing two gaines, as wide as the bed, support the

Marian Sewing, Mary A. Hallock Foote, American, 1847–1938, Graphite on heavy cream wove paper, Young girl is seated in a bentwood caned chair in front of a table. She appears to be either sewing or embroidering., From Catalogue Card: Vertical

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A chain of perspectively shown rings of which leaf boughs form the outside; the insides

Study of a Group of Children, Black chalk, white heightening on paper, A child sits at right pointing with the right forefinger and looking down. One child kneels before him, two more sit on the ground, a fourth is standing. At the left edge is

Design for Ceiling and Profile Head; Verso: Moses with the Tablets of the Law, pen and ink on paper, Sketch of the decoration of a ceiling and the bust of a beardless elderly man., Italy, 18th century, interiors, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of the sceheme of 1938-88-1301. The flames burn above roudn altars.

Bellflower Ornament, Pen and ink on paper, A row of four bellflowers with beads suspended from a rosette on a disk., Italy, 1815–1823, ornament, Drawing, Drawing

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a fountain flanked by griffins., Italy, 1600–1625, ornament, Drawing, Drawing

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sketch of a palace., Italy, 1746–1809, architecture, Drawing, Drawing

A Cemetery in a Village, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and wash, pen and ink on tissue paper, A few tombstones and a cross are shown. A man and a woman stand upon the place which is bordered at right by the

Design for Brooch with Gems and Hanging Diamonds, Pen and ink, brush and sepia on paper, A big round diamond surrounded by six small ones and two square gems. At top, a mask and festoon. Below, a shell and three drops., Italy, 16th century,

Two Equestrian Figures with Figure on Ground, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Two equestrian figures astride look leftward at a third figure on the ground. Landscape in background., Rome,

Design for a Frieze, Jean-Guillaume Moitte, French, 1746–1810, Pen and ink, brush and watercolor on paper, A palmette motify with a fruit bowl as center, the Bacchus boy on a seat, a cornucopia., France, ca. 1780–1800, Drawing,

Stage Design: Temple of Vengeance, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Interior of temple in circular form dome supported by columns and decorated with sculptural

Design for Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Roundel with a vestal, and grotesques for the decoration above the mirror, noble cabinet,

Design for the Elevation of a Sepulchral Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the shape of a circular tower, with a figure on top. Below is a base of two

Textile Design: A Grasshopper, Red chalk, graphite, and pen and red ink on cream paper, A large grasshopper seen from the left side. Design pricked for transfer., Italy, 1800–30, textile designs, Drawing, Drawing

Monument, column and spiral staircase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A similar elevation as in -1277 in shown at the top. The left forearm of the woman leans upon

Standing frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Standing frame., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Candelabrum Motif, Pen and ink, brush and bistre on paper, Vertical rectangle with candelabrum motif. At center, a putti head. Scrolling base and flaming top., Italy, 1600–1625, ornament, Drawing, Drawing

Reconciliation of Enemies in Italy by the Emperor Henry VII, Graphite, brush and bistre on paper, In a big crowded hall, the Emperor sits enthroned upon in the center. In the foreground at left and at right are two groups of men expressing their

A Painter in His Studio, Black chalk, pen and ink, brush and bistre wash on paper, mounted, A seated painter paints the portrait of a boy who is seated and holds a book at left. The head of an apprentice and a statue are shown in the right rear,

Design for an Overdoor, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and sepia washes, Two seated girls support garlands drooping from a flower vase., Netherlands, 1785-1790, drawing, drawing

Design for a Badge of a Medal, Pen and black ink, brush and bistre wash, black chalk on paper, Design for a badge of a medal. The medal consists of an ovoid showing a Maltese cross framed by a string of beads. On top is a crown which hangs from a

Three Trophies, Pen and brown ink on off-white laid paper, lined, Horizontal rectangles showing three designs for military trophies. At left, a plumed helmet with nose., Italy, 1650–1700, ornament, Drawing, Drawing

Stage Design for the Interior of Prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Side of prison interior, stairs leading down to it, barred window., Italy, early 19th

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Design for a Painting: The Entombment of Christ, Red crayon, pen and ink, brush and red wash on paper, Nicodemus, Joseph of Arimathea, and the kneeling Mary Magdalene hold the corpse beside the sarcophagus, behind which the Virgin kneels and

Study for a Painting: The Decapitation of Saint Catherine, Black chalk, pen and ink, brush and gray wash on paper, The saint is shown de face, kneeling. The henchman stands behind her at right, brandishing his swords. At left an angel flies,

Sepulchral monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on paper, Probably for the young Pretender Charles Edward Stuart, who died in 1788. Steps lead to a platform upon whose corners are oblong

Design for an Embroidered Frontal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Five-sixth shown. Sheaves are connected above by drapery festoons, below by scrolls to form three

Landscape with Ruins, Herman van Swanefeld, Dutch, ca. 1600 - 1665, Black chalk, pen and ink, brush and gray watercolor, brush and wash on paper, A seated woman and a standing man are shown in the left foreground. He points at the group of

Frame for a papal inscription, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A tablet with two circular arcs above and an angular broken edge below is in front of the crossed papal keys

Six tombs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the center is a round pedestal, with the statue of a woman standing, who carries in her left hand a cross and leans

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Laterally are pilasters with huge brackets as capitals. They show panels with garlands hanging in the upper parts. The inner frame is projecting in its upper part;

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, each framed by four volutes and diamonds. In the center a knot in the shape of an

Plan of Roofs and Drawing Room; Section and Side View of Ground Floor, P.P. Choffard, French, 1730–1809, Engraving on paper, Europe, France, Europe, 18th century, Print, Print

Design for a Brooch, Pen and sepia on paper, Square gem at center, surrounded by four volutes, two shells and many small round stones or pearls., Italy, 1850–75, jewelry, Drawing, Drawing

Study of a Young Bull Lying in a Meadow, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on grayish cardboard, Shown in profile turned toward right, with the head turned to the spectator., England, 1820–1849, Drawing, Drawing

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Tinsel Picture: Edmund Kean as Richard Coeur de Lion, Hand-colored engraving, embossed foil, fabric on paper, The actor, Edmun Kean, is shown on horseback, clad in armour. The horse and actor's face are engravings, cut out, the trappings

Design for a Brooch, Pen and ink, brush and watercolor on paper, A laurel wreath entwined with a knot. In the center, a round diamond. hanging belowm a drop-shaped diamond., Italy, 1825–50, jewelry, Drawing, Drawing

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The central part of the retable has the shape of a niche, in front of which, below, is a panel with two

Stage Design, Chapel in Churchyard, Pen and black ink, brush and gray and pink wash, traces of graphite on off-white laid paper, Horizontal rectangle. Chapel in possible churchyard, trees around., Italy, early 19th century, theater,

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Intended for the same place as 1938-88-1292. Below is a pedestal, whose front is in the main

Two doorcases, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Arched door openings with keystones. Inscription tablet over it in the left design; pilaster stripes like a frame.

Design for a Sepulchral Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The base is a variation of 1938-88-1288, with urns at the

Stage Design for the Interior of a Gothic Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Interior of Gothic building. View opening into hall through Gothic arches.,

Landscape with Houses on a Wide Bluff, Black chald and white heightening on brown paper, Germany, Europe, ca. 1840-1860, Drawing, Drawing

Design for an Embroidered Frontal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, More than the left half is shown. In the center, is a circular medallion with a cross. Beside are

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and black wash on light brown tracing paper, mounted, The setting shows a hilly country with a stream. A man sits in a rowing boat, near a group of stones and

Perspective Designs for Two Palace Facades, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Several elevations of three-story buildings with colonnades. Two line inscription at top;

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on glazed tracing paper, Fantastic pending blossoms are connected by curved stems I nthe

Design for a Painted Porcelain Plate, Les Cerises (Cherries) for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brush and brown ink, graphite on cream laid paper; verso: graphite, Design

Design for a fireplace, Pen and Chinese ink, brush and washes of purple and light brownish watercolors, A mirror with candle brackets forms the overmantel., France, 1760, Drawing, Drawing

Design for a Woven or Embroidered Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Obliquely shown bough with three blossoms and leaves in an angle of lines.,

Wall Elevation of a Hall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation shows series of archways separated by pilasters below festoon trim, each draped and with

Design for an Overdoor, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and sepia washes, The medallion portrait of a prince is held by a flying girl who holds a trumpet in her left hand. Another girl is busy with a garland framing

Ceiling, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Six Landscape Studies, New Milford, Leon Dabo, American, 1868–1960, Pen and black ink, graphite on paper, Six studies of heavily wooded landscapes. Lower left, an open quarry with figures and horse-drawn wagon. Lower right, a woodland

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Seen from the front. The back is an upholsered broad oval framed by a quatrefoil with separating angles. It is supported by two

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