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Assumption of Mary, Red chalk, graphite on laid paper, Mary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven.,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, The repeat, four of which are shown, consists of a feather leaf rising

Landscape, Jean-Francois Millet, French, 1814 – 1916, Charcoal on paper, France, ca. 1870, landscapes, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1294. The flames burn in candelabra in the shape of vases,

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

The Drawing Academy, William Pether, English, ca. 1738 - 1821, Joseph Wright of Derby, English, 1734 - 1797, Mezzotint on paper, Six students are gatehred around the statue, under a vaulted ceiling., England, 1772, Print, Print

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Strapwork Design, Graphite, pen and ink, brush and watercolor on paper, Design for vertical panel with strapwork, putti and swags., France and Italy, ca. 1650, architecture, interiors, Drawing, Drawing

Chinese Promenade, Victor Vincent Adam, 1801–1866, Pen and ink, brush and sepia and gray wash on paper, Vignette of a Chines woman accompanied by a servant holding a parasol over her head. Trees, house, boat in background., France,

Grotesque Panel, Black chalk, pen and ink, brown, gray wash on paper., Vertical rectangle, symmetrical scheme. A candelabrum is in the middle, consisting of an ox-head carrying a skull mask in the center. Below is a staff, to which two

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for an altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A sketch for the right part of a similar design as -1360. Its lower part has been drawn over with a sketch,

Urban Scene with Figures, Horse, and Monument, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash, graphite on paper, Urban Scene with Figures, Horse, and Monument. Caffe at left, monument at center, with

Detail: Wall Decoration, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor on heavy paper, Narrow panels of painted decoration. Two narrow panels, one containing an escutcheon., USA, ca. 1885, interiors, Drawing, Drawing

Two Lovers in a Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and ink wash on pricked paper, Two seated lovers in a landscape with a dog and winged putti. Verso: Sketch of a proscnium curtain, a stage set of a

Escutcheon, Probably a Design for a Title Page, Pen and ink on ruled paper, New Rococo style. Writing is indicated in the field. Eros and Psyche stand in the framing, either raising a dove., Italy, 1850–1880, Drawing, Drawing

Left Half of Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, A colonnade of Ionic order with a straight entablature on which statues stand before

Brooch, Pen and ink, brush and watercolor on paper, A rectangular diamond is framed by an escutcheon formed by two volutes of leaves. In the center, on the sides, two brilliants. Below hangs a pearl., Italy, 1825–50, jewelry, Drawing,

Decoration for the marriage of Prince Paluzzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, On top a variation of -1846, bottom left. Bearded hermae with capitals are

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for a Buckle, Pen and brown ink, brush and gray wash on white laid paper, The inner square has the shape of a quatrefoil. The two framing ribbons are beset with narrowly-standing diamonds. Between the ribbons and upon the points are round

Landscape with a Castle, Pen and brown ink, white chalk on paper, England, Europe, ca. 1810-1830, Drawing, Drawing

Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white lined paper, lined, A view into a rectangular room, with two posts supporting the drapery and curtains of the alcove. At

The Upper Stories of the Steeple of Saint James, Paris, Eugène Edouard Soulès, French, 1811–1876, Graphite on brown paper, Obliquely shown from the right front corner. Written in the lower right corner: E. St. Jacques, France,

Saint Francis Receiving the Stigmata, Donato Creti, Italian, 1671–1749, Pen and ink on paper, mounted, A friar in the gesture of kneeling down, raising both arms and looking upwards., Italy, ca. 1720, Drawing, Drawing

Stage Design for the Interior of a Gothic Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Three different views into the inside of Gothic halls of which one may be

A Street in Trouville, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, A street leads through one of the old gates opening into the city., France, 1840–1860, Drawing, Drawing

Design for a Royal Palace in the Style of Borromini, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white paper, Variant design of 1938-88-1231., Rome, Italy, Italy, Rome, Italy, 1796,

Chalice, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A flared chalice decorated with acanthus leaves is supported by an angel standing on a platform., Italy, 1780–1790, metalwork, Drawing, Drawing

Console table with chest of drawers, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The table is supported by fluted parts rising from calices and ending in masks from which festoons

Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Black chalk on off-white laid paper, 'Desser, ' table centerpiece, Rome, Italy, 1746-1809, metalwork, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidered border of a man's waistcoat. A fantastical blossom and boughs rise, two leaves and two small scale floral motifs hang, from a scroll. Somewhat more than one

Orange Blossoms, Brush and watercolor, pen and ink on paper, A branch with orange blossoms. Dated, in ink, lower right: '23rd April 1832'., England, April 23, 1832, Drawing, Drawing

Landscape with men gambling, Frederick Bloemaert, Dutch, ca. 1616–1690, Pen and ink on paper, Four men seated on a mound playing cards. One holds a wine glass aloft. House at the right and a figure on horseback and man walking in middle

The Christ Child upon an Altar between Two Saints, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, The Child raises his right hand. The woman kneeling at left holds in her left hand a book, the cover of which bears the

Design for a Console Table, Giuseppe Barberi, Italian, 1746–1809, Brush and grey, brown, and rose watercolor, pen and gray and black ink, graphite on paper, with cardstock backing, Drawing showing part of a design for a console table.

Design for Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl is supported by a molded base. The lid has the shape of a pedestal which is decorated at the

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, Pansy boughs rise from scallops. Slightly more than three

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, At left is a bowl containing fire supported by two ram chimerae, standing in profile, and connected by a short joint. Over it

A Bowl with Flowers, Pen and ink, brush and bistre, on paper, In low, wide-brimmed, footed bowl flower blossoms are arranged in a triangular mass., Italy, 1700–1750, tableware designs, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray, green, yellow watercolor on light green paper, Jewelry design for an earring. A ring with two slopes, a pointed oval fastened to it. Below it a knot on top of an oval green diamond,

Stained glass window panel, John C. Wolf, Brush and gouache, graphite on tracing paper, Design vertical panels with curled vines and small cornucopia., USA, 1890–1900, glasswares, Drawing, Drawing

Coat of arms of Pope Pius VI, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, Upon a broad base rises a pedestal in the center, with the coat of arms of the pope in a wreath at the front. On top the keys and

Section of a Vestibule, Pen and ink, brush and watercolor on paper, The entrance is at right. The main wall shows an arched looking-glass over a mantelpiece, or a console table and flanked by fluted pilasters. In the outer panels are folding

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A slightly altered variation of 1938-88-8211. A fret band is shown in the frieze. The oblong is omitted. Shadow, background, base line, plans. Scale as in

Study for 'The Annunciation', Kenyon Cox, American, 1856–1919, Graphite, pen and ink on paper, Sketch of two window panels depicting the Annunciation; Left, a young figure is standing holding a lily, Right, the figure depicting the Virgin

Classical Scene with Figures and Monuments, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Classical Scene with Figures and Monuments. Large figure at center right appears to preside over the gathering,

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, Slightly curved. Supported by two pillars with lion's feet, upon a base. Above shaped like an entablature, with two birds symmetrically beside a

Doors of a prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left: greater part of the elevation. Two standing captives are fettered to a ring which is supported by a

Design for a Doorframe, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Pilasters support the entablature. They are surrounded by bands to which signs are fastened, in

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Vertical rectangle. Two standing eagles support the tails of dolphins, whose mouths are connected by a festoon. Behind

Plan for new administration building for hospital Trinita de Pellegrini, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, graphite on off-white laid paper, With measurements and inscribed letters, which are explained at right: 'A

Gateway of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row: above, between wall and a two-winged gate, both outlined, is a tripartite pedestal with a column

Woodland Scene with Animals Drinking, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and wash on paper, Woodland scene with animals drinking from a pond., France, 1793–1877, Drawing, Drawing

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink (bistre), brush and brown wash on lined off-white laid paper, Main design: a variation of 1938-88-1235. The walls and entablatures of the lateral sections are

Design for a Console Table with Sphinx Base, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Console able with sphinx base., Rome, Italy, ca. 1795, furniture, Drawing, Drawing

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A strip and a border of triangular scllops are shown at left. An undulated flower stem

Invention of the Compass, preliminary design for 'Lapis Polaris Magnes, ' plate 2 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown

Triumphal arch, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on blue-white laid paper, The arch rises from two barges. Corinthian columns support the entablature. Above stands a pedestal upon steps.

Design for a Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Shown is the left upper side of the elevation of the body with the cover. On the trapezoidal panel a

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash off-white laid paper, Roundel with a Sybil (?), grotesques for the decoration above the mirror, noble cabinet, Palazzo

A Circular Medallion With the Immaculate Conception, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Virgin stands on a pedestal crowned and in a glory of rays and with a halo of stars. Isncribed in the pedestal the beginning of

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1302. Festoons as in 1938-88-1305. Inside is lying somewhat

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The support has the shape of a framing board, with knobs as feet. Above are low cornices of a broken pediment, connected by a

Balustrades des Orchestres de la barriere du Trone', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, brush and black ink, wash, graphic Support: off-white laid paper mounted on off-white paper, Design for a panel articulated at the

Town gate, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Arched doorway in projecting rustic panel. Triangular pediment with escutcheon held by two figures. Niches in the

Design for Three Tomb Monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, at left: the architectural setting is imilar to 1938-88-1296, the entablature not being

Design for a Chimneypiece, Pen and ink, brush and watercolor on paper, The alternative suggestions refer to a different form of the cornices of the entablature, to a different decoration of most moldings, to the use of a red st one, at right,

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on light green paper, The Virgin sits upon the ground, in a kneeling position, the Child kneeling between her legs. At left, the upper part of the figure of Joseph,

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Elevation of a church, possible for Monte Vergine. Doric roder. Rustic two-story square. A portico is

Study of a Tree on a Hillside, Samuel Colman, American, 1832–1920, Brush and watercolor, pen and brown ink, graphite on paper, Study of a tree on a hillside. Thick trunk with dense, relatively short branches and bushy clumps of green

Project for a Frieze, Black chalk, pen and ink on paper, The left half of a frieze. An acanthus spiral is springing from the tail of a crouching gragon at right, whose head is turned back-wards. A putto is climbing upon the tail., Italy,

Standing frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A molded oblong upon a molded base. In the center, on top, are a pair of scales, a military flail, fasces surrounded by

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, pen and ink, brush and watercolor on tracing paper, A man upon a vehicle which is drawn by two horses points the direction to a walker. Two women are shown at the

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, A variation of 1938-88-1317. The pedestal is replaced by an angular base,

Design for an Embroidered Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache, incised lines on glazed tracing paper, A currant stem rises beside a reed border and a torus. Written in ink, top left: 'P

Workman, Black crayon on paper, A carpenter with chisel and hammer shown from the back., Italy, 1700–1736, figures, Drawing, Drawing

Design for a Brooch with Oval Diamond, Pen and sepia on paper, A circular diamond is framed by an escutcheon with masks and festoons. Three pearls hang from the bottom., Italy, 16th century, jewelry, Drawing, Drawing

Design for a Panel Decoration with Trophy Weapons, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, The repeat, four of which are shown, consists of five bell-like forms

Two monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting and the scheme of the lower part are variations of -1352. The upper part of the sarcophagus

St. Paul Preaching upon the Areopagus in Athens, Pen and brown ink, brush and brown wash, St. Paul stands on a platform listening to the surrounding robed men. A soldier stands behind him. Part of a carved architectural structure and statue of

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The scheme and decoration are variations of 1938-88-1912. Cornucopias crowned by flames crossing behind the escutcheon. The

study of hand to mid bicep, Elihu Vedder, American, 1836 – 1923, Pencil, white chalk on tan paper, Woman's hand and arm, detail of thumb to the right, USA, ca. 1890, Drawing, Drawing

Fountains, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Top left: view of a fountain with crouching lions, tapped by a female figure. Left center: plan of an oblong

Timepiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for a timepiece., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Interior of a Gothic room, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Vaulted Gothic interior with roughly sketched ornaments and furniture., Italy, early 19th century,

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Fender., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Side Wings in a Stage Set, Perspectives, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Side Wings in a Stage Set, Perspectives., Rome, Italy, 1789–1793, theater,

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The retable has the shape of a niche, framed by two embedded columns and outside by two more at the ends of

John Wilkes Esqr., Samuel Ireland, English, ca. 1744–1800, Samuel Ireland, English, ca. 1744–1800, William Hogarth, English, 1697 - 1764, Etching on paper, Etching after a pen drawing. A man (Wilkes) seated on a chair turned to left.

Five chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, 1) The stem has below the shape of a baluster, supporting a knob, shaped as a band with two cherubim. The upper

Imaginary Landscape with, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: paper, USA, ca. 1870–73, landscapes, drawing, drawing

Design for a Memorial Structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, An elevation and plans. In the center of arcades rises a platform, of a square plan with

Elevation of a Building with a Tower, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The building has two stories. Shown are the first windows beside the projecting central parts.

Three Nude men, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink on paper, Two nude men speak together while a third sits upon a square stone. Verso text: Candelle Tappolo Pistone di netro., late 18th century, figures, Drawing,

Design for Bedroom Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for Bedroom Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Window Wall, Pen and ink, brush and watercolor, black crayon on paper, A dado is at the bottom. Two windows flank a wall panel showing a framed representation of two birds on a bowl over a mirror beneath which a console table

Two doorknobs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Two doorknobs., Rome, Italy, ca. 1790, metalwork, Drawing, Drawing

Ornament, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Elevation above, plan below. The legs of a table are indicated in the elevation. AN exedra with four crouching sphinxes is

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