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Standing Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A standing woman, facing forward. Her left hand supports her face, the right holds and apron., Italy, 1700–1773, figures, Drawing, Drawing

Standing Figure, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, A man faces left, bending at the waist and holding a cloth., Italy, 1700–1773, figures, Drawing, Drawing

Three Apostles, Federico Zuccaro, Italian, 1542 – 1609, Black and red chalk on paper, Two seated apostles with books in their hands sleep, leaning against each other. Another standing at left is shown de face, with the head turned in profile

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1351, the plan of the structure being circular. The figure on top

Design for a sundial in a public place, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Below are five steps with a gentleman standing upon them at left, and a man

Flaming Urn, Brush and gray wash, pen and black ink, graphite on cream laid paper, Sketch of a flaming urn with volutes and a swag., Italy, 1700–1750, sculpture, Drawing, Drawing

Cabinet and pedestal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, graphite on off-white laid paper, lined, At left, the cabinet supported by four claw feet. A dancer seems to be in the bottom section. Folding doors, each wing

Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, red ink on lined blued-white paper, Four stories. A central section contains three doorways in the height of two stories, with

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, The Virgin is sitting on the ground, seen from the right side. The Child sits in her lap; she is holding him. The head of the Virgin is turned

Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At the upper edge are strokes belonging to -1267. The left half of the elevation is shown. A bathtub form with a cover

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, White leaf design on lilac ground., France, 1800–1818, textile designs, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Pear-shaped lace panels hang from every other point of an arched line,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Ten hanging leaves showing a bead on top, each disposed in two staggered

Architectural Ornaments, Pen and black ink, brush and gray watercolor on cream laid paper, Design for an architectural ornament with grotesque ornament. Plants and measurements at top., Italy, 18th century, architecture, Drawing, Drawing

Designs for Decorated Pilasters, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for Decorated Pilasters., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Frieze with Playing Children, Charcoal, pen and ink, brush and watercolor on paper, Horizontal rectangle with ten playing children. At the center, four dance. Framing lines., Italy, 1600–1625, figures, Drawing, Drawing

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A torus and a border composed of leaves rising from three points, at left. An

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for an earring. In the middle, between the disk above and the three drops below, is a blossom at

Imaginary Landscape with, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: off-white paper, USA, ca. 1870–73, landscapes, drawing, drawing

Elevation for a Public Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A portico with eights columns, standing upon a basement and supporting a triangular pediment, is

Hanging Brazier, Pencil, pen and ink, brush, on grey paper, A burning lamp hanging from a knot., Italy, 1820–1830, ornament, Drawing, Drawing

Tablet bearing the coat of arms of Pope Benedict XIV with shell as background, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, Two angels sit near the foot of the escutcheon; a cherub below crosses point of the keys., Italy,

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sketches of andirons., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for a Decorative Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Decoration of a panel with rinceaux, fowl, and mythological figures., Rome, Italy, 1746–1809,

Design, Variation of the Sculptured Coat of Arms seen in 1938-88-8222, Black chalk, pen and ink, brush and grayish brown wash on paper; Verso: pen and ink, The charges and the motto are not shown. The manteling is reduced and details altered.

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A fantastic plant is shown over the hollows of a pointed crest border. Six repeats are

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, The door has a window as an overdoor and is flanked by pairs of pilasters.

Design for an Earring, Pen and black ink, brush and gray, green watercolor on paper, Jewelry design for an earring. The central diamond of the disk, the rosette and the drop are green. The central part is a knotted lace ribbon., probably

The Grand Staircase, Palazzo Contarini, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and wash on paper, View of the staircase with the garden wall in the background. A part of the wall is shown in the left foreground, ca.

Design for the Decorations of Three Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left: a candelabrum in the scheme of a trophy, with a standard on top, is

Half-length portrait of a man, Graphite on paper, A balding man is shown half-length, frontally, and turned slightly to the left. His elbows are raised and his hands are clenched before him., Germany, 1820–1830, Drawing, Drawing

Study of a Dog, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on paper, Shown in profile standing and directed toward left, with the head turned toward the spectator. The feet are not shown., England, 1820–1849, Drawing,

Design for a Sculptured Coat of Arms; Verso: Sketches of Architectural Designs, Black chalk, pen and ink, brush and watercolor on paper, A scrollwork escutcheon contains two shields with a greyhound rampant and a bear rampant, respectively. Two

Design for a Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Something more than the left half is shown. Below is a base with a crouching lion and a moulding having a

Design for a Brooch, Pen and ink on paper, An escutcheon formed of floral volutes frames a round diamond. A garland of flowers draped above emerges from a vase form at center. Three hanging pearls below., Italy, 1850–75, jewelry, Drawing,

Design for a Ceiling Painting: Diana Selene Perceives Endymion, Pen and ink, black chalk, brush and gray and olive watercolor, brush and white gouache on paper, The goddess sitting in the crescent looks down to the sleeping shepherd, whose head

Design for a Console Table, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and ink, brush and watercolor on paper, Elevation of a table in the form of three winged lions supporting a flat plinth., Italy, ca. 1790, furniture,

Landscape with Bridge, Black crayon, pen and ink on paper, Mountainous country. In the foreground, at left, a cluster of trees. In the middle distance, a town. A bridge crossing a stream leads to it., Italy, 1770–1800, landscapes,

Design for Panel Decoration with Trophy of Weapons, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Eight tombs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Center: a woman, sitting, carrying in her right hand a chalice motif. She supports with her left arm and together with

Soldiers' Uniforms, Victor Vincent Adam, 1801–1866, Pen and black ink, brush and brown and black wash on paper, Six pairs of soldiers in two ranges. Inscribed below each, left to right: 'Officiers de hussards Grand / Petite tenue'; 'Officiers

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and sepia wash on paper, A stream winds through hilly country. Groups of trees are at the right bank; a building in the left middle plane. A sailing boat is shown.

Sailing Ships Near a Cape, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, A two-master is shown in the first plane. Rather a strong wind. A lighthouse is at the cape. The signature L G Haccon f is written upon a sail.

Helmet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Helmet., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The center has the shape of a fantastic urn from which are springing an ovoid and two lateral flower stems. Below, three

Lanterns, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Five drawings refer to the lantern with or without the bracket, two to the latter., Rome, Italy, ca. 1780,

Landscape with River, Leon Dabo, American, 1868–1960, Pen and black ink on paper, Leaf of a sketchbook. A single sailboat, left background. In the foreground, figures near a farm cart., USA, ca. 1890, landscapes, Drawing, Drawing

Two Designs for Festoons, Pen and brown ink, brush and grey wash, graphite framing lines on cream laid paper, Horizontal rectangle showing designs for two festoons. At left, a crown; at right, a helmet and shield. Verso: part of an accounting,

Stage Design of Antique Buildings and Details, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on lined off-white laid paper, Interior of theater showing arrangement of boxes and decoration of ceiling., Italy, early 19th century,

Detail of a Wall Painting, Black chalk, pen and ink on paper, A flower vase stands on top of a low arch, under which two figures are seated. Most of the background is formed by a tapestry or a curtain. A part of the pedestal and the bottom of a

Cacciaguida Greets Dante and Virgil, Giuseppe Longhi, Italian, 1766–1831, Graphite on cream paper, laid down, An elderly bearded man, half-nude, greets Dante and Virgil. This is Cacciaguida, Dante's great-grandfather. Dante wears a hood or

Liberation of St. Peter, Abraham Bloemaert, 1564 – 1651, Pen and brown ink, black chalk, heightened with brush and white body color on paper, Netherlands, ca. 1635–1636, Drawing, Drawing

Recto: A Roman Soldier Fighting one of Hannibal's Elephants; Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch.7, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash,

Design for an Embroidered Frontal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left side is shown. Sheaves, rising from acanthus calices, are intended to form there

Harmony, Henri Felix Vion, French, 1854 - 1891, Rogelio de Egusquiza Barrena, Spanish, 1845 - 1915, Etching on paper, A drawing room in a large house, in which is seen a man playing a grand piano and a seated lady leaning on his right

Landscape with a Sleeping Woman and a Faun, Albert Christoph Dies, Austrian, 1755 - 1822, Brush and watercolor on paper, A landscape with large trees; on the right a nude female. Sleeping, on the left, a faun peeking at her through the

Royal palace in the style of Borromini, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Main facade of the royal palace in the style of Borromini., Rome, Italy, 1796,

Bed alcove and chimney mantel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-whtie laid paper, lined, At left: the half of a mantelpiece with a gaine with a female bust supporting the frieze of the

Design for an Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A variation of the altar in -1373. A tub sarcophagus fills the hollow. The lateral panels are empty. The furniture

Recto: Crocodile Hunt in Tentyra, in Egypt; Verso: inscription relating to Pliny the Elder's Natural History, Book 7, ch. 38, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Black chalk, pen and ink, brush and brown wash on laid

Group of Angels on a Cloud Bank, Angelo Michele Colonna, 1600–1687, Pen and black ink on paper, laid down, Five angels are grouped on a cloud bank., Bologna, Italy, 1630–50, figures, Drawing, Drawing

Design for a Painted Porcelain Plate, Les Oranges (Oranges) from Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Graphite on cream laid paper, Design for a painted porcelain plate, rondel. Sketch of

Elevation of Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The left half is shown in the height of three stories. A variation of the design -1058, with two colonnades.

Imaginary Landscape, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink on off-white laid paper, USA, ca. 1870–73, landscapes, Drawing, Drawing

The death of King Teja, Pietro Narducci, Italian, active 1809 - 1841, Pencil, pen, ink, brush, brown watercolor on paper, Horizontal rectangle. The king lying upon the ground, supported by a soldier, raises his left artm with the shield.

Design for Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Stage Design, Bridge Crossing Water, Pen and sepia ink, brush and wash on green paper, Horizontal rectangle. Bridge crossing water, stairs and houses at right., Italy, early 19th century, theater, Drawing, Drawing

Imaginary View of the Castle Vaux-le-Vicomte, Charles Nicolas Ransonnette, French, 1793 - 1877, Red crayon, brush and sepia wash on paper, A lake with a barge is in the foreground. Stairs lead up to a terrace, upon which trees and a corner

Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of the design -1060. A parapet with relief figures connects the top stories of the wings in

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is the same as in 1938-88-1295, but a niche in the wall is

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, The Virgin stands turned toward right, in her arms the Child. A Paved floor and stairs, in the lower level, in the upper one what seems to be

Design for Brooch with Palmette and Escutcheon, Pen and ink, brush and watercolor, sepia on paper, A palmette framing an escutcheon, mainly formed by two upright volutes and containing a diamond. Bends of diamonds are in the intervals of the

Design for a Printed Certifiate of a Religious Ceremony for Children, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, A kind of tablet with space for an inscription. The risen Christ is in the center. On top is the coat of arms of

A Dream; Virgin on a Crescent, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Above, a sleeping figure, approached by a hooded draped figure of a woman, attended by a host of others, rising as they move along. Below - the

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A cluster of seeds rises over a horizontally disposed bough with two upright

Design for Three Brooches, Pen and brown ink, brush and gray wash on cream wove paper, Large brooch: a cross is formed by four round diamonds, the central one being bigger and framed by a circle of diamonds, from it spring drapery festoons

Design for an Earring, Pen and black ink, brush and red, gray watercolor, silver on paper, Jewelry design for an earring. Scheme is similar to 1938-88-842 but with a third leaf as filling the inside of the cornucopiae. The outsides of the frames

Designs and Sketches for a Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, A pyramid contains the octagonal sepulchral chamber which is accessible through four

Three skecthes for a sepulchral chest, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An eagle, at left, a dragon, at right, flank the support of a star in a glory of rays.

Round table with candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The supports are four legs in the shape of pillars with lion's feet and Ionic capitals. The table

Design for a Sculpture of a Prophet or Evangelist, Carlo Maria Giudici, Italian, 1723 - 1804, Black chalk on paper, Vertical rectangle. Part of a sheet of a drawing book with a design for a sculpture of a prophet or an evangelist. Figure of a

Design for a Fountain, Pen and brown ink on paper, Left half of fountain at edge of stream (at left) with bridge and tower in the distance. Central section of fountain with shell as basin into which water pours from a mask in the upper part and

Studies of Ducks and a Fowl with Chickens, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on paper, At left: a duck is shown in profile with her head turned backwards. Two ducklings are behind her. At right, a standing duck shown in

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1780-1783, architecture, Drawing, Drawing

Four fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Four fenders., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Subdivided into a panel below, decorated with a trophy or arms; surrounded by a wreath standing upon it, and the

Study: A pair of hands, Charcoal and white heightening on blue paper, Vertical composition of two hands erected and shown from the inside. Below at left is the left hand with curved fingers and above at right is the right hand holding a bead

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

General Napoleon Bonapart, Pen and brown ink, brown wash Support: white laid paper laid down on white wove paper, Italy or France, Italy or France, 1790–1815, figures, Drawing, Drawing

Design for Link of Bracelet, Pen and ink, brush and watercolor, sepia on paper, In the center, a lozenge with the diamond. Scrolls which form two hearts in the direction of hte joints., Italy, 1800–1825, jewelry, Drawing, Drawing

The Hermit and the Virgin, Fortunato Duranti, Italian, 1787 - 1863, Bistre pen and ink on paper, The hermit is in the foreground, kneeling, facing right. The Virgin and the Child appear above on a cloud, silhouetted against the full moon.

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, each in the shape of a blossom. In the center a palmette. Bevelled corners., probably

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin walks toward the left, carrying the Child in her left arm., Rome, Italy, 1820–1850, Drawing, Drawing

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Painted Porcelain Plate, Les Müres (Mulberries) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Four doorknobs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Four doorknobs., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Woven or Embroidered Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, white gouache on glazed tracing paper, A flower vase is obliquely shown standing upon and flanked by flower rinceaux in

Elevation of a Memorial Structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on paper, A doorway of Doric order and with doors of Paladian order leads into a Pantheon-like building. Laterally redoubts

Design for a Brooch, Pen and ink, brush and watercolor, sepia on paper, In the center a brilliant framed by volutes with four small pearls. The volutes belong to two shells horizontally turned towards the outer sides. Below hangs a large pearl.,

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