Images at Librifly

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Stage Design: Side Wing, Giuseppe Barberi, Italian, 1746–1809, Pen and bistre on paper, A left side. A fountain stands in front of a kind of colonnade with projecting side, where a gaine supports the entablature. Rocky stones are used in the

Composition Including Pagan and Christian Elements, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink on paper, Seated and standing on steps in the foreground are a group of four classical figures, three of them nude. Figure at right

Design for a Tomb, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upon a base stands a sarcophagus between putti similar to -1255 right. The putto, at left, carries branches,

Design for a Candelabrum, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and yellow, green-brown watercolor on paper, Vertical rectangle. Design for a candelabrum with three candles, the pedestal supported by crouching lions. Above

Possibly the Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, The Virgin is seated in the background, facing left in profile. Her right hand rests on a shield bearing a serpent over a crescent moon,

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Cross scheme with dome. A structure is laid around the front cross arm. It shows a

Study of a Young Boy, Graphite on rough paper, Vertical rectangle. Sketch of a young boy with long hair sitting and holding an open book toward the spectator. The figure's head is lowered, his right forefinger points at the open book., Italy,

Dado with alternative suggestions, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Dado with alternative suggestions., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Sketches, Maples, Samuel Colman, American, 1832–1920, Graphite, blue crayon, pen and ink on paper; Verso: Pen and brown and black ink, View from a tree edged hill top across a valley at hills. Inscribed in graphite, above: 'Old maple

Design for a Pendant with Moses, Pen and ink, brush and wash on paper, Figure of the seated Moses, after Michelangelo, within an arch-like colonnade. Many pending drop-like diamonds. Above, a ring., Italy, 16th century, jewelry, Drawing,

Imaginary Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on light green paper, View in a park with a sailing boat upon water. A part of a fantastic structure is shown., France, Paris, France,

An Old House in Trouville, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, mounted, A staircase leads up to the first floor., France, 1840–1860, Drawing, Drawing

Goblet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A mask is at the shaft. Two mermaids are shown in profile with their backs at the cup, like handles. The left one has the arms

Coat of arms of Cardinal Vincenzo Maria Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Vertical rectangle. An escutcheon bears the six stars of the Altieri: - 3, 2, 1.

Flower Study, Peonies, Brush and gouache on light brown paper, Large pink peonies on a black ground. Four opened blossoms, with the stems cut off short., USA, ca. 1900, Drawing, Drawing

Decorative panel for July Festival, Félix-Jacques Duban, French, 1798 - 1870, watercolor, gouache, black ink, wash, graphite on tan paper mounted on off-white laid paper, Design for a panel ornamented with an abstract vine motif and flowers

Stage Design: Vaulted Hall of a Palace, Pen and brown ink, gray, brown, and green wash on paper, laid down, View inside long hall seen over an angle from right to left, decorated with twisted columns supporting arches, big vases between

Design for an Organ, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of -1355, the central compartment being framed above the arch. In front of its pipes are two

Entablature of an altar in Villa Derossi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above are the cornices of an entablature, with, below, at left, a capital with an

Imaginary Landscape, Pen and dark brown ink on paper, USA, ca. 1870–73, landscapes, Drawing, Drawing

Designs for Bedroom Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above: a variation of -1607 above. The arch is supported by pillars. Above the entablature is a

Fishing Boat at Italian Lake, Charles Joseph Hullmandel, British, 1789–1850, Graphite, brush and sepia wash on paper, The boat is fastened by a rope to a pier of which part is shown at left. Five men are in the boat. A sailing boat and the

Sketches for a Gateway for a Prison Erected by Pope Pius VI, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Top right: an elevation. A rustic arch, the pilasters of

Stage Design for a Classical Palace Interior, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, View into barrel-vaulted hall from vestibule across two columns. Measures indicated., Italy,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme similar to 1938-88-834, the knot being formed by two parallel ribbons.

Sketch, Funereal or Deathbed Scene in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Funereal or Deathbed Scene in Classical Interior, Rome, Italy, 1820–1850, Drawing,

Interior of Church Near Faenza, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. View of inside of church entrance 'al Ermitaggio' near Faenza, Italy. Figure at left stands with raised arm on elevated platform. View on

Console tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two left sides. At leftL the support has a lion's foot, above which is a bunch of palm branches fastened by

Design for a Book Binding, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, gold paint on paper, On dark gray ground, green vines and light blue flowers; rectangular gold painted cartouche., USA, ca. 1896–1903, graphic

Angel, Francesco Allegrini, Red crayon on paper, Rome, Italy, 1630-1660, Drawing, Drawing

Project: a fountain in honor of Emperor Napoleon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. Shown like 1938-88-1774. The design is a variation of that

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, Plants consisting of a cluster of seeds between two leaves,

Design for Wall Decoration, Possibly for Lobby or Vicinity South of Dining Room, Frederick Crace, English, 1779–1859, Brush watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Stage Design of the Elevation of a Pergola, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, View on long side of portico surmounted by pergola with creeping plants., Italy, early

Design for the Decoration of Three Pilaster Strips, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Lattice working symmetrically from a base and ending in a similar oblong on top,

Design for Stained Glass in Music Room in Miss Caldwell's House, Newport, R. I., John La Farge, American, 1835–1910, Graphite and watercolor on paper, Unfinished project of rectangular panels in geometric patterns. Four panels completed.,

Costume Illustration, Pierre Numa Bassaget, French, Graphite, pen and sepia wash on paper, Two women in contemporary costume. At left, a woman is seated at a pianoforte, her back to spectator. At right, another woman is seated at a harp, her

Drawing: Study of a left hand holding a small disk, Vertical composition of a hand holding a disk. The left hand is turned towards left and the lower part of the sleeve is on the right. On the reverse is part of a study of -2746. The lower part of

Stage Design of the Interior of a Temple, Giuseppe Barberi, Italian, 1746–1809, Pen and bistre, brush and wash on paper, Interior of temple with barrel-vaulted arches and apses showing niches for sculptures., Italy, ca. 1800, Drawing,

Design for a Brooch with Winged Boy, Pen and ink, brush and sepia on paper, An oblong diamond is framed by an escutcheon. The figure of a winged boy at right supports a broken pediment. Left side incomplete., Italy, 16th century, jewelry,

Elevation of a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, From a domed circular central section project diagonally two wings with three windows in each of two

Design for a Tabernacle, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The upper central part of the altar ledge is shown with the door for the receptacle for the host. Above

Cross Section of a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for the Decoration of Barrel Vaulted Ceiling, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A spandrel with women between two ovoids and under an entablature. Bottom row:

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is laterally framed by two pilaster strips of colored stone. They are framed by tori in gilded metal as is the upper edge of the opening. Fantastic

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Sarcophagus and allegorical figures, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Sarcophagus and allegorical figures., Italy, 1746–1809, architecture, Drawing, Drawing

Two console tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Designs for two console tables., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for the decoration of a panel, Black chalk, pen and ink, brush and blue-grey and black watercolor on paper, A female half-figure in the center of rinceaux. Rectilinear framing line surrounds. Measurements have been indicated at left and

Landscape with a Woman at a Stream, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, pen and ink, brush and gouache on blue paper, The woman washes laundry., France, 1856, Drawing, Drawing

Frame, probably for chair back, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frame, probably for chair back., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is similar to -1293. The monument is a variation of -1346. THe lower pedestal is deocrated with a

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Thames Barges, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on paper, Five designs of Thames barges, each on a separate row. Between the top and the second row, the after part of a barge is shown, at right. Verso: At

Stage Design, Stairs Between Tombs, Pietro Narducci, Italian, active 1809 - 1841, Pen and sepia ink, brush and wash on green paper, Horizontal rectangle. Path leading up stairs runs between tombs, buildings in background, trees in

Man Riding a Horse, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a man riding a harnessed horse., USA, 1862, figures, Drawing, Drawing

Trophy with tools for measurement, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A sphere, a mariner's compass, a protractor, two compasses, an alidade, and a

Design for a Chimneypiece, with an Elaborate Overmantel, Black chalk, pen and ink, brush and watercolor on paper, Shown are the upper right corner of a door frame, at left, and the left side of the fireplace. The opening is framed by molding.

Saint Anthony of Padua Holding the Infant, Giacomo Zampa, Italian, 1731 - 1808, Pen and ink, brush and brown wash, brush and white gouache on paper, Saint Anthony is shown half-length. The Infant strokes his cheeks. Below is a line and an

A Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and brown watercolor on paper, A stream is shown winding through a hilly country. Houses are shown in the right middle plane., France, 1874, Drawing,

Designs for a Wall Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Wall Panel., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Stage Design, Prison Interior, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Entrance of prison with trapdoor. Two guards in foreground stand with large weapons, two figures descend into trapdoor., Italy, early 19th

Soldiers Camping, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on paper, Recto: Horizontal view of soldiers gathered about a fire, with tent and trees in the background., Verso: Vertical view of faint sketches of

Elevation of a public building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two wings of five bays and three stories each flank the central section, in which a colonnade with a

Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a centerpiece., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Elevation for a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, The entrance is into a round nave which is topped by a dome. The door has a

Scaffolding for Exhibition of a Revered Painting, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, red ink on lined off-white laid paper, Four entire elevations are shown, three of which include

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Cross scheme with apsides. Doric order. Altar in the rear. Two columns at the

Study: The left hand of a woman holding a sheet of paper, Black chalk on rough brown paper, Horizontal composition of a woman's left hand turned toward the left with the thumb above. The farther part of the hand is hidden by the sheet of paper she

Design for an Oblong Ceiling, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Elevation of a house, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a house., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Casino, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, red ink on lined off-white laid paper, The building stands on a platform and has an aovoidal plan. Portico with four columns of

In the Park of Bercy Castle, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and gray, black, and white gouache on paper; five pieces of covers of sales catalogues pasted together, A corner of the castle and a terrace are

Design for a Woven Fabric, Brush and gouache on oily tracing paper, Lattice lozenges form a vertical row, each bottom corner being covered by the tops of the next lower lozenge. Fan motifs grow from the top corners and in the inner corners formed

Young Man, Seated, from Scribner's 'Eighty Drawings including the Weaker Sex', Charles Dana Gibson, American, 1867–1944, R. Ponton, Pen and ink on glossy white board, Young man in evening clothes is shown seated in left profile, his arms

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, A variation of 1938-88-8203 without projecting upper part of the frame. It is decorated with a ribbon surrounding a staff; it is angularly broken. The lateral

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A variation of the design 1920-36-134, the leaves being without a lace

Soldiers or Workers in Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Solders or workers in landscape., Rome, Italy, 1820–1850, Drawing, Drawing

Design for a Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and wash on paper, An obelisk with a star on top. Around are garlands and small urns with burning flames., Italy, ca. 1780, architecture, Drawing, Drawing

Stage Design for the Interior of a Vaulted Hall and a Capital, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, High vaulted Gothic hall with barred window. Detail of capital at right.,

The Angel Leading Tobias Homewards, Fortunato Duranti, Italian, 1787 - 1863, Brush and gray-brown watercolor on paper, Tobias and the Angel are turned toward left. The boy has the fish in his arms; half-figures., Rome, Italy, 1820–1850,

Design for Illuminated Initial 'F', Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brush and white gouache (corrections), green watercolor on paper, framing lines in pen and black ink, squared, Figures of river god and four

The Battle, Victor Vincent Adam, 1801–1866, Pen and ink, brush and sepia wash on paper, Vignette of Turkish troops in center with the smoke of battle rising about them. Two officers on horseback, right foreground; another stands, left,

Design for a panel with a head in front of two crossed thyrsi, Graphite, brush and black and grey-green watercolor on paper, Framed by a moulding, measurements are inscribed, France, 1760–1780, architecture, Drawing, Drawing

The Virgin and the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and dark brown watercolor on paper, Below, the Child, recumbent and leaning upon his right forearm. The Virgin stands behind in adoration,

Console tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Two left sides. The cornices of an entablature are supported by a two-legged winged chimera the tail of which is upward

Door Wall Elevation of the Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Door wall elevation., Rome, Italy, 1789–1793, interiors, Drawing,

Tailpiece, Franklin Booth, American, 1874–1948, Charles Scribner's Sons, New York, New York, USA, Black ink on paper, A symmetrical design composed of interlacing stems and flowers. Shown against a black-and-white background., USA, ca.

A Locality in Southern France, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolors on paper, A street which is flanked at left by a garden wall, at right by a terrace, leads backwards to a house standing in

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, From a calyx as in -1945 emerges an acanthus scroll with a circular medallion of an antique warrior

Design for Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for an architectural structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Rome, Italy, ca. 1790, architecture, Drawing, Drawing

Design for a Painted Porcelain Plate, Les Anémones (Anemones) for the Service de la Culture des Fleurs (Flower Cultivation Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white

Design for a Symmetrical Frieze, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite, brush and wash on paper, Two winged female figures, each on one knee flanking a vase and reaching to the hanging fruit., Italy, ca. 1805,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Similar to designs for 1938-88-7587 and 1901-39-743; the latter appears to be a somewhat later simplification but transforming

Design for a Saltcellar, Giulio Romano, Italian, 1499–1546, Pen and brown ink, brush and brown wash on white laid paper, Design for a saltcellar with the bowl of the vessel in the shape of a shell supported on the back of a bearded triton who

Classicized Interior Scene with Virgin and Child (?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, black chalk on paper, Classicized Interior Scene with Virgin and Child (?)., Rome, Italy, 1820–1850, Drawing, Drawing

Two doorknobs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Two doorknobs., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Lamp, Pen and ink, brush and wash on paper, The flame burning in a vase, standing upon a base with two draped legs terminating in ram heads., Italy, ca. 1780, metalwork, Drawing, Drawing

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