Images at Librifly

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Brooch, Pen and ink, brush and watercolor on paper, A knot with a hanging diamond., Italy, 1825–50, jewelry, Drawing, Drawing

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Small clusters of white flowers, blue and tan leaves, overlapping ring motifs on brown ground., France,

Two Mexicans Standing, Howard Russell Butler, American, 1856 - 1934, Black crayon on paper, laid down on cardboard, Horizontal rectangle. At left: a man with a gun and a sword is shown in profile turned toward right. At right: a man shown from

Design for a Brooch, Pen and gray ink, brush and gray wash on white laid paper; verso: brush and watercolor, graphite, Jewelry design for a brooch. Above, a knot with a blossom in the center; a hanging drop framed outside by arms with lozenges

Design for a Painted Frieze, Graphite, brush and gray watercolor, Chinese black on paper, A frieze consisting of rinceaux motifs with three spirals connected by a bead festoon and a peahen eye. Reverse: Satyrs in landscape. Three Satyrs blow

The Virgin and Child with an Angel, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin is sitting, her left foot resting upon the globe. The Child sits in her lap. He puts his left hand into a basin which

Elevation of Altar Screen, François Boucher, French, 1703 – 1770, Pen and ink, brush and gray and black wash on paper, The proportions are stressing the height. In the left half the upper part of the apsis is indicated. Captions above either

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Sketches of andirons., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

The Presentation of the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Simeon, and two companions, stands at right, on steps, extending his arms toward the Child brought by the Virgin. She is followed by Joseph with the

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-whtie laid paper, A variation of 1938-88-1301, having curved walls at the corners, stressing the height and

Design for a Painted Porcelain Plate, Les Lys (Lillies) from the Service de la Culture des Fleurs (Flower Cultivation Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and wash, white gouache, graphite on

Design for Wall Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Wall Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Vase upon a pedestal, elevation of a mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, At left: the pedestal is shown from an angle. Above at left is a part of a

Designs for Fountains; Verso: Blotter for a Black Crayon Drawing, Upper Part of a Design for a Pavilion Elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, black ink on off-white laid paper, lined;

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink on tracing paper, Park of a South European villa with a pond stretching obliquely in the foreground. A woman and two men in Renaissance attire are seated at the edge of the

Stage Design of a Palace Interior, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Four different interiors of high vaulted halls decorated with sculptures., Italy, early 19th

Design for an Overdoor, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and sepia washes, Two seated girls flank an oval medallion, which is surrounded by boughs., Netherlands, 1785-1790, drawing, drawing

Design for a Frontispiece, Pierre Edme Babel, French, ca. 1720-1775, Pen and black ink, brush and black ink wash on paper, In the scheme of an entablature and a pediment. Putti decorate an escutcheon with a device. An obelisk is depicted with a

Military Trophy after Polidoro da Caravaggio, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen and ink, brush and sepia on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet with the winged figure

Grotesque Panel, black chalk, pen and ink, brown, grey wash on paper, Vertical rectangle. Symmetrical scheme with slight deviations in details. A candelabrum is in the middle framed by a gaine with a winged female throax, carrying upon the head

Stage Design, Tomb in Monumental Form, Luigi Ricci, Italian, 1823 - 1896, Pen and sepia ink, brush and bistre wash, graphite on paper, Horizontal rectangle. Gothic tomb built in very elaborate form, sarcophagi in foreground to the left.,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Dado, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Dado., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for an altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Shown are the elevation, an unfinished plan, a finished plan in a smaller scale. The mensa stands in front of

Design for a Pendant, Pen and black ink, brush and gray, green watercolor on light green paper, Jewelry design for a pendant. Above a knotted ribbon; hanging from a green ribbon below is a small knot on top of a 'roof' with six hanging rows of

A fish peddler. A gentleman., Pen and ink on paper., At left: a peddler, in his right hand a pail and in his left hand a basket with fish, and d a pair of scales. He is walking toward the right, shown from the front. The gentleman is walking

One of Two Paintings by Titian in the Church of the Corpus Christi, Titian, Italian, ca. 1488 - 1576, Red chalk on paper, Below, left: Vus de due Quadretti di Tiziano, che sous riel Corpus d.[??] Urbino 107… (One of the two paintings by

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a base with steps and laterally standing candlesticks with a row of

Elevation of Drawing Room Entrance Wall with Vaulted Ceiling, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left and at right are two door frames with painted overdoors. In

Cupboard, table, writing desk, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Designs for a cupboard, table, and writing desk., Rome, Italy, 1746–1809, furniture, Drawing,

Console, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Supporting cornices. Turned toward the right. Spirals are at both ends. The front is covered with bosses and, above,

Design for a Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Mathematics, Painting seated upon a pedestal support the cardinal's portrait. The pedestal is intended for the

Frame for a papal inscription, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A tablet, the lower edge of which is curved upwards in the center, is supported by a lion's mask.

Vestibule wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Vestibule wall, Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The inner frame has a cresting; in the center is a triangle with a vase crowned with flames, beside acroteria. The vase is

Design for Rolling Serving Table with Two Legs, A.N. Davenport Co., Graphite on thin cream tracing paper, Narrow rectangular body fitted with top tray with its own handles, shelf at front raised on 4 straight turned legs; conforming lower shelf

The Watch Tower in the Castle in Heidelberg, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, The Tower is obliquely shown with a part of the Friedrichs Bau, and with the beginning of the footpath to the town.

Portrait of Louise King Cox, Kenyon Cox, American, 1856–1919, Graphite on cream wove paper, Portrait of a woman in profile, facing left, wearing a wide-brimmed hat., USA, ca. 1892, portraits, Drawing, Drawing

Pedestal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, Left: the left half is shown. A burning heart in a glory of rays in a barrel wreath is shown in the panel of

Stucco Decoration, Pen and ink, brush and sepia on paper, At the upper left is an oblong with hemicycles above and below with a man sitting inside. Outside, a volute motif, intended to be repeated four times with motif of the background left

Cathedral of Notre Dame in Paris, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, black crayon on two pieces of paper pasted together, View from the east transept toward the towers of the façade., France, 1825–1840, Drawing,

Study of a Tree, Bernardino Santini, Italian, 1593 - 1652, Pen and ink on paper, Vertical rectangle showing a tree growing on an outcrop with a peasant’s dwelling at left., Italy, 1600–1650, landscapes, Drawing, Drawing

Costume Drawing with Female Figure, Pen and red ink, brush and sepia wash on paper, mounted, Shown in three-quarter length turned toward the left, with the head in profile. The right hand points toward something. The woman wears a turban with a

The Child, Saint John the Baptist and, Possibly, Saint Elizabeth, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Child is sitting upon the lamb, leaning his head against it. Behind stands Saint John as a

Chairs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, At left is an armchair, seen from the left corner; the left arm is omitted, so are the back legs. The back is an upholstered big oval framed laterally by

Lottery Drawing: Coopers Hall, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Hanging multi-lobed leaves are shown in opposite directions and staggered in

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Design for a steeple. Below is the entablature of a square part. Above rises a story like a circular pavilion

In the Woods, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray watercolor, brush and black and white gouache on blue paper, A woman sits under a tree in the right middle plane. A seated group is shown in the left

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A pedestal hags below a band, with a double row of leaves. In front of its upper part is a trophy of arms. At left two

Sketch: An Oriental Visit, Pen and ink on paper, Horizontal composition with a man in a turban followed by two women, and a servant carrying something, approaching two European warriors in their camp., Italy, 1625–1650, figures, Drawing,

Mary with the Child, Graphite, pen and ink on paper, Oval with Mary, child and cherubs., Italy, ca. 1720, figures, Drawing, Drawing

Six chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, 2), 4), and 6) are in a bigger scale than the others. 1) The stem has a knob, with festoons supported by cherubim.

Sketch, Seated Allegory in Architectural Setting, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash, black chalk on paper, Sketch, Seated Allegory in Architectural Setting., Rome, Italy, 1820–1850, Drawing, Drawing

Design for a Door and Overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-laid paper, Both of the two door foldings have above and below a small rectangular panel and in the center is a large one.

Ticket for 'The Author's Benefit Pasquin', A.M. Ireland, William Hogarth, English, 1697 - 1764, Etching on paper, Etching after a pen drawing. A stage upon a podium. Upon the stage in foreground actors and actresses., England, 1736-1794,

Design for Embroidered or Woven Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A flower bough, a rose and three leaves as parts of a garland., France,

The Elevation of a Sepulchral Monument, Probably for the Young Pretender Charles Edward Stuart, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on paper, Probably for the Young Pretender Charles Edward Stuart

Invention of Book Printing, design for 'Impressio librorum, ' pl. 4 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, black chalk, brush and gray

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left side: cornices of an entablature are supported by the head and raised hands of a female gaine standing upon

Stage Design for the Interior of a Gothic Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Huge vaults on low columns sketched very roughly., Italy, early 19th century,

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, black chalk on lined off-white laid paper, Two lions crouch obliquely upon a base of two sections. A circular pedestal stands upon their hind parts. A

Design for an Agraffe, Girolamo Venturi, Graphite, pen and ink, brush and sepia on paper, Large bow-like design with stones and vertical hanging stones in teardrop shape and cabochon., Italy, ca. 1742, jewelry, Drawing, Drawing

Design for an Ovoidal Painting: Strength, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and sepia wash, brush and oxidized white gouache on brown paper, A seated woman in armor carries shield, lance, and a laurel

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A lace leaf in a wreath stands obliquely over a scalloped border. Three

Design for an Earring, Pen and black ink, brush and green, gray watercolor on off-white laid paper, Jewelry design for an earring. The disk above and the three drops are connected by a knot of a single ribbon, interlaced with two flower

Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined, off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for an Organ Loft, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Situated in a huge niche, with a coffered conch above the entablature. Below are eleven columns

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed by moldings and stripes. Fluted pilasters are laterally. Ramheads with blossom festoons are in the capitals. Above is a high entablature with

War and Divine Law, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink on paper, Figure of a faun in uniform, carrying a large sword, which he holds forward with a mailed glove at his feet, faces a violently movemented figure who

Doorframe, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pilasters project from pilaster strips, and have on top triglyphs instead of capitals. Triangular pediment, with a

The Beheading of St. John Baptist, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia on light brown-gray paper, St. John kneels at left. A pompously clothed man, his hat ornated with feathers, spurred boots, is turning

Segment of a Floral Wreath, Brush and watercolor on paper, Segment of a wreath of poppies and blue cornflowers., England, ca. 1802, Drawing, Drawing

Bases of pilaster stripe, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Central row, above: the elevation of two pedestals, one above the other, separated by a band. The

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A short side wall showing a door flanked by high windows with hangings., France, ca. 1785, Drawing, Drawing

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, red ink on off-white laid paper, Funeral decorations for King Louis XVI of France. The elevations of a pyrmaid

Sketches of a Woman Artist with Various Putti, Simone Cantarini, Italian, 1612 - 1648, Red chalk on paper, Sketches of children, Italy, 17th century, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Lacy leaf boughs, four of which are shown, hang into the hollows of a

Study of a Head of a Young Man in Renaissance Attire, Fortunato Duranti, Italian, 1787 - 1863, Charcoal on paper, Shown raised and nearly in profile, turned to left. Long hair. Wearing a cap. Reverse: a part of a drapery, which has been

A French Officer of the Early 19th Century, Paul Delaroche, French, 1797 - 1856, Black crayon, brush and brown watercolor on paper, Shown standing and holding the left glove in his right hand which wears the glove. He looks downwards., France,

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink on white laid paper, Letter B in reverse intertwined with trophy., France, ca. 1720, ornament, Drawing, Drawing

Candlesticks, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row, at left: Two winged women stand beside a columna miliaria supporting brackets springing from it

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, A mantelpiece is flanked by narrow wall panels and folding doors., Italy, 1790, drawing, drawing

Design for a Panel, Pen and Chinese ink, brush and watercolor on paper, Two putti suspend a trophy of arms from a bracket on top., France, 1780, Drawing, Drawing

Design for an Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A stripe and a garland rise at left. A row of flowers at right., France, 1775–1790, Drawing,

Study for an Altarpiece: Christ with Saint Stephen, Saint Paul, and Saint Francis, Black chalk, brush and bistre, brush and gray watercolor on paper, mounted, Christ is seated upon clouds holding the globe in the left hand. Cherubim surround

Portrait of Frau Wetterstein, F.A. Meyer, German, active 19th century, Black and white crayon, and brush and wash on paper, Within black framing lines is a bust portrait of an elderly woman, her gaze directed to the right, wearing a pleated

Design for a terminal figure of Charity, Otto van Veen, Flemish, 1556 - 1629, Brush and watercolor on paper, A female half-figure terminating in a pedestal holds two children in her arms. A cloth is loosely draped about her middle. Pedestals

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash (bistre) on lined off-white laid paper, A variation of 1938-88-1235. The main differences are: the columns form a projecting colonnade. Above

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Candlestick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Painted Ceiling, Graphite, brush and watercolor on paper, Design for ceiling and pendentives. At center, a musical trophy surrounded by a colorful garland and a purple border with dolphins. Pendentives framed with blue, three

Design for a Panel, Pen, ink with water color on paper, Design for a panel with semi-circular ends, top, and bottom. A trophy of pastoral objects and a flower basket are suspended from a bracket. A circular medallion is in the center, showing

View of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two curved flights of stairs lead to the portico of four columns with a triangular pediment. Cross-like plan with

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of -1416. The main difference is the low base on the lid. On top sits St. John the Baptist,

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Four vine leaves and bunches of grapes are shown., France, 1805-1815, Drawing,

Design for a Fountain in a Pavilion, Giuseppe Barberi, Italian, 1746–1809, Graphite, brush and brown-yellow, gray wash on two pieces of paper, pasted together, The pavilion consists of eight pairs (four are drawn) of columns supporting the

Stage Design: Temple of Ingratitude, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Circular subterranean vaulted hall, huge supporting column in the middle in the centre of which

Faun by a Monument, Giuseppe Longhi, Italian, 1766–1831, Graphite on cream paper, laid down, A faun, a mythological half-human, half-goat creature, is seated by a stone-block monument. The faun, who appears to be female, points to the

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