Images at Librifly

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St. Peter's Basilica and Vatican City (Seen from the North), Rome, Italy, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal view of the St. Peter's Basilica and the Vatican with a man and a woman standing in

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a gondola on a canal in Venice., Venice, Italy, 1881, transportation, Drawing, Drawing

Study of Left Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Study of a left foot and ankle, from straight on., USA, ca. 1895, figures, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Female figure draped in fabric with her head covered., USA, 1876, costume & accessories, Drawing, Drawing

Design for Scribner's Insignia, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Black ink and watercolor on board, Open book on shield, lamp above, enclosed in holly wreath. Torches, left and

Ornament Panel, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink, brush and ink wash, graphite on paper, A standing nude female figure on whose head is a basket supporting two standing lovers. A single swag at the top. The

Croquet Player, Charles Dana Gibson, American, 1867–1944, Pen and black ink, with graphite and watercolor, on paperboard, Young man in knickerbockers standing, hands on hips, before a croquet wicket, and holding the mallet in his left

Design for Stained Glass Memorial Window to Thomas J. Post, Robert Winthrop Chanler, American, 1872–1930, Pen and black ink, brush and opaque watercolors on tissue paper (mounted), Vertical rectangle depicting an angel that holds a torch in

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and gouache, graphite on white wove paper laid down on white wove paper, Central geometric motif with 'RAA'

Erminia and Vafrino Tending the Wounded Tancred after the Battle of Argento [Tancrède secouru par Herminie et Vafrin après le combat d'Argante], Pier Francesco Mola, Italian, 1612–1666, Red chalk on off-white laid paper, A wounded soldier

The Goddess Diana Leaning on an Outcropping, Francesco Brizzi, Italian, 1574 - 1623, Pen and bistre on paper, The Goddess Diana wears a crown with her insignia of a half moon and is depicted in outdoor setting with her spear loosely leaning

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure with a beard.; Detail of face and neck., USA, 1879, figures, Drawing, Drawing

Wall decoration, Pen and brown ink, brush and brown wash on off-white laid paper, Two female terminal figures in front support a drapery with their extended arms. A trellis architecture with three openings through which trees are visible forms the

Standing Man with Raised Arms, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Black chalk, pen and ink on paper, A standing man seen from behind, facing left. His arms are raised before him and his right foot rests on a

Sketch of a Woman's Face, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's face, with hair outlined. Woman facing frontally, looking slightly above the spectator., USA, ca. 1895, figures,

Two Girls on a Swing, Winslow Homer, American, 1836–1910, Graphite on off-white paper, Vertical rear view of two girls sitting in a swing, hung from the branch of a tree., USA, 1879, figures, Drawing, Drawing

Project for the Decoration of an Entablature with Alternative Suggestions, Black crayon, pen and ink, brush and watercolor on paper, Design for a decorative entablature with a projecting bracket and tablet decorated with crossed cornucopia and a

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Front three-quarter view of female figure with arms crossed overhead., USA, 1876, figures, Drawing, Drawing

Design for Mantelpiece Reliefs, Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Reliefs for the mantelpiece, Noble Cabinet, Palazzo Altieri;

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the winged lion monument in St. Mark's Square, Venice., Venice, Italy, 1880, architecture, Drawing, Drawing

Ceiling Design for the Salone di Stupinigi (Main Hall of the Hunting Lodge), Filippo Juvarra, Italian, 1678 - 1736, Graphite, pen and brown ink on off-white Turin paper, Ceiling decoration with sketches of figures, cartouches, and rounded

Project for Illustration: Hazelnuts from Nature, Samuel Colman, American, 1832–1920, Pen and black ink on paper, A bough with leaves and hazelnuts. Design encircled by dots. Framing lines in graphite., USA, ca. 1881, nature studies,

Study for 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Three small detail sketches of drapery., USA, ca. 1899, figures, Drawing, Drawing

Fig Tree and Wild Philodendron, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin off-white paperboard, The lower portion of a tree on which ferns and philodendrons grow is presented surrounded by other plants

The Annunciation (?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Annunciation scene with Mary, Gabriel, and minor angels or other figures., Rome, Italy, 1820–1850, Drawing, Drawing

Feast of the Ascension celebration, Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of Venetian rowers., USA, 1879–1880, commemorative and souvenirs, Drawing, Drawing

At the Mississippi in St. Louis., Howard Russell Butler, American, 1856 - 1934, Black, white crayons. Grey paper., Horizontal rectangle. Vista toward a huge warehouse in the back center. A steamer lies at its moorings in the right middle plane.

Cloud Capped Jungfrau, Interlaken, Switzerland, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal view of narrow steep valley, receding to the cloud capped Jungfrau., Verso: Horizontal view of sky with clouds

Cattle, Steers, Samuel Colman, American, 1832–1920, Graphite, brush and gouache on cream-colored paper., Vertical view with a black and white steer, standing, shown from the head at top right; a brown one, walking shown obliquely and

Companion of Ulysses Transforming into a Hog, Black chalk, pen and ink, brush and wash on paper, Reclining figure shown from the back, raising right arm. Partially concealed head of a hog., Italy, ca. 1650, figures, Drawing, Drawing

Project for a doorknocker, Pen and ink on paper, Knocker with animal head and crowned eagle. At hinge above, a mask framed by volutes., Italy, 18th century, ornament, Drawing, Drawing

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Multi-colored floral and leaf pattern on white ground, lined graphite border., France, 1800–1818, textile

Sketch for an Unused Scene for a Cartoon for Cotton Printing: La Vie de Bélisaire, B. M. Lebert, 1759–1836, Pen and ink, brush and gray wash on paper, Sketch for one island for a cartoon for cotton printing, showing a blind soldier begging,

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Ten partial sketches of both male and female figures., Venice, Italy, 1880, figures, Drawing, Drawing

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, A rose garland is shown over scallops., France, 1805-1815,

Zeus and Ganymede, Michelangelo Maestri, Italian, d. 1812, Raphael, (Italian, 1483–1520), Brush and tempera on heavy paper, Zeus, seated on a throne, holds fire in his right hand, while his left hand rests on the shoulder of the young

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Design for a hair comb. Above nine tines, a pointed compartment formed by two entwined ribbons. Inside, two eagles stand beside a vase filled with stemmed flowers and

Shoe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Above, Sketch of a lady's shoe with a slip-knot tie; Below, Detail sketch of the heel., USA, 1876, costume & accessories, Drawing, Drawing

Stretcher Bearers Carrying a Soldier, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of stretcher-bearers carrying a wounded soldier across the ground containing tree-stumps, with army wagons in background., USA, ca.

Design for Window Drapery, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design for window drapery, with swags of blue, lined in yellow and hung with

Figure Studies, Sailboat, Rainbow, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Verso: Two Heads, Steamship, Rooftops, Minarets, USA, possibly 1868, figures, Drawing, Drawing

Three Designs for Altar Candlesticks for a Jesuit Church, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and watercolor, graphite on paper, Horizontal rectangle. Designs for three altar candlesticks for a church of Jesuits. Intended to

Design for an Inkstand, Pen and ink, brush and gray-black wash, black chalk on paper, Horizontal rectangle. Shown from above. An ovoidal tube is supported by two entablatures, upside down. Two decorative rings are shown at the front. In the

Military Trophy after Polidoro da Caravaggio, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen, brush and sepia, brown ink on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet in the antique

A Twelfth Night Court Card Party, Robert Cruikshank, 1789 - 1856, Pen and brush with black ink, brush and gray wash, over graphite on paper, Figures dressed like playing card characters standing around a large cake deocrated at sides with

Donkey, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two partial sketches of a donkey., USA, 1882, nature studies, Drawing, Drawing

Design for a Baldacchino for the Exhibition of the Host, Black chalk, pen and ink, brush and watercolor on paper, A dado showing a decorated panel and two rising brackets with three arms and burning candles. Above is a base beneath a glory of

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, Two groups of blue and white flowers, two grey ferns on black background., France,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure in motion., USA, 1876, figures, Drawing, Drawing

Design for a Woven Fabric, Fragment, Yellow, beige, red, and black gouache on oily tracing paper, mounted, A big and a small fantastical plant with verticall rows of rings shown perspectively, at the bottom. Dots, ring, a calyx., France,

Designs for Three Pendants, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. At left: a knot above crossing the ring with hanging diamond; in middle: a knot of ribbon whose ends are invisible and hanging diamond;

Distant View of the Dome of St. Peter's Basilica, Rome, Italy, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal view containing a distant view of the dome of St. Peter's against a sky with some clouds.,

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, Six small green beetles are fastened to a chain. One large and six medium hang from slopes. Drops hang from the green beetles., USA,

Project for the Decoration of a Bed Alcove, Pen and brown ink, brush and brown, bistre wash, on off-white laid paper, lined, Edge to edge, the paper is filled with a depiction of the elevation of the front side of an alcove. The left pole of

Stage Design, Temple Atrium, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and gray watercolor on paper, Horizontal rectangle. Steps leading up to a hemicycle. In its center a bowl crowned by fire. Figures are near it, others

Altar, Pen and brown ink, brush and brown wash, Horizontal rectangle. The left side. A variation of the altar in 1938-88-1373. The main differences are: the sepulchrum has bathtub shape, with a nearly pointed cover, and lion feet as supports. It

Virgin and Child with Saints, Charles Mellin, French, 1600 - 1649, Pen and brown ink, brush and sepia wash over sanguine traces on laid paper, The Virgin sits with Child behind her, standing on a pedestal upon steps. Beside the group are two

Design for Rectangular Writing Table with Straight, Square, Fluted Legs and Three Drawers, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for Decorations for a Ceiling, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Obverse: A square ceiling. In the center is moulded square frame from whose corners bands are

Study for an Overdoor Painting, Ariadne Viewing the Approach of Bacchus' Ship, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and brown ink, brush and brown wash, graphite on paper, Figure of a reclining woman lies upon a conch, with

Sketch of Trees, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Sketch of a group of trees. Large trunk, left, with vines around it. Two other trunks, right, with some foliage., USA, ca. 1840, nature studies,

Stage Design, Prison Interior, Pen and brown ink, brush and gray-brown wash on wove paper, Horizontal rectangle. Rough sketch of interior of palace or prison with stairs., Venice or Milan, Italy, early 19th century, theater, Drawing,

Girl, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Four sketches of a young female figure wearing a bonnet., USA, n.d., figures, Drawing, Drawing

Stage Design, Interior of Oriental Temple, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Vertical rectangle. Temple in Islamic style with three

Woman, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Recto: Two sketches of a female figure; Verso: Sketch of a street scene., USA, 1886–1887, figures, Drawing, Drawing

Niche with a Statue of a Female Saint, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor on cream laid paper, Sculptural female figure in a niche. Scale in lower right., Italy, ca. 1780, architecture, Drawing,

Portrait of a Seated Man, Red chalk on paper, Recto: Study for a portrait of a seated man facing frontally, resting his right forearm on an object. Framing line. Verso: Sketch for a mural around a doorway; standing figures., Italy, 1650–1700,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, 1865–1870, nature studies, Drawing, Drawing

Celebrating Couple, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Airborne couple: young man with garland and

The Blue Room, Schloss Fischbach, Friedrich Wilhelm Klose, German, 1804 – after 1863, Brush and watercolor, graphite on white paper, The Blue Room, most likely a dining room, is decorated in the Gothic Revival Style., A view of the

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed by the upper part of a molded frame standing upon a base; its frieze shows a band of palmettes and buds. Laterally and rededing are pilaster

Church, Germany, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a monk walking down a staircase with a church in the backrgound., Germany, 1867, architecture, Drawing, Drawing

Design for a Painted Porcelain Plate, L'Écrevisse (Cancer) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Design for a Door Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for a Door Wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Dagger, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of dagger in sheath. Above, faint outline of a second dagger., USA, 1876, metalwork, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure with a bent knee., USA, 1876, figures, Drawing, Drawing

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design composed of a large central cross flanked by pairs of lighted candles, and

Wall Elevation Design, probably for the King's Apartments, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, white gouache, graphite on paper, Elevation of a wall with a doorway at right, surmounted by

St. Sebastian Fettered to a Tree, Red crayon, pen and brown ink on paper, The head of the saint is sunk upon his breast without arrows., Italy, 1800–1830, figures, Drawing, Drawing

Atelier for Women (Bouguereau and Robert-Fleury), M. Riccardo Nobili, Italian, b. 1861, Black ink on prepared paper, Illustration on ruled paper for line-block reproduction, showing a class for women at the Académie Julian, Paris. Interior of

Design for Three Pendants with Rinceaux, Pen and ink, brush and watercolor, sepia on paper, Three pendants, each with a ring above. At left, three pearls in rinceaux, with a hanging one. At center, a large diamond or pearl is framed by

Sketches of Ships, Venice, Italy, Samuel Colman, American, 1832–1920, Graphite on paper, Sail boat, upper left, and a large sailing ship, shown obliquely from the bow, left. A sail boat with three men, upper right, and a sail boat with

St. Peter's Basilica Seen from the North against the Hills and Skyline of Rome, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal distant view of St. Peter's Basilica from the North, showing the church rising at

Design for a Chimneypiece, Wall with Chinoiserie Landscape, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a wall, with a fireplace at center,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure., USA, 1876, figures, Drawing, Drawing

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow, brown-red watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the bottom standing with lion feet upon a

Standing Atlante (a Dacian captive), Giorgio Vasari, Italian, 1511–1574, Pen and brown ink, brush and brown wash on paper, Standing bearded and heavily-robed atlas or atlante, a support sculpted in the form of a man intended to take the

Design for a Salt Cellar, Giovacchino Belli, Italian, 1756 - 1822, Pen and brown ink, brush and gray, pale yellow wash, graphite on paper, Horizontal rectangle. Design for a salt cellar intended to be executed in partly gilded silver. The

Design of Escutcheon and Draped Tablet, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and black ink, brush and gray wash, graphite on cream laid paper, lined, Escutcheon in the shape of an ellipse is ornamented at left and right

Stage Design, Tomb in a Cave, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Cave with antique tomb at right., Italy, early

A Young Man Running Toward a Fire, Filippo Marchionni, Italian, 1732–1805, Pencil, pen, ink, gray watercolors on paper, A young man wearing a billowing cloth across his hips and holding a second between his hands, runs towards clouds of

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a hair comb. The cresting has the form of a pentagon with a long triangular shape. On top is a star. In the panel are rinceaux springing from a chalice

Design for Cupid and Trophy of Arms, Paolo de Mattheis, Italian, 1662 - 1728, Red chalk on paper, Shown from the front, standing upon a base. He carries the bar in his right hand, and leans the left one upon a shield. Below are the quiver and

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure wearing a hat., USA, 1879, figures, Drawing, Drawing

Candelabrum Designs, Graphite, pen and bistre, brush and wash on paper, Three vertical candelabrum designs, each bound within a partially detailed frame., Italy, late 18th century, grotesques, Drawing, Drawing

Men, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of two male figures in police uniform., Venice, Italy, 1880, figures, Drawing, Drawing

Project for a Lamp, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and ink, brush and wash on paper, Bottle form with two loosely drawn angel figures. Flame burning at top., Italy, ca. 1780, metalwork, Drawing, Drawing

Design for a Chalice, Plan, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and ink with ink and yellow washes on paper, Design for a chalice, seen in plan, in a shape of the seventeenth century, with Louis XVI motifs of decoration.,

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857–1903, Graphite, pastel crayon on wove paper, Three sketches of a female figure., New York, New York, USA, 1895–1898,

Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white

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