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Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of antique buildings, on vaults., Italy, early 19th century, theater, Drawing, Drawing

Mr. Herrick Teaching Wood Engraved in the Women's Art School, Cooper Union, Ada C. Thompson, Engraving, Horizontal rectangle. Sketch showing the instructor standing over his pupils who are seated near a window. Inscribed (in ink) along the side:

Design no. 15 for the Embroidery of a Man's Waistcoat, Unfinished, Graphite, brush and gouache, white on paper, Design for the embroidery of the left bottom corner of a man's waistcoat, unfinished. Traced design on the pocket. Landscape with a

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. They are connected by pilaster strips, which are decorated by vertical poles which are surrounded by a spiral band, in

Sketch of Figures Bearing a Cross, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of figures bearing a cross. Below, man with laurel crown, blowing a horn; mouth of horn not pictured. Probably a study for a mural of

Mountainous Landscape, Pen and ink, brush and wash on paper, Mountainous country with a town in the right distance. A forked waterfall is shown before it, the stream winding toward the right foreground. A group of trees and rock in the left

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Thetis in the Workshop of Hephaestus; Thetis Showing the Armor to Achilles: Two Designs for Ceiling Panels in the Galeria d'Iliade, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and gray-brown wash over

On the Seashore, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and bistre and black on paper, At right is a corner of a 16th century castle. A man and a dog walk beside it; he holds his hat on account of the strong wind.

The Needles, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite, brush and watercolor on paper Verso: Graphite on paper, Recto: Horizontal view of distant jagged mountian peaks., Verso: View of two peaks with a canyon wall in

Design for a sedan chair, Pen and ink, brush and various watercolors on paper, Shown from the rear right corner with two bars. A proof with a scroll on top. Its triangular panels are framed by garlands and decorated with rays. Tassels hang at the

Design for a Carved Motif, Red crayon on paper, France, 1725-1750, Drawing, Drawing

Design for a Woven Fabric, Brush and green, yellow, red, and brown watercolor on white paper, A goldfinch is perched on a bough of green leaves and a red flower resembling a magnolia bloom., France, 1775–1800, Drawing, Drawing

Pottery and Glass, Arnold William Brunner, American, 1857–1925, Graphite on paper, Vases and pitches, some of Persian glass, USA, ca. 1883, glasswares, Drawing, Drawing

An Altar Over a Crypt, Graphite, gray wash Support: laid paper, Italy, Rome, Italy, 1775, architecture, Drawing, Drawing

Autumn Landscape in New England, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, A range of hills extends to the left from the right foreground. Behind, a lake is shown. Mountains in background at top., USA,

Design for a Painted Ceiling with Alternative Suggestions, Possibly for the Entrance Hall, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink on white wove

Strapwork Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with caryatids and masks surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Angel, Louise Howland King Cox, American, 1865–1945, Brush and watercolor, white gouache, graphite on cream paper, Angel facing front, in red-orange robe. Head indicated only through graphite sketch., USA, ca. 1895–1910, figures,

Wallpaper Design, Brush and gouache, graphite on heavy white paper, A dado is shown at the bottom, an entablature on top. The panel is decorated with horizontal rows of great petal discs. Small petal rosettes and flower boughs are in the wedges.

Figural Scene with Artist Drawing Female Figure While Man Watches from Behind, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, Figural scene in an interior setting with hanging cloth around room. Artist, at center,

Design for a Monochrome Wall Painting, Church of Corpus Domini, Bologna, Italy, St. Caterina Vigri Receives the Babe from the Virgin, Marc Antonio Franceschini, Italian, 1648 – 1729, Blach chalk, pen and ink, brush and gray-brown

Design for a Window Frame, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Below is a dado, with an oblong panel between volutes. An escutcheon with three lilies is on top of the molded frame of the opening. Pilasters

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape with windmills along the horizon., Netherlands, 1883, landscapes, Drawing, Drawing

Study for a woman holding a child, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown pastel crayon on tracing paper, A female figure holding a child. The older girl too is shown

Plan of Living Room in Residence for F. W. Phillips, Esqre, A.N. Davenport Co., Pen and red ink, green color pencil, graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a cap., USA, 1884, figures, Drawing, Drawing

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals. The bowl is

Tracing of Design for Writing Table in Two Views, # 44024, A.N. Davenport Co., Carbon tracing and graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for the Embroidery of the Left Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Leaf and flower plants grow from the lateral and bottom edges

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Study of a draped sleeve covering the right arm., USA, 1872–1875, figures, Drawing, Drawing

Study of Two Pines, Catskill Mountains, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Study of two pine trees, at left. Other tree trunks, left, and man on a rise, right, lightly sketched., New York, USA, ca.

Evergreen tree, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Vertical view of an evergreen tree at center and a bout at top right., Verso: Horizontal view of a mask of a man at top left, and a seated young girl,

A Dominican Female Saint in Ecstasy and Other Studies, Black chalk, brush and white gouache on paper with brown prepared ground, A female Dominican saint kneels, facing half-left, arms extended in attitude of ecstasy. To the right of her figure

Main and side elevations of the right wing of a house for Monsieur Gédéon Mallet in Geneva, François Blondel, 1681 - 1756, Pen and ink, brush and watercolor, graphite on paper, Corresponding to the print in opposite direction. Caption over

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Five designs, similar but with variations. All yellow, framed with dark olive green and filled

Near Jericho, On the Road to Jerusalem, Daniel Huntington, American, 1816–1906, David Roberts, Scottish, 1796 - 1864, Graphite on paper, From a high ridge, through a valley, looking toward the Dead Sea, with mountains beyond., USA,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Salon Interior, A. Redkovsky, Russian, active mid–19th century, Brush and watercolor and gouache over graphite on white wove paper, This is an interior view of a salon with a high ceiling, a doorway on the left and a three-columned alcove at

Seascape with Iceberg, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paper, An iceberg is shown in the central background against the evening sky., Newfoundland and Labrador, Canada, 1859, seascapes, Drawing,

Study for standing boy with kid, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown, black pastel crayon on tracing paper, Young male figure standing slightly turned, holding

Study for 'The Beneficence of the Law, ' Essex County Courthouse, Newark, NJ, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a bird in flight., USA, 1906, animals, Drawing, Drawing

Ceiling Design for the Consecration of Numa, Sala di Numa Pompilius, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on white laid paper, An augur lays his left hand on

Angelic Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Angelic figure with drapery, flying upward toward the left, arms stretched ahead., USA, ca. 1895, figures, Drawing, Drawing

Sheet from book of sketches, Black chalk, pen and ink, brush and sepia wash on paper, Top row: two drapery motifs; main row, at left: a seated and winged putto carries the left half of an escutcheon. At right: sketch of a different position of

Study for portrait, Vicente Blasco Ibañez, Harriet Blackstone, American, 1864–1939, Graphite on paper, Sketch of male figure., USA, December 14, 1919, figures, Drawing, Drawing

Design for an Altar, Pen and sepia ink, brush and gray watercolor, graphite on paper, Design for an altar, elevation view. In the center of the broken pediment is a small escutcheon for the coat of arms of a prelate (clergyman/bishop). On top is

Design for a Frame, Pen and brown ink, graphite on off-white laid paper, The left half in graphite, the right in ink. Strait sides with scrolls and a vase form above, and smaller scrolls below., Italy, 1680–1720, interiors, Drawing,

A Medal of Napoleon Bonaparte as President of the Italian Republic, verso; Hebe Gives Immortality to Hercules's Charioteer, Felice Giani, Italian, 1758–1823, Pencil. Pen. Brush. Dark brown., Horizontal rectangle. Obverse: the head is turned

Sketch of Man Seated in Armchair, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Man seated in an armchair, facing frontally, his legs crossed. His right hand repeated, upper left. His left elbow on a table, and left hand

Profile of Horse's Head With Bridle Shown In Profile, Red crayon on paper, Study of a horse's head seen in profile, Europe, 18th century, nature studies, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white laid paper., Small flowers, white and blue. Pink and green leaves, on black ground decorated with

Men on horseback, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of two male figures on horseback with a crowd in the distance., USA, 1883, figures, Drawing, Drawing

St. Mark, Paolo de Mattheis, Italian, 1662 - 1728, Black and white chalk on green paper, Figure of Saint Mark holds a book in his left arm and a pen, aloft, in his right ;the lion is at lower left. Verso: sketch of a shoulder and upper arm.,

Three Sketches of Schooners, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view showing three sketches of schooners, with top schooner shown in water against hills., USA, ca. 1880, seascapes, Drawing, Drawing

Soldier Leading a Pack-Horse, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Vertical sketch of a group of trees partially drawn over accounts and a soldier leading a horse., Verso: Horizontal sketches of a soldier and two

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on blue wove paper, Purple concentric shapes from a dense pattern, yellow and purple bumble bee-like motifs

Street in Villefranche, Arnold William Brunner, American, 1857–1925, Graphite on paper, Narrow street, with one figure on it. Four-story buildings on each side., USA, 1892, architecture, Drawing, Drawing

A Votive Image of a Boy Presented by his Parents to St. Nicholas of Bari, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and brown and gray wash, pen and brown ink on paper, The Saint is sitting on clouds, with book and three balls,

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Incised lines, brush and white, yellow, and lateritious gouache, graphite on glazed tracing paper, Two staggered garlands are

Design for Sideboard with Upper Shelf and Decorative Carved Stripes, A.N. Davenport Co., Pen and black ink on thin cream paper, Oblong sideboard with rounded front corners and neo-classical motifs; 6 straight tapering legs [5 shown]; niche front

A peasant woman from the neighborhood of Rome, Miguel Alfarren, Spanish, Black crayon, brush and white heightening on gray prepared paper, Three-quarter figure shown from left back. Head is lowered and shown in profile. Left hand is slightly

Apollo, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Apollo shown seated with his lyre, a clock streaming at left. To the right is an alter decorated with a

Personification of Justice, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes on laid paper, On verso: study of sarcophagi after antique, Italy, 1813–18, figures, Drawing, Drawing

Leaf Studies, Samuel Colman, American, 1832–1920, Graphite on cream paper, Large tall veined leaf, left. Right, a stem with buds or seed pods, and round leaves., USA, ca. 1880, nature studies, Drawing, Drawing

Design for a sedan chair, Pen and ink, brush and various water colors on paper, Shown in profile turned toward the right. Above at right is a window with two panels and a curtain. The panel beside is decorated with a scroll. The part below forms

Study of foliage, William Stanley Haseltine, American, 1835–1900, Graphite, brush and wash on paper, Sketch of a tree with leaves., USA, ca. 1855, nature studies, Drawing, Drawing

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A group of three women standing upon a globe and shown frontally. The two lateral ones stand further back than the central one, the left figure

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a reclining female figure., USA, 1877, figures, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery at the border of a man's waistcoat. A fantastical tree grows fro mthe edge of the half of an umbrella rosette. It is flanked by two circumscribed palmettes

Chairs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Various views of a barrel-back chair. One is decorated with ram’s heads and hooved feet., Italy, 1780–1790,

Design for a Wall Panel, Pen and ink, brush and sepia, watercolor on paper, Elevation of a wall panel divided into compartments with candelabrum. The upper wall shows a motif centered on a basket of flowers; the dado shows a bow and quiver. The

Designs for Twelve Earrings, Salvatori, Italian, active 19th century, Graphite on cardboard, Two rows of six earrings each. Above, the first third and sixth have escutcheons; the fourth two rams’ heads, the fifth ram’s head. Below, the

Design for Elevation of an Altar Retable, Pen and ink, black chalk on paper, Recto: The left half is shown. Two paintings in a vertical row are suggested for the central part, which is topped by the royal French crown. the lateral part is

Design for Round Adjustable Dining Table on Octagonal Base, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, Round molded top with dividing stretcher running across center suggested in graphite, raised on fluted columnar

Study for 'The Wreck', Winslow Homer, American, 1836–1910, Graphite, with pen and black ink and brown ink on green buff paper. discolored to brown, Horizontal view of four coastguardsmen pulling, and one pushing a lifeboat along wet sand.

Spandrel Decoration: Fame and Truth Applauding Louis XV, François Boucher, French, 1703 – 1770, Black chalk, pen and brown ink, brush and pale pink wash on white paper, lined, A putto, companion of Fame, directs the attention of Truth to

Design for Serving Table with Two Drawers and Backsplash, A.N. Davenport Co., Graphite on thin cream tracing paper, Rectangular body with 2 drawers at front and raised on 4 straight tapering legs; conforming lower shelf attached half way up legs

Cabinet, Console Table and Urns, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a table with strait, fluted legs and swags. Two urns decorated with figures. At left, partial view of a console table

Design for a Glass Panel Window for the Coved Ceiling in the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A lozenge-shaped panel. The central

Study of Two Rams, Samuel Colman, American, 1832–1920, Graphite on paper, Horizontal rectangle. One is shown crouching and turned toward right, in the foreground. The other stands behind him, gazing at the spectator., USA, ca. 1850,

Designs for Wooden Frames, Pen and brown ink, brush and brown, yellow and blue wash on off-white laid paper, Vertical rectangle. Designs for frames intended to be carved in wood for one of the roads in the stations of the Cross, with alternative

Wooded Hilltop, Hilly Valley, Sun, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, Verso: Snowy hills, wooded hilltop (left view of recto), USA, January 1866, landscapes, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure in a tailcoat crossed out with diagonal lines., USA, 1877, figures, Drawing, Drawing

Leaves, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Sketch of leaves on top of a bough., USA, 1857, nature studies, Drawing, Drawing

Stage Design: Town Archit, Pen and brown ink, gray wash, ruled border in pen and brown Support: white laid paper, laid down, Italy, Italy, ca. 1740, theater, Drawing, Drawing

The Dog and the Wolf, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Wall, with leash fastened to it. Dog and wolf center, facing each other in profile. Trees right., USA, ca. 1916, Drawing,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Elevation of a Wall, Pen and ink, brush and sepia, watercolor on paper, Two windows. Above a couped pediment with an escutcheon containing a landscape. The compartments between and beside the windows with a gueridon with flowers and a medallion

Decoration of a Wall and Ceiling to be Executed in Stucco, Pen and ink, brush and watercolor on paper, Central panel has an escutcheon with a looking glass, two mermaids at the sides and a lion mask below. Lateral small panels provide for looking

Sketches for Mr. Winthrop's Portrait for the Historical Society, Mass., Daniel Huntington, American, 1816–1906, Graphite on paper, Man seated in an armchair, facing frontally, a table to his right and an open book on his lap. He looks

Design for a Sedan Chair, Black chalk, pen and Chinese ink, brush and yellow, brown, blue, purple, rose watercolors on paper, Shown in profile, turned toward left, with one bar. Corn cobs stand in the middle and at the corners of the roof,

Sketches of a Nude Figure in Classical Pose and a Seated Figure, Pen and black ink on cream laid paper, laid down, Left: a standing male nude, with drapery over his shoulders, in classical pose. He holds a staff in his left hand and holds his

Study of 'Altarpiece of Saint-Germer-de-fly, ' Paris, France, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of the altarpiece of Saint-Germer-de-fly. The Visitation is depicted with Edward the

Winter, the Forge of the Vulcan, Spring, the Bath of Venus, Summer Feasts of Bacchus and Ceres, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Vulcan forging arrows

Sketches of Flower Pots, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of three flower pots with plants, with color notes., USA, 1877, ceramics, Drawing, Drawing

Design for Kidney-Shaped Writing Table with Two Books and Vase of Flowers, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Sketch of Chenonceaux, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Chapel at left; houses to the right. Vegetation throughout buildings., USA, 1883, architecture, Drawing, Drawing

Design for a Coronet, Pen and ink, brush and gray, green, olive watercolor on wove paper, Jewelry design for a coronet (small crown). In the center, a big palmette from which rinceaux are springing. Green and white diamonds are contrasted.,

Design for Left Half of Door Frame, A. Quadrío, Italian, active 18th century, Pen and ink, brush and wash on blue-gray paper, Vertical format design for the left half of a door frame. An arch is supported by a group of supports flanked by two

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