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Design for Stained Glass Window: Over Main Entrance - Music Hall, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Lunette filled with

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At right is a trophy with a rectangular shield., Italy, ca. 1650, interiors, Drawing, Drawing

Gardens of Bacchus, Gabriel Huquier, French, 1695–1772, Antoine Watteau, (French, 1684–1721), Black chalk, brush and black ink, wash, traces of stylus on thick white laid paper, lined, In the center, and altar with symbols of the

Design for a Painted Porcelain Sugar Bowl and Stand, Brush and watercolor, gray wash on cream laid paper, An oval covered sugar bowl with gold knob and matching oval stand. Rim of cover and stand are painted with scalloped band in gold, inside of

Title page of “Nova Reperta”, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Jan Collaert II, Flemish, 1560 - 1628, Philips Galle, Flemish, 1537 - 1612, Engraving on laid paper, Upper center: a tablet with the

Street in San Remo, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Narrow street of low steps, figure descending. High walls with vegetation., USA, ca. 1892, architecture, Drawing, Drawing

Design for a Six-Legged Rectangular Dining Table of Mahogany, A.N. Davenport Co., Pen and black ink on thin, cream paper, Rectangular molded table top with dividing stretcher center on 6 tapering fluted legs on casters with flute-stops; legs

Stage Design, Oriental Buildings Amidst Caves and Rocks, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Building in form of a

Sketches from Italy: Building with a Tower, Mountain, and Man, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Recto: Horizontal view of a hill with a buildin with a tower on top shown in the left foreground, and a

Sketch for an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Head and torso of a winged figure shown from the right back, turned toward right, blowing a trumpet., USA, 1880–90, figures, Drawing, Drawing

Design for a Ceiling, Pen and ink, red crayon, graphite on paper, Bacchus and Ariadne on clouds accompanied by three of her companions, three putti, and a panther., France, 1725–1750, drawing, drawing

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top is a frieze with rosettes connecting garland motifs and an entablature. The panel is decorated alternately with vertical rows of palmette motifs

Mrs. Rutherford B. Hayes, Separate Arm and Drapery Studies, Daniel Huntington, American, 1816–1906, Graphite, white chalk on buff wove paper, Standing female figure turned to left, gaze directed to right. Studies of left and right hands

Design for a Plate, Brush and gold gouache, pen and black ink, graphite on cream paper, Design for a plate with blue and gold border, dentils with arabesques and roses on scrolls and small hanging banners., Japan, 1880–1910, tableware

Design for a Vase, Pen and ink, brush and wash on paper, Vertical rectangle showing a covered vase in the Japanese style, with a flying crane., Italy, late 19th century, ornament, Drawing, Drawing

A Pitcher, Graphite, pen and ink, brush and bistre wash on paper, Obliquely shown from the handle, which is formed by a scroll. The spout is at right. Two putti are near the handle. The body is decorated by festoons which are supported by the

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Profile sketch of a male figure standing wearing a tailcoat, vest, trousers, and hat., USA, 1877, figures, Drawing, Drawing

Architectural Details at Lisieux, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Window and roof support, left; mouldings, right., USA, 1883, architecture, Drawing, Drawing

Study: The right hand of a woman, Black and red crayon on rough brown-gray paper, Horizontal composition of a woman's right hand, which is lying towards the right. The beginning of the forearm is shown at the left., Italy, 1625–1675, figures,

Design for Victory holding a Wreath and Trumpet and Studies for Various Decorations, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and gray-brown wash over black chalk on laid paper, At left, in right triangle, winged female

Bobolink, Ernest Thompson Seton, American, 1860–1946, Charles Scribner's Sons, New York, New York, USA, Pen and ink, grey wash, on illustration board, A bird flying over a swamp area. Another bird flying in the distance, right., USA,

Grand Canyon in the Rain, Thomas Moran, American, b. Britain, 1837–1926, Pen and brown ink on white wove paper, Horizontal view of canyon with many cliffs shown as rain falls in the right part., July 12, 1908, landscapes, Drawing,

Design for an Oil Lamp, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, gray watercolor, graphite on light blue paper, Vertical rectangle. Upon a high foliated stand the body of the lamp is supported by the lion feet

Design for an Arabesque Motif, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink with ink wash, graphite on paper, The motif consists of three Fates shown either seated or standing on shelves supported from a central core,

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of antique buildings, stairs, and monuments., Italy, early 19th century, theater, Drawing, Drawing

Design for Sideboard with Volutes Supporting Upper Shelf, A.N. Davenport Co., Graphite on thin paper, Rectangular sideboard on six tapering legs (5 shown); rounded front corners decorated on neo-classical motifs; flat front has three drawers in

Design for Gateway, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, Horizontal rectangle showing design for two gateways. Left one topped by oval medallion. Right topped with balustrade., Italy, 1750–1775,

Design for Writing Table No. 7, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Ceiling Design: Decoration for theater, Pen and ink and sepia wash on paper, Circular centre showing Paris distributing the prize among the goddess. Around this centre main part of design describes oval divided into sections decorated with

Study of Heavenly Figures, Francis Augustus Lathrop, American, 1849 - 1909, Brush and violet watercolor, graphite on cream laid paper, Four figures seated in clouds, the one at left with a halo., USA, ca. 1895, figures, Drawing, Drawing

Designs of Bolts, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and watercolor, graphite on paper, Upper bolt clasp is formed by rinceaux in ogival frames; lower bolt, by two rosettes, with laurel sprigs within rectangular

Design for a Milk Pitcher, Brush and watercolor, gold gouache, graphite on cream paper, Design for a tall milk pitcher with partial handle; spout and lid in graphite. Body decorated with vertical alternating stripes; one with gold roses on vines

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown, rose, raspberry pastel crayon on tracing paper, Sketch of a female figure's legs. The legs and skirt are

Design for Ceiling Decoration, Probably for Conservatory/Music Room or Perhaps Dining Room, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Detail of

Tiger skin rug, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a skinned tiger rug spread out on the ground., USA, 1877, furniture, Drawing, Drawing

Design for a Doorway, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and ink, brush and grey washes, black chalk on paper, The door frame shows a shell in the overdoor and a triangular pediment. It is flanked by embedded fluted

Study for 'Mathematics, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, A young male figure in profile with hands extended. The paper is squared for transferring the image., ca.

Mary and Eleanor Hague in a Hammock, Mary A. Hallock Foote, American, 1847–1938, Graphite, brush and gray wash on cream wove paper, Two young girls wearing dark bonnets are seated in a hammock, facing left. Their legs are firmly placed on

Study for 'Mathematics, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of an outspread wing. The paper is squared for transferring the image., ca. 1895, figures, Drawing,

Design for Rectangular Mahogany Table with Inlay Top, A.N. Davenport Co., Graphite on thin cream paper, Rectangular molded table top with suggested inlay decoration aroung lower rim, raised on 4 cabriole legs terminating in carved ball-and-claw

Rooftops, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, A shed, left; back roofs of houses sloping to left rear. Trees center., USA, ca. 1883, landscapes, Drawing, Drawing

Two Studies of a Bugler, Winslow Homer, American, 1836–1910, Recto: Graphite on cream paper Verso: Grapite, brush and gray wash on cream paper, Recto: Vertical full-length view of a bearded soldier, in cap and uniform, facing left and

Sketch for 'Night', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Nude female figure shown seated from behind, with parts of the right leg visible. Verso: horizontally, the elevation of a window in a Gothic church., USA,

Design for trophy of arms, Pen and ink, brush and watercolor, graphite on laid paper, A helmet with a horse tail at the center of the design., France, 1730, Drawing, Drawing

Near Meadow Creek, Utah, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite, brush and black wash and white gouache on gray-green wove paper. Verso: Graphite on gray-green wove paper., Recto: Horizontal view of the valley floor

Design for a Woven Fabric, Fragment, Blue, green, rose, yellow, and black gouache on oily tracing paper, mounted, A flower spray rises from the lower end of a leaf scroll. A curved bough with leaves is stuck through its point., France,

Studies of five ears, noses and a mouth, Red crayon on light brown paper, Vertical rectangle; A) Top row: studies of three left ears, the central one being unfinished. Central row, at left: study of the upper left part of a right ear; at right,

Design for a Trophy, Richard de Lalonde, French, active 1780–96, Richard de Lalonde, French, active 1780–96, Graphite, pen and black ink, brush and rose, brown watercolor, wash, on cream laid paper, Trophy consisting of a ewer

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Blossom rosettes are connected by diadems with drops and by chains from which tassels

Spoondrift, ' Heavy Sea, Prout's Neck, Winslow Homer, American, 1836–1910, Graphite on paper, View of a wave crashing on a rocky shoreline., USA, ca. 1909, seascapes, Drawing, Drawing

Elevation of the Belmont Menagerie, Newport, Rhode Island, Whitney Warren Jr., American, 1864–1943, Graphite, brush and brown, black, green, blue, red, and yellow watercolor, white gouache, on thin cream illustration board, A

Study of a Foot for 'The Atlantic Cable Projectors', Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Study of the lower pant leg and foot of a man, from the side, wearing a boot. Verso: Two sketches of a right hand from

Nevers and Bourges, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Architectural details, left sketch of capital. Upper right, sketches of children., USA, 1883, architecture, Drawing,

Stage Design, Apollo with Famous Men and Muses, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Apollo in front of temple portico surrounded by Muses and famous men, identified by inscriptions on the stairs below which they

Japanese Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure; Verso: Sketch of a group of figures., Japan, 1892, figures, Drawing, Drawing

Design for a Six-Legged Adjustable Round Table on Casters, A.N. Davenport Co., Graphite on thin, cream paper, Round molded top with dividing stretcher running across center raised on 6 straight tapering legs on casters., 1900–05, furniture,

Costume Design: A Man in Fantastical Attire for a Ballet, Lead pencil on paper, Vertical rectangle. A man is shown from the front. He wears a bonnet with feathers, a coat made of hide, and a skirt. His left hand leans upon a stick. Written across

Design for a Waistcoat, Various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Dark lilac stripes form the edges of the waistcoat and of the pocket, and a base line inside of the pocket. A flower rinceau

Sketch of Woman's Head in Profile, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's head shown in right profile, looking upward. Hair partly braided., USA, ca. 1895, figures, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Graphite, pen and ink, brush and watercolor, brush and Chinese white on paper, Lower left section of a waistcoat. Below the pocket a spray of large flowers filling the space toward the corner,

Seashore, Newport, RI, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of waves crashing in front of a rocky ledge., Newport, Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Stage Design, Egyptian Courtyard, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash, watercolor, graphite on white laid paper, Horizontal rectangle. Court of

Project: An organ loft and the organ with alternative suggestions, Pencil, pen, brush and bistre on paper, Horizontal composition of an organ and organ loft. The loft is supported by four consoles with small angels in the panels above them. The

Design for a Woven Fabric, Fragment, White, red, and black gouache on oily tracing paper, mounted, Two flower boughs beside a rising undulated flower stem., France, 1815-1840, Drawing, Drawing

Design for a Round Tureen, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a round tureen intended to be executed in partly gilded silver. The round base is similar

Architectural Ornaments t, Pen and gray ink, yellow, lavender, gray wash, black chalk, ruled border in pen and gray i Support: white laid paper, Bologna, Italy, Italy, ca. 1750, architecture, Drawing, Drawing

Designs for a Bench, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Designs for the left hand side of a bench. Paw feet. Arms decorated with a floral vase. At back, an eagle head with a tassel in its beak., Italy,

Elevation of a Small Round Domed Room, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on laid paper, Veritical rectangle. Divided into triangular panels with lozenges above, picture below.

Study for landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with a path and figures gathering in the center., USA, ca. 1855, landscapes, Drawing, Drawing

Stage Design, Group of Egyptian Buildings from the Exterior, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Group of Egyptian buildings with two pyramids., Italy, early 19th century, theater, Drawing, Drawing

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a female figure dancing., USA, 1900, graphic design, Drawing, Drawing

Three capitals of pillars, with alternative suggestions, Pen and black ink, brush and brown wash, graphite on off-white laid paper, Above: in the center, the head of a girl, with a bowknot above it, the ends of the ribbon being supported in

Irish Immigrant's Flax-Wheel, W. J. Fenn, American, 1862–1961, Pen and ink on illustration board, Illustration of a wooden flax-wheel., USA, 1885, graphic design, Drawing, Drawing

Design for an embroidered 'gilet' of the Fabrique de St. Ruf, Brush and gouache on glazed tracing paper, Rectangular corner, lilac edges from which plants grow, high ones beneath the pocket and an undulated thorny stem with leaves decorating the

Design for a Monstrance, Pen and ink, brush and wash on paper, Central column of clouds with cherubs and pair of angels holding aloft candelabra. Scrolling base., Italy, mid- 18th century, metalwork, Drawing, Drawing

Drapery Study for 'Martha Reproved', Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Drapery study of a skirt. Verso: Part of a left hand holding a piece of paper., USA, January 18, 1855, figures,

Nevers, Arnold William Brunner, American, 1857–1925, Graphite, brush and orange wash on pink paper, Left, sketch of houses and man with hat and unidentified object under his arm, walking on sidewalk. Right, sketch of building and doorway,

Two Victories in Roundels, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brownish grey wash on rough laid paper, Vertical rectangle top: circular medallion with Victory in chariot, directed toward left. Bottom: ovoidal

Black Bird with Blossoms, Butterfly, and Red Ribbon, Pen and ink, graphite on coated wove paper, Black Bird with Blossoms, Butterfly, and Red Ribbon, ca. 1800–1830, Drawing, Drawing

Personification of Poetry, After Raphael, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

Land scape, Jungfrau, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a mountain pass., Jungfrau, Switzerland, August 13, 1867, landscapes, Drawing, Drawing

Woman's Head and a Face, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, Woman's head in left profile, at right. Face with mustache, at left. Verso: Man's head, left; right, plan for 'division of staircase

Design for Writing Table #44 in Oak, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Curtain Design, Soldiers at a Flight of Steps, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink on laid paper; verso: pen and brown ink, Horizontal rectangle. Antique buildings, stairs in front, two warriors walking up. Verso: sketch of

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, White and pink flowers, blue amaryllis on black ground flecked with small grey oval

Peace, Vaulted Panel, Sala d' Onore and the Appartmento Napoleonico, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash over black chalk ruled lines on light greenish-beige wove paper,

Design for Writing Table No. 2 and Lion-Paw Feet, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Two Cupids, Pen and ink, brush and watercolor on paper, Two cupids, one beside the other. At left, Cupid is flying away with a piece of a broken bow in each hand. At right, standing upon clouds, he is stretching a partially indicated bow.,

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white laid paper, Stylized ferns, blue, pink, green on yellow ground decorated with rust squiggle

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with florals and a mask surrounds an oval reserve., Italy, early 17th century, grotesques, Drawing, Drawing

Design for a Standing Frame Intended for a Picture with a Representation of the Virgin, Pen and ink, brush and sepia wash, graphite on paper, Vertical rectangle. At bottom, a base of a standing frame, protuding at the sides, where two adoring

Design for the Emrboidery of a Man's Waistcoat, Brush and gouache, oxidizing white on paper, Flower boughs along the outer edges. Flower festoons and strings of beads are suspended from the bottom edge of the pocket., France, 1780–1790,

Tracing of Design for Three-Tiered Writing Table #42018, A.N. Davenport Co., Carbon tracing and graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Orange edges with rows of blue beads along the lateral and bottom edges of the flap of the pocket

Sepulchral Monument for Poet Orsini of Rome, Pen and brown ink, brush and brown wash, graphite, on blued-white laid paper, lined, Three steps lead to a pedestal flanked by two standing women who hold censers. Two putti hold festoons on the

Dog, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a dog., USA, 1883, figures, Drawing, Drawing

The Blue Brougham, Constantin Guys, French, 1802 – 1892, Pen and black ink, brush and watercolor on paper, Horizontal rectangle. A blue brougham drawn by a chestnut-brown horse wearing a black harness with silver mountings. Coachman driving

Study for 'Moulin Huet Bay, Guernsey', William Trost Richards, American, 1833–1905, Brush and watercolor, graphite on paper, View from beach looking toward the sea, with steep cliffs at left receding into the distance. Waves lap against

Three Standing Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink on paper, A group of three standing men. The one at far left is seen in profile; the one at center seen from behind; the one at right

Three Saints, the Virgin and Child in the Clouds, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Engraving in brown ink on white paper, The three saints in

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