Images at Librifly

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Sunset over Hilltops, Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin cream paperboard, Cloudy sky over hilltops., USA, August 1865, landscapes, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers, Brush and gouache on blue paper, Five groups of flowers on dark blue-gray background. Four groupings at each corner with one in the center. Center: six white flowers with foliage and blades of green grass

Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, Domenico Antonio Vaccaro, Italian, 1678–1745, Pen and brown ink, brush and brown wash, black chalk on cream laid paper, Lower section consists of a bilateral

Blue Hill under Low Clouds, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on heavy paperboard, View across a plain with woods and meadows toward hills under a cloudy sky. The end of a moraine is in the right middle

Design for pierced marble grillework, J.D. Woodward, Pen and ink with blue watercolors on paper marble grillework, Equilateral triangle. Design for pierced marble grillework consisting of a central six-pointed star within a star on a quatrefoil

Distant View of Damascus, Syria, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray paper, Landscape view across two pages, A showing slightly less than two thirds. Hills form the banks of a valley

Cartoon for cotton printing: Les Quatre Élements, B. M. Lebert, 1759–1836, Hartmann et Fils, (Munster, France), Graphite on cream-colored paper, mounted, The design is composed of four vignettes separated by wreaths, showing: upper left,

Stage Design, Ceremony in a Classical Courtyard, Pen and black and brown ink, brush and gray and brown wash, graphite on laid paper, Horizontal rectangle. Group of antique temples, out of one of them procession of figures carrying image of

Bishop with a Group of People, Pen and black ink, brush and sepia wash on paper, A bishop seated in a large chamber appears to be giving instruction to a group of people, including servers and acolytes gathered about him. The scene is framed by

Project for an altar, Pencil, pen, brush, sepia, and grey water color on paper, Vertical composition of an altar with festoons between the capitals. Upper left contains shadow of 1901-39-2577., Italy, 1775–1780, religion, Drawing,

Landscape, Leon Dabo, American, 1868–1960, Charcoal on gray laid paper, Scene at evening, looking across broad body of still water. Right center, small island with tall bare trees. Flat shoreline in distance., USA, 1905–10, landscapes,

A Rose Bough, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin cream paperboard, USA, 1860–70, landscapes, Drawing, Drawing

Apollo flays Marsyas, Felice Giani, Italian, 1758–1823, Pencil, pen and black ink, brush and watercolors on paper, Horizontal rectangle. Apollo kneels upon the satyr who lies against a tree. Caption: '7, ' in a hexagon in black chalk. The

Wooded Hillside, Catskill Mountains, Frederic Edwin Church, American, 1826–1900, Graphite on white paper., Recto: Steep wooded hillside., Verso: Profile of Catskills and cloud study with a ketch of a walking man seen from the back, at right

Study of Ruxton, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and gray wash, graphite on cream-colored wove paper, Vertical view of a boulder-filled gorge with a stream in the foreground. Scenic view of mountainside with

Design for a Candlestick, Pen and black ink, brush and wash on paper, Fluted shaft is topped by a bowl with a flame. From fantastic heads underneath grow two branches. High pedestal shows lion heads with stripes of the hides and two crossed clubs.

Distant View of Damascus, Syria, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray paper, Horizontal rectangle. Rugged hills bordering a watered and wooded valley shown in the foreground, city and

Villa, Pen and brown ink with brown wash and traces of graphite Support: light brown laid paper on secondary paper support, Italy, ca. 1650, Drawing, Drawing

Design for Two Andirons and Sconce of Gilt Bronze, Jean Démosthène Dugourc, French, 1749–1825, François-Joseph Belanger, French, 1744–1818, Pen and black ink, brush and watercolor on paper, lined, framed with brown paper and pen and

Recto: Three Musicians in Front of the Albergo Della Pace, 1810, Felice Giani, Italian, 1758–1823, Recto:Pen and brown ink, brush and brown wash on white laid paper, Sheet of a drawing book; folio 59; pages 118, 119. Obverse: Three rows of

A Road in Polling, Bavaria, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, A group of birches growing at at the bank of a ditch. At right, a road at the rear of structures. A man with a wheel-barrow is

Table and Chair for Mrs. Allen's Boudoir, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on cream tracing paper, Sheet divided into upper and lower parts. Upper part

Atrium of a Church to be Dedicated to St. George, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The approach to the church at center is flanked by pairs of pyramids connected by walls, each of them containing three

Bayeux, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, View of a narrow, winding street, with old houses on both sides. Facing the spectator, a two-story house, with high, pitched roof and a large dormer.

Toltec Gorge and Eva Cliff from the West, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on gray wove paper, Under a heavy grey sky, a deep chasm opens to a jagged cliff amid dark

Elevation of a Wall, Pen and ink on paper, Elevation of a wall divided by pilasters with Corinthian capitals. Dado decorated with crowned eagles and a brazier hung with festoons. Walls decorated with candelabrum and, at center, an oval surrounded

Portrait of a Young Girl, Samuel Worcester Rowse, American, 1822 - 1901, Pen and ink on paper, USA, 1822-1901, Drawing, Drawing

Design for a Monument with Allegories, Pen and grey ink, brush and watercolor on paper, Architectural screen with central arched bay flanked by rectangular panels extending forward and ornamented with columns and trophies above. In the center, a

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Large iceberg at center on dark blue gray sea. Most of the iceberg consists of a compact horizontal mass. The underpainting shows at

Graveyard, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and gouache, pastel crayon on paper, View of a graveyard with a pond and church steeple in the background., USA, ca. 1878, landscapes, Drawing, Drawing

San Jose de Lapas Church, Carapata and Botanical Studies, probably Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view containing a church with steeple at upper left; branches of a palm at upper

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman looking slightly to the left. Face and hair sketched. On verso, a few lines of hair or a hood., USA, ca. 1895, figures, Drawing,

Figures Attacked by Serpents, Raymond Lafage, French, 1656–1684, Pen and brown ink, black chalk on paper, A group of mostly male nude figures is shown being attacked by serpents. Their bodies are contorted, suggesting that they are writhing

Flying Angel, Pen and black ink on rough paper, Vertical format. Flying angel shown directed toward left. The raised left arm with finger pointed covers most of the face. The right hand is lowered, legs are bent back. Framing line at left.,

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on green wove paper, Floral border design, pink, yellow, blue flowers, green and yellow leaves. Scattered floral sprigs on ground above

Woman With Hands Raised, Daniel Huntington, American, 1816–1906, Graphite, black and white chalk on grey wove paper, Half-length sketch of a woman looking down, arms raised. Left arm repeated, lower left. Right hand repeated, upper left.,

A mountainous landscape, Jean-Baptiste Huët, (French, 1745–1811), Brush and watercolor, pen on paper, Horizontal drawing of two peasants on a road, at left, with a flock of sheep and a donkey. The younger of the men carries a bundle upon

Design for a Frieze, Pen and sepia, brush and watercolor on paper, Horizontal rectangle showing four rinceaux on a dark ground., Italy, 1725–1750, ornament, Drawing, Drawing

Colonnes rostrales, fetes de Juillet 1838', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, pen and black ink, graphite on off-white paper mounted on off-white paper, Design for a white polyhedron rostral column articulated with

Study of seascape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a seascape with coastal cliffs., USA, ca. 1855, seascapes, Drawing, Drawing

Six Octagonal Compostions, Hercules and Hebe, Two Foliated Ornaments, Sala di Ercole e Ebe, Palazzo Gessi, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on laid paper, Six octagons showing

Landscape, James Henry Moser, Canadian, 1854–1913, Brush and blue wash, graphite on paper, Large house, at right. Lake at the left, with road running to the right of it. Low hills and mountains beyond. Two sheets glued together., USA, ca.

Gateway and Partial View of Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view with houses visible at left against a mountainous background and a masonry gateway with lath gate

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and light blue, white, and brown gouache on glazed tracing paper, Bottom: Three feathers form a horizontal row. From behind rise

Sketches in Trinity Church, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on light brown paper, Column under an arch, left; center, small arches; right, profile of church pew extending into background., USA,

Study for Cleopatra, Francis Augustus Lathrop, American, 1849 - 1909, Brush and gouache on paper, Right part of the bust of a woman obliquely shown. The head is turned toward the right shoulder. A snake winds towards the breast., USA,

Drawing, Francis Augustus Lathrop, American, 1849 - 1909, USA, before 1914, Drawing

Design for a Jardiniere, Graphite, brush and ink, watercolor, gouache, gold paint on tracing paper, laid down, The body of the jardiniere is of blue porcelain, with a central field containing a spray of roses against a light background,

Study of Bending Nude Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Bending female nude shown from rear. Three small sketches on left side of page, depicting same pose draped. Figure bent from waist forward;

Mourning Picture, 1815, Unknown, American, Graphite, brush and watercolor, brush and oil paint, pen and ink on wove paper, USA, 19th century, Drawing, Drawing

Pages and Knights, Frontispiece for 'The Man at Arms', Edwin Howland Blashfield, American, 1848–1936, Brush and black, grey and white oil paint on illustration board, At right a figure stands in full armor with his helmet up; his left hand

Fragment of an unfinished cartoon for cotton printing: Hunting and Fishing [La Chasse et La Pêche], Jean-Jacques Karpff, French, 1770 - 1829, Hartmann et Fils, (Munster, France), Pencil, pen and ink , brush and gray wash and white

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on green wove paper, Floral border design, pink dahlias, purple and yellow tulips, green and yellow leaves. Scattered floral sprigs on

Designs for Silver Serving Pieces, Pietro Belli, Italian, 1780–1828, Pen and gray ink, brush and gray wash, graphite, ruled borders in pen and black ink on white laid paper, Horizontal rectangle. Designs for silver serving pieces decorated

Botanical Sketches, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal view showing details of leaves and vine at top; a tree at center and a tree with blossoms at top right; a plant at center; and

Botanical Sketches from South America: a Palm, Groups of Trees, Hanging Twigs, a Big Tree beside a House, and a Flying Crane., Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view containing a palm at top

Ceiling Painted in Pompei, Pen and Black ink, watercolor, ruled borders in pen and black Support: white laid paper, Italy, Italy, ca. 1840, interiors, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, The design is an enriched variation of -87 showing besides leaves and

Sunset, Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on paperboard, A thin strip of land with the Hudson River winding in the center middle distance; hills visible in right

Fishermen on a Rock, Francis Hopkinson Smith, American, 1838–1915, Charcoal, black and white chalk on gray laid paper, Horizontal view of two fishermen, with one standing and one sitting, beside a mountain pool at left., New Hampshire,

Elevation and Plan of the Hearst School for Girls, Washington, D.C., Graphite, brush and watercolor on cream cardboard, Above, elevation and below, plan of school. Scale below., USA, 1896, architecture, Drawing, Drawing

Design for a wall of a ballroom, Louis René Boquet, French, 1717 - 1814, Pen and ink, brush and watercolor, graphite on laid paper, Four and half bays of the elevation of a wall of seven bays are shown. Steps are to lead downwards into the

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow and gray watercolor, graphite on paper, Vertical rectangle. At bottom, a base with two kneeling angels supporting a cloth, on top of

Fantastic Landscape with Scenes from the Old and New Testaments, Pen and ink, brush and sepia wash, graphite on white paper, Overhead aerial view of a fantastic landscape distinguished by three rocky mountains, the leftmost mountain topped with

Aurora Borealis, Mt. Desert Island, from Bar Harbor, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, The 'Northern Lights' hang in a green blanket over a promontory of Mount Desert Island, and are

Study for leader of the procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black pastel crayon on paper, Two sketches of a female figure as in -a; the heads are slightly

Two Plans and Elevations for a Neoclassical Triumphal Arch, Joseph Michael Gandy, English, 1771 – 1843, Graphite, pen and ink, brush and gray wash on paper, Vertical rectangle. Above, plan view of a Neoclassical arch situated in a country

Church on a Hill, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A large church on the crest of a hill, with numerous small buildings and vegetation below., USA, 1892, landscapes, Drawing, Drawing

Study of 'Soul in Bondage', Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray paper, A female figure with wings, turned toward the right. Her wings rise behind her, framing her head., USA, 1897, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite, ink on laid paper, Partial sketches of a male figure., USA, 1881–1883, figures, Drawing, Drawing

Canal, Holland, Robert Frederick Blum, American, 1857–1903, Pen and ink, graphite on laid paper, Sketch of buildings and boats along a canal., Netherlands, 1880–1883, architecture, Drawing, Drawing

Mountainous Landscape with a Waterfall, near Tuquerres, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper., Horizontal view of a water fall at the center plateau in the middleground

Sunset, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin paperboard. Verso: Graphite., A view across a body of water toward the Catskill Mountains in the distance, at sunset. The brilliant

Seated Child Supporting a Medallion, Red chalk on brown rough paper, The child is shown somewhat from below. The right arm is not shown, the left one is raised as the support, the right edge of the medallion is outlined., Italy, 1550–1600,

McCool's Farmhouse, Harry Fenn, American, 1845–1911, Pen and ink on cream paper, View of a small farmhouse with a steep roof., USA, 1887, architecture, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers and Birds, Brush and gouache, graphite on cream paper, Two birds facing eachother, oriented diagonally surrounded by branches with foliage and berries. Birds and foliage within confines of pencil

View of the Bridge and Houses at Honda, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on light gray paper, Horizontal view of a roughly repaired bridge crossing a river with houses on the

Female Nude, Daniel Huntington, American, 1816–1906, Graphite and white chalk on off-white wove paper, Standing female nude shown in profile from the rear., USA, 1878, figures, Drawing, Drawing

Design for Clock, Unknown, Lefebvre Manufactory, Tournai, Pen and black ink, brush and green, yellow, and brown wash on white laid paper, Design for an elaborate clock. Intended to be executed in green and gilded bronze. The dial is framed by

Distant View over Hilltops, Frederic Edwin Church, American, 1826–1900, Graphite, oil on paperboard with orange back, Mist filled valleys in the central rear. Roads are shown, one of them leading to homes, right middle plane., USA, August

Dead Soldier, Ange-Louis Janet Lange, French, 1815–1872, Black, white chalk, graphite on gray-green paper, A soldier laying on the ground in foreshortened view, with head towards the viewer., Italy, 19th century, figures, Drawing,

Vision During a Mass, Belisario Corenzio, Italian, active 1590–1646, Brush and gray, white, and light blue gouache on brown laid paper, lined, Worshippers kneel at the steps of the altar. The priest officiating the mass, his back turned to

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length sketch of a female figure in costume, standing, turned toward the right. She holds a flower in her hand; the drapery of her gown with

Notch, Mt. Mansfield, Daniel Huntington, American, 1816–1906, Graphite and white crayon on grey paper, Large boulders around a gap or cave, center. Heavily shaded. Perhaps a stream, center, with trees beyond., USA, August 29, 1864,

Nude Study of a Seated Woman, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite, white chalk, brush and brown wash on cardboard, The nude shown in profile from the left rear, the head leans upon the left hand. A cloth lies across

The Great Katahdin Basin, Maine, Frederic Edwin Church, American, 1826–1900, Oil on cardboard; graphite, Partial view of a lake with setting (or rising) sun. In left foreground, boulders are shown., USA, 1860–70, landscapes, Drawing,

Apline Landscape (Bavaria or Switzerland), Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Vertical drwaing of a jagged peak in the background obscures the light of the rising sun. A deep valley in the foreground, in

Study of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Nude boy reclining on a mattress, with left leg hanging. Left arm is bent, supporting head., USA, 1893–94, figures, Drawing, Drawing

The Lookout, Winslow Homer, American, 1836–1910, Black crayon, charcoal, brush and white gouache on cardboard, Horiontal view of a sailor in sou'wester, mounting a companionway, with his right arm upraised; a sailing vessel in background.,

Study of a Statue, or Cast, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Sculpture, nude man reclining to left, over a sword—possibly a study of The Dying Gual., USA, 1878, figures, Drawing, Drawing

Candlestick, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A stepped plinth atop fish. At center, a plinth with a medallion flanked by maidens dancing on lions. Above this, a baluster formed vase decorated

Apollo Driving the Chariot of the Sun, for the Sala di Apollo e Diana, Palazzo Bianchetti, Bologna, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and brown wash, graphite on Off-white laid paper, Horizontal rectangle.

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Head of a woman shown in profile, facing left and looking up., USA, ca. 1895, figures, Drawing, Drawing

Design for a Woven or Embroidered Corner Motif, Brush and gouache on oiled translucent paper, Fantastical flower arrangement, featuring a bunch of light purple flowers emerging from the center of a red and yellow flower, positioned on top of a

Drawing, Christoph Henrich Kniep, German, 1755 - 1825, Graphite on paper, 1824, landscapes, Drawing

Design for Stained Glass Window, Graham Somervell, Scottish, b. ca. 1819, Sir Andrew Orr, Scottish, 1801–1872, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each

Sketch of an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Angel kneeling, with arms folded to cover face, which is directed downwards., USA, ca. 1895, figures, Drawing, Drawing

Botanical Sketches: a Branch, a Tree, and a Tree Top, South America, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of a branch, a tree, and a tree top at left of sheet., September 2, 1853,

A Group of Trees in a Hilly Countryside, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Vertical view of a group of trees in hill country., Verso: Cloudy sky over a ridge., USA, Recto: July 1844 and Verso: November

Design for the Decoration of Mouldings, C. C., French, active 19th c., Graphite, pen and black ink, brush and gray watercolor, black on light creamy paper, Above is an ogee with a palmette band. In the middle is a flat torus with an

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