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Sepulchral Monument, Pen and brown ink, brush and gray wash on paper, Design for a sepulchral monument. Elevation view. Staircases lead up to a platform in the center of which stands a sarcophagus upon a pedestal supported by winged skulls. A

Project for an Alter, Pen and ink, brush and wash on paper, Right half of an alter shown within an arch. Scale at bottom. Right half shown. Putti sits on convex entablature, side an oval hung with a garland. Lateral pilaster hung with

Dining Room Table and Chairs, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Graphite, color pencil on cream tracing paper, Sheet divided into upper and lower sections. In upper part, from left to right: elevation views of table,

Mountainous landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, Horizontal view of a mountain range, with low hanging clouds seen in the distance. Gray sky overhead. Sketch finished at top quarter

Hotel de Sens, Paris, Whitney Warren Jr., American, 1864–1943, Brush and watercolor on paper, View showing the hotel from the corner. Shows the front facade and part of the left side., USA, 1888, architecture, Drawing, Drawing

Saint Paul Preaching, after Raphael, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and sepia wash on paper., A group of seated robed figures, a detail after Raphael., Italy, ca. 1820, figures, Drawing, Drawing

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Figure and drapery details: above, left, sleeve and hand; right, head and shoulders of woman seen from the back; below, left, head of a young

Nine Circular Compositions with Diety Subject Matter, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Nine compositions: 1. chariot of victory holding mace in right hand. Coliseum shown in rear.

Fortitude (?), Giovanni Battista Beinaschi, Black chalk heightened with white on gray paper, A figure representing Fortitude (?), probably a study for the decoration of San Carlo al Corso in Rome., Italy, ca. 1640–88, figures, Drawing,

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Design for Wall or Ceiling Decoration with Bacchus, Hymen and Venus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown and gray wash, black chalk, graphite on off-white laid paper, Hymen standing, embraces Dionysos with

Design for a Woven Fabric, Brush and gray, yellow, and white gouache on oily tracing paper, Rising undulated vine-like stem with leaves and two big and two small sized blossoms of different designs, France, 1815–1840, Drawing, Drawing

What is this bill? Give it me to look at.', John French Sloan, American, 1871 – 1951, Charcoal, brush and gray wash on wove paper, A male figure in a frock coat and top hat stands at right. He is being questioned by a male figure wearing a

The Windmill on the Road, George Hitchcock, American, 1850–1913, Graphite, pen and black ink on cream-colored paper, A windmill is seen isolated on the bank of a body of water. Small trees before it, and another windmill in the distance.,

Al-Khazneh, Rock Tomb at Petra, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin paperboard, At center, the facade of El Khasneh is visible facing to the left. The architectural elements are flanked at right and left by

Street Scene with Medieval Houses, Arnold William Brunner, American, 1857–1925, Graphite, pen and ink, brush and watercolor on greyish paper, Street scene with a wall enclosing the court of a medieval house with an open staircase and

Flowers in Jamaica, Brush and oil paint on paperboard, A botanical study of a group of wildflowers in the Jamaican landscape., April–August 1865, nature studies, Drawing, Drawing

Overdoors with Alternative Suggestions, Pen and brown ink, black, red chalk on off-white laid paper, Loose architectural sketches. At right, half of a large doorway. At left, a column and smaller view of doorway. Suggestion of plan below.,

Clouds, Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin cream paperboard, Underneath a high sky of reddened dawn clouds, a grassy landscape opens to gentle hills., USA, July

Virgin and child in glory, Paolo de Mattheis, Italian, 1662 - 1728, Pen and brown ink, gray wash, squared in brown ink, laid down, Upper left, Virgin and child surrounded by putti reach out to bless donor kneeling at lower right., Italy,

Design for an Urn on a Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray wash, Urn in profile with the spout facing left. The spout terminates in a parrot's head. The urn's oval body is adorned with a leaf

Study of Tiger Lilies, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, graphite on tracing paper, Vertical sheet depicting two stalks of tiger lilies, each with buds and one open blossom., USA, early 20th century, nature

Project for Ceiling Design Depicting Aurora, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and watercolor, black chalk on off-white laid paper, Circular composition. Aurora flies toward right holding leaves above a basket which

Mt. Katahdin, Great Basin, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Detailed view of the Great Basin with the end of the Lake Katahdin shown in the foreground and a cloud-capped mountain in the

Design for Three-Panel Screen, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Cartoon for Cotton Printing: Les Quatre Elements, Hartmann et Fils, (Munster, France), B. M. Lebert, 1759–1836, J. L. Lebert, French, early 19th century, Pen and black ink, brush and gray wash on laid paper, The design for a textile is

Design for embroidery, Medium: silk, ink, graphite Technique: embroidery on ink drawn pattern on satin weave, A free hand drawing of floral swags on cream color satin with part of the embroidery completed., England, ca. 1750, embroidery &

Project for a Fountain, Pen and brown ink on off-white laid paper, Water pours from two bowls into a round basin. Indistinct classical figure stands atop., Italy, 1725–1800, architecture, Drawing, Drawing

Farm Scene, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream paper, Hogs and chickens by a rail fence enclosing a corn field., USA, 1877, landscapes, Drawing, Drawing

A Canopied Ceiling with Aurora in Central Panel, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Canopy scheme. Ovoid medallion showing rising of sun in center. Motif is

Study for 'The Beneficence of the Law, ' Essex County Courthouse, Newark, NJ, Kenyon Cox, American, 1856–1919, Graphite on paper, Two sketches of a young male figure seated with arms raised., USA, 1907, figures, Drawing, Drawing

Phaeton Bidding Apollo Farewell, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and colored washes over black chalk on textured paper, Phaeton holding reins and with left foot in chariot, turns backward to Apollo, seated to

Study for standing woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on grey paper, Two sketches of a female figure. The standing woman is shown at left in

Design for an altar for St. Anthony of Padua, Andrea Pozzo, Italian, 1642–1709, Pencil, pen and ink, brush, gray watercolor on paper, Above is the elevation with parts of the adjoining walls and of the entablature shown; below is the plan.

Self-Portrait of Felice Giani; recto: Muses Seated Beneath a Tree, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream wove paper, Recto: Group of classically-inspired female figures in loose drapery gather and

Scale Rendering of a Composite Order Capital, Giocondo Albertolli, (Italian, born Switzerland, 1742–1839), Pen and black ink, brush and gray wash, graphite on cream paper, Neoclassical ornamental design for a capital at the top of a column.

Study for 'Poetry, ' 'The Arts, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, A female figure is seated with her arms raised. The paper is squared for transferring the image., ca. 1895, figures,

Half Dome, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, white gouache, graphite on blue-gray wove paper, Vertical vista features the granite peak of Half Dome, Yosemite, looming between boulders in the

Design for Plain Hat Tree in Plan and Elevation, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for the Cresting on the Back of a Coach, Graphite on off-white machine made laid paper, Lightly drawn image of a cornucopia and a putto, supporting a wreath with his right hand. The rinceaux have the form of a cresting board framing the

Villefranche, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Large fortified embankment, right, extending into a bay with a boat on it. Bridge, lower right. Figures along bridge., USA, ca.

Dionysus and Ariadne, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen, brush and brownish gray watercolors, Drawing after a fresco devised by Giulio Romano in the Palazzo del Te in

Landscape of Countryside, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, View of the countryside, with distant hills. A large tree in middle ground, right., USA, ca. 1890, landscapes, Drawing, Drawing

Italian or Swiss Town, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on Academy board, A large church in Italian Gothic style is shown in the center, another church with a two-storied polygonal steeple at the facade in

Design for Painted Cupola, Graphite, brush and grey wash on paper, Vertical rectangle showing two small panels of a cupola with pendentives. Cherubs support a string of garlands., Italy, 1725–1750, architecture, Drawing, Drawing

Four Statues in Niches: Music, Architecture, Painting, and Sculpture; Study of Bacchus and Mercury, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Study of four

Design for Wooden Hat Tree, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Drawing, George E Germer, 1868 – 1936, Pencil. Brown paper, Each shows the teapot with the handle at right, on top, the cream pot with the, handle at left, bottom left, the two-handled and covered sugar bowl, bottom, right. The handles

Design for a Wall, Gouache, A niche in each bay contains a vase with flowers and topped by a medallion and garlands. Three alternative designs are suggested for the decoration of the frieze., Italy, 1790-1800, Drawing, Drawing

Framework in three sections, possibly for an altar tablet, Pen and black ink, brush and washes, graphite on paper, The decoration of the vertical stripes refers to the sacrament of the altar. Two angels carry the Ark of the Covenant before the

Page of a sketchbook; Elevation of wall and Judith, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brown wash (verso) on paper, Vertical rectangle. Verso: Elevation of wall or gateway, shown in two bays. Arched

The Pitajaya Fruit, Columbia, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Horizontal view containing one entire fruit and slices of another lying upon a stone sill while the top, bottom, right

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Figure and drapery details: above, left, head of female figure seen from the back; right, study of costume and hands of male figure playing a

Design for Various Decorations including Coriolanus at the Walls of Rome, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash over black chalk on laid paper, Left row, above: putto blowing double flute; at right, an altar.

Children Playing at the Seaside, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of cliffs beside the ocean with six children playing on the shingle and a sail boat visible on the horizon.,

Design for a Chimneypiece, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble. At the sides two female hermae, respectively with flower and grain wreaths upon

Study of Seated Nude Figure, Louis Schaettle, American, 1867–1917, Charcoal on light brown paper, Seated female nude, right arm reaching downward, left arm extended to the right, head bent forward; study of drapery at right., USA, ca.

The mask of a warrior, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on laid paper, Seen in profile, a helmet with leaves above and below. Intended probably for the upper half of a window case.,

Ocean Swells, Winslow Homer, American, 1836–1910, Charcoal, white chalk on gray wove paper, Sketch of the ocean, with white highlights at lower left, possibly indicating a rocky shore., USA, 1895, seascapes, Drawing, Drawing

Four Incenseures, Pen and brown ink, blue-gray wash, graphite Support: white wove paper, Italy, Italy, ca. 1820, metalwork, Drawing, Drawing

Studies of Birds and Trees seen from the Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view containing a flock of flying birds, with a bird flying toward the left and a standing

Standing Male Nude, Daniel Huntington, American, 1816–1906, Black and white chalk on tan wove paper, Nude male figure seen from behind, standing, facing left, with right arm on staff and left hand on hip., USA, November 1866, figures,

Project for an Alcove or Mantelpiece, Graphite, pen and ink, brush and watercolor on paper, Wide paneled pilasters flank a recess hung with tasseled lambrequins. Egg and dart molding above., Europe, 1725–1775, architecture, Drawing,

Indian Tamarind Trees, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish-gray wove paper, Vertical view of a group of trees on a mountain [?] side, Jamaica, July 1865, nature studies, Drawing, Drawing

Standing Male Nude, Daniel Huntington, American, 1816–1906, Black and white chalk on light brown wove paper, Man standing facing frontally, head turned to the right, leaning on staff, to the left. Two seated male studies, at right., USA,

Two Studies of Hand for Angel Appearing to St. Peter in 'Early Christian Martyrs', Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown wove paper, Two studies of a hand pointing, one on each side of a folded sheet.

Design for Embroidered Waistcoat, pattern 1614 of the Fabrique de St. Ruf, Mademoiselle Baulieu, Brush and gouache on laid paper, Brown edges with rows of beads along those of the waistcoat and the lateral and lower ones of the flap of the

Botanical Sketches, possibly Coleus, Pandi, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of plants, with two plants at left row and group of plants at right., July 1853, nature

Cupid and Psyche: Four Octagons and Eight Drawings of Cupid, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and brown watercolor wash over traces of graphite, on laid paper, Top center: in a landscape, Psyche lies nude in

Design for an Oil Lamp, Giovacchino Belli, Italian, 1756 - 1822, Pen and black ink, brush and gray, green, blue wash, graphite on paper, Vertical rectangle. Design for an oil-burning lamp with alternative suggestions. A young Egyptian male

Cross Section of a Chamber, Pen and ink, brush and watercolor on paper, View of a domed room. At center, an archway topped with an eagle and pediments. Flanking this are fluted pilasters and door with oval overdoor panels. Ceiling above divided

Sketch of Charity, Faith, and Hope, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Charity holds a baby in her lap, an angel kneels beside her. Faith gazes at the Cross she holds on her left knee. Hope, winged and

Project for a Ceiling, Graphite, brush and ink on paper, Angel flying in clouds with two figures blowing wind. A putto beside the cloud pours water from a jar. Framing pencil lines., Italy, 1800–1830, figures, Drawing, Drawing

Rock Towers in the Muave [Muav] Canyon, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Graphite on light-brown paper, Vertical view of canyon shown between two rock towers., 1873, landscapes, Drawing, Drawing

Study: A man's hand holding a stick, Chalk on brown paper, Vertical composition of a man's hand holding a stick. The hand is upright with fingers folded and is seen from the inside., Italy, 1700–1750, Drawing, Drawing

Four Rowboats with Children, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on white wove paper, Horizontal scene of four rowboats with children at sea. Center boat is seen from the bow, two boats to the left of the

Design for China Decoration, Anna M. de Pool, Gold, water color on paper. Red seals., Horizontal rectangle. Design for the decoration of a cup, saucer, teapot, creamer, and sugar bowl. Design in gold on light yellow background., USA, ca.

Design for Stained Glass Window, Brush and watercolor, pen and ink on paper, Three tall vertical panels. Left and right panels have the same design of geometric shapes and leaf patterns. The central panel shows the figure of St. Philip holding a

Project: The organ and organ loft in the Cathedral in Veroli, Giuseppe Subleyras, Italian, 1745 – 1819, Pencil and blank ink pen with yellowish brown, light blue, black, and light rose water colors on paper, The elevations of the wall of

Design for a Fountain, Pen and ink, brush and blue wash, graphite on paper, Circular bsain into which the water pours from masks in the top center of a base which is also decorated with reliefs of source and water dishes. A pedestal with an urn,

Nude Man, Red crayon on paper, Obverse: a young man shown walking toward right with the lowered left arm stretched out and with the right arm raised. The right forefinger is not shown. Reverse, in opposite direction: a young man hurrying toward

Four Herms, Studies after the Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper, All four drawings of herms flanked by putti and supporting bracket; lower left

Boats in Trouville, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, Sailing boats harbored, left, with houses visible beyond them. A bridge extends across the center of the composition., USA, 1883, seascapes,

Possibly Mt. Desert, Island, rock, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper., Horizontal image of a big boulder shown against a wooded background. A stool and dry branches are in front of it. Lateritious ground

Floating Iceberg Under Cloudy Skies, Newfoundland, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Seascape depicting a long iceberg shaped like a fish. High bottom and top margin showing brownish

Design for the Decoration of an Oblong Panel, Pen and sepia ink, graphite on paper, Horizontal rectangle. Half-figure of a dragon with a rinceau. Seen in profile, towards the left. Framed by mouldings., Italy, 1800–20, architecture,

Sketches from Colombia: Trees and Rivercraft (Champans), Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view with a river bank at top; two trees at center left; a covered canoe at center right; a covered canoe

Study for St. Paul the Hermit, Black and white crayon with blue gouache on paper, The hermit is shown seated between rocks and beneath a tree. He sleeps seated. A loaf of bread lies before him and the raven approaches carrying something in his

Design for a Painted Ceiling: Triumph of Meekness and Strength, Francesco Manno, Italian, 1754 - 1831, Brush and black wash, pen and ink, black chalk on paper, Seated upon clouds are a woman beside a lamb and an armoured woman holding a

Ascension of the Virgin, Red crayon on paper, The Virgin shown kneeling upon a cloud and raising her face and arms. Surrounded by angels., Italy, ca. 1800, figures, Drawing, Drawing

Proposed Design for the South Wall of the Entrance Hall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Elevation of a wall, with a

Wall Decoration: Urn, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Watercolor over graphite, pen and black ink, ruled border in brushed black, Support: White laid paper, laid down on white wove paper, London, England, 1777,

Lake Thun at Interlaken, Switzerland, Daniel Huntington, American, 1816–1906, Graphite on paper, Lake, with mountains beyond, outlined., June 15, 1844, landscapes, Drawing, Drawing

Upper Aletsch Glacier with the Great Fusshorn, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey-buff paper, Horizontal study of the Aletsch Glacier across two sheets of paper (-a & -b). The sheet shows

Rock Ledge near Chocorua Pond and Mountain, Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown paper, Study of rock ledge with highest point at right. Additional rocky outcropping, center foreground., USA, September

Design for a Frame, C. C., French, active 19th c., Graphite, pen and ink, brush and grey watercolor, black on light creamy paper, The upper right corner is shown. Between plain or decorated mouldings is a frieze with a palmette band. The

Red Door, Marbleized Wall, Frederick Crace, English, 1779–1859, Pen and black ink, brush and red gouache, green, yellow and grey wash on white wove paper, Horizontal rectangle. Elevation of a marbled wall, double door at center, red

Study of Red Poinsettias, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on gray paper, Horizontal sheet depicting two studies of poinsettias., USA, early 20th century, nature studies, Drawing, Drawing

Elevation of an Altar Mensa, Pen and ink on paper, Horizontal format. Above and below are mouldings. The field is divided into strips. In the upper one stand four escutcheons; the lateral apses in which Evangelists sit, St. Mark being one of them,

Landscape, near Palastine or Syria, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Ranges of barren hills are shown beneath a sky showing green patches and great clouds. Bottom margin showing the creamy ground color.,

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