Images at Librifly

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Design for a Salt Cellar and Egg Dish with Fork and Spoon, Pen and brown ink, brush and brown wash, charcoal or black chalk traces, ruled lines in leadpoint on cream laid paper, Fork at top left with end of handle formed by female bust; an

Three Studies of a Left Hand, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on grey-brown paper, Hand with palm up, shown from center. To the right, two studies of the hand in almost the same position., USA, ca. 1895, figures,

Design for a Church Choir, Pen and ink, inkwash, graphite on paper, The wall is divided into four panels and separated by pilasters. The panels on the right include trophies with religious attributes. Above two of the panels are lunettes. The

Study of Left Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on blue-grey paper, Foot turned slightly to the right, the heel off the ground. Verso: elevation with arches above, floor plan below., USA, ca. 1895, figures,

Mirror Lake, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and black wash, graphite on light brown wove paper Verso: Graphite on light brown wove paper, Vertical view of lake in foreground reflects pines in middle

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, The left bottom part is shown; it is composed of a row of beads and a chain at the edges,

Sketch of Figural Group for Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Group of figures, lower left, below an angel, coming from upper right. Probably a study for a mural of the Ascension., USA, ca. 1895,

Study of a Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, Nude female figure shown seated from behind, with parts of the right leg visible. Verso: horizontal composition showing a stained glass

Figural Study, Red crayon on paper, Nude male shown in profile facing right, leaning upon a boulder., Italy, 1700–1750, figures, Drawing, Drawing

Study of Landscape, Hudson River, NY, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a river with a house and farmland along the river bank., USA, ca. 1854, landscapes, Drawing, Drawing

Fortuna, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal and graphite on paper, Left, octagonal scene of Fortuna and her chariot. Lower left and right, sketches of putti with inscriptions., USA, ca. 1895, figures, Drawing,

Design for a Candlestick, Pen and ink, brush and sepia wash, graphite on paper, Two oak boughs rise along the sides of a gaine which, standing on a calyx, forms the shaft. A garland hangs from the top of a medallion, which is fastened to the

Sketch for a Bacchante, Daniel Huntington, American, 1816–1906, Black pastel crayon, white chalk on grey wove paper, Study of a woman's head, facing frontally and tilted to the right. Verso: Study of arms, holding a tambourine up at right.,

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a model's feet., USA, ca. 1894, mural designs, Drawing, Drawing

Sketch of Figures for a Ceiling, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, A figure in drapery, with one arm held out to the right; a putti beneath it, looking up to the left., USA, ca. 1895, figures,

Ammonoosuc River and White Mountains, N.H., Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Rocks, foreground; river, right; wooded ridge beyond, right. Mountains in distance., USA, September 25, 1855, landscapes,

Design for the Decoration of the ceiling of a chapel, Black chalk, pen and ink, watercolor washes on paper., Italy, 1725–1740, architecture, interiors, Drawing, Drawing

Sketch of Heavenly Figures, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Sketch of winged figures and putti., USA, ca. 1895, figures, Drawing, Drawing

Landscape with Sunset, Frederic Edwin Church, American, 1826–1900, Oil and graphite on paperboard, Setting sun over wooded hills. Clouds above., USA, 1860–70, landscapes, Drawing, Drawing

Study of Wild Azalea, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on gray paper, Vertical sheet depicting white and pink wild azalea blossoms with green foliage on recto. On verso, sprays of dogwood., USA, early 20th

Palm Trees, West Indies, June 1865, Frederic Edwin Church, American, 1826–1900, Oil and traces of graphite on thin tan paper board, The upper part of a palm tree with an array of fronds shown against a wooded slope., USA, 1865, nature

Friezes; An Antique Sarcophagus; A Vase, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and brown wash on laid paper, Left row, above: lions stand with scrolls; center, above: hanging circumscribed palmettos alternate with

Grazing Cows and a Yoke, Frederic Edwin Church, American, 1826–1900, Graphite on off-white wove paper, Horizontal view showing three standing, grazing cows, heads of a cow seen in left profile, and again frontally, and a yoke., USA,

Design for Oak Umbrella Stand, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Glen Eyrie, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and watercolor, graphite on cream-colored paper, Horizontal view of sandstone cliffs from an elevated point, with mountain range across plain in background.,

Design for a Candelabrum, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray wash on paper, Germany, 1800, Drawing, Drawing

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed with green and gilded bronze, and white

Design for an Embroidered or Woven Fabric of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and blue, white gouache on glazed tracing paper pasted on paper, A start of the Légion d'honneur is suspended by a

Design for a Woven Fabric, Fragment, Brush and white, yellow, and blue gouache on oily tracing paper, Three big-sized and seven small-sized boughs are shown. The big-sized form a vertical row, the left one is obliquely shown directed toward

East River from Deck of Steamboat, Daniel Huntington, American, 1816–1906, Graphite on paper, Three views showing landscapes on the shore. From top to bottom: house at left, and clumps of trees, center and right; islands, left, with bluffs

Study of Basin, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, Holy water basin in Siena Cathedral. A pillar on the left, two figures in right background., Siena, Italy, ca. 1872,

Proscenium and Stage Design: Scene 1, Ballet celebrating the marriage of Leopoldo Cesare, Duke of Mantua, and Claudia Felice, Archduchess of Austria, 1674, Giuseppe Maria Mitelli, 1634 – 1718, Leopold I, Austrian, 1640 - 1705, Claudia

Fisherman and Women Stowing Nets in a Beached Dory, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite, brush and white gouache on light-gray wove paper [two sheeets joined, overlapping], Horizontal view of two fishermen,

Night and Day, in Two Octagons, for a Bedroom, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on heavy laid paper, Top: Selene rides upon chariot with two horses towards left. Flying putto with torch accompanies her. Trophy

Tree Fern, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cream paperboard, A central solitary palm tree stands with fronds fanned out against azure sky obscured by dense rosy clouds. From the

Support for a Bowl, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, Openwork basket supported by the Three Graces on a circular base., Augsburg, Germany, ca. 1825–35, metalwork, Drawing, Drawing

Stage Curtain: Temple of Fame, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over black chalk on paper, A view into a hall resembling the Pantheon in Rome (coffered dome with oculus resting on a curving

Design for Wallpaper and Textile: Flowers, Brush and gouache on brown paper, lined, Clusters of daffodils and white flowers with grasses on light gray ground., France, 19th century, wallpaper designs, Drawing, Drawing

Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, Top: an oblique view of the ceiling of the bay with the apse from the adjoining southern bay. Center: an unfinished view from

Designs for Chimney Mantels for the Hôtel de Pomponne, Place des Victoires, Paris, Gilles-Marie Oppenord, French, 1672–1742, Pen with brush and black, red ink, graphite on two sheets of joined cream laid paper, The left half of a

A Kneeling Angel, Black chalk on buff-colored paper, A kneeling angel faces half right, with left hand resting on breast., Italy, 1770–1800, figures, Drawing, Drawing

Nude Study, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite with rose and red crayons on cream wove paper, The girl's head is turned toward right; arm shown to elbow is stretched out., USA, 1875–80, figures, Drawing,

Studies of Soldiers, Winslow Homer, American, 1836–1910, Graphite on dark tan paper, Horizontal view of four sketches of running soldiers carrying rifles; one of an officer with sword raised in uplifted right hand; and one of a seated wounded

Design for a Throne of the Priest of Bacchus, after Ancient Marble, Black chalk, pen and ink, brush and watercolor on paper, Page divided vertically. At left, a view of the throne from an oblique angle. At right, an elevation. Scale below.

Academic Study of a Cast of a Classical Female Bust, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on brown paper, Study of a cast of a classical female bust, seen frontally. Her wavy hair is arranged in a style resembling a bow

Four Schooners, Winslow Homer, American, 1836–1910, Graphite on cold pressed paper, Horizontal sketches of four schooners, one shown on water with sun setting behind hills in the background; two dinghies., England, USA, ca. 1880,

Two Studies of Gothic Architecture, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Left, early French gothic moulding. Right, a crocket capital from St. Chapelle, carvings of curled leaves., USA,

Birch Trees, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, graphite on paper, A forest scene with tall birch trees in the foreground extending beyond the limits of the composition, above. Tree-stumps, piles of cut

Decorative Studies; Verso: Anatomical Studies of Animals and Male Heads, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on cream laid paper, Five candelabra; fountain with putti; bronze door; man seated under base of church;

Three Studies of a Hand and Arm, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Top, right hand and wrist with palm downwards. Center, hand and wrist with palm upwards. Bottom, hand same as center, and arm.

Designs for Colored Glass Vases, Brush and rose and green wash, gold gouache, graphite on white wove paper, Designs for three glasswares. In the center is a green vase with vegetal patterns on it. On either side of it are red vases with ovals cut

Horse Studies, Red crayon on paper, Two studies of horse heads with reins, both facing left., Italy, ca. 1815, nature studies, Drawing, Drawing

Design for a Candlestick, Pen and ink, brush and brown washes on paper, Germany, 1815-1819, Drawing, Drawing

Botanical Studies and a House, probably from Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of containing trees on the bank of a river at top left; tree tops at bottom left; a house beneath trees

Study of clouds, William Stanley Haseltine, American, 1835–1900, Brush and oil on paper, Sketch of clouds and mountains., USA, ca. 1856, nature studies, Drawing, Drawing

Maine Coast, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper., Horizontal image of the sea in the foreground, the rocky coast at the back. Top and bottom margins show the dark orange ground color., USA, ca. 1850,

Houses near a Cascade in the Mountains, Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Horizontal view of houses seen from below with a cascade at left in a mountainous

Alpine Landscape (Bavaria or Switzerland), Frederic Edwin Church, American, 1826–1900, Brush and oil paint, touches of graphite on paper, lined, View of wooded or rocky mountains. A stream is shown below at left., USA, 1868, landscapes,

Cartoons of Death of Ananias and St. Paul, after Raphael, Felice Giani, Italian, 1758–1823, Pen and dark ink, brush and sepia wash over traces of graphite on laid paper, A haloed figure gestures to a woman and two men., Italy, ca. 1820,

Stern View of Two Rowboats, England, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on gray paper, Horizontal view of the stern of two rowboats drawn up on sandy beach with steam and sailing vessels on horizon under a

Three Designs for Candlesticks, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light blue paper, Horizontal rectangle. Three designs for candlesticks labeled A, B, C from left

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, brown watercolor on white laid paper, Base supported by lion feet, decorated by festoons of olive branches caught by ribbon. On base, at left, a

Bronze Chandelier, Kaid Bey Mosque, Cairo, Alfred Normand, French, 1822–1909, Pen and black ink, brush and gray wash, red, green watercolor on tracing paper mounted to heavy wove paper, Design for a mosque lamp. Design, pictured center,

Design for a Two Friezes, Pen and ink, stencil on paper, Horizontal rectangle. At top, torches connected by festoons and by tablets with inscriptions supported by the ribbons of knots. At bottom, are entwined with ovals formed by branches.,

Sketch for a Wall Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Train engine and tree, center; groups of figures on the left and right. Eagle in the lower right corner., USA, ca. 1895, mural designs,

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Sessin original a broderie.' Designs numbered 158 (E), France, ca. 1890,

Male Monkey, Straddling Frame in Prayer, Brush and gouache over graphite on thin board, A singerie, a work from the visual arts genre characterized by depictions of monkeys imitating human behavior, often fashionably attired. A male monkey is

Project for a Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A right part of a framing is shown. A vine stem with twigs and leaves, possibly a grape vine., USA, 1875–80, nature studies, Drawing,

Setting a Squirrel Trap, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on wove paper, Sketch of two boys and a girl climbing over rocks in a wood and advancing towards a squirrel trap., USA, ca. 1858, nature studies,

Present Aspect of Gaines's Mill, Looking East, Harry Fenn, American, 1845–1911, Pen and brush and black ink, white gouache on off-white wove paper pasted on board, In the foreground the view of a mill. In the background, several small

Study of Amaryllises, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on gray, linen-textured paper, Vertical sheet depicting two sprays of pink and red amaryllises with green foliage., USA, early 20th century,

Design for a wall panel in Moorish Style, J.D. Woodward, Blue and yellow watercolors on paper, Vertical rectangle. Design for a wall panel, in imitation of Moorish tilework showing a stylized plant within a niche with a pointed arch; rondels at

View from Shoulder of Mount Chocorua, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Double-page view from the shoulder of Mt. Chocorua. Rock ledge and shoulder of Mt. Chocorua, at left, Mt. Mote at center, and Mt.

Sketch of a Barn and Haystack, Frederic Edwin Church, American, 1826–1900, Pencil on white paper, Leaf of a sketchbook. Recto: A small barn seen from the end side, with scrub trees, inscribed 'Sycamore' in the foreground. At right, a hay

Funeral Decorations for King Louis XVI of France, Pen and brown ink, brush and brown wash on paper, Vertical rectangle. A variation of 1938-88-1303, the door frame being somewhat similar to 1938-88-1337. The panels beside the door openings are

Design for a Ceiling, Graphite, brush and watercolor on paper, Design for a rectangular ceiling with grotesque decorations; only a quarter colored. At center, a cartouche with two putti., Italy, 1750–1800, interiors, Drawing, Drawing

Design no. 12 for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on two pieces of paper pasted together horizontally, Fantastical curved plants, facing each other

Design for an Andiron, Lefebvre Manufactory, Tournai, Brush and yellow, red, green, black watercolor, pen and black ink, on cream laid paper, Horizontal design, two pilasters, center panel. Large pitcher at left, low bowl with flame at

Design for a Woven Fabric, Brush and white, beige, yellow, and red gouache on oily tracing paper, Boughs with leaves, seeds, and many clavicles alternate with stems with seeds and a big fantastical blossom, form a vertically undulated row

Palace Façade Elevation, Pen and brown ink, brush and grey wash on cream laid paper, Elevation of a three-storied palace, with a triple-bay recessed central section with galleries. The windows are pedimented and the roof is supported on paired

Mt. Katahdin, from Lake Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontal view shown from Katahdin Lake with the Lake in the foreground. Dark clouds above., USA, 1877, landscapes, drawing,

The Persian Sibyl, Michelangelo Buonarroti, Italian, 1475–1564, Red crayon on paper, The Persian Sibyl. after Michelangelo, Italy, 1550–1600, figures, Drawing, Drawing

Mountain Landscape, brush and black ink on silk, mounted, and with a gray brocade mat, Europe and Japan, 17th century, theater, Drawing, Drawing

Tree with Two Trunks, Frederic Edwin Church, American, 1826–1900, Graphite on paper., Recto: Vertical view of a tree with two trunks., Verso: Horizontal view of sky with clouds over mountain ranges., USA, July 1844, landscapes, Drawing,

Design for an Ovoidal Tureen, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for an ovoidal tureen intended to be produced in partly gilt silver. Below is an

Design for a Brocade, Fragment, Brush and gouache, brush and black paint on oily tracing paper, The decoration consists of irregularly disposed flower motifs. A big-sized and two smaller fantastical flower boughs and a calyx palmette are to be

The Chariot of the Sun Fantasy, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper laminate, Sunset landscape with a large red sun hanging over distant hills and a body of water in the foreground. The sun has been made to

Decorative Studies of Candelabra; Verso: Masculine Heads, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor over graphite on laid paper, Eleven decorative studies of candelabra with grotesques; two capitals. Verso: masculine

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A slightly undulating bough with leaves and clusters of seeds over a waved

The Hudson River and Catskills from Barrytown, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Meadow with trees in the foreground, sloping down to river bank. River and ridges across center of composition, then

Stage Design, Prison in Gothic Building, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. The upper gallery of a prison court. Gothic building with barred windows, large arches,

Study for a kneeling woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, A female figure kneeling. Clothed and turned as in -1, but the left

Stage Design: City with a Loggia, Fabrizio Galliari, 1709 - 1790, Pen and brown ink, brush and wash, black chalk on paper, Vertical rectangle showing a palace façade and loggia surmounted with balus, Italy, 1725–1750, theater, Drawing,

Study of seascape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a figure fishing off of a rock jetty., USA, ca. 1855, seascapes, Drawing, Drawing

Project for a Window, Pen and brown ink, brush and gray, pink and brown wash, races of graphite on off-white laid paper, Elevation with detail of pediment. Two scales., Italy, 1725–1750, architecture, Drawing, Drawing

Eigherhorn, Grindelwald, Daniel Huntington, American, 1816–1906, Graphite on paper, Rocky, hilly meadows, with some trees in foreground. The Eigherhorn, upper left, with two other mountains in distance at right. Verso: Faint outline of

Penelope Recognizes Ulysses, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Penelope shown in profile at left, rising from her seat to greet Ulysses. Hymen with two lighted torches stands

Sunset, Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, Hilly country with a lake in the right foreground, and a house and barn at left. Clear, yellow sky seen in a stripe on the horizon.

Design for Tilt-Top Case for Photographs, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for Woven Fabric, Brush and dark brown watercolor on cream laid paper, Rising bough with fantastical blossoms, leaves, and seeds in dark brown. Only part of the repeat is shown. Verso: black chalk design blotting., England, 1749–51,

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