Images at Librifly

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Page of a Sketchbook: Military Trophy, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Vertical rectangle. Verso: a military trophy with coat-of-arms for infantry, pistols, guns and

Four Preliminary Designs for the Venetiones Series: Recto, above: Fishing for Tuna; Recto, below: Hunting crocodile with a Pig as Bait; Verso, above: Indians catching fish with the help of pelicans; Verso, below: Boar hunt with Shotguns;, Jan

Recto: Deer Hunt with Nets. Verso, left: Saint Giovanni Gualberto and a miraculous provision of food at Vallombrosa; Verso, right: The miraculous healing of Adalassia by Saint Giovanni Gualberto, Jan van der Straet, called Stradanus, Flemish,

Sketch of Figural Group for Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Sketch of figures bearing cross, looking up., USA, ca. 1895, figures, Drawing, Drawing

Recto, above: Crane hunt using cones; Below, left: Jacob, half figure; lion with a blindfold over his head; map of a fortifications; Below right: Fox Hunt. Verso, above left: Starling Hunt; below left: Lion hunt with torches and nets; right: half

Above: Erminia and the shepherd; Below: Atalanta hunting the Calydonian Boar, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on laid paper, Vertical rectangle. Top: a man is seated in the shade of

Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, An ornate mantelpiece, decorated with sculpted reliefs

Recto: Four Hunting Scenes, designs for the Venationes print series; Verso: Plan of a Fortified City, and notes by Luigi Alamanni regarding the Nova Reperta series (verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and

Recto: The Ship of the Church; Verso: inscription refering to the receipt of payment from Luigi Alamanni for 'The portrait of Dante with the Inferno', Jan van der Straet, called Stradanus, Flemish, 1523–1605, black chalk, pen and brown ink,

Recto: Pilgrim, or 'Pietas' (allegory of Piety), preliminary design for pl. 6 in the Schema, seu Speculum Principum (Skills of a Prince) series; Verso, above: Man with a Stick; Verso, below: Lion Hunt in Africa, from Pliny's Natural History,

Sketchbook Page with Procession with the Host and Pontifical Mass, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on laid paper, Horizontal rectangle. Obverse: The procession is nearing a church

Recto, above: Diana and Actaeon; Recto, below: Boar hunt; Verso, above: studies of two male heads; Verso, below: Meeting of Anna and Joachim at the Golden Gate, The circumcision of the Christ-child, Jan van der Straet, called Stradanus,

Design for Painted Decoration of Walls and Ceiling of a Room, Brush and gouache, watercolor on white wove paper, A short wall and part of the ceiling of an oblong room. The wall shows an imaginary damask cover flanked by pillars above a dado. The

Recto, above: Melchizedek bringing bread and wine to Abraham (Genesis 14:18-20); Recto, below: Unicorn hunt in India Verso, above: Sacrifice of the Pascal Lamb (Exodus 12:11-12); Verso, below: Medici Coat of Arms, Jan van der Straet, called

Sketchbook Page with Beheading of a Female Martyr, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on laid paper, The woman kneels in the foreground, center. The executioner raises part of her

Classical Ruins, Brush and sepia, watercolor on paper, Vertical rectangle showing figures in a rocky place with a fountain in the form of a monumental column with water pouring from a lion’s mask. At left, figures at rest with a lion. Behind,

Competition Design for La Fenice, Venice: Roof Plan, Pen and black ink, brush and pink, gray wash, graphite on heavy laid paper., Plan of the roof of theater and annex building: a rectangular roof at left is joined to a horseshoe-shaped roof at

Recto, left: The Mocking of Christ; Recto, right: Christ washing the Feet of the Apostles ; Verso: Execution of of Mary Stuart, Queen of Scots in 1587, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre

Death of the Woman of Sestos, from Pliny's Natural History, Book 10, ch. 6; below: inscription listing animals featured in a series of hunting images, and list of clothing items, Jan van der Straet, called Stradanus, Flemish, 1523–1605,

Design for a Chalice, Graphite, pen and ink, brush and wash on paper, A richly decorated vase stands upon a pedestal in the scheme of a pedestal upside down. On top stands a cup, with a bossed bottom. An oval medallion with the three nails

Study of landscape, Baveno, Lake Maggiore, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a cabin in a forest., Baveno, Lake Maggiore, Italy, September 1857, landscapes,

Recto: Tapestry design with John the Baptist Preaching (or Christ among the bystanders); Verso: inscription, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on laid paper, Horizontal rectangle.

Sketchbook Page with Blinding of Cyclops, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash, on laid paper, Vertical rectangle. Recto, top: Scene in cave of Cyclops, the giant in the foreground

Design for an Altar: Elevation, with Trompe l'Oeil Plan Below, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and gray, red wash, graphite on cream laid paper, Centrally placed elevation of an altar showing a painting of a

Eight Scenes from Life of San Giovanni Gualberto (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown wash on laid paper, Recto: Above left:The massacre and the miraculous healing of the

Preliminary Design for the Title Page of the 'Nova Reperta' (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Luigi Alamanni, Italian, 1558–1603, Pen and brown ink, brush and brown

Recto: Emperor Commodus Killing a Leopard; Verso: Sketch by Luigi Alamanni, and inscription in his hand relating to Herodianus' Historiae, I, 15, 6-7, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and

Toltec Gorge, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Brush and black, brown and blue ink washes, white gouache, graphite on buff wove paper Verso: Graphite with touches of brush and white gouache on tan wove paper, At

Bed Alcove, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Left half of a tented bed alcove shown. Visible within is a bedframe decorated with cherubs and a leaves. A small square, possibly representing a

Sofa, Pen and ink, brush and gray wash on blued-white laid paper, lined, Elevation of an oval sofa with chimera legs. On either side are Tuscan columns from which fringed drapery hangs, gathered in the center with a bow knot., Italy,

Saint Agnes, Leon Dabo, American, 1868–1960, Charcoal on cream wove paper, Within oval format, saint is seen facing half-right, holding a lamb in her arms and the palm of her martyrdom in her left hand. Halo over her head, and gaze is

Sofa, Pen and ink, brush and gray wash on blued-white laid paper, lined, Elevation of an oval sofa with animal paw feet standing on a stepped platform. On either side is a Cupid standing on a plinth with a quiver of arrows, supporting fringed

Sofa, Pen and ink, brush and gray wash on blued-white laid paper, lined, Elevation of a boat-shaped sofa with a woven base, standing on a stepped platform. On either side is a column decorated with lion mask, supporting a vase with floral

Sofa, Pen and and gray brown ink, brush and gray wash on blued-white laid paper, lined, Elevation of an oval sofa with a woven base, standing on a stepped platform. On either side is a column supporting a vase with floral sprays. Two cushions on

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and brown ink, brush and yellow, grey, black and brown-red watercolor on cream laid paper, Dial suspended underneath classic arch, supported by four columns, a vase atop each

Recto, above left: Deer attacked by a Lynx; above right: Cloelia and her Companions escape Porsena's Camp; below right: Women Hunting; below left: Deer Hunt, with a Stag hiding its Scent. Verso: Two Busts of Women in Architectural Settings,

Stage Design: the Interior of a Tent, Pen and brown ink, brush and gray wash, graphite, on off-white laid paper, The tent is partitioned into three sections by posts. The front section is lit by a lantern suspended from the ceiling. Inside this

Recto, above and below left, and Verso, below left: Three studies for Theagenes taming the Bull in Ethiopia; Recto, above and below right: A Dragon Hunt in India;Verso, above right: Birth of the Virgin (preparatory for an altarpiece at San

Sculpture Gallery: Project for the Decoration of a Hall in a Palace during the Reign of the Emperor Napoleon as King of Italy, Black chalk on white laid paper, Design for a sculpture gallery. At right, is a section of a wall with windows. Pillars

Project for an Altar Painting, Red crayon on paper, The Christ child standing upon cherubim appears before St. Anthony of Padua, who is shown standing at right. Lily bough and book lie upon the soil. He gazes at St. Joseph, who is seated upon the

Recto: Bird Hunt with Falcons; Verso: Lunette decorated with animals, capricorn, and foliage, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Black chalk, pen and ink, brush and wash on paper, The kill is shown in the right

Sketchbook Page: Stag Hunt in Persia (recto); Stag Hunt by Luigi Alamanni (verso), designs for the Venationes series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Luigi Alamanni, Italian, 1558–1603, Pen and brown ink, brush

Sketchbook Page with Cyclops, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and gray wash on paper, Vertical rectangle. Verso, top: Cyclops, left, attacking the ships of the Argonauts with stones; below -

Recto, above: David receives the holy bread and sword of Goliath; Below: Dragon Hunt in India; Verso: Jonathan eats honey on the day of fasting; Below: Inscription, Jan van der Straet, called Stradanus, Flemish, 1523–1605, pen and ink, brush

Recto, above: Elephants Hunted by Troglodytes [Cavemen], from Pliny's Natural History, Book 8, ch. 8; below: The King of Persia hunting on an Island. Verso: Fight between Elephants and Snakes, from Pliny's Natural HIstory, Book 8, ch. 11-12,

Recto: Christ healing paralytics near the pool of Bethesda; Verso, above: Mercury, patron of travellers; Verso, below: studies of a man near an open door, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and

Adam and Eve, The Temptation, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor, black chalk on paper, Figural scene in landscape. At left, the figure of Adam stretches his left arm out to reach the apple, which Eve

Sketchbook Page with Bull Hunts, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Vertical rectangle. Full length figure. Verso, top: Four horsemen hunt two bulls. They are helped by

Skecthbook Page with Communion at Church and Home, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brish and bistre wash on paper, Horizontal rectangle. Verso: The altar is shown in the central background within the

Swan and Two Snakes, Black crayon, pen and ink, brush and wash on paper, A swan standing upon a rock with one snake in its mouth and another in its talon., Italy, ca. 1805, sculpture, Drawing, Drawing

Sericulture, Unwinding Cocoons, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink on white laid paper, Horizontal rectangle. Verso: Several women are seated at tables on which the silk worm cocoons are place, and

Romulus and Remus, Thirteen Paintings for the Sala delle Origini di Roma, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, 1803, figures, Drawing,

Head of a Roman matron (rendering from a plaster cast), Pietro Montana, b. 1890, Charcoal on paper., Vertical rectangle. The head is seen turned slightly to the left, and rests on a socle. Signed (in charcoal), lower right: 'P. Montana / Mar.

Stage Design, Antique Building with Porticoes, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Antique building from inside with columns supporting friezes, coffered vaults., Italy, early 19th century, theater,

Wild Goose in Flight, Winslow Homer, American, 1836–1910, Charcoal, white chalk on gray paper, Horizontal view of a wild goose in flight, with the first position of haead corrected with white crayon above the final position in which the head

Four scenes from the life of Apollonius of Tyana (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and gray wash on laid paper, Recto, above: Apollonius of Tyana meeting the messenger of

Four scenes from the life of Apollonius of Tyana (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on paper, Recto, above: Apollonius Curing a Young Athenian Possessed of a

Nature Studies, probably from Colombia: Monkey, Parasites and Trees, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal view containing a tree top, at upper left; branches, at upper center; trees at a

Sketch of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Probably a study for a mural. Groups of figures on each side, and above, moving towards a central winged figure., USA, ca. 1895, mural designs, Drawing,

Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, The doorway is flanked by two pilasters with

Design for the North Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, Above the straight entablature are two crouching

Goodrich Falls, Ellis River, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, black and white crayon on grey paper, Waterfall at center, with pool at lower left. Rock ridges left and right, with trees sketched, upper

Page of a sketchbook; Trophy of arms, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen, ink, blue watercolor wash on paper, Vertical rectangle. A trophy composed of a helmet and shield in the center, flanked by barriers

Page of a drawing book; Two designs for a coat of arms of Ferdinand I of Toscana, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, verso with bistre wash on paper, Two designs for a coat of arms of the Grand Duke

Design for Case for Photographs # 2, A.N. Davenport Co., Pen and black ink, graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on laid paper, Sketch of a female figure, standing, seen from behind., USA, 1881–1882, figures, Drawing, Drawing

Sketch from Shoulder of Mount Chocorua, Daniel Huntington, American, 1816–1906, Graphite on paper, Sketch from a shoulder of Mt. Chocorua, looking at Mt. Mote in distance at left and Mt. Kearsarge in distance at right. Verso: Half of another

The Parthenon from the Southeast, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on paperboard, Over a rough hillside, the Parthenon appears in the right middle ground. Classical fragments in the left

Recto: A horseman killing a stag, preliminary design for The Deer Hunt of Emperor Frederick Barbarosa and Ubaldo Ubaldini; Verso: Two galleys at sea, design for 'Orbis Longitudines' (Discovery of the Establishment of the Longitudes), pl. 16 from

Page of a drawing book; Study for painting of St. Magdalen; A stallion, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen, ink, wash and various water colors (recto) on paper, Vertical rectangle. Verso: A: Shown slightly

Design for an Altar Painting, Saint Dominic and Saint Catherine of Siena Receiving the Rosary from the Virgin and Child, Fedele Fischetti, Italian, 1734 - 1789, Pen and brush and black ink, gray wash on off-white laid paper, Drawn border in

Design for a Woven Fabric, Brush and blue, yellow, beige, and red gouache on oily tracing paper, Vertical rows of undulated stems with elaves and seeds into parts of which are stuck alternating and stafggered in alternate horizontal rows a bough

Recto, above: Young St. John the Baptist guided by Angels in the Desert; Recto, below: Sacra Conversazione with Sts. Barbara and Catherine; Verso, above: Cruxifiction; Verso, below: Christ healing paralytics near the pool of Bethesda, Jan van

Conquest of the Philippine Islands, preliminary design for grisille painting realized by Stradanus' son Scipione, for the obsequies in memory of Philip II of Spain, held at San Lorenzo in Florence on 12 November 1598, Jan van der Straet, called

Recto, above: Collecting Bitumen, from Pliny's Natural History, Book 35, ch 51; Recto, below: Catching Night Moths. Verso, above: Buffalo Hunt; Verso, below: Fishing for Coral in Sicily, from Pliny the Elder's Natural History, Jan van der

Recto: Judith with the Head of Holofernes; Ascension of Christ, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on off-white laid paper, The servant, who is holding a sack, is shown from

Recto: Two view of Judith killing Holofernes; Verso: Fountain in Fiesole, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown on laid paper, Recto, left: Judith is shown directed toward left, with

Page of a sketchbook; Heavenly powers helping pious; Sketch for potrait of saint; Decoration of pediment, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre, pen and ink, wash on paper, Horizontal rectangle. Verso, at left

Recto: St. Christopher carrying the infant Christ (left), Virgin and Child (right); Verso: Lucifer Appearing to Dante and Virgil in Hell, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Luigi Alamanni, Italian, 1558–1603, Pen

Recto, Above left: Wooded landscape with Elijah awakened and nourished by an angel on Mount Horeb (1 Kings 19:5-6); Above right: The banquet of King Ahasuerus (Esther 1: 1-6)' Below right: Christ surrounded by angles with the Arma Christi; Below

Recto: Zeuxis painting Helen; Verso: Ecce Homo, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on laid paper, Recto:Zeuxis sits in the center of a room, painting. At left is a platform with a

Recto, right: Beheading of St. John the Baptist, Recto, left: Salome given the head of St. John the Baptist by the executioner, design for pl.10 in the Life of St. John the Baptist Verso: The Body of Alfonso Piccolomini (1551 - 1591), Sienese

Page of a sketchbook; Title page for engraving series on hunting; Accident of a hunter, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, bistre wash (top), gray-brown wash (bottom) on paper, Vertical rectangle. Top:

Recto: Apollo, or 'Litterae' (Allegory of the Liberal Arts), preliminary design for pl. 3 in the Schema, seu Speculum Principum (Skills of a Prince) series; Verso, above: Deer Hunt with Lassos; Verso, below: Cattle attacked by Foxes, Jan van

Page of a sketchbook; Apollo and Aurora, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Horizontal rectangle. Apollo, appearing in a blaze of light, moves toward left on a chariot drawn by four winged

Recto: Minerva, or 'Arma' (Allegory of the Art of War), preliminary design for pl. 2 in the Schema, seu Speculum Principum (Skills of a Prince) series; Verso, above: Deer Hunt with Lassos; Below: Board Hunt with Shotguns, Jan van der Straet,

Recto: Diana, or 'Venatio' (Allegory of the Hunt), preliminary design for pl. 4 in the Schema, seu Speculum Principum (Skills of a Prince) series; Verso: Diving for Pearls in the Persian Gulf, Jan van der Straet, called Stradanus, Flemish,

Recto: Hymenaeus, or 'Nuptiae' (God of Weddings), design for pl. 5 in the Schema, seu Speculum Principum series; Verso: inscription regarding the sending of drawings for the series, Jan van der Straet, called Stradanus, Flemish, 1523–1605,

Dance of Salome; Verso, above: Daniel's interpretation of the second dream of King Nebuchadnezzar, preliminary design for 'Spiritus Consilii' (The Spirit of Counsel), plate 3 in 'The Seven Gifts of the Holy Spirit' print series ; Verso, below:

Recto: Two Scenes from the Life of Apollonius of Tyana; Verso: The Priest Achimelec, study for Daniel receiving the Holy Bread and the Sword of Goliath, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and

Recto: Zeuxis painting Helen; Verso: Studies of figures for an illustraiton of the eighth circle, tenth bolgia of Dante's Inferno (Falsifiers: Maestro Adamo, Sinon of Troy, Potiphar's Wife), Jan van der Straet, called Stradanus, Flemish,

Recto: Neptune in his Chariot pulled by waterhorses, possibly a study for the Americae Retectio print series; Verso: inscription, largely obscured, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Luigi Alamanni, Italian,

Recto: Giovanni de 'Medici ('dalle Bande Nere') leads his troops across the river Adda, driving back the Spanish forces, 1521; Verso: inscriptions, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash

Recto: Judith with the head of Holofernes; Verso, left: Judith with the head of Holofernes; Verso, right: preliminary design for titlepage for print series of The Seven Virtues, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen

Studies of Gulls, Rocky Coast and Cloudy Sky, Great Manan, Canada, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Horizontal series of sketches, at top left: gulls; at top right:

Garden Architecture and Figural Studies, Pen and ink, brush and wash on paper, Ornamental garden architecture and two male figures with bound hands, possibly from a grotesque or metalwork., Italy, 18th century, architecture, Drawing,

The Brook, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Stream running across, foreground. Large clump of trees, far bank, left. Mountains beyond, right., USA, August 18, 1855,

Four Studies of Soldiers' Heads, Winslow Homer, American, 1836–1910, Black chalk on beige paper (darkened), lined; verso: charcoal, black and white crayon on beige paper (darkened), lined, Vertical view showing the heads of four soldiers,

Design for a Wallpaper or Textile, Brush and purple gouache on thick white laid paper, A neo-Rococo escutcheon composed of scrolls, rocaille and plant motifs. Intended to be connected in a vertical row by scrolls with leaves and a bunch of seeds.

Four scenes from the life of St. John the Baptist, preliminary designs for a print series (recto and verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and Ink, brush and wash, black chalk on paper, Recto, above: Birth

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