Images at Librifly

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Design for the East Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, Above the door frame is a half circle with a trophy

A Cliff at Stowe, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Peaks at right. Rock ledge falling. Mountains in distance, at left., USA, September 1864, landscapes, Drawing, Drawing

Design for a Panel with Portrait of a Nobleman, Francesco de Mura, Italian, 1696 - 1782, Brush and gray wash, pen and black ink, black chalk on paper, Half-length portrait of a man in armor, sketched within an oval frame. Decoration of the

Studies of Heads, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper, The caricatures refer mostly to an old man wearing a wig; some show the bust. The other – non caricature – heads are shown looking downwards or upwards. One

Design for the South Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and gouache, graphite on white wove paper, Wall decoration consisting of three painted panels: a dragon horse in center panel,

Design for Two Candlesticks, Unknown, Lefebvre Manufactory, Tournai, Pen and black ink, brush and green, yellow, and brown wash, black chalk on white laid paper, Two designs for candlesticks. Intended to be executed in green and gilded

Temple of Minerva, Athens, Greece, Hubert Robert, French, 1733 – 1808, Pen and black ink, brush and brown, green, and gray wash on white laid paper, laid down, Horizontal rectangle. View of Temple of Minerva, partly in ruins, sculpture

Studies of Landscape and Ships, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Recto: Vertical views with a beached row boat seen from the bow and a sailing ship at top with a cloudy sky over wooded ridges at

Azaleas, Samuel Colman, American, 1832–1920, Graphite, brush and watercolor and gouache on tan wove paper, Studies of azalea branches, with pink flowers. Verso: pink ladyslippers, a blueberry branch with flowers, huckleberry, and

Design for an Oblong Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Brush and wash, black and gray chalk on paper, Horizontal format design for an oblong plaster ceiling. Rosettes in the four corners. In the center is an ovoidal

Design for Library Ceiling, Benton House, Northumberland, England, George Richardson, British, ca. 1736 - 1813, Brush and watercolor, pen and ink, black chalk on paper, Horizontal format design for a plaster ceiling. Outside are oblong and

Design for an Oblong Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and ink, brush and watercolor on paper, Horizontal format design for an oblong plaster ceiling. One quarter is shown. Bands separate the inner field and oblongs at

Design for a Square Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and gray and black ink, brush and rose and green watercolor on paper, Horizontal format design for a square plaster ceiling. The scheme is that of a cupola shown from

Design for an Oblong Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and black ink, brush and watercolor, black chalk on paper, Horizontal format design for an oblong plaster ceiling. Shown are the scheme of the decorations of the

Design for a Painted Octagonal Panel, Marco Capizucchi, Italian, 1784 - 1844, Brush and gouache, graphite on paper, Horizontal format design for a painted panel. Somewhat more than the lower half is executed. In the center is an octagon with

Design for a Painted Ceiling, Marco Capizucchi, Italian, 1784 - 1844, Brush and gouache, gold, graphite on paper; verso: pen and ink, Horizontal format design for a painted ceiling. The ceiling is slightly vaulted. More than the lower half is

Study of Man's Head for 'A Lesson in Charity', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on buff paper, Study of the lowered head of an elderly man with a long beard, looking towards the left., Rome, Italy, 1863,

Sketches for scene 1 and 2 of the cartoon for cotton printing: The History of Henry IV [L'Histoire de Henri IV], Hartmann et Fils, (Munster, France), Graphite on cream-colored paper, Scene from Voltaire's epic 'Henriade'. The entrance of Henry

Designs for embroidery, Black crayon on tracing paper, Vertical rectangle. Designs of abstract floral patterns for panels and borders. Each drawing stamped at top: 'Dessin original a broderie.' Designs numbered 182 (M), France, ca. 1890,

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white and light blue gouache on glazed tracing paper, Fringed lace shawls for a row of festoons with bunches of

Project for a monument for Foro Bonaparte, Milan, 1800, Felice Giani, Italian, 1758–1823, Pencil, pen, and black ink; gray wash watercolor. Paper., Vertical rectangle. Very large. Steps lead to the round base, the lower part of which is

Sketches from the Rio Magdalena, Colombia: Leaf Boughs, Vine Stems, Guacamaya Tree Top, Bush and Tree Group, White Bird , and a Plant Detail, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white on gray paper,

Copy of the Crowning with the thorns in the Small Passion by Albrecht Durer, published in 1511, Pen, brush and bistre on paper, Vertical composition of the Crowning with a plainly moulded frame, Italy, 1525–1600, religion, Drawing,

Riverbank and Botanical Sketches from Higuerote, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal group of sketches containing an elevated bank with a group of trees, at top left; tops of trees, at

Decorative Study; Verso: Two Head Studies, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on laid paper, Four studies of sarcophagi; temple friezes; two studies of coffered ceilings., Italy, 1814–18, graphic design, Drawing,

Study for 'A Florentine Picnic', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, A young male figure in costume, seated, facing left, his head shown almost in profile. He plays a mandolin. At right, detail of hand holding the

Landscape view between Naples and Salerno, Anton Sminck Pitloo, Dutch, active in Italy, 1791 - 1837, Pencil with white chalk highlight on brown paper, Rocky landscape with trees and hills. Bridge in left foreground crossing stream. Two crude

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766–1831, Black chalk on white paper, A bearded male nude is seen standing, facing frontally, with his arms raised over his right shoulder., northern Italy, Italy, 1790–1830,

Floral Design, Black, white, and taupe crayon, brush and wash on bluish-grey paper, A bunch of boughs with blossoms, buds of various kinds, and leaves., France, 1740–1770, Drawing, Drawing

Design for a monument, Corrado Giaquinto, Italian, 1703 - 1765, Black chalk, pen and brown ink, brush and wash on paper, A pedestal stands in front of a niche, flanked by pilasters shaped like gaines and showing cherubim in the capitals. Two

Antique Ruins with Figures Contemplating, Pen and ink, brush and wash on paper, Horizontal rectangle. Partially ruined temple with columns on left and large niche at the back containing fountain with statue of Neptune (Poseidon) with raised

Mount Washington, Mount Madison and Mount Adams from Bridge, North of Gorham, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on grey-green paper, Stream and branches in foreground, with high banks at left and right and

Design for a Goblet, Black chalk, brush and brown watercolor, oxidized white on greyish-blue paper, Vertical rectangle showing a woman in profile kneeling upon a rock, carrying a fantastic shell., Netherlands, 1650–80, metalwork, Drawing,

The Cave of Adullam, Irving Ramsey Wiles, American, 1861–1948, Brush and black and grey watercolor, with graphite, on cream paper, A cliff edge and a large plant in the foreground, right. A valley in the center of the composition. Some

Design for Portion of Stairway in Chateau-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Two Designs for Altar Frames with Alternative Suggestions, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow and red watercolor, graphite on paper, Horizontal rectangle. Two designs for two frames, probably for

Page of a sketchbook; Chariot and three horses, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on cream paper, Horizontal rectangle. A chariot drawn by three horses. In the chariot, a female figure holding an

Page of a sketchbook; Chariot and three horses, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on cream paper, Chariot drawn by three horses. Four women seated in it. One on sort of a throne. Written above her,

Preliminary study for the Triumph of the Holy Scripture, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brush and brown ink and wash on laid paper, A chariot drawn by a bullock and a goat. Two female figures seated in the chariot.

Page of a sketchbook; Mary holding body of Christ at foot of Cross, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Mary holding the dead body of Christ which has just been taken down from the Cross.

Page of a sketchbook; Flight into Egypt; Crucifixion, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Recto: The Virgin riding on a donkey and another donkey beside her. A large head of Joseph in front

Project for a woven or printed fabric, P. and C. Lacour, Blotted black and black crayon, brush and watercolor on paper, Silhouetted boughs in the style of about 1600 hanging from rising waves. Small flower boughs are shown in intervals. An

Preliminary Design for a Bank and Office Building in New York City, N.Y., Brush and watercolor, pen and black ink on cardboard, with metallic gold border, Elevation of a building with a peaked roof, possibly five stories tall., USA, May 10,

Design for a wall fountain, Izabel M. Coles, American, 1890 - 1964, Black ink and watercolors on paper, Design for a wall fountain set in a niche, composed of a herm blowing paired pipes, with jets of water issuing from green frogs at the base

Trophy composed of musical instruments, Izabel M. Coles, American, 1890 - 1964, Pencil and watercolors on paper, Within an arched frame, a trophy composed of musical instruments in the style of Ranson, bound by blue ribbon; tambourine, flute,

Design for a carved wood chest, Izabel M. Coles, American, 1890 - 1964, Pencil and watercolor on paper, Design for a carved wood chest with metal fittings. Front elevation, side elevation, top., USA, ca. 1909, furniture, Drawing, Drawing

Design for a Stained Glass Window, Izabel M. Coles, American, 1890 - 1964, Ink and watercolor on tracing paper, Design for a stained glass window with arched top and three motifs within rondels; top, an angel holding an open book inscribed 'The

Side elevation of a dining room, Izabel M. Coles, American, 1890 - 1964, Pencil and watercolor on paper, Design for the wall of a panelled room, with a wide border of wall-paper between the cornice and the wall-panelling. In the center a china

Head of the Laocoon (from a cast), Izabel M. Coles, American, 1890 - 1964, Charcoal on paper, Head and shoulders of a beard male classical figure, the head turned in right profile., USA, ca. 1909, figures, Drawing, Drawing

Vignette: Man Crouching on a Scaffolding, Walter Appleton Clark, American, 1876–1906, Brush and black washes, with graphite, on white watercolor paper, Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden

Embroidered picture, Medium: silk embroidery, linen canvas Technique: drawn, embroidered, Woven linen canvas with design drawing showing animals and figures in landscape. Partially embroidered with silk., England, mid- 17th century, embroidery

Personification of Africa, Rosalba Carriera, Italian, 1673–1757, Pastel on paper mounted on canvas, Bust length figure of a black woman, her right breast exposed and holding a scorpion in her right hand. She wears a turban decorated with

Personification of America, Rosalba Carriera, Italian, 1673–1757, Pastel on paper mounted on canvas, Bust length portrait of a woman, her left breast exposed, and carrying a spear in her right hand. In her hair is a jeweled fillet, trimmed

Study for Painting 'The Landing of Columbus in America, ' Sala del Minor Consiglio, Palazzo Ducale, Genoa, Italy, Francesco Solimena, Italian, 1657–1747, Pen and brown ink, brush and gray wash over black chalk on two sheets (joined) of

Pines on Road near North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Road at center, curving toward right. Pine trees and rocks, left and right., USA, 1854, landscapes, Drawing, Drawing

Sketches from South America, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Horizontal view of water bordered laterally by wooded rocky slopes, and by hills and mountains in the background, at top; and a possible

Achilles Drags the Body of Hector, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue laid paper, Achilles looks from his chariot at the dragged body. At left horrified Trojans look on., Italy, ca. 1790, figures, Drawing,

Stage Design, Exterior of Enormous Palace, Pen and sepia ink, brush and wash on paper; verso: graphite, Horizontal rectangle. Enormous palace seen at an angle across the long side, from the right short side front. Large sculptures on the right

Three Designs for Candlesticks, Pen and ink, brush and yellow, red, gray watercolor, graphite on paper, Horizontal rectangle. Three designs for candlesticks. At left: the feet of the candlestick consist of rumps of birds. Within the base is the

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Group of figures from the right side of The Last Judgment by Michelangelo.,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure., USA, 1881–1883, figures, Drawing, Drawing

Sketchbook Page: Red Whelk, Kenyon Cox, American, 1856–1919, Graphite on paper, Drawing from an encyclopedia. Sketch of large shell used as a lamp., USA, 1875, albums (bound) & books, Sketchbook folio, Sketchbook folio

Sketchbook Page: Standing Female Nude, Kenyon Cox, American, 1856–1919, Graphite on paper, Recto: Three-quarter length view of standing female nude with hands together near left shoulder., Verso: Caricature of artist with comically large

Sketchbook Page: Portrait of Man, Marionette Puppet, Kenyon Cox, American, 1856–1919, Graphite on paper, Recto: At right, portrait of a seated man with picture hung on wall in background, enframed. At left, oriented differently, sketch of

Design for a Painted Porcelain Plate, Café (Coffee) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red crayon,

Parchment with unfinished needle lace, Medium: linen, parchment Technique: needle lace (loop and twist) in a variety of stitches and a variety of combinations of open and closed areas, Long strip of parchment with design drawn onto it in ink. The

Apollo kills the Python, Felice Giani, Italian, 1758–1823, Pencil, Pen and black inks, brush and watercolor on paper., Horizontal rectangle. Apollo comes running from the left, the crouching Python pierced by an arrow, at the right.,

Tammany Tiger: 'Teddy's going to hunt mountain lions so that gives me a vacation', Pen and black ink, graphite on illustration board, Cartoon for The Chicago Tribune on December 8, 1900. A huge tiger wipes sweat from his brow; his collar reads

Two Burghers in the Attire of the Early 16th Century, Black and red chalk on paper, Conversing, the left figure is shown from the side turned toward the right; the right figure stands behind him, shown from the frontal., Italy, late 16th

An Interior, Mary Ellen Best, 1809 – 1891, Brush and watercolor, graphite on off-white wove paper, The boldly patterned wallpaper, green draperies and matching upholstered furniture shown in this interior impart an air of masculinity to the

Design for Railings, Hounds, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on paper; verso: graphite, Designs for stair railings featuring figures of hounds, their bodies overlapping and elongated. Verso: the central

Design for Table, Hounds, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite and charcoal on paper, Design for a console table intended to be executed in iron. Two elongated hounds standing on their hind legs form the base of

Design for Sconce, Hound, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite and charcoal on paper, Design for a wall-mounted sconce intended to be executed in metal. Figure of a hound with curling tail forms the armature,

Design for Trivet, Fighting Horses, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on paper, Design for a trivet. Within circular frame, two bucking horses biting each other at the ankle and rear., USA, 1917, figures,

Men Hunting Bulls with Eagles, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash, white heightening on buff laid paper, In a landscape of rolling terrain, men use birds to hunt wild bulls.

Trees, Tree Tops, and a Wooded Bank, Saddleback, Maine, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of tree tops at upper left and two designs of trees at upper right; across center are tree tops at

Sketchbook: Folio 73; Six Paintings of Bolognese School; Verso: Anatomical Drawings, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper, At top, Hercules; inscribed: Francia

Study of landscape, Switzerland, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a farm building and large rock., USA, ca. 1856, architecture, Drawing, Drawing

The Shirtmaker, Edouard de Beaumont, French, 1821 - 1888, Pen and brown ink, brush and watercolor on bristol board, Vertical rectangle. At right, a woman, seen in three quarter view from front, with black curly hair wearing a low-necked

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Sketch of a female figure. The bust, the head, the left arm and

Temples at Morning, Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray paper, The southern quarry is shown in the foreground. The distance to the temples is shortened. Two figures and a

Design for Mahogany Pedestal, A.N. Davenport Co., Pen and black ink, graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Tree Trunk with Parasitical Plants, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on white paper, Vertical rectangle with two parastical plants growing from a gnarled protrusion on a tree trunk, possibly a night-blooming

Mount Holy Cross, Thomas Moran, American, b. Britain, 1837–1926, Graphite on blue-gray wove paper, Oblique horizontal view of a mountain range across a valley with a peak whose fissures form the Cross in the left center., 1874, landscapes,

At a Fountain, Jean-Baptiste Lallemand, French, 1716 – 1803, Black and red crayon, pen and Chinese black ink on paper, laid down on paper, A fountain is in the right foreground. Water pours from a lion, standing in the cave, into a basin.

Design for a Bishop's Catafalque, Domenico Antonio Vaccaro, Italian, 1678–1745, Black chalk, pen and brown ink, brush and wash on two pieces of paper, Architectural drawing. Only the left half of the tower visible. The tower consists of an

Thumbnail Sketches, Pen and brown ink, brush and brown wash (iron gall ink) on Light brown laid paper, Sheet divided into fifteen thumbnail sketches. At top center, Venus in a shell. Around this are angels. Below, chariot scenes and trophies.,

Mountainous landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, Horizontal drawing of woods and rolling hills in the distanceseen in the light of an approaching storm. Foreground of sketch not

Design for a Water Urn with Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and black, gray wash on wove paper, On circular plinth with four feet (three visible), a sphere, top section of which serves as cover

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A bunc hf two flower boughs is to alternate with a cluster of flowers over a

Woods in Autumn, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on thin cream paperboard, USA, 1865, landscapes, Drawing, Drawing

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Woman looking out, slightly to the right, with a scarf or covering over her head., USA, ca. 1895, figures, Drawing, Drawing

Pemigewassett Bridge, West Campton, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, white and black crayon on green-grey paper, Sketch from the bridge, looking up the Pemigewasset River. Banks at left and right with rocks

Adoration of the Shepherds, Francesco Saverio Mergolo, Italian, 1746–1786, Pen and brown ink, brush and gray, brown wash, black chalk on paper, Nativity scene showing the infant Christ child reclining on hay at center, glowing with light,

Eight Studies of Friezes and Candelabrum, Felice Giani, Italian, 1758–1823, Pen and ink over graphite on cream laid paper, Recto: Eight studies of friezes and candelabrum. Verso: anatomical study of head and profile., Italy, 1814–18,

Flying Angel and Other Figures, Mattia Preti, Italian, 1613 - 1699, Red chalk on paper, Central figure with large wings reaching up with an object in its hand. At bottom right a smaller sketch of a winged putto., Naples, Italy, 1661–66,

Design for Desk Set, A.N. Davenport Co., Graphite on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for a Painted Ceiling, Jan Schtchukin, Russian, 1759 - 1828, Graphite, pen and black ink, brush and watercolor on paper, Vertical rectangle decorated with five ovals; the center oval is outlined with a floral garland and shows two men

Study of bridge and canal, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache, graphite on paper, View of a covered, arched bridge over canal with houses lining both banks., USA, ca. 1880, landscapes, Drawing,

Sunset across the Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin cream paperboard, A view over wooded hills in foreground, through a middle distance showing a lake beneath a strip

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