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Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a hillside with a fence in the center and trees scattered throughout the composition., USA, ca. 1857, landscapes, Drawing, Drawing

Pavilion with Bell Tower, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Studies of the Virgin Mary and a Standing Man, Gugliemo Cortese, 1628 – 1679, Red, white, and black chalk on gray paper, Vertical composition of the Virgin Mary and a standing man. Recto: A kneeling woman turn to the right, shown obliquely

Wall Decoration: Shield, , Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and Black ink, watercolorer, ruled border: brush, black was Support: White laid paper, laid down on white wove paper, London, probably England, Italy,

Design for a Woven Horizontal Border, Gouache on oily traving paper, A big flower plant is to alternate alternatively with two smaller sized flower plants and with a coral growth and a plant. The motifs are connected between each other by festoons.

Two-masted Schooner with Dory, Winslow Homer, American, 1836–1910, Brush and watercolor on white paper, Vertical view of a two-masted schooner, with a dory, characterized by a pale wash on sky and reflections of masts and the sail in the

Design for Textile or Wallpaper, Brush and watercolor on paper, Design for textile or wallpaper that shows flowers in vine-like arrangement in which young women and a young man appear. Painting is carried out in shades of grey., France, 19th

Studies of Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on beige paper, Two studies of architectural details. Above, a capital from Château de Gaillon. Below, a stylized leaf on a

Design for an Urn on a Stand with a Spirit Lamp, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash on paper, An urn on a circular plinth with four feet. The bottle is heart shaped with a funnel,

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, Top: A big flower bough; a small one crosses behind its lower end. Bottom: A flower spray., France, 1815-1840, Drawing, Drawing

Near Top, Dixville Notch, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on grey-green paper, Ridge, lower left. High rock cliff behind and center. Valley, right, with mountains beyond., September 9, 1863, landscapes,

View of the Catskill Mountain House, Frederic Edwin Church, American, 1826–1900, Graphite on white wove paper, Recto:Horizontal view of the Catskill Mountain House seen from the side, slightly below, with trees and bushes in the foreground.,

Design for a salon entrance wall, Pen and Chinese ink, brush and watercolor, graphite on paper, A mantelpiece with a mirror at the center, flanked by wall panels with two fluted pilasters over marble rails. Kneeling putti with festoons alternate

Design for Three-Tiered Table with Vase and Flowers, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Design for a Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, incised lines on glazed tracing paper, A lyre stands upon a much damaged floral base in an ovoid formed by pairs of laural

Two Groups Captives from the Victory of Leo IV over the Saracens, Felice Giani, Italian, 1758–1823, Raphael, (Italian, 1483–1520), Pen and brown ink, brush and sepia wash, black chalk on off white laid paper, The group of the killer is

Mount Chocorua on Way to Whitton Pond, Daniel Huntington, American, 1816–1906, Graphite on paper, Peak of Mt. Chocorua sketched on the way to Whitton Pond. Verso: Sketch of the shoulders of Mt. Chocorua., USA, September 26, 1879,

Sketch for Central Figure in the Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Figure standing with left arm around a cross, right arm extended, right foot planted on a cloud, and gaze directed downward.,

Design for the ceiling of the salon of Palazzo Spinola, Genoa, Charles de Wailly, French, 1730–1798, Pen and black ink, brush and watercolor on white paper, An oval central panel shows the Apotheosis of Ambrose Spinola, hero of the Battle

Design for a Clock, Pen and gray ink, brush and yellow, green and brown washes on off-white laid paper, Design for a gilt table clock: a child reaches towards a seated allegorical female figure (Hope?) atop a clock face (its encasing suggesting a

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on brown paper, Horizontally-oriented diamond shape filled in with flowers and foliage. Five plants form a backwords S-shape laid horizontally. From left: first brown stem

Study of a Young Man in Profile for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite, black crayon, white chalk on tan paper, Torso of a young man in left profile. A short, rounded container with a lid at upper right,

Elevation of a Salon, Pen and ink, brush and wash on paper, View of a domed room. At center, an archway topped with an eagle and pediments. Flanking this are fluted pilasters and door with oval overdoor panels. Ceiling above divided into panels

View of the Palazzo Barberini; Six Landscapes by Vincenzo Martinelli; Sixteenth Century Capitals, Bologna, Felice Giani, Italian, 1758–1823, Vincenzo Martinelli, Italian, 1737 - 1807, Pen and bistre ink, brush and brown wash over traces of

Villa Sensale, Sorrento, William Stanley Haseltine, American, 1835–1900, Brush and grey wash, pen and ink, graphite on cream paper, laid down, View toward Capri, with umbrella pines in the left foreground. The ground slopes gradually

Mountain Landscape Near Guanojo and Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Wide horizontal view of a mountain range with a snowcapped peak in the left

Study of Kneeling Nude Figure, Louis Schaettle, American, 1867–1917, Charcoal and white chalk on brown paper, Kneeling female nude, back view. Drapery study at upper right. Figure kneels on right leg, left leg bent forward in background.

View of Toche, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on grayish paper, Horizontal view of a road, climbing toward the background, at the left bank of a valley through which a stream flows, wooded hills are seen and

Acanthus leaf: from a cast, Esther Silver, Sepia wash on paper, Vertical rectangle. Rendering of an acanthus leaf; drawing from a cast in relief. Signed in ink, lower right: 'E. Silver.' Also signed in ink on reverse., USA, 1919, nature

Study from Imaginary S. American Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper., A structure with a circular tower is shown on top of a hill in the right foreground. It is reached across a bridge over a

Elevation and Plan of Wash Basin and Mirror in Carrara Marble, Pen and black ink, brush and yellow, gray and blue wash, graphite on wove paper, Elevation and plan of a washstand with mirror. On either side are two pedestals each with a ceramic

Landscape View of Rome from the Banks of the Tiber River, with Distant Views of the Castle Sant Angelo, Claude's Villa, and Saint Peter's Basilica, Part 1, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray wove paper,

View of Salzburg, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, At top, the central part of the city shown from the north. Hoen-Salzburg rises in the left middle distance. The upper parts of the

Project for a tabernacle for the exposition of the monstrance with alternative suggestions, Pencil, pen, ink, brush and gray water color on paper, Vertical composition of a tabernacle shaped like a circular tower, standing on the mensa above

Christ and the Adulterous Woman, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and gray wash, pen and brown ink, graphite on paper, The woman, soldiers, and two disciples at left, Christ with others at right. He points at the words

Academic Study of a Female Nude, Kenyon Cox, American, 1856–1919, Charcoal on laid paper, Study of the back side of a nude female figure. Figure turned towards a wall, looking over left shoulder; hands raised and pressed on the surface.,

On Highest Road to Chocorua, Looking North, Near Canas Pond, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Foreground, very hilly fenced pasture, a rocky hill beyond with two mountains in the distance. Mt.

Study of a Cow, Charcoal, brush and sepia on paper, A cow viewed from the front and the side., Europe, ca. 1815, figures, Drawing, Drawing

Classical Figure, Minardi Tommaso, Italian, 1787 - 1871, Graphite, white chalk on paper, Young man in classical attire with walking stick, raising his right hand., Italy, 1850–1900, figures, Drawing, Drawing

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's face in right profile, looking upwards. Head wrapped in headdress., USA, ca. 1895, figures, Drawing, Drawing

The Seasons Bring Gifts to Ceres and Triptolemus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on light brown paper and secondary support, Ceres and Triptolemus shown entroned upon

Death of Count Ugolino and his Sons, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Black crayon, pen and ink, brush and watercolor on paper, Here Giani treats the scene as a classical frieze. A kneeling youth begs

Sketches of a Woman with a Lute, Study for 'Titian Showing the Entombment to Charles V and Clement VII', Daniel Huntington, American, 1816–1906, Graphite on light green wove paper, Woman, left, seated and looking to left, a lute in her

Mount Chimborazo and Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint over graphite on cream colored paperboard, Snow-covered peak rises in the background behind several low mountains. Clouds at upper right.

Study of seascape, Murano, Italy, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of the lagoon with the island of Murano on the horizon., USA, June 23, 1871, seascapes, Drawing,

Two Elevations for a Chandelier, Pen and ink, brush and sepia, watercolor on paper, Two elevations for a candlestick, both with column-like shafts and wide drip pans at bottom. Hanging tassel. Left candelabra has two arms terminating in bronze

The Awnings of the Fruit Market, Francis Hopkinson Smith, American, 1838–1915, Charcoal, brush and white gouache on paper, Illustration for 'Venice of To-Day.' An open market in a city square with canvas awnings strung over the stalls. A male

Stage Design: Twenty Different Scenes, Pen and bistre, ink on paper, Horizontal rectangle showing twenty drawings of palace scenes., Italy, 1700–1750, theater, Drawing, Drawing

Project for a Ceiling, Graphite, pen and ink on paper, Portion of a ceiling, showing a hemisphere divided into bands of ornament. Outer band shows figural friezes. Above this, panels with arabesques and sphinxes. Two medallions, the right one

Landscape Sketch, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Mountains, from a hill, with sun rising or setting at right. Very light lines. A name on verso, lower left., USA, May 28, 1853, landscapes,

Elevation of a Wall, Graphite, pen and ink, brush and watercolor on paper, The dado is outlined with pencil. Two doors. At center, a mirror above a mantle. Yellow is suggested as the color for the walls which are framed with mouldings. At right,

Miniature: Seated Figure, Unknown, Pen and black ink with watercolor and gold on paper, mounted, A central figure is seated on layers of geometric and vegetal carpets, wearing a short-sleeved robe composed of many male figures and animals that

The Common Law, Study for Left Panel of 'The Reign of Law, ' Frieze for Appellate Court, New York, Kenyon Cox, American, 1856–1919, Brush and brown wash, red pencil, graphite on canvas, The central allegorical figure represents The Court,

Design for Allegory of Painting, Black, white crayon on paper, Vertical rectangle showing a female painter beside an easel, pointing at a sheet of paper brought to her by a child or putto. A colonnade is shown in the background. Above is outlined

Design for a Reliquary Monstrance, Red, black chalk, brush and watercolors, white gouache on paper, Vertical format design for a reliquary monstrance intended to be executed in white and gilded silver. The shaft is to be gilded. The upper part

Design for Embroidered or Woven Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Top right: a hanging fantastical flower. Left center: a flower bough as in 1920-36-147.

Caravan at Rest Near a Herm, Giovanni Benedetto Castiglione, Italian, 1609–1664, Pen and ink, brush and bistre wash on paper, lined, A group of trees is shown in the left middle plane. Three figures of women surround a satyr herm. A man

Thorns and Thistles, Frederic Edwin Church, American, 1826–1900, Graphite on white paper., Recto: Horizontal studies of thorns and thistles., Verso: Profile of mountain tops and a spaniel dog, lying down., USA, July 1844, nature studies,

Title Page, Œuvres de François de Cuvilliés père (Works of François de Cuvilliés the elder), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Pen and ink, brush and wash on paper, Symmetrical composition of

Study for a seated woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on paper, A female figure seated with right leg bent., New York, NY, USA, 1895–1898,

Four Allegories of Virtue, Villa Aldini, Montmorency, France, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and greyish-brown wash, black chalk on grey textured paper, Four octagonal drawings. Top, left: Justice shown

Semi-circular Council Chamber Dedicated to Nature with Alternate Suggestions, Unknown, Pen and gray ink, graphite, gray, rose wash, Statue of Nature stands behind a burning brazier. Behind, a niche simulating the interior of a tent, with an

The Grand Canyon in the Rain, Thomas Moran, American, b. Britain, 1837–1926, Graphite on light-brown wove paper, Panorama of the Grand Canyon as seen from perhaps the Muave Canyon., 1873, landscapes, Drawing, Drawing

Peace, Figure Study for 'The Beneficence of the Law, ' Mural at Essex County Court House, Newark, New Jersey, Kenyon Cox, American, 1856–1919, Graphite on ivory laid paper, Nude figure with right elbow bent, head on right hand, leaning on

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on tracing paper, Head of a woman, shown looking down to the left, viewed from slightly below., USA, ca. 1895, figures, Drawing, Drawing

Monstrance, Pietro Belli, Italian, 1780–1828, Pen and brown ink, gray wash, graphite Support: light green wove paper, Rome, Italy, Italy, 1820–28, metalwork, Drawing, Drawing

Design for the North Wall of the Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and gouache on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Elevation of a section of the

Study of Coastal Cliffs, Italy, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a coastal cliff with clouds., USA, ca. 1871, Drawing, Drawing

Apollo Guards the Herds [or Flocks] of King Admetus, Felice Giani, Italian, 1758–1823, Pencil, pen and black ink, brush and watercolors on paper., Horizontal Rectangle. Seated, he plays the lyre. The dog and thecastle are at right. Caption,

Elevation of the Wall of a Salon, Pierre Ranson, French, 1736–1786, Pen and ink, brush and watercolor, gouache, black wash, graphite on white heightening on paper, Interior wall decoration for a salon with gold molding, oval and

Falls of Artists' Brook, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Boulder ledges, with narrow waterfall at center. Boulders below in foreground. Birch trees above, and lower right., USA,

Nudes, Manni, Italian, Red crayon on brown paper, a. A standing young man, seen from the back. Figure with legs standing close together, right arm raised. Head is only slightly indicated., b. A seated boy with raised arms and raised left leg.

Niagara near the Whirlpool Showing Trees and a Rock, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light-brown paper., Horizontal view of the Niagara river near the whirlpool with trees and a rock at top

Figure Study for 'The Temptation of St. Anthony', Kenyon Cox, American, 1856–1919, Graphite on paper, Nude male figure on his knees, hands clasped, face upturned. Paper squared for transfer., USA, 1896, figures, Drawing, Drawing

Decorative Design for Ceiling, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Central tondo with vestal Tuccia; four small octagons with scene of sacrifice. Four tondi in

Mount Chocorua, From the Creek, Daniel Huntington, American, 1816–1906, Graphite, white crayon on pale green paper, Figures at lower right fishing from bank, stream in foreground, moving back to left. Mount Chocorua in distance, center.,

Study for 'The Common Law, ' 'The Reign of the Law, ' Appellate Division Court House, New York, NY, Kenyon Cox, American, 1856–1919, Graphite on paper, A nude female figure is reclining with arms extended. The paper is squared for

Autumn Foliage, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view of a large tree in autumn foliage, on a sloping hillside, set off against woods in yellow foliage in background., USA, 1867,

Design for a Woven Fabric, Fragment, Brush and gouache on oily tracing paper, A plant with three blossoms, crossed by a pending indented leaf. Fragments., France, 1815–1840, Drawing, Drawing

Study of 'Courage' for Memorial Window to Jacob Dolson Cox, Oberlin College, Oberlin, OH, Kenyon Cox, American, 1856–1919, Brush and oil paint on canvas, Study for a memorial window for the artist's father, Jacob Dolson Cox (1828-1900).

Design for an Oil Lamp., Pencil, brush and ink, watercolor, tempera colors on tracing paper, tipped down., The body of the lamp is a blue porcelain vase with a central field in the form of an oval containg a bust-length portrait of a woman. The

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on pale green wove paper, Floral border design, pink, blue and purple flowers, green leaves, scattered buds on field above, on white

Stage Design: Gothic Hall, Pen and black ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic church, very elaborately decorated, sculptures fixed to pillars. Many later corrections and additions., Italy, ca. 1830, theater,

Design for Painted Decoration of a Wall, Brush and gouache, watercolor, graphite on paper, Three panels which show stilted arches formed by boughs and ornametal motifs on top are separated by two pilaster strips, which, standing upon a dado,

Damascus, Syria, Seen from the Northwest, Part 2, Frederic Edwin Church, American, 1826–1900, Grpahite, brush and white gouache on light paper, Horizontal view with a rock in the foreground, a group of houses in the left middle ground and

Hillside with Clumps of Maguey, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on paper, Sketch of a hillside with clumps of maguey at center., USA, 1898–99, landscapes, Drawing, Drawing

The South Dome, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Brush and white gouache, graphite on blue paper, View of a mountain range and a valley crossed by a stream., USA, 1904, landscapes, Drawing, Drawing

Design for a Library Wall, Pen and Chinese ink, brush and watercolor, black chalk on paper, Six bays of equal size and the first filled with a door and an overdoor, both showing representations of a prelate. The five others with alternating

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, Pentagonal shape. Top right: a slope similar to that in 1909-13-75 is suspended from an end of a hanging lead bough. Bottom: a flower spray, from which a festoon of a

Study of Guacamaya, Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and watercolor on buff wove paper, Sheet of studies including a standing woman facing left at top left, an elevation of a bungalow with a

Mount Lebanon, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Horizontal landscape drawing of snow-covered mountain range rising in the back. A boulder or ruins is shown in the foreground., USA, May 1868,

Sketches of Female Nude and Hands, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of female nude in upper left, laying back toward the right, arms outspread. At right, two small, rough figure sketches. Sketches of

The Raven, Eugene Higgins, American, 1874–1958, Pastel on paper, laid down on cardboard, A drowning man clutches for a buoy. Overhead a raven flies in a spot of light. In the right distance, buildings on a rocky promentory., USA, ca. 1915,

Bird's-eye view of the Piazza del Popolo and the Pincio Gardens in Rome, Ernest Farnum Lewis, 1883 - 1950, Graphite, brush and watercolors on white paper, View looking down upon the Piazza del Popolo, Rome, at right, with the Borghese Gardens

Study for 'The Crescent Moon', Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon and pastel on paper with gold border, Two winged half-size figures and a cherub frame a central, circular compostiion. In the center, a dancing

Study for a Kneeling Woman, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal on tracing paper, Kneeling woman shown in profile, facing left. She is raising her left arm; the hand is not shown., USA, ca. 1890, figures, Drawing,

Symbolic Figures, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Female figure seated, center. Standing figures to either side of her., USA, ca. 1895, figures, Drawing, Drawing

Bald Knob, from end of Waterville Road, the Gurley's, Daniel Huntington, American, 1816–1906, Graphite on pale green paper, Low rocky wooded ridge, left. Hills, left and right. Mountains beyond., USA, September 17, 1855, landscapes,

Project: The elevation of an altar, Black chalk, pen, ink, brush and bistre on paper, Vertical composition with the elevation of an altar. Three steps lead to the mensa in the center of a dado. A niche with triangular pediment forms the central

Study of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, The boy is shown lying on his left side and leaning on his left arm on a couch. The right hand and the left leg hang downward. Verso: vertically,

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