Images at Librifly

search results: Drawing clear search

Front Elevation, Proposed Library Museum for J. Pierpont Morgan, Esq., New York, Graphite on tracing paper, View of pavilion facade. Exterior with semi-circular columed, stepped portico and recessed niches filled with sculpture on either side

As She Saw Marcia Her Face Lit Up, Elizabeth Shippen Green, American, 1871–1954, Charcoal, brush and grey oil paint on paper, varnished and mounted on illustration board, A young lady is seen descending the staircase. She holds a wrap in her

Project for an Alter Lamp, Graphite, pen and ink, brush and watercolor on paper, Design for a lamp intended to be executed in silver with a relief of St. John the Baptist and a statuette os St. Marguerite., Italy and Germany, mid- 18th century,

Kneeling Man, Gian Giacomo Barbelli, Red crayon, brush and white gouache on brown laid paper, Kneeling man with right hand pointing and left hand lying upon his breast., Cremona, Italy, Italy, 1601–1650, figures, Drawing, Drawing

Landscape from Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Oil on laminated paper, View looking into a wooded vale. A house roof is visible in the central middle distance., USA, 1865, landscapes, Drawing, Drawing

Rain Forest, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, A straight on view of dense tropical undergrowth and vegetation. Dark tree trunks in the foreground create a strong vertical thrust from left

Decoration of a Wall as a Picture Gallery, Pen and black ink, brush and watercolor, graphite on paper, Design for a wall. The door is located near the left edge. It has a molded frame in marble color. Below, the wall has a dado, above an

Design for Wallpaper and Textiles: Flowers and Butterflies, Brush and gouache on cream paper, Branch with white blossoms and foliage in a reverse 'c' shape, with grasses behind it. Two yellow butterflies fly to the left of the branch, one gray,

Studies for Four Statues and Seven Masks, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and brown wash on cream laid paper Support: cream laid paper, lined and laid down, Sheet divided roughly into upper and lower parts.

Design for a Chinoiserie Wallpaper, Graphite, brush and gouache on heavy paper, Small islands with rustic Chinese pavilions and portion of an arching bridge, with overlays of white parallel horizontal lines complete the design., France, ca.

Costume Design: Night Light, for Ziegfeld Follies of 1920, Charles LeMaire, American, 1897–1985, Brush and watercolor, graphite on heavy paper, Vertical format. Figure of a woman standing in left profile wearing a tall peaked cone-shaped

Crouching Dromedary, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cream cardboard, The dromedary (a one-humped camel) kneels, shown in profile turned toward left., USA, probably February or March 1868,

Autumn Woods, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on paperboard, Behind a low grassy slope in the foreground, a hill rises in the left middleground with trees in autumn colors. A blue-gray sky in

Bamboo Grove, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on cream paperboard, Oblique view of a row of bushes growing at the foot of a sandy slope., May 1865, landscapes, Drawing, Drawing

Design for Woven Fabric:, Fabrique de Saint Ruf, Lyon, France, White gouache Support: varnished white laid paper, France, France, 1805–15, textile designs, Drawing, Drawing

Design for the Corner Motif of a Woven Fabric, Brush and white opaque paint, impressed lines on oily tracing paper, A fantastical lace plant rises from a bottom showing obliquely dispersed rows of points. Stripes designed in the manner of lace

Drawing. Sketch. The Chimborazo shown from Riobamba, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on tan wove paper, Horizontal view with the peak rising from the ridges in the left corner. Another peak at right is covered by

Landscape near Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and traces of white gouache on cream-colored paper, Horizontal distant view of a valley with a stream and houses between the foothills is shown in

View of Damascus, Syria, Part 1, Frederic Edwin Church, American, 1826–1900, Graphite on off-white paper, Horizontal view containing a mountain slope at left, the tomb of a Muslim saint stands in the middle distance. Foot hills and the

Memorial Tablets for Severoli Family, Faenza, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on light brown laid paper, Top row: Oblong tablet with illegible inscription over two genii. Oblong tablet with two sections; top section:

South American Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on thin paperboard, Illuminated by a rainbow, a church in lower right foreground stands on a promontory overlooking lush valley

Design for a Panel, Pen and dark ink, brush and sepia wash, graphite on paper, Panels of a dado with intertwined waved laurel boughs. A pedestal projects at right showing a female mask crowned with a coronet with a crescent and supporting a

Rainbow over a Hilly Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on canvas, A view of open countryside consisting of low rolling hills and low vegetation, over which a rainbow arches., USA, ca. 1867,

Outline of Mount Katahdin, Maine, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidyzed white gouache on cream-colored paper, Horizontal view of the peaks of Katahdin and Baxter ridges touched with snow., USA, ca.

Woodland stream, Frederic Edwin Church, American, 1826–1900, Black crayon, brush and oil on cardboard, The water falls over a vertical rock at left. Moss and other plants grow beside and are shown at the bottom. The cream ground is shown at

Floating Iceberg and Iceflower, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, Three sketches on a single sheet. At upper left, a floating iceberg with numerous plateaus. At right, a curious plant-like formation, ice

Valley near Ibagué, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on brownish gray paper, Horizontal view with the mountains filling in the background with three houses and a bridge visible in the center foreground of the

Landscape View from the House of Dr. Garcia, Near Pandi, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on brown paper., Horizontal view of a mountain range rising from the mist., July

Insect Daimyo Procession, Brush and watercolor on silk with brocaded silk border, mounted on paper, Behind a flowering branch, growing obliquely in the upper right corner, a procession of insects moves across the panel, going toward the left.

Hudson Valley in Winter, Looking Southwest from Olana, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on paperboard, A snow covered plain is shown in the foreground and right middle distance. The Catskill

Woodland scene with rocks, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on paper, Horizonal image of plants upon and beside boulders. Broad margin, at left, colored dark brown., USA, 1860–70, landscapes, drawing,

Apline Lake, Bavaria or Switzerland, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, A tripart to part of a lake. A stony shore is in the left foreground, a wooded shore is in the rear. A piece at the left

The Virgin and Child Surrounded by Saints, Antonio de' Dominici, Italian, ca. 1730–after 1800, Pen and brown ink, brush and wash, white gouache on blue-gray paper; verso: black crayon, brush and white gouache, Horizontal rectangle. Sitting

Morning Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, The rising sun in a blue sky is shown over the tops of hills., USA, 1865, landscapes, drawing, drawing

Blücher Unhorsed at Ligny, Rufus Fairchild Zogbaum, American, 1849–1925, Brush with grey, black, white, and yellow gouache, with graphite, on white paper, A cavalry charge, with two riders prominently in the foreground. Behind them, a

Design for the Bottom Corner of a Woven Fabric, Impressed lines, brush and opaque paint on several pieces of oily tracing paper, Boughs with leaves, with naturalistic blossoms and with lace flowers, grow from an undulated band. Top right: a

Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775, Brush and gray wash, heightened with white, over black chalk,

Spray from the Falls, Niagara, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown wove paper, Horizontal view of with the bank in the foreground before rising spray clouds., USA, 1856 or 1858,

Saberreta, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a hilly landscape covered by trees and plants with a stream flowing past a laden donkey at lower right, and shown in a vertical

Project for an Alter, Black chalk, pen and ink, brush and watercolor on paper, Elevation of an alter under an arch. At top, a broken pediment with a figural group on a cloud. Below, two angels frame a blank oval. Below, a vertical rectangle is

Wooded Vale with a Large Fern and Distant Mountain Ranges, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored heavy wove paper, Horizontal view showing a wooded vale obliquely drawn and stretching toward the right,

Petra from the Southwest, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, At right, the northeastern rock wall withThe Urn Tomb, Silk Tomb, and Corinthian Tomb at Petra. Hills and mountain

Mountain Landscape on the Road to Mocho, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Horizontal view of mountain peaks and clouds, probably including Chimborazo on the upper half of sheet with a line

View near Popayan including Mount Purese Volcano, Cauca River, Colombia, Frederic Edwin Church, American, 1826–1900, Recto: Graphite, touched with brush and oxidized white gouache on greenish paper Verso: Graphite, touched with brush and

Project: The elevation of an altar. With alternative suggestions, Pen, ink, bistre; blue gouache colors, white heightening on greyish blue paper, Vertical rectangle. The designs are different in the left and right halves. The mensa is supported

Copy of Competition Design by Vanvitelli for the Facade of S. Giovanni in Laterano, Luigi Vanvitelli, Italian, 1700 – 1773, Pen and black ink, brush and grey wash over graphite on laid paper, Steps lead toa colonnade. A loggia is in the upper

Mt. Katadhin, Showing Pomola and the Great Basin from Sandy Bottom Pond, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, View of mountains, one of which is cloud capped. View is from across water and

Tequendama Falls near Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream wove paper, laid down, The Falls are obliquely shown in the central middle distance. A bird is shown at the

Two Sloops Sailing, Winslow Homer, American, 1836–1910, Charcoal on canvas, Horizontal slight drawing, with indication of billows in foreground, left cener, and a sloop sails obliquely to left, while beyond, at right, a smaller sloop

Mackerel Cove, William Trost Richards, American, 1833–1905, Pen and black ink, brush and watercolor, gouache, crayon, traces of graphite on heavy gray wove paper, At the left, a rugged, rocky hillside, studded with pine trees, slopes

Jerusalem, general view, Frederic Edwin Church, American, 1826–1900, Pencil, oil paint on cardboard, Horizontal rectangle. View looking across the suburbs toward the city, surrounded by walls; one city gate is shown. The city and distant

Design for Four Walls of a Salon, Pen and black ink, pink, green, black wash on ivory laid paper, ruled black in border, Elevation of four walls around the floor plan of a salon. Wall 1: fireplace; Wall 3: Windows; Wall 3: center door; wall 4:

Drawing, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Graphite, brush and gouache on laid paper, Corner border design, red, yellow and white flowers with violet leaves on dark green background. Scalloped red edge on

Terpsichore, Muse of Dance and Erato, Muse of Love Poetry, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite on laid paper, Two classically dressed women dancing. The one at left plays a lyre; the one at right

Design for a Park Colonnade, Josef Georg Kornhäusel, Austrian, 1782 - 1860, Brush and watercolor and gouache, pen and black ink, graphite on rough blue paper, Architectural design for a park colonnade. The central part consists of four fluted

Monument in honor of the soldiers, sailors, and marines, Pen and black ink, brush and wash on paper, Design for a monument with large equestrian theme at the top. In upper margin: COMPETITION FOR A MONUMENT IN / HONOR OF THE SOLDIERS SAILORS AND

Distant View of the Katahdin shown from West, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream paper, Horizontal view acroos the foot ridges with stools and patches of snow in the foreground and part of

The Goell and Watzmann, near Berchtesgeden, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., Horizontal view of the Goell rises in the right distance, and the Watzmann at the left. In the foreground a grassy

Gnarled Dead Tree, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Recto: A gnarled tree, and horizontally at top left two caricature heads shown in profile and de face, respectively., Verso: A gnarled dead tree standing

Hill with Viaducts and Ruined Mills, Near Catskill, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on paperboard, On slope of a hill, two viaducts lead water from a brook to two ruined mills.,

Lucius Albinius Rescues the Vestal Virgins, Pen and black ink, brush and grey, red, and yellow wash on white laid paper, Five Vestal Virgins, holding urns, are being ushered into a two-wheeled cart. A group of lamenting figures, including

Studies of Trees and Boughs, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Vertical view of a group of large trees at top half of sheet and details of bough across the bottom., August 1865, nature studies,

Mise-en-carte for Textile, No. 7242, Orinoka Mills, (Philadelphia, Pennsylvania, USA), F. Jones & Co., Brush and gouache, graphite on pre-printed graph paper, Stylized floral design with birds; two crested birds, upper right., USA, ca.

Niagara River Gorge, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff wove paper., Recto: Horizontal view of the rushing Niagara River with spray in white gouache as steep tree-covered river banks fill in

Sheet of cartoons of contemporary life, A. Bonaventure, French, Pen and black ink on glazed linen, Eight vignettes, with accompanying text in German and French, showing several scenes with figures. Top register shows a scene with a seated

Industry and Commerce (Design for Pediment), Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, white chalk on brown cardboard, Athena stands in the center, flanked by seated figures. At left, a rider upon a winged horse; at

Textile Design: Mise-en-carte for a brocade, Unknown, French, Brush and gouache over printed (intaglio) grid, on off white laid paper, Pattern of fantastic flowers and leaves painted in blue, blue-green, purple and white with a striped orange

The Feast of the Gods, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Horizontal rectangle showing gods in classical dress gathered around a table. There are surrounded

Design for a Painted Porcelain Salad Bowl, Brush and black ink, watercolor, black chalk on cream laid paper, View of decagonal salad bowl (after a silver form) in elevation (above) and plan (below) with scattered floral sprays. View of bowl in

The Risen Christ, Chalk, pen and ink on paper, Contour drawing of Christ holding a white banner., Italy, 17th century, figures, Drawing, Drawing

Classical Figure, Henry Kirke Brown, American, 1814–1886, Pen and ink, graphite on paper, Possibly Flora or Spring. A running female figure in drapery, shown directed toward left with arms raised over head, holding flowers in each hand. At

The Ravine of Bellano, near Lake Como, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, Gorge with waterfall, Pioverna, and bridge leading across. Below, at left, structure. Bordering lines, inscribed below by Giani in black

Mnemosyne, Mother of the Muses, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, A woman sitting, seen from the left, her head raised upwards., Italy, ca. 1820, figures, Drawing,

Cartoon for cotton printing: Les Fables de La Fontaine, Hartmann et Fils, (Munster, France), Black chalk and white heightening on cream-colored paper, The design comprises four scenes taken from Les Fables of Jean de La Fontaine, first

Foundering Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on blue-green wove paper, Sketches of icebergs. Top row: three designs of which at least two show the same iceberg from different vantage

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray wove paper, Verso: Heads, torso, leg, USA, 1865–70, figures, Drawing, Drawing

Studies of Tree Tops and Bamboo, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, Horizontal view of tops of trees, a bamboo and details of bambo across the sheet., August 1865, nature studies, Drawing,

Design for a fire house: front elevation, Pen and ink, brush and watercolor on paper, Front elevation of a narrow three storey structure, flanked by two residences of the same height. Designed to house an engine company, it has two large

Doorway, Loggia, Ground Floor, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and gray watercolor on brown-gray paper, The door case has laterally fluted pillars, tapered towards the

Niagara Falls from the Base of Prospect Point, Frederic Edwin Church, American, 1826–1900, Recto: Graphite, brush and oxidized white gouache on blue-green wove paper. Verso: Graphite, Recto: The Falls shown from the bottom of the American

Study of Standing Figure, Luca Giordano, Italian, 1634 - 1705, Red chalk and black chalk on cream laid paper, Male figure dressed in classical garb holding a rounded stone in his right hand., Italy, ca. 1670–1700, figures, Drawing,

Three Boats with Fishermen Setting Out a Net, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of the ocean with two boats full of fishermen, completing the setting-out of a net, and a single fisherman in a third boat.,

Niagara Falls in Winter, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray buff paper., Horizontal view of Niagara river rushing downstream and Falls cascading into pool in right foreground; a snow-covered

Mount Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, traces of graphite on thin paperboard, Snow-covered peak rises in background behind a range. Cultivated mountain country is shown in foreground, a

Columns of the Parthenon, Athens, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on green cardboard, Vertical format, view of the Parthenon for the North, a group of three columns. Mountains in the distance., USA,

Mount Chimborazo Shown From Riobamba, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin board., Horizontal view of snow covered mountain, rising from the left center, whose upper part is hidden by a cloud. Another

Mount Chimborazo through Rising Mist and Clouds, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin paperboard, Snow-covered peak rises above range at left, enshrouded by gray mist. Moon appears at right

Design for a Screen, Johann Michael Hoppenhaupt II, German, 1709–ca. 1778, Etching and engraving on white laid paper, At the top center of drawing, below a cove, is a bag of arrows resting on a bed of feathers. Beneath this canopy of

Hudson Valley, New York at Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, An inlet from the Hudson River contains row boat in right foreground with the Hudson Valley behind. The Catskills Mountains can

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on blue-green wove paper, Sheet of graphite sketches of icebergs, each separately inscribed with notations., Newfoundland and Labrador,

Sideboard for Silver, Pen and gray-brown ink, brush and gray-brown wash on white laid paper, Vertical format drawing showing a furniture design for a large ten-tiered buffet for silver with various pieces in place., Bologna, Italy, late 17th

Project for an Alter, Graphite, pen and ink, brush and watercolor on paper, varnished, The mensa is draped with festoons and is supported by two flying angels. In front of the sepulcher are three balls in a glory of rays. A cherub below. The

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray wove paper, USA, 1865–70, figures, Drawing, Drawing

Millinocket Lake, Maine, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream paper, Shore is shown in the right foreground with a grounded boat. Katahdin rises in the central rear. Bottom center: the name

South American mountains, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., Horizontal image of two ranges of mountain ridges, with low lying clouds, one in right distance. Only top third of sketch completed.,

Sketches, Paestum, Southern Italy, Frederic Edwin Church, American, 1826–1900, Graphite on light gray paper, Recto: a piece of wall is shown in the left foreground; verso: a mountain range is show in the distance with an olive tree., USA,

Cloudy Sky over Outlined Hills, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on light cream-colored paper, Horizontal view with two trees standing on outlined hills in the foreground below a multi-layered cloudy sky., July

Design for a Silk Brocade, Graphite, brush and gouache, brush and oxidized white on paper, One repeat is shown consisting of two bunches of flowers which are intended to alternate in vertical rows and to alternate in horizontal rows with a bunch

Sun Shining through Clouds, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored heavy wove paper, Horizontal view of the sun shining from behind clouds upon mountain ranges., Jamaica,

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Seascape depiction of a floating iceberg with three peaks., USA, June or July 1859, seascapes, Drawing, Drawing

search results: Drawing clear search