Images at Librifly

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Study of the Great Basin, Mt. Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, USA, 1860–70, landscapes, Drawing, Drawing

Design for a Woven Fabric, Fragment, Graphite, brush and yellow, beige, and brown gouache on paper, Acanthus flower, with a bough with a blossom and flanked by two boughs, pending at the bottom., France, 1815–1840, Drawing, Drawing

A Saint's Vision of the Cross, Francesco Saverio Mergolo, Italian, 1746–1786, Pen and brown ink on paper, Vertical rectangle. Figure of a saint at left, cherubim at his feet, guided by an angel to look up into the parting clouds to a vision

Adoration of the Magi, Pen and brown ink, brush and brown wash and white gouache on paper, The Virgin is shown seated with the Child in her lap at the extreme right, before whom the three Kings pay homage. Angels and the Star appear above. Other

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and light blue and white gouache on glazed tracing paper, laid down on paper, A Doric column, memorial for a soldier, rises

Design for a Wallpaper, Brush and gouache, graphite on paper, Flower stems in pointed ovoidal scheme with lozenges in which alternate: a leaf rosette with a laurel bough and with a lyre in one row, and in the other, the leaf rosette with the

Nero Finding the Body of His Mother, Agrippina, Pen and black ink, brush and grey, red, and yellow wash on white laid paper, Four Roman men in classical dress stand at the left. The two men in the center wear helmets and soldiers' clothing. The

Ship, Pen and brown ink, brown wash Support: white laid paper, laid down, Genoa, Italy, Italy, ca. 1600, Drawing, Drawing

Tree with Many Separated Trunks near Jorje, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on greyish paper, Vertical view of a tree with many separated trunks, most of which are dry, June 1857, nature studies, Drawing,

Design for a Fountain, Unknown, Italian, Pen and brown ink, brush and wash, graphite on paper, Pluto abducting Proserpine and a putto driving Cerberus with a trident are on top of a rock, out of which flames lick., Italy, 1650–1700,

Apollo in his Chariot Transforms Night into Day, Jean-Baptiste Marie Huet, (French, 1745–1811), Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), Pen and brown (bistre) ink, brush and gray wash, pale orange watercolor, black chalk

Landscape at Sunset, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray wove paper, View of landscape., USA, July 1865, landscapes, Drawing, Drawing

Mt. Lebanon between Yafoof and Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on paper, The snow-capped Lebanon is shown in the background across a plain. Ragged foothills of the Anti-Lebanon are in the

Cartoon for cotton printing: The Life of Belisaire [La Vie de Bélisaire], B. M. Lebert, 1759–1836, Hartmann et Fils, (Munster, France), Pen and ink with gray wash and white heightening on cream colored paper (mounted), The design of a

Sermon of a Holy Abbot, Francesco Saverio Mergolo, Italian, 1746–1786, Pen and brown ink, brush and wash on paper, Vertical rectangle. The figure of an abbot stands on a pedestal, holding the Scriptures. Enthralled men listen below. Above,

Proposed Elevation, Section, and Plan for the Facade of San Giovanni, Laterano, Rome, Italy, Andrea Pozzo, Italian, 1642–1709, Pen and brown ink, brush and brown wash, black chalk on white wove paper, joined vertically at center,

Melpomane, Muse of Tragedia and Clio, Muse of History, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, Two women face forward. At left, Melpomane holds a dagger., Italy, ca. 1820, figures, Drawing, Drawing

Cartoon for cotton printing: Scenes from Moliere's 'Le Medecin Malgre Lui', Pen and ink, gray wash, and white heightening on brown paper (mounted), Four vignettes on a patterned ground for the design of a textile illustrate Moliere's comedy, 'Le

Jamaican Coast and Sky Seen from near Captain Kent, Bellevue, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green paper, Horizontal view from the hill range toward the sea with trees in the right

Great Basin, Mt. Katahdin, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray paper, View of Great Basin with mountains across upper margin of paper. Lower right, trees., USA, ca. 1877,

Hudson Valley Landscape, Frederic Edwin Church, American, 1826–1900, Oil on paperboard, View of mountain range across a valley. Evening sky with browinish red clouds. Along lower edge, brown ground is visible., USA, ca. 1880, landscapes,

Niagara: The Canadian Falls and Goat Island, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on tan wove paper, Horseshoe Falls and Goat Island are shown from the Canadian bank; Terrapin Tower is visible at left,

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink on paper, Three satyrs are shown seated upon a pedestal and supporting with their heads the ovoidal bowl which is decorated with a frieze in which Medusae alternate

Tequendama Falls near Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Recto: Graphite, brush and oxidized white gouache on brown paper Verso: Graphite on brown paper, Recto: Horizontal view of the falls seen in the distant

Views of Ecuador: Llamas Grazing and a Cloudy Moon Lit Sky with El Altar Rising Behind a Mountain Range, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Horizontal sketch containing parts of llamas grazing or watching at

Sea Girt, New Jersey, Samuel Colman, American, 1832–1920, Pen and black ink, brush and yellow, brown, and blue watercolor, white gouache, traces of graphite on tan paper, Horizonal view of a deserted beach divided by a framing pen line

Exedra in a Park Dedicated to the Virtues and Human Activities, Pen and black and brown ink, brush and watercolor on paper, lined, A rendering of garden architecture. In groupings, in front of the ends of the exedra are, at left, a seated

Narrow Mountain Valley with Cascading Stream Near Ysapan, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Horizontal view into a narrow mountain valley with a cascading stream running

Design for a Fountain, Giuseppe Barberi, Italian, 1746–1809, Black crayon, brush and sepia, grey, blue, black watercolor, on off-white laid paper, A wide basin is shown superimposed over a landscape view of rugged countryside below slight

Temple at Mismiyeh, Syria, Frederic Edwin Church, American, 1826–1900, Graphite, white and pale green gouache on olive-gray paper, View of the facade. The left part of the colonnade is preserved. A Bedouin and a woman are seated under it and

Design for an Embroidery or a Woven Fabric, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, The repeats, somewhat more than two which are shown, consists of three flower boughs

Floral arrangement, Brush and gouache on black ground, Garland of flowers in white, orange, and mauve on black ground., France, late 18th or early 19th century, ornament, Drawing, Drawing

Study of Tree Trunk, Parasite Vine, and Palm Plant, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white goache on greenish-gray wove paper, Vertical view showing at left part of the trunk and top of a tree

Hades; Persephone in the Underworld (Offering to Proserpine), Felice Giani, Italian, 1758–1823, Pen and black ink, brush and brown wash, graphite on paper, Proserpina, Pluto and Sleep are shown at right seated upon a platform, with the

Chestnut Trees on Goat Island, Niagara River, New York, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on dark tan paper, Vertical view of tall trees, apparently chestnuts, and woodland shurbbery beneath,

View Overlooking Chota Valley, Between Ibarra and Puntal, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream paper, Bird's eye view of Chota valley, plains, foothills and mountain ranges. A

Stage Design, Roman Baths, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and black ink, brush and gray and black wash on paper, Horizontal rectangle. Interior of antique Roman Thermae (baths), richly decorated with coffered ceilings,

Figure Study for Diana and Her Attendants among the Constellations, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, laid down on board, Nude male figure facing towards the left with arms raised. Both knees bent, with the

Project for Two Octagonal Paintings: Daedalus using Breasts of Hebe as Model for Bowl for Jupiter. Hebe Receives this Bowl from Him., Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, Hebe shown leaning upon chair and

Mount Katahdin from Lake Millinocket, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontal image of a sandy shore in the foreground. A long mountain range is shown in the left background., Maine, USA, 1878,

Partial View of Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Horizontal view of a part of the town of Guaranda seen against the mountain background., June 3, 1857,

Lamentation over Christ, Francesco Saverio Mergolo, Italian, 1746–1786, Pen and brown ink, brush and wash, black chalk on off-white laid paper, laid down, Vertically arranged figure group. In the center, Virgin Mary cradles Jesus' body.

Design for a Chandelier, Pen and brown ink, brush and watercolor, green wash on paper, Vertical rectangle. Design for a chandelier made up of four sections. Above, suspended on a vine branch with stick, two vases, alternative suggestions,

View of Blue Mountain Peak, Seen From Near Salloway Hill, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, Horizontal oblique view into a valley with bushes and trees standing on a slope in the right

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray wove paper, USA, 1865–70, figures, Drawing, Drawing

Study for Inspiration Point, Riverside Drive, New York City, Graphite, pen and black ink, brush and yellow watercolor, white heightening on gray cardboard, Drawing divided into two sections. Upper section depicts the drive along the Hudson

Textile Design: Les Monuments de Paris (The Monuments of Paris), Hartmann et Fils, (Munster, France), Pen and ink, brush and gray wash on white paper, mounted, Textile design; cartoon for cotton printing, squared for transfer. The design

Elevation View of a Locomotive, First Prize Drawing, Brush and watercolor and gouache, pen and black ink on off-white wove paper, Side elevation of a locomotive facing right., New York, New York, USA, 1888, transportation, Drawing,

Design for a Silk Brocade, Graphite, brush and gouache, brush and oxidized white on paper, One repeat is shown consisting of two bunches of flowers which are intended to alternate in vertical rows and to alternate in horizontal rows with a bunch

A Donkey, Baranquilla, Columbia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oil paint on brown paperboard, Horizontal rectangle. Roughly sketched outline of the head with opened mouth. Shown isolated without

View of Damascus, Syria, Part 2, Frederic Edwin Church, American, 1826–1900, Graphite on off-white paper, Horizontal rectangle continuing the view scene in -a and showing the city in the distance across the plain. Two designs of ears of

Autumn Landscape, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paper, View across a broad, partially wooded calley looking toward a hill range., USA, ca. 1860, landscapes, Drawing, Drawing

Stage Design, Ruined Farm Building Interior, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and brown ink, brush and gray and black wash on paper, Horizontal rectangle. Interior of shabby farmhouse with holes in ceiling, figures

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and white gouache on glazed tracing paper, Four panels in the scheme of a lying crescent, for the lace

Design of a Vase, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and watercolor, graphite on paper, A vase is supported by the bottom parts of the birds. Sea sphinxes crouch upon it and support another base shaped as a

Design for the Embroidery of a Skirt, Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, A variation of the design 1923-61-22, replacing a knot by a bowknot., France, 1780-1790, Drawing, Drawing

Mount Katahdin from the West' [Looking West toward Mount Katahdin], Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Drawing of view of Mount Katahdin from east., USA, August 1852, landscapes, Drawing, Drawing

Mt. Katahdin from the South West (?), Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., Horizontal image of an autumn landscape with a background of a mountain and to the left an autumn tree. Cloudy skies

Costume Design: Fairbanks Twins, for Ziegfeld Follies of 1920, Charles LeMaire, American, 1897–1985, Brush and watercolor, gold and silver paint, graphite on heavy paper, Vertical rectangle. Woman standing against yellow rectangular

Parade Entering the City, Jaffa, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, A bridge crossing the moat and participant figures, and parts of such, in a parade, some with colors, others with drums,

South American Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, Horizontal image of woods bordering on a meadow, with rolling hills beyond. A thatch hut on stilts at edge of woods. Sketch unfinished

Mt. Katahdin from Lake Katahdin, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper, Horizontal view of the Knife Edge. The mountain which is flanked by ranges is reflected in the lake., USA, 1860–70, landscapes, Drawing,

Sun Rays Shinging from Above, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light bluish wove paper, Horizontal view of the sun shining from behind clouds on to mountain ranges, Jamaica, July

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a female nude figure reclining., USA, ca. 1894, mural designs, Drawing, Drawing

Shore of Lake and Foothills of Mount Katahdin, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Upper half of paper, view of shoreline and trees., USA, August 29, 1856, landscapes, Drawing, Drawing

Project for a Sepulchral Monument (Mausoleum), Pen and black ink, brush and gray, green, blue, and brown wash, black chalk on paper, lined, Design for a sepulchral monument. The sheet is divided into two parts. The upper portion depicts the

The Worship of Amor Vincitor, Felice Giani, Italian, 1758–1823, Pen and black ink, brush and brown wash, graphite on cream laid paper, The statue of Amor Vincitor is shown in the right center. A girl lies at its foot, a young man leans upon

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, Vessel heavily decorated with garlands, dolphins, birds, medallion (center). Finial in the form of a hunter and woman seated together. Left

Landscape in El Yeman, Frederic Edwin Church, American, 1826–1900, Graphite on paper, The steep bed of a stream. A: a rocky bank; B: the continuation of the bank in the rear; C: a lateral bank., Inscribed in A: gravelly / reddish / red /

Project for the Painted Decoration of the Ceiling of a Hall (Painted Oval Ceiling), Jean Baptiste-Marie Pierre, French, 1714 – 1789, Pen and black ink, brush and gray and black wash on two sheets of off-white heavy laid paper joined together

Project for an altar, Pencil, pen, ink, brush, sepia and grey water color on light brown paper., Vertical composition of an altar. The front of the mensa is not decorated. The image represents a writing Dominican nun having a vision. Below the

Niagara Falls, Frederic Edwin Church, American, 1826–1900, Graphite and white gouache on greenish paper, Distant view of the Falls from the Canadian bank. A rowboat is shown in the right distance., USA, July 1856, landscapes, Drawing,

Study of Amaryllises, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, brush and watercolor, graphite on tracing paper, Vertical sheet depicting two sprays of amaryllis with foliage, outlined in graphite and brush and ink. The

A Call for Volunteers, Winslow Homer, American, 1836–1910, Charcoal, red chalk, pen and black ink on off-white wove paper, Thick charcoal line divides sheet horizontally into two sections. Upper section contains three groups of figures:

Landscape with Mount Purese, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on buff-colored paper., Horizontal view showing the banks of a deeply cut valley leading toward the back at the

Design for a Woven Fabric, Fabrique de Saint Ruf, Lyon, France, Gouache Support: varnished laid paper laid down on beige wove paper, Lyon, France, France, ca. 1805–15, textile designs, Drawing, Drawing

Elevation of a Candelabra, Pen and ink, brush and wash on paper, Two figures flank a roundel with religious scene. Above this, a mask and swags. At top, an aedicule with a seated figure. Above the pediment are three cherubs; one holds a

Stage Design, Interior of Egyptian Temple, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and black and brown ink, brush and gray wash on paper, Horizontal rectangle. Interior of Egyptian temple with sarcophagi and sacred images. Two

Bell tower, probably for Ferdinand IV of Naples, Pen and brown ink, brush and brown and gray wash, green chalk, on laid paper, Bell tower, probably built in honor of King Ferdinand IV of Naples (reigned 1759 to 1825)., Germany, 1785,

Valley with a Winding Stream Cutting through a Mountain Plateau near Tacunga and San Miguel, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and trace of white gouache on green-gray papr, Horizontal view of a valley with

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, Sketch of a large iceberg, partially incomplete at right., USA, June or July 1859, seascapes, Drawing, Drawing

Urania, Muse of Astronomy, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Black chalk on laid paper, A walking woman, seen from behind, holding a ball in her left hand., Italy, ca. 1805, figures, Drawing,

Valley with McAllisters Saw Mill, Colombia, Frederic Edwin Church, American, 1826–1900, Recto: Graphite, brush and oxidized white gouache on brown paper Verso: Graphite on brown paper, Recto: Horizontal oblique view of the watermill, shed,

Side View of a Drummer, Winslow Homer, American, 1836–1910, Charcoal, white chalk on blue-green paper, Full-length vertical view of a standing drummer, drawn from the side with his head turned to face the viewer and with his drum strapped to

Ceiling of Courtroom, Federal Building, Cleveland, OH, Graphite, pen and black ink, brush and gray wash on paper, At center, image of female figures in the clouds, all robed, some winged. One being shown a scroll to read. Ceiling decoration

Drawing. Sketches. Landscape, 'Near Tacunga', Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Horizontal view of a valley, with a deeply cut stream bed stretching toward a mountainous background, containing a

The Death of Julius Caesar, Pen and black ink, gray, red, and yellow wash on white laid paper, laid down, Brutus stands in profile in the right foreground over the dying Caesar to his left. Caesar shields his head with his tunic and lies before

Smoke Rising from Cotopaxi Volcano, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Horizontal view of hills, with a pond and a few houses at right seen in the foreground, a valley is visible in the central

Niagara Falls from Terrapin Point, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray-green paper, Horizontal view., USA, March 20, 1856, landscapes, Drawing, Drawing

Wall Fountain Elevation, Pellegrino Sabbatelli, Italian, Pen and brown ink, brush and gray and black wash, graphite on cream paper, A wall fountain elevation composed of three parts. A central fountain is set between paired columns with a

Vaulted Ceiling with Alternative Designs, Felice Giani, Italian, 1758–1823, Pen and ink over traces of graphite on greyish laid paper, Row of big coffers of various design, supported by pointed arches separated by spandrels. Representations

Monument of the soldiers, sailors and marines, Pen, brush and black ink, brush and watercolor, wash on paper, Plan of a monument. In upper margin: COMPETITION FOR A MONUMENT IN / HONOR OF THE SOLDIERS SAILORS AND / MARINES WHO SERVED IN THE WAR

Design for a Three-Tiered Sweetmeat and Stand, Joseph Anton Seethaler II, German, 1799–1868, Pen and black and brown ink, brush and gray wash, slight traces of graphite on cream wove paper, The stand is designed with a mixture of Empire and

Mountains Near Mocho, Ecuador, Probably Showing Mt. Chimoborazo Framed By Clouds, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on brown paper, Horizontal view with mountain ridges at right, ranges

Tequendama Falls near Bogotá, Colombia, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on light brown wove paper, laid down, View of river cascading over long and precipitous descent in a series of

Valley of El Arabah, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray wove paper, The plain is shown in the distance against a background of mountains with Mount Hôr at the extreme right. A valley leads

Five Women at a Fountain, Felice Giani, Italian, 1758–1823, Italy, 1810–25, Drawing, Drawing

Stage Design: Architectural Fantasy, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and brown ink, brush and gray and blue-gray wash on paper, Horizontal format depiction of a fantastical architectural scene including ruins, monuments,

Wall Elevation, Alexander Palace, Tsarkoie-Selo, Russia, Pen and black ink, brush and watercolor on paper, Elevation of a wall. Horizontal composition in which two pairs of embedded columns flank a low and narrow door. Wall panels with arched,

Cuban Hillside, Winslow Homer, American, 1836–1910, Graphite, chalk, brush and gouache on wove paper, mounted on cold-pressed paper, View of a valley with scattered palms and a row of maguey in the foreground., USA, 1885, landscapes,

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