Images at Librifly

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Design for a panel, Jean-Charles Delafosse, French, 1734–1791, Pen and ink, brush and wash on white paper, This triangular shaped frame holds a composition of an Ionic pediment with an urn on top; the whole surrounded by an ovoidal wreath. A

Stage Design: Columned Hall with Sculpture and Inscriptions Relating to the Aenead, Ludovico Ottavio Burnacini, Italian, 1636–1707, Pen and black ink, brush and wash on wove paper, Horizontal rectangle showing large room elaborately decorated

View of a plain with Damascus, Syria, from the mountains., Frederic Edwin Church, American, 1826–1900, Oil. Cardboard, Parts of the range of the Anti Lebanon are shown at left and in the background. The city is shown in the right middle

Volcano Puresé and the Rio de Vinagre, Purese, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on buff colored paper, Horizontal view of the valley with the stream shown in the extreme right

Studies. The Niagara Falls., Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, Horizontal view of the Falls and the Canadian bank, shown from Prospect pint., USA, probably 1856, landscapes, Drawing, Drawing

Distant View of the Volcanos Tolima and Ruiz from the Vicinity of Tequendama Falls, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on olive paper, Horizontal view of the banks of a steep valley with a

Autumn and Winter: Eight Muses in Pairs set in Octagons., Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of black chalk on cream laid paper, Designed for octagonal painting showing Autumn and Winter.

Near East, man; donkey, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on Academy board., Left center: a man wearing a fez is shown seated and smoking a pipe. Top, center: unfinished sketch of a donkey shown from the

Elevation of a Fountain, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, Two mermen embracing the central spigot of a fountain sit upon a basin supported by two intertwining dolphins. Dolphins on each side in a

Landscape Near Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache, on gray-green paper, Horizontal view into a sloping valley, includes a flowing river and a rising steep hill, with several

A Group of Thirteen Botanical Studies from Colombia or Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, Horizontal sheet containing a group of botanical sketches: at top left is a tree; a top center is a group

Cartoon for Printed Cotton Textile: The Four Elements [Les Quatre Élements], Hartmann et Fils, (Munster, France), Pen and gray ink, brush and wash on white paper, mounted, Horizontal rectangle. A design composed of four vignettes separated by

Valley View Near Pandi, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Recto: Horizontal view with a group of trees in the right foreground leading into a narrow valley with a plateau in the center and a high

Valley among Mountains, Guanoco, near Guaranda, Ecuador., Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal oblique distant view of a valley stretching toward right, with a house visible in the central

Temple with Semua [present day as-Samu] in the Distance, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, The ruins are shown at right, the village in the left middle distance. The wall of the

Friezes; Two Caryatids; Seated Figure, Felice Giani, Italian, 1758–1823, Pen and ink on laid paper, Bottom: Frieze with four seasons. Sitting woman returning plates, upon which offerings brought to her, inscribed: PRIMAVERA. Grain harvest,

Temples, Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray wove paper, The temples are shown from Southwest in the right middle distance, the wall of the kalah extending toward right edge. The

Design for an Embroidered or Woven Horizontal Border, Brush and gouache on oily tracing paper, mounted, Alternating plants of two different designs but having identical calyxes connected by a leaf and three seeds and a chain supported by and

Design for Altar at Santo Spirito dei Napolitani (Holy Spirit of the Neapolitans), Rome, Italy, Pen and brown ink, brush and grey wash, graphite on cream laid paper, laid down, Depiction of Santo Spirito dei Napolitani (Holy Spirit of the

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Floating iceberg with two peaks., USA, July 15, 1859, seascapes, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and white gouache on glazed tracing paper, Flower stems are obliquely shown among ivy garlands. A row of

Urn Tomb, Silk Tomb, and Corinthian Tomb, Petra, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on green-gray wove paper, Temple and architectural ruins carved into the hillside, scattered bricks at base,

Monument in honor of the soldiers, sailors and marines, Pen and black ink, brush and wash on paper, Cross section of a monument with large equestrian theme at the top. In upper margin: COMPETITION FOR A MONUMENT IN / HONOR OF THE SOLDIERS SAILORS

Studies of Hands, Edwin Howland Blashfield, American, 1848–1936, Charcoal on grey wove paper, Eight studies of hands. Hands appear relatively flat, showing the palm, the back of the hand, or the side., USA, ca. 1900–10, figures,

Project for the Elevation of a Villa, Paolo Posi, Italian, 1708 - 1776, Pen and brown ink; brush and gray wash and watercolor on off white laid paper., Elevation view of a four storied villa with a central curved porch at front that extends

Study of a tree trunk, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil, on cardboard., Base of a trunk of a pine tree, standing on a slope. Broad margins at left show the grayish ground color., USA, 1850–60, nature

Elevations for Two Triumphal Arches in Honor of the Emperor Napoleon, Luigi Cagnola, Italian, 1762 - 1833, Pen and black ink with gray wash and traces of graphite on off-white wove paper, Top design shows five arches with Corinthian columns,

Laborador, Big Island, Battle Harbor, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper, Steep rocky coast. verso, caption as copied, written with pencil., USA, 1859, seascapes, Drawing, Drawing

Niagara Falls with the Terrapin Tower, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light-green wove paper., A view of the Canadian Falls is shown from the bottom of Goat Island, near the water line. Large

Design for a Fountain, Pen and gray ink, brush and watercolor, traces of graphite on off-white laid paper, Fountain set in a landscape. A shallow basin with dolphins is supported by sphinxes with fishtail legs. Water flows into a larger basin.

Koenigseee, near Berchtesgadan, Bavaria, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, Horizontal view of mountains and a lake in the foreground, taken from a more northern standpoint than 1917-4-569A. St.

Landscape Near Melgar, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on tan paper, Horizontal view of distant mountain ranges across a valley with houses and a cow visible in the left foreground., July 1853, landscapes,

Cotton Tree Roots Growing on a Slope, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouach on gray wove paper, Recto: Vertical view of the roots of a cotton tree growing on a slope., Verso: Two indistinct

Eagle Lake Viewed from Cadillac Mountain, Mount Desert Island, Maine, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Horizontal distant view over lakes and hills with a sun shining in a cloudy sky

Scepter for Papal Ceremonies, Pen and ink, brush and watercolor on paper, Cross-shaped scepter. At top, a shield with the papal coat-of-arms supported by two angels. At center, a larger shield and two figures of Henyth and Vigilance., Italy and

Mt. Katahdin from Togue Pond, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Autumn landscape. Mount Katahdin, shown at right in the distance, is cloud capped. Islands are visable in the lake.,

Design for a Painted or Woven Fabric, Pen and ink, brush and watercolor on paper, All-over pattern of flowers, leaves, and seed pods, none of which can be identified specifically., France, ca. 1770, Drawing, Drawing

Design for Cornice of Oblong Ceiling, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and grey and black wash, graphite, One quarter of the ceiling is shown. A circular medallion portrait of a woman is obliquely shown

Study for Tympanum in Honor of Cicero, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, France, late 19th century, figures, Drawing, Drawing

Icebergs near Cape St. John and Gull Island, Newfoundland, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on gray paper, Seascape drawing; a cape and an iceberg rise from the sea in the middle distance. Cloudy

Siloam and Jerusalem, Southeastern Corner of the Walls Seen from the Mount of Olives [Jerusalem, and Silwan, East Jerusalem, Israel], Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Recto: Horizontal view of the

Anatomical Studies, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, USA, 1865–70, figures, Drawing, Drawing

Design for Toile de Jouy: La Marchande d'Amours (The Cupid Seller), Hippolyte Le Bas, (French, 1782–1867), Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper mounted on board, Printed cotton textile design

View of the Acropolis from Mount Lycabettus, Athens, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, View from a hill in the northeast, across the town. In the left distance the Piraens and mountains are in

Designs of sailing ships, a wooden cabin, a jetty and a sailboat, landscape, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache, Top center and right: thirteen designs of sailing ships in various scales. Second

Mountainous Landscape, Ecuador or Columbia, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Horizontal view of a hilltop in the central foreground. Others are in the left middle plane with a building standing on one as

Palm Trees, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal oil sketch showing the top of one palm tree, with a glorious crown of palm fronds, beside a pair of coarse, scaly trunks

View of a Garden with Pagoda, ruled borders (on mat) in pen Support: white laid paper, tipped into beige wove mat, England, England, ca. 1760–75, architecture, Drawing, Drawing

Studies for a Flying Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Studies after the model for a male figure, flying. Nude boy shown in profile turned toward left with raised right leg and arms. The right

Mount Chimborazo, View from Riobamba, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on buff-colored wove paper, Horizontal view of the valley in the left foreground and middleground with

Abaye Palm, Mt. Salus, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Vertical view of a palm tree rising straight over bushes, Jamaica, June 1865, nature studies, Drawing,

Design for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Ovoids with plants and frills at the hem. Fantastic and natural flowers

Tequendama Falls near Bogata, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouace on gray paper, Recto: The Falls are visible in the back center framed by tree-covered hills., Verso: Tree tops

Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. Eleven steps lead to the apse. It is alternatively suggested to divide them with three separate flights. A

Design for a Block-printed Cotton Handkerchief, Gouache, Boy flying a kite, wearing a pink suit and a hat with two feathers. Seascape with small islands and boats in background., Geneva, Switzerland, ca. 1801, textile designs, Drawing,

Time (Chronos) Entrusting Cupid to Venus, Pen and brown ink, brush and brown wash, white gouache, over black chalk on brown laid paper, Horizontal rectangle. The male figure of Chronos, Time, shown in profile with wings and a long beard at

Standing Mother and Child, Carlo Morelli, Italian, active 1830—1860, Charcoal on light green paper, laid down, Three-quarter length figure of a standing woman, turned slightly to the right, holding a child in her left arm, which she rests

Calenfells Castle, near Kirn, Germany, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of landscape with ruins., Kirn, Germany, ca. 1856, landscapes, Drawing, Drawing

Trees, Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, Recto: Horizontal view of trees of a wood, Verso: Rough sketch of a mountain, USA, 1851, landscapes, Drawing, Drawing

Homage to a Hero, Firmin Perlin, Pen and brown ink, brush and brown wash, watercolors, white gouache, graphite on cream paper, lined and framed with paper stripe representing molding, A large loggia shown from an oblique angle. A large arch

Design for Wallpaper and Textiles: Flowers and Birds, Brush and gouache on gray paper, Three branches oriented diagonally, upwards to the right, with foliage and pink flowers on gray ground with flecks of white, representing snow. Bluebird

Autumn Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, A part of a lake in the forground. In the background is a hill range and trees with color changing leaves on the lake shore., USA, 1860–70,

Figure Study for 'Jacob Wrestling with the Angel', Kenyon Cox, American, 1856–1919, Charcoal on cream laid paper, Two standing male nude figures wrestling. The left figure's right leg is hooked around the right figure's left leg; the right

Fragment of a cartoon for cotton printing: Apollon et Muses, Petitpierre & Compe., (Nantes, France, founded 1770, Graphite, pen and black ink, brush and grey wash, white heightening on white paper, Apollo is seen seated in chair near

The Coast at Mount Desert, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite over red ground on gray paperboard, Horizontal view of a small cove with rocky coast covered with grass or bushes. The drawing in unfinished,

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The vessel is banded by an interweaving vine and ribbon meader. The finial is a spread eagle and coiled snakes form the handles. The base rests

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The vessel is banded with grapevine suspended from satyrs' heads. The finial is composed of a lion rampant supporting a blank shield and snakes

Rendering of the Grand Gallery of Honor, Palazzo Paz, Buenos Aires, Argentina, Unknown, Pen and black ink, brush and watercolor, gouache, graphite, charcoal on cream wove paper, An elegantly furnished circular salon interior with a

Portrait of a Man: Study from Life, Coralie E. Feilner, Charcoal on paper, Vertical rectangle. Bust-length portrait of an elderly, bearded man, shown in three-quarters view, facing right. Signed in charcoal, lower right: 'Coralie E.

Stage Design: Architectural Capriccio with a Tempietto and Broken Columns, Pen and black, brown ink, brush and gray wash, pink, yellow watercolor, graphite on thick white laid paper, Horizontal drawing of a stage design. In the middle a domed

Maine, Mountain Stream, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oil paint on heavy paperboard., Horizontal view of a waterfall from a rocky stream in deep woods, seen looking up the falls. Pine trees over shadow the

Birth of the Virgin, Luca Giordano, Italian, 1634 - 1705, Pen and brown ink, black chalk on laid cream paper, lined, The virgin is seated on a raised platform in the center. She is holding baby Christ in her arms. Several figures attend to the

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and blue and white gouache on glazed tracing paper, laid down on paper, The column as in 1920-36-325 rises between

Plan View of a Double Spiral Staircase with Central Landing, Pen and black, red and green ink over graphite on cream laid paper, ca. 1884, architecture, Drawing, Drawing

Design for a Tureen, Pen and brown ink, brush and watercolor, The bowl-shaped vessel is supported on high legs with repeating leaf decoration and paw feet. A band about the body of the vessel shows a mask separating alternate schemes of leaf or

Design for a Fantastic Goblet, Chalk, brush and wash, gouache on paper, Vertical Rectangle. The foot consists of a fantastic fish upon which a mermaid stands supporting a fantastic shell in which a woman sits. She shoulders a reed spike. A child

Study of Love-in-a-mist, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Vertical sheet depicting six stalks of love-in-a-mist with in blue blossoms., USA, late 19th century, nature studies, Drawing,

Design for an Embroidered or Woven Border, Brush and gouache on oily tracing paper, Shown are two plants of different designs united naturalistic and fnatastical forms; the right one shows blossoms in bell and in peacock feather shapes. Bottom

Project for Stucco Decoration, Graphite, pen and ink, brush and wash on paper, Upper divided into four panels, each within its own frame. Below, two doors with overdoor decorations in the form of floral baskets. Between them, a blank panel

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Cluster of blue flowers at bottom left, diagonal facing upward right. Same blue flowers appear oriented various ways, appear to be falling. All flowers have

Seated Woman, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and oil on board, The woman is shown in three-quarter profile turned toward right. She holds a blue veil in her hands., USA, 1875–80, figures, Drawing, Drawing

Study for leader of the procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Three sketches of a female figure standing with left arm raised.

Botanical Studies with Flying Parrots, Boquia, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on tan-colored paper, Horizontal sheet with tree flying parrots at the top, followed by two rows with each containing three

Male Arm, Flora M. Dow, Charcoal on paper, Vertical rectangle. Drawing of a male arm, hand clenched, from a cast (possibly the Borghese Warrior in the Louvre)., USA, ca. 1896, figures, Drawing, Drawing

Valley Landscape with Snow Capped Peaks, Bernese Alps, Switzerland, Part 1, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray-blue paper, Vertical view of the right half of a steep valley still covered

Study of Poinsettias, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink on tracing paper, Horizontal sheet with three studies of poinsettias., USA, early 20th century, nature studies, Drawing, Drawing

Design for Wallpaper and Textiles: Flowers and Birds, Brush and gouache, graphite on off white paper, Diamond-shaped compostion of flowers: red and purple at top, pink roses at center, pink and orange carnations at bottom, all with stems and

Wall Elevation for a Salon with Mantelpiece, Pen and black ink, brush and rose and blue watercolor on paper, A mantelpiece is flanked by two closed folding doors. A combination time piece and candle bracket stands on the mantel. A girl and a child

Stage Design, View of a Palace from a Terrace, Pen and brown ink, brush and brown wash, over black chalk indications on paper, Horizontal rectangle. View on extensively colonnaded Renaissance palaces and gardens through an arch. Wall of arch

Venetian Architecture Capriccio with the Colleoni by Andrea Verrochio, Felice Giani, Italian, 1758–1823, Black chalk with traces of graphite on laid paper, Very high somewhat altered monument of Colleoni, seen from right corner of back with

Design for an Ornamental Border Used for the Surround to the General Chart in John Pine's 'Tapestry Hangings in the House of Lords', Gravelot, French, 1699 - 1773, active in England, John Pine, English, 1690 - 1756, Brush and brown ink and

A nude man, Red crayon on brown-grey paper, Male figure sitting upon ston, right leg crossed over left with foot standing upon support. Chin is supported by left hand., Italy, ca. 1800, figures, Drawing, Drawing

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a lake and mountains., USA, ca. 1855, landscapes, Drawing, Drawing

Alterations to 14 15 16 Washington Square North, Sketch No. 24, Graphite on cream paper mounted on board, Drawing shows several designs, for the alterations of two buildings, including a porch, balcony, iron fence, and 2nd story window, and

Color Scheme for Temple Israel, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, gouache, graphite on paper, View of temple interior in a Byzantine style with indication of colored marbles and mosaic decoration of a

Study for 'Searchlight, Harbor Entrance, Santiago de Cuba', Winslow Homer, American, 1836–1910, Graphite, white chalk on gray paper, Horizontal view of a cannon and the searchlight on the parapet of the Spanish fort, Morro Castle, with

Portrait, J. Carroll Beckwith, American, 1852–1917, Pastel crayon on grey laid paper, Three-quarter length portrait of a female figure seated wearing a blue dress., USA, ca. 1887, figures, Drawing, Drawing

Preparatory Design for Si, Watercolor, gouache, over etching, Thick white laid paper, Lyon, France, France, 1710–30, textile designs, Drawing, Drawing

drawing, USA, before 1914, drawing

Long's Eddy, Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Horizontal view of a rocky, hilly coast show obliquely in the middle and back planes as a long

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