Images at Librifly

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Church Facade, Graphite, pen and brown ink, brush and gray wash on white paper, Incomplete drawing of a church facade with a side tower (at left). The most finished section of the drawing is at the lower left. Two stories facade with series of

Design for a Ceiling, Design for a Ceiling, View of a ceiling divided into horizontal bands of ornament in varying widths. Within each strip are small framed tablets with figural scenes, and smaller panels of ornament including rinceaux and

Study for 'Rectitude, ' Lunette in Hudson County Courthouse, Jersey City, NJ, Kenyon Cox, American, 1856–1919, Charcoal and graphite on off-white wove paper, laid down, Seated allegorical female figure, facing frontally, representing

Project for a Fountain in a Park, Black crayon, pen and ink, brush and sepia, watercolor on paper, A tall column crowned by an allegorical figure (Astronomy?). At its base, upon rocky stones sit two figures (Hephaestus and Venus?). Along the

Seacoast with Scrub Pines, Prout's Neck, Eastern Point, Winslow Homer, American, 1836–1910, Charcoal, white chalk on gray laid paper, View of low rocky sea-coast with driftwood at center of the shoreline and scrub pines at crest of rising

Preparatory Design for Silk Brocade, Claude Serancourt, 1677 – 1756, Watercolor and gouache over etching on white laid paper, Obliquely directed lattice with flowers against a background of rows of small flower twigs. One large red flower with

Figure Study for Diana and Her Attendants among the Constellations, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, laid down on board, Nude male figure, shown diagonally across page, with arms raised towards upper left.

Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and black ink, brush and gray wash, graphite on ivory paper, Design of wall decoration and monument

Project for the high altar in San Salvatore in Campo in Rome, Giuseppe Subleyras, Italian, 1745 – 1819, Pencil, pen, washes, chinese black, and various watercolor washes on paper, Vertical composition divided into two sections. The top

Stage Design, Temple of Love, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash over black chalk on off-white laid paper, Horizontal rectangle. Interior of huge vaulted temple, seen at an angle from right to

Study of Two Trees and Three Plants, near Jorje, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Horizontal sheet containing two tree forms at left followed by a tree trunk in the bottom center and two

Design for Wallpaper and Textiles: Flowers, Brush and gouache on cream paper, Cluster of three flowers, stems and foliage left to right: pink single flower facing viewer, blue smaller flowers run length of stalk, purple single flower facing away

Design for Wallpaper and Textiles: Flowers and Butterflies, Brush and gouache, graphite on blue paper, At lower center of page clusters of pink and white flowers on branches with foliage, with four butterflies and two bees flying above them on

Study of Michelangelo's 'Night', Kenyon Cox, American, 1856–1919, Charcoal and graphite on cream laid paper, Study of a marble sculpture of a nude female figure. The figure is seated, facing towards the left, and leaning back towards the

Terrapin Point, Frederic Edwin Church, American, 1826–1900, Graphite on light blue paper., Horizontal view with Terrapin Point shown in left foreground., USA, March 20, 1856, landscapes, Drawing, Drawing

The Salutation at the Masquerade, Edouard de Beaumont, French, 1821 - 1888, Pen and ink, brush and watercolor on bristol board, Vertical rectangle. Two figures engaged in conversation. Woman at right in a hat with red and green trimming,

Elevation of the section of a façade of a small palace, Pen and ink with ink and rose washes, Horizontal rectangle. Three-storied façade with windows separated vertically by blind panels over a rusticated ground floor. Door, extreme right. Left

Design for Wallpaper and Textiles: Flowers, Brush and gouache on off-white paper, Clusters of pink roses with stems and foliage outline an upside-down teardrop shape. In faded, lighter colors, white or yellow clusters of roses with stems and

Textile, Medium: cotton Technique: printed by engraved copper plate, Three pieces have been stiched together to complete design which shows; left, classic figure of man bearing a lute, under draped canopy; right, symmetrical foliage decoration

Design for a Ceiling: A Bishop Saint in Glory, Black chalk on paper, A Bishop Saint is seen seated on a cloud, surrounded by angels. Below are allegorical figures of Fortitude, Justice, and Order. The shape of the sheet is four-lobed, barbed

Design for Embroidery of a Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Festoons of a fringed ribbon connect fantastical plants of which two are shown

Reclining Nude, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, France, late 19th century, figures, Drawing, Drawing

Designs for a Mantelpieces, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, pale green wash, over black chalk, Three left halves of a mantelpiece. At left, 'pr. Cabinet' includes a pair of snakes before a winged escutcheon top

Plate Design with Pair of Exotic Birds on a Blossoming Branch, Amédée de Caranza, active Longwy and Bordeaux, ca. 1867 – 1885, Vieillard & Cie., active Bordeaux, France 1845 – ca. 1895, Brush and gouache, watercolor, graphite on heavy

Stage Design: A Royal Palace at the Seaside, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and ink, brush and gray watercolor, graphite on paper, Horizontal format stage design. At right is a corner of the central part. A paved road is

Cartoon for Cotton Printed Textile, La Route de Jouy, Horace Vernet, (French, 1789–1863), Red and white chalk, pen and ink on white paper mounted on muslin, Engraver's study for cotton printing. Full scheme in pen and ink in center of sheet,

Design for a Feather Skirt, Graphite, brush and olive green, lilac, gray, white, and blue gouache on paper, Green fronds and green background. The decoration forms an elongated scallop, bordered at left and at the bottom by a white border

Exercises in Parallel One-Point Perspective, Black ink and red crayon on paper (two additional sheets mounted on), Vertical rectangle. Two exercises in one-point perspective, showing a room interior, street scene, and various cube-shaped

Academic Study of a Male Nude, Giuseppe Longhi, Italian, 1766–1831, Black and white chalk on buff-colored paper; verso: black chalk, A young male nude is seen standing, facing frontally. He is supporting himself with his right arm on a block

Design for Embroidery of a Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A fantastical flower bough rises in a zigzag scheme. Lower festoons hang from

Stage Design, Valley with Classical Ruins, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray ink, brush and gray wash on paper, Horizontal rectangle. Antique sarcophagi, tombs, and buildings amongst large rocks. Three figures at

Two Houses in Barranquilla, Colombia, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, A study of two houses with thatched roofs and painted white exterior walls. A woman stands in the doorway of the

Competition Design for La Fenice, Venice: Plan of Upper Floor of the Theater, Pen and black ink, brush and gray wash, watercolor, graphite on two sheets of white laid paper joined at center, laid down on blue paper with added border of blue

Study of Pale Pink Peonies, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on gray paper, Horizontal sheet depicting two peony blossoms in pink. Left blossom is depicted with a green stem., USA, early 20th

The Beneficence of the Law, Design for Mural at Essex County Court House, Newark, New Jersey, Kenyon Cox, American, 1856–1919, Brush and oil, pen and blue ink, graphite on canvas, The figure of Law, with an open book in her lap and a

Textile, Medium: cotton Technique: printed by engraved copper plate, Three pieces have been stiched together to complete design which shows; left, classic figure of man bearing a lute, under draped canopy; right, symmetrical foliage decoration

Interior with a Man Reading at His Desk, A. L. Leroy, Charcoal stumped, black and white chalk on tan wove paper mounted on paperboard, This large charcoal drawing shows a man seated at his desk, reading a document. A tole lamp in the Empire

Design for the Embroidery of the Lower Front Part of an Overskirt of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Graphite, pen and ink, brush and gouache on paper, A bunch of flowers, garlands, strings of

Naked warrior, seen from behind, Red crayon on brown paper, Warrior shown drawing his sword. Cloth is fluttering in wind., Italy, 1700–1750, figures, Drawing, Drawing

The Cattle Raid by the Confederate Cavalry, Alfred R. Waud, American, b. England, 1828–1891, Pen and ink, black and white gouahce, on paper, The Confederate Cavalry rounding up the herds of cattle, USA, 1887-88, figures, Drawing,

Theatro Filarmonico (Philharmonic Theater) of the Accademia Filarmonica (Philharmonic Academy), Auditorium and Main Entrance Elevation, Verona, Italy, Jean-Joseph Chamant, French, 1699–1768, Francesco Galli Bibiena, Italian, 1659–1739,

Down Grade Into The Valley, William Henry Sheldon, American, 1840 - 1932, Brush and gouache on illustration board, Driver and six passengers in coach drawn by six horses., USA, 1890, figures, Drawing, Drawing

Hermes in the Garden of the Hesperides, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Lead pencil, pen and ink, brush and watercolors on paper, Drawing after a fresco devised by Giulio Romano in

Seascape, Prout's Neck, Winslow Homer, American, 1836–1910, Charcoal on buff-colored wove paper, Seascape with a low rocky shoreline in foreground and a high cliff at left with three schooners just visible on water, at middleground, under

Study of Peony Stalk with Blossoms, Sophia L. Crownfield, (American, 1862–1929), Brush and gouache, graphite on gray paper, Vertical sheet illustrating a peony stalk drawn just left of center. The stalk contains two blossoms - one fully

Design for a Bedroom, Hotel de Mailly-Nesle, Paris, Pen and black ink, brush and wash, over black chalk on paper, lined with two sheets of heavy paper and framed with blue paper colored black and strips of gold paper, Design for a bedroom.

View on South West Head, Grand Manan Island, Bay of Fundy, Canada', Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Horizontal view of a rocky coast is shown in the foreground and in the

Project for an altar of the Annunciation for S. Antonio dell'Ospedale in Anagni, Giuseppe Subleyras, Italian, 1745 – 1819, Pencil, pen, and black ink with rose, yellow and black water color washes on paper, Rome, Italy, 1780,

Rendering of the Crossing of the Cathedral of St. John the Divine, New York, NY, Brush and watercolor, pen and black ink, color chalk, graphite on brown paper, Perspective rendering of the crossing of the Cathedral of St. John the Divine in

Design for Wallpaper and Textile: Flowers and Birds, Brush and gouache, graphite on cream paper, Two birds surrounded by branches with leaves. Red bird stands on ground with one leg lifted facing top right, blue and green bird is flying downward,

Studies of Squash or Pumpkin Blossoms, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink on tracing paper laid down, Horizontal sheet illustrating six studies of squash or pumpkin blossoms., USA, early 20th century, nature

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with a bridge over a stream and cattle in a pasture., USA, ca. 1855, landscapes, Drawing, Drawing

Figure of a Man: Study from Life, Agnes Blackwell, Charcoal on paper; watermark, Vertical rectangle. Full-length figure of a man, facing left in profile. Almost nude, the figure is in a striding posture, his hands crossed behind his back.

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The vessel is banded with a vine meander, and the finial is in the form of an urn resting on acanthus leaves. The handles are composed of

Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier, Claude-Louis Desrais, (French, 1746–1816), Lafosse, Lionnet et Médard, Pen and black ink with gray washes on paper, The composition of this design for a textile,

Design for the Border Motif of a Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on oily tracing paper, Boughs with leaves and and bluish blossoms stand over a white and blue stripe. One bough

Design for a Fan, Anna M. de Pool, Pencil, watercolor, and gold on paper. Red seal., Horizontal rectangle. A stylized scroll pattern composed of leaves and grapes. The border has a formal leaf design, in gold., USA, 1894, costume &

Stage Design, Pen and brown ink, brush and brown and white wash on cream laid paper, A stage design consisting of a columned niche, with sculpture and relief panels, is pierced by an archway in the center., probably Rome, Italy, before 1693,

The Beneficence of the Law, Design for Mural at Essex County Court House, Newark, NJ, Kenyon Cox, American, 1856–1919, Brush and oil over black chalk on canvas, The figure of Law, with an open book in her lap and a golden scepter in her

Study of Peonies, Sophia L. Crownfield, (American, 1862–1929), Pen and ink, graphite, brush and watercolor on tracing paper, Horizontal sheet depicting studies of peonies in graphite, some with gouache coloring on petals., USA, early 20th

Moonlight, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on heavy cardboard, Horizontal image of an August moon hangs over a landscape of gently rolling hills. A large tree is isolated in the right foreground., USA, ca.

Stage Design, Egyptian Temple, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Court in Egyptian temple with sculptures and elaborate decoration. Two figures in middleground at

Façade with the Albani Arms, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and gray wash, black chalk on white wove paper, Vertical rectangle. Building with two stories, the lower with five divisions and the upper with

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and washes, The circular vessel is supported by two caryatides and in the center by a man shoeing a winged horse. The base rests on seated sphinxes. The

Design for a Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A somewhat simplified variation of the design 1914-21-102. The

Design for Wallpaper and Textile: Flowers, Brush and gouache on cream paper, Branches with blue flowers, yellow daffodils, and magnolia blossoms against light gray ground., France, 19th century, wallpaper designs, Drawing, Drawing

Cartoon for Printed Cotton: The Four Elements [Les Quatre Elements], Hartmann et Fils, (Munster, France), B. M. Lebert, 1759–1836, Pen and black ink, traces of graphite on cream laid paper, mounted, A design is composed of four vignettes

Project for the modernization of an altar, Pencil, pen, chinese ink and wash on paper, Horizontal composition with two variations of an altar. The altar on the left, titled 'Stato attuale dell' Altare, ' is shown only in pencil outlines. It has

Design with Overlay for Portion of Stairway in Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Wall Decoration for the Drawing Room of the Palace of Caserta, Nicola Fiore, Pen and black ink, brush and gouache, watercolor on off-white laid paper, Divided into three panels. In front of the dado of the central panel is a console table. Above

Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier, Claude-Louis Desrais, (French, 1746–1816), Lafosse, Lionnet et Médard, Pen and black ink with gray washes on paper, The composition of this design for a textile,

Madonna Appearing to Saint, Rodriguez, Pen and brown ink, brush and wash on cream laid paper, Figure of a saint kneeling on steps, receiving a rope from the Virgin Mary. Mary has descended in clouds, surrounded by cherubs, to pass on the rope.

Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard with brown back, The coast protrudes in the left middle plane. A hilly coastline is shown in the right background. The dark orange ground color

The Return of Ulysses to Ithaca, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash over traces of pencil., Center of bottom row. Penelope greets returning Telemachus, embracing each other in

Stage Design, Fantasy of Rome with the Castel Sant 'Angelo, the Ponte Elio and the Centaurs Aristens and Pappias, Pen and brown ink, brush and brown and gray watercolor on white laid paper, Horizontal rectangle. Palaces with porticoes and

Boulder in the Woods, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard and gray back, A group of boulders and stones, moss topped. A tree rises from one of them. Water seems to be in the foregound., USA, ca.

Girl with Swan, Walter Shirlaw, American, b. Scotland, 1838–1909, Charcoal, white chalk on paper, A girl sits upon the inside rim of a basin with one foot in the water. She gestures to a swan. A sketch of the figure in an alternate position

Venus, design for a ceiling painting for the Teatro Argentina in Rome, Francesco Grandi, Italian, 1831 - 1891, Crayon, carbon on blue paper., Recto: Circular composition. The goddess is sitting upon clouds, breasts and lap covered with a

Maine Woods, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on stong paperboard with brown back., Horizontal view of the woods with a broken tree trunk lying in the foreground., USA, 1845–55, nature studies,

Study of landscape, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a farmhouse with mountains in the background., USA, ca. 1855, landscapes, Drawing, Drawing

Two Pine Trees, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Horizontal view of two evergreen trees rising behind a stone wall in the central middle distance as a range of wooded hills forms the

Apotheosis of a Saint, Corrado Giaquinto, Italian, 1703 - 1765, Pen and brown ink, brush and brown wash, black chalk on cream laid paper, Horizontal rectangle. Figure of a male saint born to heaven by a swirling group of cherubim and angels.,

Painted Decoration for a Chapel or Hall, Black and brown ink, gray wash, watercolor, and graphite on paper, Two halves of the ceiling and the top part of the wall with two halves of a window are show. Stripes and panels as decorations. The left

Design for a Triumphal Arch in Honor of the Polish General Skrzynecki, Josef Georg Kornhäusel, Austrian, 1782 - 1860, Brush and watercolor, pen and ink, graphite on blue paper, Horizontal format architectural design for a triumphal arch, an

The New Theatre, Graphite, brush and gray wash, black ink on cream paper, Façade of building with fifteen square windows in upper section; five arched windows with keystone cornices in lower section, and five double doors at street level.

Design for Censer and Incense Holder with Alternative Suggestions, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and yellow, brown wash, graphite on light blue laid paper, Horizontal rectangle. At left is the censer, whose

Mechanically-Operated Cylinder-Top Secretary Desk, Pen and black ink, brush and watercolor on paper, A cylinder-top secretary bookcase, with marquetry decoration; elevation and combined side elevation and section, showing mechanical arrangement

Fragments of an incomplete cartoon for cotton printing: La Course au Sanglier, Claude-Louis Desrais, (French, 1746–1816), Lafosse, Lionnet et Médard, Pen and black ink with gray washes on paper, The composition of this design for a textile,

Design for an Embroidered or Woven Fabric, Brush and gouache on oily tracing paper, Boughs of various sizes. from very small to very big ones, and of various designs, are irregularly dispersed. A rising rinceau and a lace stripe are suggested at

Stage Design, Interior of Oriental Building, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and black ink, brush and gray and black wash on paper, Horizontal rectangle. Interior of building in Islamic style with enormous vaults and rich

Alterations to 14-15-16 Washington Square, New York, NY, Sketch No. 23, Graphite on cream paper mounted on board, Drawing shows several designs, for the alterations of two buildings, including a door, balcony, iron fence, and 2nd story

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Eight clusters of daisies evenly spaced, facing different directions with foliage. Clusters arranged in the beginnings of a diamond shape. Vertical

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted to board, Two sketches of a reclining female figure. The maenads alone.,

Design no. 1877 for the Embroidery of the Lower Front Part of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A vase with a bunch of flowers and two fountains rising from a palmette calyx

Study of Clematis Vine with Blue Berries, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on gray paper, Vertical sheet depicting branches of clematis vines, with leaves in autumnal coloring, and blue berries., USA, early

Stage Design, Castle with a Portcullis, Giovanni Maria Quaglio, Italian, active Italy and Germany, 1700 - 1765, Pen and brown ink, brush and gray and brown wash, watercolor on paper, Horizontal rectangle. View through castle gateway under

Vertical rectangle. The head of a woman tilted upward and facing left. Signed in charcoal, upper right: 'M. Alice Travers.', M. Alice Travers, Charcoal on paper. Watermark, Vertical rectangle. The head of a woman tilted upward and facing left.

Stage Design, Interior of Palace, Sepia wash and graphite on paper, Horizontal rectangle. Interior of palace hall with large canopy in the middle and seats beneath it. Richly decorated in the antique style., Italy, early 19th century, theater,

Ruins of the Temple of Zeus, Baalbek, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, Six standing columns rise in the right center. Bottom margin showing the creamy grounding color., USA, May 1868,

Mount Chimborazo, Ecuador, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on brown paper ?, Horizontal view of the mountain with the sky and some parts of the peak in a more finished state, while the remainder is only

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