Images at Librifly


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Houses and pear-shaped turret, James Ensor, circa 1860-1949, drawing, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
My dead mother II, James Ensor, 1915, drawing, 1915, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
A man and a woman, James Ensor, circa 1880-1890, drawing, Belgian Art
Copy to Grévin, James Ensor, circa 1860-1949, drawing, Belgian Art
Regents of the Old Men's Home in Haarlem. A figure, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art
Antique head, James Ensor, 1870, drawing, between circa 1877 and circa 1879, Belgian Art
Rembrandt's self-portrait with a wild look, James Ensor, 1880, drawing, between circa 1885 and circa 1886, Belgian Art
Resting female nude, James Ensor, circa 1880-1890, drawing, Belgian Art
Hands, ornament, James Ensor, circa 1880-1890, drawing, Belgian Art
My dead mother IV, James Ensor, 1915, drawing, 1915, Belgian Art
Portrait of a man, James Ensor, circa 1880-1890, drawing, Belgian Art
Two nudes seen from behind, James Ensor, circa 1860-1949, drawing, Belgian Art
Mother of Ensor and silhouettes, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art
The painter Edouard Manet, James Ensor, circa 1880-1890, drawing, Belgian Art
Silhouettes, James Ensor, circa 1860-1949, drawing, Belgian Art
The guitarist, James Ensor, circa 1880-1890, drawing, Belgian Art
The poet Jean Richepin, James Ensor, circa 1880-1890, drawing, Belgian Art
Figures, James Ensor, drawing, Belgian Art
House with trees, James Ensor, drawing, Belgian Art
Couple in interior, James Ensor, drawing, Belgian Art
Ornament - Lion's head, James Ensor, circa 1860-1949, drawing, Belgian Art
Chinoiserie, a bird of prey, James Ensor, circa 1880-1890, drawing, Belgian Art
Regents of the Old Men's Home in Haarlem. Hands, James Ensor, 1880, drawing, between circa 1880 and circa 1883, Belgian Art
Gentleman and waiter, James Ensor, circa 1880-1890, drawing, Belgian Art
Three Dutch peasant girls, James Ensor, circa 1860-1949, drawing, Belgian Art
Two heads and a hand, James Ensor, 1880, drawing, between circa 1886 and circa 1890, Belgian Art
Vase and flying duck, James Ensor, circa 1860-1949, drawing, Belgian Art
Old man with wavy beard, James Ensor, 1880, drawing, between circa 1880 and circa 1885, Belgian Art
Vase, spinning wheel, soldiers, women, James Ensor, drawing, Belgian Art
Insects, James Ensor, circa 1860-1949, drawing, Belgian Art
The goldsmith Jan Lutma, James Ensor, circa 1880-1890, drawing, Belgian Art
The Trustees of the Old Men's Home, one figure, James Ensor, circa 1880-1890, drawing, Belgian Art
Two stairs and a basket, James Ensor, drawing, Belgian Art
Don Quixote, James Ensor, 1870, drawing, between circa 1877 and circa 1880, Belgian Art
Baby and arm, James Ensor, drawing, between circa 1877 and circa 1879, Belgian Art
Female head and seated figure, James Ensor, drawing, Belgian Art
Stage figures, James Ensor, circa 1860-1949, drawing, Belgian Art
Portrait of a man, James Ensor, circa 1880-1890, drawing, Belgian Art
Miss Zucchi of the 'Eden', James Ensor, circa 1880-1890, drawing, Belgian Art
Still life with bottles, James Ensor, drawing, Belgian Art
Saint Barbara of Nicomedy, Jan van Eyck, 1437, drawing / painting, 1437, Belgian Art
Resting woman, James Ensor, circa 1860-1949, drawing, Belgian Art
The painter Jean François Millet, James Ensor, circa 1880-1890, drawing, Belgian Art
Chinoiserie, a seated man, James Ensor, 1885, drawing, 1885, Belgian Art
Mother of Ensor, hands and foot, James Ensor, 1880, drawing, 1880, Belgian Art
My dead mother, James Ensor, 1915, drawing, 1915, Belgian Art
Woman reading, James Ensor, circa 1860-1949, drawing, Belgian Art
Beggars receiving alms at a door of a house, James Ensor, 1880, drawing, between circa 1885 and circa 1886, Belgian Art
Male nudes, James Ensor, circa 1880-1890, drawing, Belgian Art
Two masks, James Ensor, 1880, drawing, between circa 1885 and circa 1890, Belgian Art
Sleeping child, Herman Verbrugge, 1905, drawing, Belgian Art
Woman frying pancakes, James Ensor, circa 1880 - 1949, drawing, Belgian Art
Coat rack, detail, James Ensor, circa 1860-1949, drawing, Belgian Art
Four spectators at the theater, James Ensor, circa 1880-1890, drawing, Belgian Art
Burnt Rata, William Swainson Senior, 1848, drawing
Coloured drawing of Paritutu, New Plymouth in An 1893 sketchbook, Petrus van der Velden, artist, 1893, Christchurch
Buck's Store, Stokes Valley, William Swainson Senior, 1840, drawing
Shipping scene, Petrus van der Velden, maker/artist, circa 1867-1870, drawing
Hawkeshead from the orchard, William Swainson Senior, 1840s, drawing
Mount Parnassus, Stefano della Bella, artist, 1661, etching, Born in Florence in 1610, Stefano della Bella began his career in the studio of a goldsmith, but apart from this early apprenticeship, he was basically self-taught. Before the age
Preparatory drawing for Otira painting. From An 1891 sketchbook, Petrus van der Velden, artist, 1891, Otira
Rest on the flight into Egypt., Camillo Procaccini, artist, 1587-1590, Italy, etching, Camillo Procaccini (1551-1629) was an Italian painter. He has been posthumously referred to as the 'Vasari of Lombardy' for his prolific decorative Mannerist
Black horseman, Stefano della Bella, artist, circa 1651, etching, Born in Florence in 1610, Stefano della Bella began his career in the studio of a goldsmith, but apart from this early apprenticeship, he was basically self-taught. Before the
Drawing for Punch( King and pig), Sir John Tenniel
The Duke and Duchess at Fernhill, The Drawing Room, Muir & Moodie studio, photography studio, 1901, Dunedin, gelatin dry plate process, Duke and Duchess of Cornwall & York, 1901 (future King George V and Queen Mary) arrived in Dunedin on 25
Various animals. Herdsman and bull., Adriaen van de Velde, artist, 1659, Netherlands, etching, The Dutch Golden Age artist Adriaen van de Velde (1636-72) first studied with his father Willem van de Velde the Elder, then trained with a
Totara Grove, Upper Hutt, William Swainson Senior, 1847, drawing
Holland, shipping scene, Petrus van der Velden, maker/artist, drawing
Untitled [Battle scene], Richard Westall, England, drawing
St. Mary's Abbey, York, John Cotman, artist, 1803-1805, York, St Mary's Abbey, Yorks is a fine pencil drawing of the ruins of this large abbey building surrounded by trees and other foliage. In the lower foreground is the figure of a woman
A view of Owhyhee, one of the Sandwich Islands, John Cleveley Junior, artist, 1787-88, aquatint, John Cleveley Junior bore the same name as his father, who also had artistic skills. John received lessons from Paul Sandby, Chief Drawing Master
Shipping Scene, Petrus van der Velden, maker/artist, drawing
Silver leaved fern, Hutt forest., William Swainson Senior, artist, 1848, Wellington, drawing
Shipping scene, Petrus van der Velden, maker/artist, drawing
Eaux-Fortes Modernes. Plate 173. Environs de Rix (Ain) (Environs of Rix [Ain])., Adolphe Appian, printmaker, 1865, France, etching, Adolphe Appian (born Jacques Barthelemy Adolphe Appian) was a French landscape painter and etcher. He was born
Dutch interior, Petrus van der Velden, maker/artist, drawing
The drawing class, Jan ter Borch, 1634
Portrait of a boy with a drawing book, possibly a student of the artist, Nicolas-Bernard Lépicié, c. 1772
Cherubian Children, Arthur B. Davies, American, 1862-1928, Pastel applied both wet and dry over black watercolor with touches of crayon or colored pencil, 1900, 12 x 9 1/16 in., 30.5 x 23 cm, 1900, arm in arm, boys, cherubs, children,
Philadelphia Bridge, Robert Henri, American, 1865-1929, Brown ink and graphite on off-white, medium thick, smooth wove paper, 1894, Sheet: 9 1/4 x 8 3/8 in., 23.5 x 21.3 cm, 1894, abstract, american, bridge, drawing, movement, water,
Study - Figure Subject, Several sketches of Nudes, Edward John Poynter, British, 1836-1919, Charcoal and white chalk drawing on wove paper, 14 x 15 in., 35.6 x 38.1 cm
Drawing of Fruit, Ink and colors on paper, Japan, 18th-19th century, Edo Period, 14 1/2 x 14 5/8 in., 36.8 x 37.2 cm, modern look, simplicity, still life, zen
Chancellerie, Loches, James Abbott McNeill Whistler, American, 1834-1903, Etching on paper, Sheet, trimmed to plate: 10 5/8 x 6 1/2 in., 27 x 16.5 cm, drawing
Fig-tree, Valley of Hinnom, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Ink on paper mounted on board, 1886-1887 or 1889, Sheet: 6 1/4 x 6 1/4 in., 15.9 x 15.9 cm, arid,
Unknown Woman, Thomas Wilmer Dewing, American, 1851-1938, Pastel on brown wove paper, mounted overall to pulpboard, ca. 1890, 10 7/16 x 7 1/16 in., 26.5 x 17.9 cm, 1890, american, american art, Dewing, drawing, ethereal, female,
Landscape with Two Figures, Herd of Sheep, and a Cow, Charles-Émile Jacque, French, 1813-1894, Charcoal and white chalk on laid paper, France, n.d., Sheet: 8 5/16 x 15 3/16 in., 21.1 x 38.6 cm, black and white, charcoal, cow, drawing,
The Coffee Grinder, Le Moulin à Café, Juan Gris, Spanish, 1887-1927, Charcoal on laid paper, Europe, 1911, Image: 18 3/4 x 12 1/2 in., 47.6 x 31.7 cm, cafe, chair, coffee, drawing, machine, mechanical
Spring Farm Work--Grafting, Winslow Homer, American, 1836-1910, Wood engraving, 1870, Image: 7 x 9 1/8 in., 17.8 x 23.2 cm, 19th Century, agriculture, American, branches, drawing, farm, farmer, Food and Drink, ladder, limbs, man,
Jewish Marriage Certificate, Ink on vellum, Italy, ca. 1740, 22 x 28 in., 55.9 x 71.1 cm, Calligraphy, Certificate, cherubs, document, drawing, flowers, garlands, Hebrew, italian, Jewish, Jewish Marriage Certificate, Marriage,
Study for Prayer for Death in the Desert, Elihu Vedder, American, 1836-1923, Charcoal, white chalk, pastel, and black crayon on gray-green, moderately thick, slightly textured wove paper., ca. 1867, 12 5/16 x 17 7/16 in., 31.3 x 44.3 cm,
Waiting for Aaron, Robert Frederick Blum, American, 1857-1903, Pen and brush and black and brown inks with scratching out on cream laid paper, 1880, Image: 11 x 8 in., 27.9 x 20.3 cm, bench, bonnet, drawing, fine lines, lady, love, pen
Whose Turn Is It?, A qui le tour?, Le Charivari, News of the Day, Actualités, Plate 240, Honoré Daumier, French, 1808-1879, Lithograph on wove paper, France, 1870, Image: 9 x 7 1/16 in., 22.9 x 17.9 cm, 1870, bird, drawing, fleur
Iconographic Drawing of Kayosei, One of the Seven Constellations, Hanging scroll, ink on paper, Japan, late 11th-early 12th century, Heian Period, Image: 21 5/8 x 11 1/4 in., 55 x 28.5 cm
Portrait of Minnie Clark, J. Carroll Beckwith, American, 1852-1917, Charcoal and pastel on blue-fibered, medium-weight, moderately textured laid paper, ca. 1890s, Sheet: 22 3/8 x 18 1/4 in., 56.8 x 46.4 cm, bun, charcoal, drawing, face,
Farmhouse in Brooklyn, James L. Dick, American, 1834-1868, Graphite on cream, medium-weight, smooth wove paper., November 1863, Sheet: 6 7/8 x 9 in., 17.5 x 22.9 cm, American, barn, country, countryside, drawing, farm, fine lines,
Study for 'Elijah in the Wilderness', Lord Frederick Leighton, British, 1830-1896, Drawing in crayon on Chinese wove paper, 9 7/16 x 12 9/16 in., 24 x 31.9 cm, arch, back, man, muscle, resting, stick, stretching

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