Images at Librifly

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Drawings and Prints, Drawing Ornament & Architecture, Design for an Elaborate Ceiling with Figures and Animals, Artist, Toussaint Dubreuil, French, Paris ca. 1561–1602 Paris, Dubreuil, Toussaint, French, 1561, 1602, ca. 1580–1600,

Landscape, 1809–44, Graphite, Sheet: 7/8 x 1 5/8 in. (2.2 x 4.2 cm), Drawings, Henry William Burgess (British, active 1809–44), This tiny drawing represents a river winding through tree-lined banks with hills beyond. It may be an idea for

The Shepherd, 1828, Engraving, Plate: 4 1/4 × 3 1/8 in. (10.8 × 7.9 cm), Prints, Welby Sherman (British, active 1827–1836), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Sherman belonged to 'The Ancients, ' an artistic

Wilton Album, folio 10a: Priapus and Lotis, ca. 1530–50, Etching, Sheet: 7 7/8 x 10 3/4 in. (20 x 27.3 cm), Prints, Anonymous, Italian, 16th century, Based on a drawing attributed to Parmigianino (Girolamo Francesco Maria Mazzola)

Drawings and Prints, Drawing, Wiggle Much Sketches (recto and verso), Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, ca. 1910, 1905, 1915

Plate 1: a young man sitting on a stone, facing left in profile, holding a drawing pad in his lap and a pen in his left hand, a pedestal with title to left and ruins to right in the background, title page from 'Various heads and figures'

A Sheet of Heads, late 18th–mid-19th century, Pen and brown ink, 11 7/16 x 8 1/16 in. (29 x 20.5 cm), Drawings, Mauro Gandolfi (Italian, Bologna 1764–1834 Bologna), This polished sheet with ten clustered heads is a fine example of the

Drawings and Prints, Drawing, Design for the Medal to Commemorate the Charter of 1830, Artist, Henri-Baron de Triqueti, French, 1804–1874, Triqueti, Henri-Baron de, French, 1804, 1874, 1830, 1830

Barren Coast and Slight Storm, 1794, Graphite, brush and black and gray wash, Sheet: 10 x 14 in. (25.4 x 35.6 cm), Drawings, John Glover (British, Houghton-on-the-Hill, Leicester 1767–1849 Launceston, Tasmania), Made when Glover was in

Drawings and Prints, Drawing, Man Mounting a Horse, Artist, Jacques François Joseph Swebach, French, Metz 1769–1823 Paris, Swebach, Jacques François Joseph, French, 1769, 1823, 1783, 1823

Drawings and Prints, Drawing, The Death of Socrates, Artist, Jacques Louis David, French, Paris 1748–1825 Brussels, David, Jacques Louis, French, 1748, 1825, ca. 1786, 1781, 1791

Drawings and Prints, Drawing, Christ in Limbo, Artist, Luca Penni, Italian, Florence 1500/1504–1557 Paris, Penni, Luca, Italian, 1500, 1557, ca.1547–48, 1542, 1552

Drawings and Prints, Drawing, Bust-length Portrait of Torquato Tasso, Artist, Former attribution:, Attributed to, Anonymous, French, 17th century, Federico Zuccaro (Zuccari), Italian, Sant'Angelo in Vado 1540/42–1609 Ancona, Anonymous,

Drawings and Prints, Drawing, The Proserpine at anchor in Venice, Artist, Louis François Cassas, French, Azay-le-Ferron 1756–1827 Versailles, Cassas, Louis François, French, 1756, 1827, ca. 1782, 1777, 1787

Drawings and Prints, Drawing, Beaumaris Mount, near Bangor, Wales, Artist, William Collingwood, British, Greenwich 1819–1903 Bristol, Collingwood, William, British, 1819, 1903, 1843

Drawings and Prints, Drawing, Costume Design for a Eunuch in Scheherazade, Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst, Léon, 1866, 1924, ca. 1910, 1905, 1915

The Flood, 1829, Lithograph, image: 1 11/16 x 3 in. (4.3 x 7.6 cm), Prints, Edward Calvert (British, Appledore, Devon 1799–1833 Hackney (London)), Calvert, the oldest member of the Ancients, was arguably its finest printmaker. His

Drawings and Prints, Drawing, Calligraphic Profile Portrait of George Washington, Sitter, Artist, George Washington, Pierre Jean Paul Berny de Nogen, American, 1732–1799, French, Chartres 1722–1779 Strasbourg, Washington, George,

Drawings and Prints, Drawing Ornament & Architecture, Design for a Textile Pattern, possibly for Costumes in the Ballet 'Le Dieu Bleu' (1912), Artist, Léon Bakst, Russian, Grodno 1866–1924 Paris, Bakst, Léon, 1866, 1924, ca.

Drawings and Prints, Drawing Ornament & Architecture, Design for a Ceiling with Grotesque Decoration, Artist, Francesco Bartoli, Italian, born Reggio, died 1779, Bartoli, Francesco, Italian, 1679, 1779, before 1779

Drawings and Prints, Drawing, Self-Portrait as Monsieur Prudhomme, Artist, Henry-Bonaventure Monnier, French, Paris 1799–1877 Paris, Monnier, Henry-Bonaventure, 1799, 1877, 1858, 1858

Drawings and Prints, Drawing, A Woman and a Turbaned Man in Despair with a Young Child, Artist, François Joseph Navez, Belgian, Charleroi 1787–1869 Brussels, Navez, François Joseph, Belgian, 1787, 1869, 1807–69, 1817, 1869

Drawings and Prints, Drawing Ornament & Architecture, Design for a Door, Artist, Anonymous, Flemish, early 18th century, Anonymous, Flemish, ca. 1700–1725, 1695

Landscape with Figures, 17th century, Pen and brown ink, on parchment, washed. Drawing for an engraving, 14-1/8 x 18-3/4 in. (35.9 x 47.6 cm), Drawings, Anonymous, Italian, 17th century

Drawings and Prints, Drawing, Industrial Buildings At Night, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924

Drawings and Prints, Drawing, A River Landscape with Steep Cliffs, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1912–24, 1912, 1924

Drawings and Prints, Drawing, Forest at Clisson, Artist, François-Louis Français, French, Plombieres-les-Bains 1814–1897 Plombieres-les-Bains, Français, François-Louis, French, 1851, 1934, 1890, 1890

Ideal Pastoral Life, 1829, Lithograph, image: 1 11/16 x 3 in. (4.3 x 7.6 cm), Prints, Edward Calvert (British, Appledore, Devon 1799–1833 Hackney (London)), Calvert, the oldest member of the Ancients, was arguably its finest printmaker.

Drawings and Prints, Drawing, A Gypsy Mother with Three Children, Artist, Cornelis Visscher, Dutch, Haarlem (?) 1629–1658 Amsterdam, Visscher, Cornelis, 1629, 1658, 1650s, 1650, 1659

Drawings and Prints, Print, The Goddess of Discord in the Garden of the Hesperides, from the llustrated London News, Draftsman, Artist, Engraver, After drawing by, After, Edmond Morin, Joseph Mallord William Turner, Henry Linton, French,

Drawings and Prints, Drawing; Watercolor, Kirri Cottage for Julia Jackson Davis, Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander Jackson, 1803, 1892, 1849

The Martyrdom of Saint Anastasia, 1721, Pen and brown ink, brush and pale brown wash, highlighted with white gouache, over black chalk, 20-15/16 x 15-1/16 in. (53.2 x 38.3 cm), Drawings, Michelangelo Cerruti ('Il Candelottaro') (Italian,

Plate 1: the genius of drawing, a child with wings, seated on a rock in center turned towards the right, holding a drawing pad and pen, ruins including a triumphal arch to right in the background, the title page from The Principles of Design (I

Drawings and Prints, Drawing, The Prophet Jeremiah, Artist, Sebastiano Conca, Italian, Gaeta 1676 or 1680–1764 Naples, Conca, Sebastiano, Italian, 1676, 1764, 1718, 1718

Drawings and Prints, Drawing, The Goddess Diana, Artist, Jacques Jonghelinck, Netherlandish, Antwerp 1530–1606 Antwerp, Jonghelinck, Jacques, Netherlandish, 1530, 1606, ca. 1570–80, 1570, 1580

View of Via Balbi in Genoa, ca. 1650, Pen and ink drawing with blue wash, sheet: 8 11/16 x 12 11/16 in. (22 x 32.3 cm), Drawings, Anonymous, Italian (Genoese?), 17th Century

Study for Three Trees, January 12, 1812, Graphite, soft ground etching on the verso, Sheet: 8 9/16 x 6 7/8 in. (21.8 x 17.5 cm), Drawings, John Crome (British, Norwich 1768–1821 Norwich), Crome made this drawing to create a soft-ground

Drawings and Prints, Drawing Ornament & Architecture, Chalice for the Coronation of Napoleon I, Artist, Charles Percier, French, Paris 1764–1838 Paris, Percier, Charles, French, 1764, 1838, 1804, 1804

Drawings and Prints, Drawing, Design for the Spire of the Church of Our Lady in Copenhagen, Artist, Vincents Lerche, Danish, Copenhagen 1666–1742 Copenhagen, Lerche, Vincents, Danish, 1666, 1742, ca. 1738–42, 1733, 1748

Drawings and Prints, Drawing, A Frieze of Dancing Antique Figures in a Bacchanal, Artist, Jonas Akerström, Swedish, Hälsingland 1759–1795 Rome, Akerström, Jonas, Swedish, 1759, 1795, 1788–95, 1788, 1795

Drawings and Prints, Drawing, Spanish Patriots Attacking the French Banditti – Loyal Britons Lending a Lift, Artist, James Gillray, British, Chelsea 1756–1815 London, Gillray, James, 1756, 1815, ca. 1808, 1803, 1813

Drawings and Prints, Drawing, A Monument in a Mountainous Landscape, Artist, Herbert E. Crowley, British, London 1873–1939 Zurich, Crowley, Herbert E., 1873, 1939, 1911–24, 1911, 1924

The Army of the Potomac – A Sharp-Shooter on Picket Duty – From a Painting by Winslow Homer, Esq. (Harper's Weekly, Vol. VII), November 15, 1862, Wood engraving, image: 9 1/8 x 13 3/4 in. (23.1 x 35 cm), Prints, Winslow Homer (American,

Drawings and Prints, Print, The Virgin seated in the clouds with the infant Christ, surrounded by putti, after a drawing by Reni, Artist, Publisher, After, Guido Reni, Giuseppe Zocchi, T. Bradford, Italian, Bologna 1575–1642 Bologna,

Trees by an Entrance to a Park, 1748–84, Graphite, brush and green and ochre wash, Sheet: 15 1/2 x 11 1/8 in. (39.4 x 28.3 cm), Drawings, Theodosius Forrest (British, London ca. 1728–1784 London), Forrest trained under George Lambert

Drawings and Prints, Drawing, Laban Searching for his Idols, Artist, Jan de Braij, Dutch, Haarlem ca. 1627–1697 Amsterdam, Braij, Jan de, 1622, 1697, 1667, 1667

Drawings and Prints, Drawing, Study of a Tree, Artist, Pierre Henri de Valenciennes, French, Toulouse 1750–1819 Paris, Valenciennes, Pierre Henri de, French, 1750, 1819, 1773, 1773

Genie of Drawing, 1610–64, Pen and brown ink, Sheet: 3 5/8 x 5 3/16 in. (9.2 x 13.2 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Drawings and Prints, Drawing, Design for a certificate of citizenship, awarded by the city of Vienna, Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin, 1875, 1944, 0

Desk, ca. 1902, Walnut, copper, pewter, vellum, H. 29-1/2, W. 23-2/3, D. 22-1/2 in. (74.9 x 60.1 x 57.2 cm), Furniture, Carlo Bugatti (Italian, Milan 1855–1940 Molsheim), Strikingly original, Carlo Bugatti's furniture combines the

Study for a Ceiling Decoration: Coronation of the Virgin (recto); Female Head (verso), 1680, Red chalk, brush and brown wash, highlighted with white, on brownish paper (recto); red chalk study of a female head (verso), 18 1/16 x 14 5/8in. (45.9

Drawings and Prints, Drawing, View of the West Facade of Dunkeld Cathedral, Artist, Carl Gustav Carus, German, Leipzig 1789–1869 Dresden, Carus, Carl Gustav, German, 1789, 1869, 1844 or later, 1844

Drawings and Prints, Drawing, Design for the cover of the 25th anniversary publication of the Viennese Graphic Design School (1888-1913), Artist, Erwin Puchinger, Austrian, Vienna 1875–1944 Vienna, Puchinger, Erwin, 1875, 1944, 1913,

In the Opera Box, ca. 1880, Drawing for soft ground transfer, sheet: 5 13/16 x 4 7/16 in. (14.8 x 11.3 cm), Drawings, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Drawings and Prints, Drawing Ornament & Architecture, Right Half of a Design for an Altar in Rococo Style, Artist, Anonymous, German, South Germany, 18th century, Anonymous, German, South Germany, 18th century, 1700

Drawings and Prints, Drawing Ornament & Architecture, Architectural Capriccio with an Arcade and Fountain in Point Perspective [Study for a Painting of John the Baptist before Herod], Artist, Hans Vredeman de Vries, Netherlandish, Leeuwarden

Drawings and Prints, Drawing, A Prophet Seated on a Rock, Artist, Johann Heinrich Lips, Swiss, Kloten 1758–1817 Zurich, Lips, Johann Heinrich, Swiss, 1758, 1817, 1780, 1780

Abstract Trio, 1923, Watercolor and transferred printing ink on paper, bordered with gouache and ink, mounted on cardboard, 18 7/8 × 25 3/8 in. (47.9 × 64.5 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Drawings and Prints, Drawing, Christ at Emmaus, Artist, Hans Georg Asam, German, Rott am Inn 1649–1711 Sulzbach, Asam, Hans Georg, German, 1649, 1711, ca. 1690, 1688, 1694

Drawings and Prints, Drawing Ornament & Architecture, Design for an Epitaph surmounted by a Statue of the Virgin and Child, Artist, Anonymous, Flemish, 17th century, Anonymous, Flemish, 17th century, 1600

Drawings and Prints, Drawing, Amymone (?) with a Lecherous Satyr, Artist, William Hamilton, British, London 1751–1801 London, Hamilton, William, British, 1751, 1801, 1770–80, 1770, 1780

Drawings and Prints, Book ; print, Fort Lee Landing, in: The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, No. 2, Publisher, Artist, Printer, W. H. Graham, Frances Flora Bond Palmer,

President Lincoln and His Cabinet, ca. 1861, Pen and ink, brush and wash, Sheet: 10 7/8 × 15 1/8 in. (27.6 × 38.4 cm), Drawings, Christian Schussele (American (born France), Guebwiller 1824–1879 Merchantville, New Jersey), Schussele’s

Winter Scene in Moonlight, 1869, Watercolor and gouache on white wove paper, 11 7/8 x 15 3/16 in. (30.2 x 38.6 cm), Drawings, Henry Farrer (American, London 1844–1903 New York), English-born Henry Farrer was the brother of Thomas C. Farrer,

Tiger and Cubs, ca. 1884, Oil on canvas, 29 x 36 in. (73.7 x 91.4 cm), Paintings, Jean-Léon Gérôme (French, Vesoul 1824–1904 Paris), Gérôme attributed the success of his animal paintings to his early studies at the menagerie of the

Majnun in the Wilderness, second half 16th century, Attributed to Iran, Ink, transparent watercolor, and gold on paper, H. 3 7/8 in. (9.8 cm), Codices, This drawing depicts Majnun in the desert chucking a fawn under the chin. The Arab boy

Bishop Saint in Bust-Length (Cartoon for an Altarpiece), 1503–40, Brush and brown wash over black chalk, 28-1/4 x 16-1/16 in. (71.8 x 40.8 cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Imaginary Landscape, 1543, Pen and dark brown ink and brush and grayish blue watercolor, washed in blue, heightened with brush and opaque white, on greenish blue prepared paper., 5 11/16 x 8 3/8 in. (14.4 x 21.3 cm), Drawings, Hanns

View of Jerusalem with the Temple of Solomon, 17th century, Red chalk on two attached sheets of off-white laid paper, 13 1/16 x 23 3/4 in. (33.1 x 60.3 cm), Drawings, Philippe de Champaigne (French, Brussels 1602–1674 Paris), This large,

The Realm of Neptune, from Drawing Book, 1650–56, Engraving, sheet: 5 15/16 x 9 5/8 in. (15.1 x 24.4 cm), Prints, Frederick Bloemaert (Dutch, ca. 1610–ca9), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Decorative Drawing, first half 15th century, Attributed to present-day Afghanistan, Herat, Ink, watercolor, and gold on paper, H. 5 1/2 in. (14 cm), Codices, Ornamental brush drawings with lush foliage bearing a variety of human figures,

Allegory of Avarice, Oil on canvas, 54 7/8 x 33 1/4 in. (139.4 x 84.5 cm), Paintings, Jacopo Ligozzi (Italian, Verona 1547–1627 Florence), In 1590 Ligozzi created a series of elaborate, allegorical drawings of the Seven Deadly Sins (six

Young Lovers Embracing, 16th century, Attributed to Iran, Qazvin, Watercolor, opaque watercolor, ink, silver, and gold on paper, 14 5/16 x 9 1/2in. (36.4 x 24.1cm), Codices, This album page consists of cut out panels of calligraphy in

Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right, ca. 1724–80, Pen and brown ink, brown and gray wash, 9 x 13 1/8 in. (22.8 x 33.3 cm), Drawings, Canaletto (Giovanni Antonio Canal) (Italian, Venice

Plate with seated woman reading to a child, ca. 1530, Italian, Deruta, Maiolica (tin-glazed earthenware), lustered, Overall (confirmed): 3 3/8 × 17 1/2 in. (8.6 × 44.5 cm), Ceramics-Pottery, After a print by Marco Dente (Italian, Ravenna,

Study of a Male Nude Study for 'The Death of Seneca', 1838–40, Graphite on buff Bristol board, 12 3/16 x 9 3/16 in. (31 x 23.4 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This drawing relates to The

Portrait of a Man, shortly after 1497, Oil on wood, Overall 15 5/8 x 12 1/8 in. (39.7 x 30.8 cm); painted surface 15 1/2 x 11 3/4 in. (39.4 x 29.8 cm), Paintings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517

Famous Connoisseur (Fameux Connaisseur), 1883, Crayon and pencil on graph paper., 6 5/16 x 4 5/16 in. (16 x 11 cm), Drawings, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris), Boldini experimented with landscape and genre painting, but

Interior of Saint Peter's, ca. 1758, Pen and black ink over blue, green, and rose watercolor, gray and brown wash with red chalk underdrawing., 16 3/16 x 12 5/8 in. (41.1 x 32.1 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris),

Royal Horse and Runner, 16th–17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 11 3/4 in. (29.8 cm), Codices, The drawing of the blue-gray horse, its rich saddle, and the bare, rocky landscape are in

Large Boston Public Garden Sketchbook: Design for a bicycle poster, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

元 邊魯 孔雀芙蓉圖 軸, Peacock and Hollyhocks, Yuan dynasty (1271–1368), mid-14th century, China, Hanging scroll; ink and color on silk, Image: 66 7/8 x 40 1/4 in. (169.9 x 102.2 cm), Paintings, Bian Lu (Chinese, died 1356), This

Preliminary drawing for a relief, Middle Kingdom–Early New Kingdom, Dynasty 11–18, ca. 2124–1504 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Sebeknakht, 1913–14, Limestone, H. 7.2 × W. 15.7 × D 3.4 cm (2

Three Dancers Preparing for Class, after 1878, Pastel on buff-colored wove paper, 21 1/2 x 20 1/2 in. (54.6 x 52.1 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), The seated dancer in this pastel was derived from a study dated

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall, 1922–23, Limestone, mortar, 4.2 x 4.7 x 4

Group of Warriors Standing, late 15th–early 16th century, Tip of the brush and black ink, black wash, traces of black chalk, heightened with white, on dark brown tinted paper., 9 13/16 x 6 5/16 in. (24.9 x 16.1 cm), Drawings, Circle of

Construction Drawing of a Cannon, 18th century, Western European, Pen and ink, wash and color on paper, 17 3/4 x 11 3/4 in. (45 x 29.8 cm), Works on Paper-Drawings

Drawing of Clinton Vase, ca. 1824–25, Pen and ink, brush and wash, sheet: 8 3/8 x 6 7/16 in. (21.3 x 16.4 cm), Drawings

Portrait of Madame Gabrielle Marcotte de Quivières, 1845, Graphite on white wove paper darkened to buff, mounted on stiff paper, 12 13/16 x 10 3/4 in. (32.5 x 27.3 cm); Rabbet: 22 x 16 in. (55.9 x 40.6 cm.); Overall Frame: H x W x D: 18 x 24 x 1

The Lamentation of Christ, ca. 1513, German, Pen and brush and gray brown ink., 12 3/8 x 8 13/16 in. (31.4 x 22.4 cm), Drawings, Circle of Hans Baldung Grien (German, 1484–1545), Until recently, this drawing in fragile condition was

Jug with Figure in Profile, 1420–50, Made in Florence or its vicinity, Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 7 1/2 x 5 9/16 x 4 11/16 in. (19.1 x 14.2 x 11.9 cm), Ceramics, By the 1500s Italian maiolica makers would

Portrait of the Artist's Daughter Agata Dolci, 1576–80, Red and black chalk on pale gray paper, 10 3/16 x 7 15/16in. (25.8 x 20.2cm), Drawings, Carlo Dolci (Italian, Florence 1616–1687 Florence), Early Baroque draftsmen refined

Drawing of a Ramesside King and Two Standing Figures, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Davis excavations, before 1913, Limestone, ink, 26 x 22.5 x 3.5 cm

Landscape with Road and Monument, mid-18th century–early 19th century, Pencil and pale sepia wash, 6 3/16 x 8 3/4 in. (15.7 x 22.3 cm), Drawings, Imitator of Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Long considered a

Madonna and Child Enthroned with Saints and Angels, Tempera on wood, Arched top, 110 1/2 x 69 in. (280.7 x 175.3 cm), Paintings, Francesco Botticini (Francesco di Giovanni) (Italian, Florentine, ca. 1446–1497), Botticini practiced an

Landing Place by a Town, mid-late 17th century, Black chalk with gray wash, 4 1/2 x 7 11/16 in. (11.5 x 19.5 cm), Drawings, Style of Jan van Goyen (Dutch, Leiden 1596–1656 The Hague), Although Jan van Goyen favored similar river landscapes

A Gathering at Wood's Edge, ca. 1770–73, Red chalk, 14 3/4 x 19 3/8 in. (37.5 x 49.2 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Unlike the majority of Fragonard's red chalk landscapes, made during a summer at

Kimono-Shaped Coverlet (Yogi) with Lobster and Crest, 紺木綿地海老模様夜着, Meiji period (1868–1912), mid-19th century, Japan, Plain-weave cotton, resist-dyed and painted with dyes and pigments (tsutsugaki), Overall: 67 x 58 1/4

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), 1818, Graphite on laid paper, Sheet: 11 7/8 × 8 3/4 in. (30.2 × 22.2 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), Ingres's appealing

The Principles of Ornament, or the Youth's Guide to the Drawing of Foliage, [ca. 1765], Illustrations: etching and engraving, 5 1/4 x 7 7/8 x 1/4 in. (13.4 x 20 x 0.6 cm

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