Images at Librifly search results: Engraving clear search 159.744 / 2.589.715 Entries < previous page Page 229 / 1598 next page > Plate with engraved decorations for pottery: centerpiece No 3 CHINEES BLACK, Plate of copper with engraved representations for centerpiece No 3 CHINEES BLACK, including a house, a bird and flowers. Holes drilled in three corners of the plate. The Map of the French coast near Boulogne and Picardy, 1709, Les Costes de Boulenois et de la Picardie (title on object), Map of the French coast near Boulogne and Picardy, 1709. On the left, a large compass rose. Part of a bundled collection of Portrait of William IV, 1751, Portrait of stanchion William IV in armor, oval in a stone wall. In front of the portrait a banner, helmet, helm and dagger. Below the portrait a verse by the Vlissingen poets' society 'Conamur tenues grandia'. Petit Courrier des Dames, 1828 No. 53 (574), Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, 1828, paper, engraving Soldier with a helm grabbing his fuse (no. 5), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 5), c. 1600. In his left hand, in addition to the rudder, there is a burning Soldier, seen from behind, holding his spear with his right hand upright (no. 7), c. 1600, A soldier, full-length, seen from behind, holding a spear (lance) with his right hand upright (no. 7), c. 1600. This is the third action for bringing Right side of the room with the mausoleum of Prince William IV, 1751, Representation Geometrale du Côte Droit (...), Measuring picture of the Regter Side of the Room, and the Left Side of the Prairie Bed, with the Profile of 't Lyk zynder Journal des Dames et des Modes, Frankfurt edition 18 septembre 1808, Costume Parisien (38), The accompanying text (p. 317 and 318) states: Fig. 1: 'Voile de Bayadère' , front and back; Fig. 2: White straw hat with ribbons .The print is part of Cabinet des Modes ou les Modes Nouvelles, 1 Septembre 1786, pl. III, Court Gown. According to the accompanying text, the woman is wearing a court gown, consisting of a bodice of pink taffeta and a skirt of apple-green taffeta. On top is a Soldier on guard pressing his fuse on the cock of his helm (no. 40), c. 1600, A soldier on guard, full-length, to the right, holding a helm (a particular type of firearm) with his left hand (no. 40), c. 1600. With his right hand, he is Soldier carrying his spear on his right shoulder, the point directed obliquely to the ground (no. 11), c. 1600, A soldier, full-length, to the right, carrying a spear (lance) on his right shoulder, the point directed obliquely to the ground The French dwarf Madame Palatinelle, c. 1710, Madame Palatinelle, in der grossen Galla Hauben, Mantille und Cul de Paris auffgepützt (title on object), Il Callotto resurcitato oder Neu eingerichtes Zwerchen Cabinet (series title), The French Journal des Dames et des Modes, Frankfurt edition 1 décembre 1806, Costume Parisien (49): Chapeau de Paille Noire. Colerette de Tule. Redingote de Drap., According to the accompanying text (p. 263): Black straw hat, decorated with a white Soldier pushing powder and bullet into the barrel of his musket with his ramrod (no. 27), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand near his left thigh and bringing his ramrod The exercise with shield and spear: the soldier in a defensive posture with one foot forward and with his rapier and shield on the knee in front of the body, seen from the front (no. 22), 1618, The exercise with shield and spear: the soldier in a Woman engraving names in a tree, probably Gesina herself scratching her motto Virtue Makes Beauty in the tree, with a reference to her heartthrob, Henrik Jordis., draughtsman: Gesina ter Borch (signed by artist), Zwolle, 1661, paper, Sculpture of a boy with a thorn in his foot, Spinario, Simulacrum aeneum Romae in capitolo (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Map and cross-section of the citadel of Tournai, 1709, Plan De la Citadelle de Tournay Avec ses Galeries et Contre-mines, et les Attaques de Mr. le General Schulenborg (title on object), Map and cross-section of the citadel of Tournai (Tournai), Four Arms, Four representations on an album leaf. These are four arms. Second is the coat of arms of the Republic of the Seven United Netherlands. At the bottom the coat of arms of the Bicker family. The prints are part of an album., print maker: Petit Courrier des Dames, 1829 (697), Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, 1829, paper, engraving Soldier sliding his ramrod into the holder under the barrel of his musket (no. 30), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with his left hand near his left thigh and sliding the ramrod into Elegantia, or magazine of fashion, luxury and taste for ladies, October 1808, No. 58: Capote de Taffetas..., According to the accompanying text (p. 320): gown of yellow 'lévantine. 'Tablier' (apron) of muslin. Capote of yellow silk with Three women and a child , dressed according to the Flemish fashion of ca. 1580, Donna di traietto alla mosa, Donne di huno castello nella belgica (title on object), On the left a woman with child in hand grabbing a rabbit by the ears. In the Stiffener and chamberlain, D Gillemette, Empeseuse, Anne fille de chambre M.D.C. (title on object), Les abus du mariage (series title), Two representations on an album leaf. On the left the fictitious portrait of a stiffener named Willemijn. She Petit Courrier des Dames, 1828 (539), Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, 1828, paper, engraving Soldier pushing powder and bullet into the barrel of his helm with his ramrod (no. 26), c. 1600, A soldier, full-length, to the right, holding a helm (a certain type of firearm) with his left hand near his left thigh and bringing his ramrod into Photoreproduction of a painting of a girl on a swing by Paul Delaroche, Jeune fille à la balançoire (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on object), Paris, c. 1853 - in or before The exercise with shield and spear: the soldier presents his rapier with hand not higher than his face (no. 19), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieuwe The exercise with shield and spear: the soldier puts his rapier back in the scabbard (no. 24), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieuwe ordening [of, Ornamental cartouche with dedication to the painter Francesco Crescenzi, Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on object), Ornamental cartouche with at bottom two men Portraits of two unknown high-ranking women, both as shepherdesses, Amolosa CS., Deboreda V.D.V.A. (title on object), Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres. (series title), Two The dwarf Gertraud Knörtzlin, c. 1710, Gertraud Knörtzlin, Baijerische Diern (title on object), Il Callotto resurcitato oder Neu eingerichtes Zwerchen Cabinet (series title), The Bavarian dwarf Gertraud Knörtzlin, in one hand a cleaver and a Sculpture of a shepherd, Pastoris signum marmoreum Romae inuilla Iuly iii Pont. Max (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series title), Caption in Soldier raising his spear forward by transferring his right hand from the point to the foot of the weapon (no. 23), c. 1600, A soldier, full-length, to the right, raising his spear (lance) forward by transferring his right hand from the point to Soldier laying his musket on his shoulder with his right hand (no. 33), c. 1600, A soldier, full-length, to the right, laying a musket (a particular type of firearm) on his left shoulder with his right hand, the barrel pointing diagonally Elegantia, or magazine of fashion, luxury and taste for ladies, April 1808, No. 43: Robe de Parure..., According to the accompanying text (p. 128): Dressed gown of white satin garnished with tulle and ribbons 'de Violettes and Touffe'.Long Elegantia, or magazine of fashion, luxury, and taste for ladies, April 1809, t.o.p. 124 : Elegant window drapery, According to the accompanying text (p. 124): 'Objects of taste'. An elegant window drapery 'à relief croisé', of rose red Cabinet des Modes ou les Modes Nouvelles, 1 Avril 1786, pl. II, Two female busts. The description of the accompanying text reads: the woman on the right wears an apple green 'Pierrot' and on the head a black hat 'à la Maltoise', trimmed with a Sculpture of the Lupa Capitolina suckling the twins Romulus and Remus, Lupae Romulum et Remum lactatis imago Romae in Capito (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis Soldier holding a rudder sliding his right hand to the end of his ramrod (no. 28), ca. 1600, A soldier, full-length, to the right, holding a rudder (a certain type of firearm) with his left hand near his left thigh and bringing his right hand to Several of the principal types of entrenchments and fortifications, 1624-1625, Variae majorum castellorum figurae (title on object), Five examples of the principal types of entrenchments and fortifications, in use during the siege of Breda by the Soldier with a rudder opening his powder horn (no. 22), c. 1600, A soldier, full-length, to the right, holding a rudder (a certain type of firearm) with his left hand near his left thigh, the barrel pointing diagonally upward (no. 22), c. Soldier placing his furket under his musket (No. 11), c. 1600, A soldier, full-length, to the right, holding a musket (a certain type of firearm) with the right hand pointed diagonally upward, while placing a furket (musket fork) under the Photoreproduction of an engraving of the battle of Huy in 1595, anonymous, anonymous, Netherlands, 1850 - 1900, photographic support, cardboard, albumen print, height 60 mm × width 79 mmheight 62 mm × width 104 mm Title page for a French edition of Jacob de Gheyns Wapenhandelinghe van Roers Musquetten ende spiessen, 1608, Maniement d'armes, d'arquebuses, mousquetz et piques : en conformité de l'ordre de Mour le Prince Maurice, Prince d'Orange (...) Journal des Dames et des Modes, Frankfurt edition 23 octobre 1808, Costume Parisien (43), The accompanying text (p. 102) states: Fig 1: Capote of taffeta 'à liserés.' 'Tablier' of muslin on a 'robe de Lévantine'. Necklace of coral. White long Arrival of the wounded prince Willem George Frederik in Rotterdam, 1793, Arrival of H.D.H. Willem George Fredrik of Orange, in Rotterdam, after his injury, den 15. September 1793 (title on object), Arrival of Willem George Frederik, prince of Three times the coat of arms of Amsterdam, Three representations on an album page. The prints are part of an album., print maker: anonymous, 1600 - 1699 and/or 1648, paper, engraving, height 383 mm × width 310 mm Sculpture of Emperor Commodus as gladiator, Comodo inperatoris effigies in habitu glariatoris (...) (title on object), Antique sculptures in Rome (series title), Antiquarum statuarum urbis Romae quae in publicis locis visuntur icones (series Soldier holding his musket with his right hand upright, in his left hand the furket to place his weapon on (no. 4), c. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) with his right hand, the barrel Six coats of arms and a rederic blazon, Seven representations on an album leaf. Top center a coat of arms related to the Van Egmond family of Nijenburg. Next to it a shield with a palm branch, and a parrot as helmet sign. The shield in the middle Lemmer, ca. 1790T' Dorp De Lemmer, Vue du Village le Lemmer (title on object), View of the port of Lemmer, ca. 1790. Part of a plate work from c. 1824-1825 containing 74 (unnumbered) plates of the most important topographical views and various Soldier holding his spear with both hands upright in front of him high above the ground (no. 5), c. 1600, A soldier, full-length, to the right, holding a spear (lance) with both hands upright in front of him high above the ground (no. 5), c. The dwarf Iupanschku Ferenz, c. 1710, Iupanschku Ferenz, Richter auß der Raubau, führnehmer Ochßen Iubilir, und Vice Admiral der Ungrischen Heü Flotta (title on object), Il Callotto resurcitato oder Neu eingerichtes Zwerchen Cabinet (series Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (599) Chapeau de Velours. Fichu Tournant. Capote de Drap., Woman to the left, in a redingote of cloth, wearing a 'fichu tournant'. On the head a hat of velvet. Red scarf, gloves, Journal des Dames et des Modes, Frankfurt edition 9 octobre 1808, Costume Parisien (41), The accompanying text (p. 52) states: Fig. 1: Small hat of taffeta 'à liserés et double bande froncée'. Necklace of amber. Gown and belt of percale. Yellow The Zaan near Wormerveer, ca. 1790, Wormerveer from the Poelsluis, Wormerveer aupres du Saan (title on object), View from the Poelsluis of the many windmills on the Zaan near Wormerveer, ca. 1790. Part of a plate work from c. 1824-1825 with 74 Photoreproduction of an engraving of the interior of the Cathedral of Barcelona, Cathédrale, Barcelone (title on object), anonymous, anonymous, 1855 - 1885, cardboard, paper, albumen print, height 104 mm × width 61 mm Petit Courrier des Dames, 1829 (614), Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, 1829, paper, engraving Soldier holding a rudder sliding his right hand to the end of his ramrod (no. 28), c. 1600, A soldier, full-length, to the right, holding a rudder (a particular type of firearm) with his left hand near his left thigh and bringing his right hand French troops leave Landrecy, 1794, Exit of the French Troops from Landrecies den 11 Mey 1794 (title on object), The French troops are leaving Landrecy after the surrender of the city on May 11, 1794. In the foreground, Austrian troops look on. Spanish peasant woman, Diversarum gentium nostrae aetatis habitus (series title), Spanish peasant woman (Hispania rustica), to the right. Untitled print from album 'Diversarum gentium nostrae aetatis habitus'., print maker: Enea Vico, Venice, Plan of the citadel of Lille, 1708, Plan de la citadelle de Lille. Laquelle, apres que la ville fut prise le 22. octobre, on a aussi commencé d'attaquer (...) (title on object), Map of the citadel of Lille (Rijssel), besieged from October 22 Citizen's wife and matchmaker, J.E. Bourgoise, de la rue S.D., La Picarde Macquerelle (title on object), Les abus du mariage (series title), Two representations on an album leaf. On the left, the fictional portrait of a middle-class woman from Portraits of Berta E.L.O. of Amsterdam and Hanna C. of Amsterdam, both as shepherdess, Telobera. N.AM.T.L.A., Channa Amst. (title on object), Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres. The poetical works of Henry Wadsworth Longfellow including recent poems and illustrated memoir (title on object), Henry Wadsworth Longfellow (mentioned on object), publisher: Frederick Warne and Co. (mentioned on object), London, 1889, Odysseus and Calypso, Les Travaux d'Ulysse (series title), The Works of Odysseus (series title), On the left in the background Odysseus manages to save himself from the sea monster Charybdis by clinging to a fig tree. On the right, Odysseus is Map of the surroundings of Den Bosch, 1629, Tabula Ditionis Sylvae Ducensis (title on object), Map of the surroundings of Den Bosch, 1629. At top Breda, at bottom Mook., print maker: Francoys Huys (mentioned on object), publisher: Elzevier Soldier carrying his spear with both hands by his right side, the point directed diagonally upward and near his belly (no. 20), c. 1600, A soldier, full-length, to the right, carrying his spear (lance) with both hands by his right side, the Cabinet des Modes ou les Modes Nouvelles, 1 Mai 1786, pl. I, Four women's heads in frames, wearing different hats. According to the accompanying text: Fig. 1: Hat with a broadly projecting brim of pink pleated taffeta, trimmed with a fringe of Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (642) Bonnet de Dentelle..., Young woman., with one leg leaning on a chair, seen from the back. She wears a purple gown with short puff sleeves and a white fichu that turns into Plate with engraved decorations for an earthenware plate with the decor ORIENTAL, Plate of copper with engraved representations for a plate with the decor ORIENTAL, and the corresponding factory stamps. On the upper right the text: BORD R 8 Dm. The Map of the province of Namur, ca. 1706-1712, Carte particuliere des environs de Namur, Huy, Dinant, Philippeville, etc. (title on object), Map of the province of Namur with the towns of Namur, Huy, Dinant and Philippeville, ca. 1706-1712. The exercise with shield and spear: the soldier brings the shield back on his back with his left arm (no. 26), 1618, De Nassausche Wapen-Handelinge, van Schilt, Spies, Rappier ende Targe : beyde figuerlick afgebeelt, ende gestelt na de nieuwe Elegantia, or magazine of fashion, luxury and taste for ladies, February 1808, No. 37: Diadême de Fleurs et Argent, ..., According to the accompanying text (p. 64): A partially raised gown, garnished with foliage (?). Diadem of flowers and The exercise with the targe and rapier: the soldier loosens his hand from the belt of the targe, (no. 12), 1618, The exercise with the targe and rapier: the soldier loosens his hand from the belt of the targe, 1618. Part of the illustrations in: Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (614) Fichu à la Cyrus..., Woman to the right, dressed in a beige long gown with train, with embroidered plant motif (broderie transversale) Fichu à la Cyrus. White long gloves, Soldier holding his helm with his left hand by his right (no. 4), c. 1600, A soldier, full-length, to the right, holding a helm (a certain type of firearm) with his left hand by his right (no. 4), c. 1600. In his left hand, in addition to the Three vignettes with coats of arms, Three representations on an album page. At top a shield with a winged eagle's paw on a pile of books and papers, flanked by the personifications of Prudence (with mirror and serpent) and Justice (with fasces). Grote Markt in Rotterdam, ca. 1790, Groote Markt, in Rotterdam, Grand Marché et Statue d'Erasme à Rotterdam (title on object), View of the Grote Markt with the statue of Erasmus, in Rotterdam, ca. 1790. Part of a plate work from c. 1824-1825 Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (619) Chapeau de Velours, à Liserets de Velours, Woman to the left, on the head a hat of velvet with a dark piping of velvet. She wears a coat with lapel, dark lapels, shoulder Soldier carrying his helm on his shoulder (no. 33), c. 1600, A soldier, full-length, to the right, holding a helm (a particular type of firearm) resting on his left shoulder. In his left hand, in addition to the butt of the rudder, he also Stained glass windows in the Oude Kerk in Amsterdam, 1810-1825, Représentation des fameuses Vitres peintes de l'Eglise vieille (title on object), Three stained glass windows in the Oude Kerk in Amsterdam, ca. 1810-1825. Part of a plate work from Three women and children, dressed in rural Italian clothing, ca. 1580, Donna velitrana, Donna nottonnese, Donna matriciana (title on object), Print no. 20 from album 'Dei veri ritratti degl'habiti di tvtte le parti del mondo intagliati in rame Soldier holding his musket with his right hand upright, in his left hand the furket to place his weapon on (No. 4), ca. 1600, A soldier, full-length, to the right, holding a musket (a particular type of firearm) with his right hand, the barrel Portraits of an unknown woman and Anna Maria van Schurman, both as shepherdesses, Felicea N.Z.L.D.A., Apollinea N.S.M.A. (title on object), Les vrais pourtraits de quelques unes des plus grandes dames de la chrestiente desguisees en bergeres. Title page for Jacob de Gheyns Wapenhandelinghe van Roers Musquetten en speiessen, 1607, Wapenhandelinghe van roers, musquetten en speiessen achtervolgende de ordre van (...) Maurits Prince van Orangie (...) Figuirlyck wtgebeelt, by Jacob de Odysseus gives his arms to Eumaeus, Les Travaux d'Ulysse (series title), The works of Odysseus (series title), Odysseus, his son Telemachus, Eumaeus and Philoetius arrive hidden under a dark cloud at the residence of Laërtes. Odysseus gives his Photographic reproduction of an engraving of the meeting of Orange, Horne, Egmond, Hoogstraten and Louis of Nassau at Dendermonde on 3 October 1566, anonymous, anonymous, Netherlands, 1850 - 1900, photographic support, cardboard, albumen Réunion des Tuileries au Louvre, album 2Réunion des Tuileries au Louvre, tome II (title on object), Réunion des Tuileries au Louvre 1852-1857. Recueil de photographies publié par ordre de s. exc. mr. Achille Fould, ministre d'état et de la Photoreproduction of a painting of Christ supporting the poor by Paul Delaroche, Le Christ, espoir et soutien des affligés (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on object), Paris, Elegantia, or magazine of fashion, luxury and taste for ladies, February 1809, No. 71: Turban and Gaze..., According to the accompanying text (p. 64): White satin gown garnished with silver and tulle. Turban of silver mesh. Print from the Two arms and a marriage medal, Three representations on an album page. At top a cartouche with three ox heads to the right. At bottom a damsel with a shield with three ears of corn. The representation in the center is printed from a wedding medal. Photoreproduction of the engraving Le lattis du jardin, Le lattis du jardin (title on object), Edmond Fierlants, Hieronymus Wierix, c. 1855 - in or before 1860, paper, albumen print, height 81 mm × width 62 mm Horse from Tuscany, Tuscus (title on object), Equile, in quo omnis generis generosissi: morum equorum ex varijs orbis partibus insignis delectus (...) (series title on object), A Tuscan prancing horse. In the background a walled city in a valley. Petit Courrier des Dames, 1829 no. 648, Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, printer: Dondey-Dupré, Paris, 1829, paper, engraving Petit Courrier des Dames, 1827 (461), Print from the fashion magazine Petit Courrier des Dames (1821-1868)., print maker: anonymous, 1827, paper, engraving Photoreproduction of a painting of Galileo Galilei by Paul Delaroche, Galilée (title on object), Robert Jefferson Bingham (mentioned on object), after: Paul Delaroche (mentioned on object), Paris, c. 1853 - in or before 1858, paper, albumen Elegantia, or magazine of fashion, luxury and taste for ladies, July 1808, No. 50: 1. Capotes de Lingére..., According to the accompanying text (p. 224): Thirteen different models of 'capotes', hats and 'cornettes' 'according to the new Réunion des Tuileries au Louvre, album 3Réunion des Tuileries au Louvre, tome III (title on object), Réunion des Tuileries au Louvre 1852-1857. Recueil de photographies publié par ordre de s. exc. mr. Achille Fould, ministre d'état et de la search results: Engraving clear search 159.744 / 2.589.715 Entries < previous page Page 229 / 1598 next page >